State Champ Radio

by DJ Frosty

Current track

Title

Artist

Current show

State Champ Radio Mix

12:00 am 12:00 pm

Current show

State Champ Radio Mix

12:00 am 12:00 pm


Culture

Page: 538

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.
The third and final season of Ted Lasso premieres on Apple TV+ on Wednesday (March 15). Season three finds “the newly promoted” AFC Richmond facing “mockery as pundits predict they’ll finish dead last this season,” according to Apple TV+.

The cast includes Jason Sudeikis, Hannah Waddingham, Brett Goldstein, Juno Temple, Phil Dunster, Brendan Hunt, Ellie Taylor, Jeremy Swift, Nick Mohammed, Sam Richardson, Cristo Fernández, Anthony Head, James Lance, Toheeb Jimoh, Sarah Niles and Jodi Balfour.

Sudeikis confirmed that the Emmy-winning series will end after its third season. “This is the end of this story that we wanted to tell, that we were hoping to tell, that we loved to tell,” Sudeikis told Deadline.

“The fact that folks will want more and are curious beyond more than what they don’t even know yet —that being season three — it’s flattering. Maybe by May 31, once all 12 episodes of the season [have been released], they’re like, ‘Man, you know what, we get it, we’re fine. We don’t need anymore, we got it.’ But until that time comes, I will appreciate the curiosity beyond what we’ve come up with so far.”

Read on for details on how to watch Ted Lasso.

How to Watch Ted Lasso Season 3 on Apple TV+

The first episode of Ted Lasso season three drops on Apple TV+ on March 15. New episodes will premiere Wednesdays.

Not subscribed? Apple TV+ is $6.99 a month after a one-week free trial. If you’re looking for ways to save, get three months free with the purchase of an eligible Apple device or a free month trial when you sign up for Apple One, which bundles Apple TV+ with up to five other service. 

Apple TV+ $6.99/month

Stream Ted Lasso and other Apple Originals including Shrinking, Loot, Black Bird, Severance, Dear…, Carpoole Karaoke: The Series, Tetris, The Problem with John Stewart, Bad Sisters, The Reluctant Traveler, Schmigadoon!, The Morning Show and the romantic comedy Ghosted out April 21.

Love sports? You can also stream Major League Soccer and Major League Baseball on Apple TV+. And if you’re in need of more streaming deals, T-Mobile offers a one-year free trial to Apple TV+ for qualifying customers, and Best Buy offers a three-month trial with select purchases.

Apple TV+ is available on Apple TV app, iPhone, iPad, Macbook and other computers in addition to Android smartphones and smart TVs along with streaming devices such as Samsung, LG, Sony, VIZIO, TCL, Toshiba, Roku, Fire TV, Google TV and more. Apple TV+ is available on PayStation and Xbox gaming consoles as well.

Watch the trailer for Ted Lasso season three below.

Kelly Clarkson just put an end to Blake Shelton‘s fibbing. After the country crooner told one lie too many while speaking to a contestant on the Tuesday (March 14) episode of The Voice, his fellow judge made him take a lie-detector test — and he definitely didn’t pass.
It all started when Shelton fudged details of his athletic ability after hopeful Chloe Abbott revealed she’s a runner currently training for the Olympics. “I’ve been training for the U.S. curling team for a couple years now,” he said, earning disbelieving laughs from fellow judges Niall Horan and Chance the Rapper. “I just didn’t know how much different it is for track and field.”

Clarkson, however, wasn’t having it. “Is anybody else just sick of Blake lying?” she said, before instructing host Carson Daly to bring out a lie-detector machine.

One of the first things the “Stronger” singer wanted to know after Shelton was hooked up to the machine was whether he’d used a secret block on Clarkson. “I still don’t think that was me,” he replied, before getting exposed almost immediately by a flashing red “FALSE” sign.

“Am I truly your favorite coach?” Clarkson followed up.

“Absolutely,” he answered. But once again, he was deemed a liar by the equipment. “This thing doesn’t work!”

Clarkson gave Shelton a pass for that question, though, as the country star’s own wife, Gwen Stefani, was previously a Voice coach. But that’s when Daly went in with a below-belt question regarding the “God’s Country” singer’s pop-star spouse.

“Did Gwen marry you out of sheer pity?” Daly asked, to which Shelton finally answered honestly, “Probably.”

The OG Voice coach is currently competing for his last shot at winning, as he previously announced that this season would be his last on the show. With nine victories up his sleeve, the musician is the only coach to have been on the judges panel for all 23 seasons thus far of the competition series.

Watch Blake Shelton fail a lie detector test on The Voice above.

It’s fair to say that the early signs for Ted Lasso weren’t particularly promising. For one thing, it was adapted from a commercial – specifically, a 2013 ad for NBC Sports. (Remember how TV shows based around the Geico Cavemen and FreeInternet.com’s Baby Bob turned out?). And its concept – an American football coach trying his hand at Premier League soccer without even a basic grasp of the English game – suggested the sitcom would be a clumsy mix of broad, boorish comedy and tired culture-clash tropes.

Instead, the Jason Sudeikis vehicle became the jewel in Apple TV+’s crown, a favorite at both the Golden Globes and the Emmy Awards. For many people in the early stages of the pandemic, it was a prime source of feel-good entertainment that pretty much restored their faith in humanity. Alongside Roy Kent’s constant grunts, Jamie Tartt’s himbo antics and the titular character’s eternal optimism, its soundtrack was an integral part of its success. And we’re not talking about the inspired needle drops, either.

Ted Lasso almost rivaled its home network’s Broadway homage Schmigadoon! for musical set pieces during its first 22 episodes, with several characters bursting into song at the drop of a hat or busting moves in the unlikeliest of places. It even found the time to replicate a highly choreographed routine to a turn-of-the-century boy band’s classic hit.

With the adventures of the fictional AFC Richmond continuing on a newly released third season, here’s a look at nine of the resolutely heart-warming show’s greatest music moments.

Miming to Phil Collins (Season 2, Episode 10)

Turns out that Ted Lasso has something in common with American Psycho’s Patrick Bateman. Thankfully, it’s not a love of chainsaw-wielding serial killing, but a fondness for the master of ‘80s adult contemporary pop. Here, the fish out of water firmly gets his groove on to Collins while getting suited up for the funeral of Rebecca’s father. Sadly, the sound of the Phil Collins/Phil Bailey duet “Easy Lover” can’t prevent the anxiety attack that makes the normally dependable coach several minutes late.

Ted covers Kenny Rogers (Season 1, Episode 2)

Ted Lasso cleverly uses music to develop characterizations. Who can forget the dorky Colin reciting the lines to Drake’s “Jumpman,” earning the respect of his cooler teammates in the process? Or when Higgins shared the romantic story of why his ringtone is The Rolling Stones’ “She’s a Rainbow”? Early on, Ted tries to break down Rebecca’s barriers with a discussion about their first concerts. It doesn’t exactly work, but we do learn that they’re fans of Kenny Rogers and Spice Girls, respectively, with the coach even throwing in a bit of “The Gambler” for good measure.

The street performer (Season 1, Episode 4)

Ted Lasso thrives on showing the good in mankind. But we’re still not quite sure that a crowd who’d paid good money to see chart-topping superstar (well, in the U.K. at least) Robbie Williams would be quite so understanding that he’d been replaced by someone literally pulled off the streets. But there’s no denying that dreadlocked Cam Cole – a real-life one-man-band who’s apparently been a staple of the Camden Town busking scene for years – tears the charity function’s roof off with his raucous brand of grungy blues.

Jazz scatting (Season 2, Episode 7)

Not every Ted Lasso musical moment has to drive the narrative. In one of its daftest scenes, Rebecca, Higgins and Keeley try to hide the fact they’ve been talking about Roy and (to paraphrase Destiny’s Child) scat some jazz when he suddenly enters the room. The AFC Richmond hardman seems entirely nonplussed anyway when his girlfriend admits that he’d just been the topic of conversation. But that doesn’t stop Higgins and Rebecca from continuing to commit to the cover-up as the club’s power couple walks away. They sounded pretty harmonious, too.

Coach Beard’s hula hooping (Season 2, Episode 9)

Bottle episode “Beard After Hours” is undoubtedly Ted Lasso’s most divisive, with some praising it as an inventive palate cleanser which allowed the show to deviate from its “aww, shucks” template and others dismissing it as self-indulgent filler which proved that Coach Beard is best in small doses. Whatever your view, it’s still hard to resist the anthemic nightclub finale in which Ted’s typically deadpan sidekick loses all inhibitions and throws some shapes, including some impressive hula hooping, to the joyous sounds of Martin Solveig’s early ’10s club classic “Hello.”

The karaoke session (Season 1, Episode 7)

You get three Ted Lasso performances for the price of one in this karaoke scene, albeit of varying quality. Sam’s tone-deaf rendition of Oasis’ “Wonderwall” proves he shouldn’t give up the day job, while we can only be thankful that Coach Beard’s demented take on Lady Gaga’s “Bad Romance” was restricted to just a few seconds. On the other hand, Rebecca’s pitch-perfect version of “Let It Go” — adorably mimed along to by unlikely Frozen fan Roy — revealed that actress Hannah Waddingham is truly a double threat.

The Christmas sing-along (Season 2, Episode 4)

A show as inherently warm and fuzzy as Ted Lasso was always going to master the festive sing-along. And season two’s “Carol of the Bells” didn’t disappoint, throwing in a busker’s rendition of Wham!’s “Last Christmas” before allowing Waddingham to show off her impressive pipes again during a snow-capped street party. Rebecca channels Darlene Love with a powerhouse version of “Christmas (Baby Please Come Home)” that even inspires Higgins to bring out his double bass. Waddingham is seriously missing a move if she doesn’t record a holiday album soon.

The “Bye Bye Bye” dance routine (Season 2, Episode 11)

“It’s like I’m a marionette,” barks Ted during a training session amid AFC Richmond’s quest for promotion. “That’s why the song’s on the album No Strings Attached.” Here, the exasperated coach appears to be more invested in the team nailing their routine to *NSYNC’s “Bye Bye Bye” than securing a route back to the Premier League. Of course, the usually mild-mannered man has altruistic intentions: he simply wants to thank departing psychologist Sharon with a burst of early ‘00s boy band magic. Sudeikis’ moves are so on point here that Chasez, Bass and co. should perhaps think of tapping him as a Timberlake replacement.

The Rickroll (Season 2, Episode 10)

Who knew that Rick Astley’s “Never Gonna Give You Up” had the capacity to reduce you to tears? While struggling to find the right words to say while eulogizing the father she had mixed feelings toward, Rebecca turns to the shimmying ‘80s pop star for comfort. It takes a while for the grief-stricken chairwoman to get into her stride, but she even ends up committing to the Rickroll track’s call-and-response as the rest of the funeral congregation joins in. It’s the kind of beautifully bittersweet moment that Ted Lasso does so well.

When a star is born, grab your sunglasses and step out the way.
Kate Cosentino, a 23-year-old talent from Kansas City, shone bright when she stepped onto NBC’s The Voice stage Tuesday night (March 14), for her Blind Audition.

It was a starry performance, judge Niall Horan would go on to say. He should know when he sees one.

Explore

See latest videos, charts and news

See latest videos, charts and news

Cosentino covered Dionne Warwick‘s “I Say a Little Prayer,” doing so in her own pace, stripped down, and with an electric guitar. Though her outfit screamed “clown couture” (her words), Cosentino’s played with no fuss, going with a finger-picking jazzy style, and without overriding effects.

Kelly Clarkson turned first and led a domino effect, as Chance the Rapper and Horan swiftly fell for her charms.

“Amazing,” Chance said at the wrap. “You got such a cool vibe to you.” The hip-hop star paid tribute to her “full voice” which carries a “lot of joy that comes out of it.”

Clarkson moved. “You have such a pretty alto register,” said the country-pop star, “kind of like lullaby-ish. You really could go so many places.”

And with that, the sales-pitch was on.

Horan didn’t muck about. He opened strong: “Would you like to be on my team?” Her choice of song was an indication of high quality and standards. “You could go all the way. You’ve given us this really really famous massive hit that’s really tough to sing. There’s an already-made star in there. You’ve got this Italian confidence.”

Will this star being a shooting one, will it go supernova, or light the canopy for years to come

We’ll wait and watch. In the meantime, Horan will guide the artist into the next phase of the talent competition.

Watch below.

While Lil Nas X is well-known for being a comedic firebrand on social media, even the “Montero” rapper is ready to admit that a recent joke went a bit too far.

In a tweet posted on Wednesday (March 14), Lil Nas X offered an apology to the trans community after the rapper made a joke that he had transitioned. “apologies to the trans community i def handled that situation with anger instead of considering why it was not cool,” he wrote. “much love to you guys. sorry.”

The “That’s What I Want” singer was responding to critics of a since-deleted tweet, in which the rapper posted a photo of a woman bearing a slight resemblance to him. Captioning the post, Lil Nas appeared to claim that he had transitioned, writing, “The surgery was a success” next to a heart emoji. Many of the rapper’s followers quickly called out his post for being insensitive to a community that is currently being attacked by state legislatures around the U.S. with over 400 anti-trans bills currently in circulation.

While Lil Nas X officially apologized, he had choice words for one fan who asked him to do more. When told over Twitter that his apology was “fake as hell” and that he needed to show support for the community “in material ways that include money, sharing your platform to raise a [sic] awareness,” Lil Nas X quote tweeted the user, simply writing, “girl eat my a–.”

Representatives for Lil Nas X have not yet respond to Billboard‘s request for further comment.

The latest tweets come after a series of teasers from the star back in February, where he claimed that the follow-up to his debut album Montero could arrive as early as this summer. “it’s mostly planning now,” he wrote at the time. “i could easily just release music but i have to build moments around this s–t. i have to go bigger than before!”

Check out Lil Nas X’s apology tweet below:

apologies to the trans community i def handled that situation with anger instead of considering why it was not cool. much love to you guys. sorry— i am reading all that (@LilNasX) March 14, 2023

Good news, Arianators: The first part of Jon M. Chu’s Wicked adaptation will be premiering in theaters a month earlier than expected, the directorannounced on Tuesday (March 14).

Chu excitedly shared the news via Instagram, writing that he and his team were “deep into shooting WICKED here in London” before officially announcing the new release date. “Bring the family, bring your friends…it’s going to be a ride!!! appreciate all your support through this long production process. Shooting two movies at once is no small feat.”

The film version of the hit Broadway musical — which will star Ariana Grande as Glinda and Cynthia Erivo as Elphaba — was initially meant to hit theaters on Christmas Day of next year (Dec. 25, 2024). But in the spirit of giving thanks, Wicked Part 1 is now set to be released next Thanksgiving (Nov. 27, 2024), meaning that fans can catch the film one month sooner.

Sources told The Hollywood Reporter that the original release date was pushed up reportedly in order to help the film “build an audience over the year-end holidays,” while also remaining “beneficial from a consumer products standpoint.”

Michelle Yeoh, Jonathan Bailey, Jeff Goldblum, Keala Settle, Bowen Yang, Ethan Slater and others are also set to star in the film. Yeoh, who took home the Academy Award for best actress on Sunday (March 12), said earlier this year that she was “really looking forward” to getting to film alongside Grande and Erivo. “Those two are so adorable, so gorgeous, so talented,” she said.

See Chu’s announcement about ‘s new release date below.

A new contestant hit The Voice stage on Monday night’s episode (March 14) to prove that being hearing impaired doesn’t mean she can’t still rock the mic.

ALI, a 24-year-old hopeful from Walnut, Calif., chose to audition for the spinning chairs with a cover of Roberta Flack’s classic title track to her 1973 album Killing Me Softly. “I heard he sang a good song, I head he had a style/ And so I came to see him and listen for a while,” she sang, with her very first vocal runs at the end of the stanza earning an immediate chair turn from both Kelly Clarkson and Chance The Rapper.

However, it was only after she wrapped up her audition that the singer revealed her hearing loss to the coaches. “A fun fact about me is I am hearing impaired,” she said. “I wear two hearing aids, I was born deaf. I’m so blessed to be able to share this.”

“What!? Oh my god, that’s crazy,” Clarkson marveled, later telling ALI, “Your runs were so intricate and cool and different. That’s a gift.”

Though he didn’t turn his chair, Niall Horan agreed with his fellow coach, saying, “You were amazing. But the second they turned, I knew you were set up,” he said, before getting an unexpected catch in his throat. “You are incredible,” he continued after maintaining his composure. “Any sort of adversity that you’ve had in your life, you are just jumpin’ hurdles here and it’s incredible to watch. So I wish you the best of luck, ALI.”

Watch ALI’s audition and find out who she picked as her coach above.

Taylor Swift may have gotten “Kanye’d,” but she certainly wasn’t the only person performer who’s had her mic taken from her.
During a recent American Idol audition, contestant Amara Valerio revealed that she once had the mic stolen away from her during a performance — just like Kanye West‘s infamous interruption of Taylor Swift’s acceptance speech at the 2009 VMAs. But Idol hopeful got her revenge by nailing her tryout for judges Katy Perry, Lionel Richie and Luke Bryan.

While introducing herself to the panel of judges, the 20-year-old hopeful recalled the time she was asked to sing the national anthem at her high school’s commencement ceremony. According to Valerio, things went wrong when, as she started to sing and another girl — wearing a graduation gown — yanked the microphone away from Valerio and declared, “This is my senior graduating class, and I would like to sing.”

Explore

See latest videos, charts and news

See latest videos, charts and news

“She just pulled a Kanye West!” exclaimed Perry in disbelief after she and her co-judges watched video footage of the interruption.

“I got Kanye’d,” Valerio agreed.

One of the judges was particularly angry on Valerio’s behalf, and even demanded that the young singer name names. “I need that f–king name,” Bryan said, ready with a pen and notepad to write down the culprit’s moniker. “I got Navy SEALs …”

Instead of bringing in the authorities, however, the judges decided to ask Valerio to channel her rage into her audition song: Jazmine Sullivan’s “Bust Your Windows.”

The approach paid off. The judges immediately sent Valerio on to the next round after hearing her gorgeous vocals. And, after some prodding, they got the aspiring star to give up the first name of her own personal Kanye. “Sarah!” Perry yelled into the camera, addressing the interrupter directly. “You’re finished messing with our girl.”

Watch Amara Valerio get her sweet revenge on American Idol above.

With each new season of RuPaul’s Drag Race comes the main challenge that some queens have been waiting all season for and that others have been dreading — the stand-up comedy routine.
On last week’s episode (aired Friday, March 10), the seven remaining contestants were tasked with performing in a Just For Laughs-style comedy festival. Grouped off into pairs (and one solo act), the girls came up with as many gut-busting bits as they could to wow the panel of judges and live to slay another day.

After expressing their respective desires to earn their second challenge wins of the season, Loosey LaDuca and Luxx Noir London rose to the occasion and put on a dueling comedy act to remember, taking home the top honor for this week’s challenge. Meanwhile, Anetra and Marcia Marcia Marcia found themselves flatlining on stage, landing them both in the bottom.

Performing in one of the most competitive lip syncs of the season, Anetra and Marcia (or “Anarcia” as the fans like to call them) pulled out every stunt they had for this high-octane performance to Doja Cat’s “Boss Bitch.” In the end, though, Anetra lived to walk that duck another day, sending Marcia packing.

Billboard caught up with Marcia following her elimination to talk about the queen earning the most consecutive “safe” placements in a single season, her reaction to the judges’ critiques about her makeup, and how she approached this episode’s climactic lip sync battle.

Before we get into it all, we have to talk about the near-constant critiques regarding your makeup — what did you think of the judges’ fixation on your face, which then led to a fixation from the fanbase?

Well, I am a theater kid — and in the theater industry, your entire job is basically being critiqued. Even when you have the job, you’re getting notes after every performance about what you could have done better. So, at the time, I was like, “This is just something for me to work on.” I always appreciated that, honestly, I’m always trying to improve myself. Even since we’ve wrapped, my drag and my makeup has changed so much. In the end, it helped me develop a more meaningful relationship with makeup. Before, it was always something where I was like, “Oh, whatever.” But now I see that it can make people very upset!

I don’t know if you know this, but you also broke a Drag Race record this season with the most consecutive “safe” placements in the show’s history. How do you feel about having that honor?

It’s like … the funniest award you could ever get for this show [laughs]. I will say, when you look at my track record with more detail, while I was safe the entire time, I excelled in a lot of the challenges, which is important to recognize. In a lot of ways, some of my accomplishments have been sort of eclipsed by my critiques. So while I am the “safe queen” of season 15, I think I had a lot of great high points. And hey, if I’m safe, I’m not in the bottom!

Yes, especially during a season where there have been a lot of on-air arguments about who got “second place” in a challenge, it’s worth pointing out that being safe is good. 

Especially out of 16 people, it’s an exhale that you get to have. And, our cast is truly one of the most well-rounded, gifted groups that the show has had in a very long time. 

Getting into this episode, you said in a confessional that this was the challenge you were dreading. What is it about the stand-up challenge that felt intimidating to you?

Well, I came into the competition being a gifted, comfortable seamstress. I also act, sing, dance, write, choreograph, and I’ve been doing that forever. This was sort of the one thing that I’ve kind of never done before. You hear comedians talk about their stand-up, or you watch shows like The Marvelous Mrs. Maisel, and you learn that you usually bomb at least a few times before you can get your “tight 10.” I was apprehensive, because I was like, “I don’t know how this is going to go.” 

Add onto that the fact that this is a duos challenge … in which you were the only solo performer.

Yeah … in a comedy challenge based on famous comedy pairs, to be alone is not the best starting point.

I love your runways, because I love a them, and you constantly bring out this sort of “injury chic” vibe with every look. How did that sort of “pretty-but-in-pain” idea become the staple of Marcia Marcia Marcia looks?

So, for Drag Race specifically, when I was approaching the looks, I made pretty much everything myself. I wanted to have a clear story, I wanted to do things that people weren’t going to think of and to approach it in a different way. I don’t know, I am personally very clumsy, and I think there’s something so funny about a really beautiful person with something like a cast on their arm. It’s just hilarious to me when people are really involved in their appearance and then have something go horribly wrong where they’re stuck with it for a long time. I just think it’s fun. So yes, I was always asking myself, “What’s the story? What are people not going to think of? How do I take something that may be simple or boring and twist it to make it a little weirder and funnier?”

I know it was controversial, but I was obsessed with your tie-dye look.

Thank you! I thought it was great — again, another thing that people simply did not agree with. 

We get to this lip-sync — first of all, after watching all of these wild lip syncs she’s performed in, what was going through your mind when you found out it would be you against Anetra?

When it was me and Anetra, first of all, I was like, “Great, another thing we can do together, Anarcia to the end.” I love Anetra, and I knew that she was absolutely going to give everything. They call it a “Lip Sync For Your Life,” and in the moment, I was like, “Oh, I’m going to lip sync for my actual life, because I know she’s going to do the same thing.” And I knew at the end of the day it was going to be a great show, so it was mostly like, “Work, let’s just do it and have fun — if I’m going out, I’m gonna do a great job and push for the only double save of the season.” 

I know that when you’re lip syncing, you’re completely focused on yourself and are largely unaware of what the other girl is doing — but you had to notice when Anetra literally leapt over your back-bent body, right?

I did not know that happened! 

You didn’t? How?!

No, someone told me afterwards that she did that! I was like “What? You’re joking.” But it’s like you said, when you’re in there, it feels like you have horse blinders on — you are so focused on doing what you’ve been able to think of in the last however many minutes before actually standing on the stage that you kind of block out the other person.

That’s wild, but it goes to show what an excellent lip sync this was, you both absolutely turned it out.

Thank you so much! It was just so much fun, and I truly love Anetra, as you’ve seen me sob about in Untucked before. I love her so much, and it was one of those things where it was like, if I’m going to be in the bottom with anyone and get sent home by anyone, I’m glad it was Anetra. 

While playing Wheel of Musical Impressions on Jimmy Fallon’s That’s My Jam on an upcoming episode, Sarah Hyland is put to the ultimate test — sing a Christina Aguilera song as if she were Avril Lavigne — and she passed with flying covers.

Explore

See latest videos, charts and news

See latest videos, charts and news

In a preview video of the Tuesday (March 14 episode), the Modern Family actress started out a little nervous, especially when she saw the randomly generated pair of artists she needed to pay tribute to. “They’re my two favorites, I love them!” she exclaimed anxiously after receiving her prompt: perform “Genie in a Bottle” in the pop-punk style of Lavigne.

It took Hyland a moment to get comfortable singing with the show’s band accompanying her, but by the time she got to the song’s chorus, she was fully rocking out. “If you wanna be with me/ Baby, there’s a price to pay,” she belted as Fallon and fellow guests Darren Criss, Patti LaBelle and Billy Porter cheered her on.

“I’m a genie in a bottle/ You gotta rub me the right way,” she continued, fully embracing the challenge. “If you wanna be with me / I can make your wish come true.”

Released in 1999, “Genie in a Bottle” was the lead single off Aguilera’s self-titled debut album. It topped the Billboard Hot 100 for five weeks, marking the pop star’s first career No. 1.

Watch Sarah Hyland show off her Avril Lavigne impression while singing Christina Aguilera’s “Genie in a Bottle” above.

That’s My Jam airs Tuesdays at 10 p.m. on NBC.