Country
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Elle King was not supposed to even be on stage at the Grand Ole Opry in January to pay tribute to her idol Dolly Parton. Talking about the viral incident for the first time, the “Drunk” singer told comedian Chelsea Handler on this week’s episode of her Dear Chelsea podcast that she filled-in at the last minute for an unnamed headliner who backed out just hours before the event due to a huge snowstorm that day.
When King — who said she hadn’t eaten or slept in days — was pressed into service to sing during the event, she said she did a “big no-no… I not only cussed on stage, hammered at the Grand Ole Opry, but it was Dolly Parton’s birthday, and it was the Opry was doing a Dolly Parton tribute.” King said she had not talked about it yet because she “had to just chill” for a while.
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After nailing a “f–king perfect” cover of “Jolene” during the first of the two planned gigs in tribute to Parton on the singer’s 78th birthday on Jan. 19, King went into a profanity-laced tirade at Nashville’s Ryman Auditorium during the second show after taking “one shot too many,” telling the crowed she was “f–king hammered” while trying to cover Dolly’s “Marry Me.” When she struggled to remember the lyrics, King sang, “I don’t give a s–t” and “I don’t know they lyrics to these things in this f–king town… Don’t tell Dolly ’cause it’s her birthday.”
The singer also berated the crowd, telling them, “I’m not even gonna lie. That’s a b-side for ya. I’m not even gonna f–kin’ lie. Y’all bought tickets for this s–t? you ain’t getting your money back… I’ll tell you one thing more. Hi, my name is Elle King and I’m f–king hammered.”
King told Handler that she had been going through “something very heavy and traumatic” in her life at the time. “And that day was a really big day dealing with what I was going through and that I’m still going through,” she said. “And I suffer from severe PTSD; I take one shot too many, and I’m just not there in my body, I’m not there. I don’t remember it. All I remember — I don’t even remember what I said. I know now what I said.”
When the curtain came down on her, King said she was “totally 100 percent disassociated,” and the next thing she can remember was her on the floor of her dressing room, “just sobbing, like, ‘What have I done?’” In the wake of the performance, King rescheduled a series of planned gigs.
Regardless of what was going on in her life at the time — which, by the way, King said she doesn’t feel obligated to explain to “anybody in the f–king world” — the singer knows it doesn’t excuse the fact that “maybe I shouldn’t have f–king been drinking… This is like a sacred stage and I f–ked up. So, for all the people who are asking for an apology from me, hey, if you were there that night and I didn’t get a chance to say I’m sorry to you, I apologize.”
Mortified by what happened, King said she hand-wrote an apology letter to the Opry, as well as to Parton, who called her a few days later and offered, “proof that angels exist. She just gave me really kind words and told me, ‘Well, Dolly’s not mad at you, why should the world be?,’” which made King laugh. “That’s the kindness from women, you know? That’s the stuff that I’ve received that I’ll never forget, ever. Because I wanted to f–king die. I had to remove myself from the population for a while because it just… wasn’t getting any better.” Parton also advised her fans in a message to “forgive and forget” in the wake of the backlash against King.
Even after she posted an apology online for the incident, King said trolls online called her an “unfit mother” and said she should “surrender” her two-year-old son, Lucky Levi, as well as suggesting she should harm herself. But after some reflection, King said the incident has motivated her to make some changes, which have helped her become a stronger person.
“I’m not grateful for it, but at the same time, I can find a silver lining in literally anything,” she said. “I’m going to choose to use this as a tool to not defeat me, but to make me, hopefully, a better person, and I can learn from my mistakes.” If nothing else, now she said she doesn’t drink before getting on stage and she’s playing the best gigs of her career.
King also talked about trying to fit into the country world, saying that at first she felt like an outsider after boot-scooting to Nashville following a more pop-leaning early career. “They didn’t try to kick me out for a while. I feel like country was pretty warm and welcoming to me and they still are,” King said. “I think a lot of the people in the country world are rebels in a lot of ways, which I kind of related to… where I felt very not at home or comfortable in the pop world because I’m was like this thick b–ch. And people were kind of mean and drinking green drinks and I’m like, ‘I like to get s–tfaced!’”
Listen to the interview below (Parton tribute talk begins at 18-minute mark).
The 59th annual Academy of Country Music Awards, held Thursday night (May 16) and streamed live on Amazon’s Prime Video, handed out awards to many artists whose music has had an undeniable impact over the past year, but they also deftly crammed more than a dozen performances into the space of two hours — including […]
Many of the awards at the 2024 Academy of Country Music Awards, which were presented on Thursday (May 16) at Ford Center at The Star in Frisco, Texas, went as expected. Lainey Wilson’s second consecutive win as female artist of the year was a foregone conclusion. Old Dominion’s seventh consecutive win as group of the […]
Lainey Wilson and Chris Stapleton were the top winners at the 2024 Academy of Country Music Awards, which were presented on Thursday (May 16) at Ford Center at The Star in Frisco, Texas.
Stapleton won four awards, more than anyone else, but Wilson won the top prize, entertainer of the year. Luke Combs and Jordan Davis each won two awards. (Under ACM rules, artists can win two awards in a few categories – one as an artist and one as producer or songwriter.)
Morgan Wallen was shut out, despite receiving six nods.
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Wilson won entertainer of the year two years after winning the ACM Award for new female artist of the year. That’s the fastest climb from a new artist award to entertainer of the year at the ACMs since The Chicks, then called Dixie Chicks, also made the advance in just two years. That female trio was named new group or duo in 1999 and won entertainer of the year in 2001.
Wilson thus achieves what the ACM calls the Triple Crown. She won new female artist of the year two years ago and female artist of the year last year. Wilson repeated in the latter category this year. She’s the first artist to win back-to-back awards in this category since Maren Morris in 2020-21.
Wilson also won music event of the year for the second year in a row. She won this year as a featured artist on Jelly Roll’s “Save Me.” She won last year as a featured artist on Hardy’s “Wait in the Truck.”
Stapleton won album of the year for the fourth time, a total equaled or exceeded only by Miranda Lambert, who has won five times in the category. Lambert won with five consecutive studio albums. Stapleton has won with four of his five solo studio albums. He missed only when From a Room, Vol. 2 lost to Kacey Musgraves’ Golden Hour. (He won two awards in this category, one as artist and one as co-producer.)
Stapleton won male artist of the year for the fourth time, just one shy of the all-time record of five wins shared by Merle Haggard, Brad Paisley and George Strait. Stapleton also won artist-songwriter of the year in the second year it was presented. Hardy was the inaugural winner last year. These awards up Stapleton’s ACM Awards trophy count to 20.
Combs’ “Fast Car” won single of the year. The crossover smash reached No. 2 on the Billboard Hot 100. It’s the fourth winner in that category to reach No. 1 on No. 2 on Billboard’s flagship singles chart, following Glen Campbell’s “Rhinestone Cowboy” (the 1976 winner; No. 1); Kenny Rogers and Dolly Parton’s “Islands in the Stream” (the 1984 winner; No. 1) and Lady A’s “Need You Now” (the 2010 winner, No. 2). Combs won two awards for the single, as artist and co-producer.
But Tracy Chapman did not win song of the year for writing “Fast Car,” as was expected. The Jordan Davis hit “Next Thing You Know” won instead in that category. Davis co-wrote the song with Chase McGill, Greylan James and Josh Osborne. It’s the second win in this category for Osborne, who co-wrote the Old Dominion hit “One Man Band,” which won four years ago. (Davis won two awards in this category – one as artist and one as a cowriter.)
Old Dominion won group of the year for the seventh year in a row. That equals Rascal Flatts’ run of seven consecutive wins from 2003-09.
Dan + Shay won duo of the year for the fourth time, equaling Brothers Osborne’s four-year reign for the recent ACM record. The all-time record is held by Brooks & Dunn and The Judds, with 16 wins.
Megan Moroney won new female artist of the year, while Nate Smith won new male artist of the year. Both were also nominated in those categories last year, but lost to Hailey Whitters and Zach Bryan, respectively. ACM rules give artists two attempts to take home the award.
Tigirlily Gold won in the revived category of new duo or group of the year. The award was last presented five years ago to LANCO. Tigirlily Gold, which consists of sisters Kendra and Krista Slaubaugh, is the second sister duo to win in this category. The first was The Kinleys, which consisted of Heather and Jennifer Kinley. They won in 1998. (The Kinleys were identical twins. The sisters of Tigirlily Gold are about 2-1/2 years apart in age.)
Jessie Jo Dillon won songwriter of the year. She’s the third woman to win in that category, following Hillary Lindsey (a three-time winner) and Lori McKenna.” Dillon’s win was no surprise. She was nominated for songwriter of the year, non-classical at the Grammy Awards earlier this year.
Parker McCollum’s “Burn It Down” won visual media of the year. Two years ago, McCollum won ACM new male artist of the year.
The show was produced by Dick Clark Productions (DCP). DCP is owned by Penske Media Eldridge, a Penske Media Corporation (PMC) subsidiary and joint venture between PMC and Eldridge. PMC is the parent company of Billboard.
Reba McEntire brought the house down — and almost burnt it down, too — with the final performance of the night at the 2024 ACM Awards Thursday night (May 16), singing a blazing rendition of her new single “I Can’t.” Joined by a stunning choir of gospel singers, the 69-year-old singer — who also served […]
Nate Smith brought his latest hit, “Bulletproof,” the 2024 ACM Awards stage on Thursday night (May 16), calling on Avril Lavigne to join him on the live debut of their remix. “Been takin’ these shots, shots, shots/ 80, 90, everything they’ve got/ But the whiskey don’t kill like it’s supposed to do/ Baby, your memory […]
Lainey Wilson took home the prestigious entertainer of the year honors at the 2024 ACM Awards, produced by Dick Clark, which took place at the Ford Center at The Star in Frisco, TX on Thursday night (May 16). After enjoying a laugh at their own expense by noting that they had won the award 40 […]
Post Malone‘s country era is in full swing. At Thursday night’s Dick Clark Productions-produced ACM Awards (May 16), the pop superstar fully immersed himself in the country world with a double-header performance of his new country music. Posty began his set with the live performance debut of a currently unreleased song that will presumably appear […]
When it came time for his performance at Thursday night’s (May 15) 2024 ACM Awards, Thomas Rhett found himself on the lookout for someone as “Beautiful as You.” Starting out among the audience in Ford Center at The Star in Frisco, Texas, Rhett waltzed through the crowd of fellow attendees while singing the first verse […]
Jelly Roll and Lainey Wilson don’t need any saving, ’cause they just took home music event of the year at the 2024 ACM Awards. The duo accepted the prize together Thursday night (May 16) onstage at Ford Center at The Star in Frisco, Texas, with the “Son of a Sinner” singer giving one of his […]