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Who will win entertainer of the year at the 58th annual Academy of Country Music Awards on May 11?
Miranda Lambert could win for the second year in a row, which would make her only the third woman to win more than once in this category, following Carrie Underwood and Taylor Swift.
Either Underwood or Jason Aldean could take it for the fourth time, a total reached by only three acts in ACM history – Garth Brooks, who leads with six awards; Alabama, which is second with five wins; and Kenny Chesney, who has won four times. If Underwood wins, she would extend her lead as the woman with the most wins in the category.
Or we could see a first-time winner.
Kane Brown could make history as the first Black or biracial entertainer of the year winner. (Charley Pride won entertainer of the year at the CMA Awards, but not here, despite three nominations.) Either Brown or Morgan Wallen would also be the first male artist to win before turning 30 since Brooks in 1991. (Wallen hits the Big 3-0 two days after the ceremony.) A win for Wallen would cap a fast comeback from the career crisis caused by his videotaped use of a racial slur in early 2021.
Luke Combs, who has won the CMA award for entertainer of the year the last two years, could finally win the top prize at this show. Chris Stapleton, a three-time ACM winner for male artist of the year, could finally win entertainer of the year on his fifth try in the category.
The show will be hosted by two former entertainer of the year winners – Dolly Parton (who in 1978 became the second woman to win the award) and Brooks. It will be held at Ford Center at The Star in Frisco, Tex. and will stream on Amazon Prime.
Twenty-seven artists have won the ACM Award for entertainer of the year since the award was introduced on the 1971 telecast. Here’s a complete list, showing the year(s) in which they won, other ACM Awards they won that year in competitive categories (if any), their total number of ACM entertainer of the year nominations; and, just for fun, their highest-charting hit on the Billboard Hot 100.
Merle Haggard
Image Credit: Fotos International/GI
Winner in: 1971
Other ACM wins that year: Top male vocalist
Total entertainer of the year nods: 5
Top Hot 100 hit: “If We Make It Through December” (No. 28 in 1974)
Notes: Haggard was nominated in this category every year from 1971-75. He died in 2016 at age 79.
Freddie Hart
Winner in: 1972
Other ACM wins that year: Album, single record and song of the year, all for “Easy Loving” and the album of the same name, and top male vocalist
Total entertainer of the year nods: 2
Top Hot 100 hit: “Easy Loving” (No. 17 in 1971)
Notes: Hart was nominated again the following year. He died in 2018 at age 91.
Roy Clark
Winner in: 1973, 1974
Other ACM wins those years: Television personality (1973)
Total entertainer of the year nods: 6
Top Hot 100 hit: A tender version of “Yesterday, When I Was Young,” co-written by Charles Aznavour (No. 19 in 1969)
Notes: Clark, who was as well-known as a TV personality as a musician, thanks to his co-hosting role on Hee Haw, was the first repeat winner. He co-hosted the 1979 ACM Awards. He died in 2018 at age 85.
Mac Davis
Winner in: 1975
Other ACM wins that year: None
Total entertainer of the year nods: 1
Top Hot 100 hit: “Baby Don’t Get Hooked on Me” (No. 1 in 1972)
Notes: Davis is the only person to win on his or her one and only nomination in this category. He co-hosted the ACM Awards in 1984 and 1986. He died in 2020 at age 78.
Loretta Lynn
Winner in: 1976
Other ACM Awards that year: Album of the year (Feelin’s with Conway Twitty), top female vocalist of the year, top vocal group (with Twitty)
Total entertainer of the year nods: 8
Top Hot 100 hit: “After the Fire Is Gone,” collab with Twitty (No. 56 in 1971)
Notes: Lynn was the first woman to win in this category. Fifteen years later, Sissy Spacek won an Oscar for playing the country legend in Coal Miner’s Daughter. Lynn was named the ACM’s artist of the decade for the 1970s. She co-hosted the ACM Awards three times from 1975 to 1985. She died in 2022 at age 90.
Mickey Gilley
Image Credit: Disney General Entertainment Content via GI
Winner in: 1977
Other ACM Awards that year: Top male vocalist of the year
Total entertainer of the year nods: 2
Top Hot 100 hit: A remake of Ben E. King’s 1961 classic “Stand by Me” (No. 22 in 1980)
Notes: Gilley, whose honky tonk Gilley’s was featured in the 1980 film Urban Cowboy, co-hosted the ACM Awards in 1982. Gilley, shown here with Loretta Lynn, died in 2022 at age 86.
Dolly Parton
Winner in: 1978
Other ACM Awards that year: None
Total entertainer of the year nods: 6
Top Hot 100 hits: “9 to 5” (No. 1 in 1981) and “Islands in the Stream,” a collab with Kenny Rogers (No. 1 in 1983)
Notes: Parton was just 32 when she won, making her the youngest winner to that point. She hosted the ACM Awards in 2000, co-hosted in 2022 and is scheduled to co-host in 2023.
Kenny Rogers
Winner in: 1979
Other ACM Awards that year: Top male vocalist
Total entertainer of the year nods: 6
Top Hot 100 hits: “Lady,” written by Lionel Richie (No. 1 in 1980) and “Islands in the Stream,” a collab with Dolly Parton, written by Bee Gees (No. 1 in 1983)
Notes: Rogers was nominated six years in a row from 1978-83. He co-hosted the ACM Awards in 1978. He died in 2020 at age 81.
Willie Nelson
Winner in: 1980
Other ACM Awards that year: None
Total entertainer of the year nods: 7
Top Hot 100 hits: “Always on My Mind” (No. 5 in 1982) and “To All the Girls I’ve Loved Before,” a collab with Julio Iglesias (No. 5 in 1984)
Notes: Nelson received an Oscar nomination for “On the Road Again,” which he wrote for the 1980 film Honeysuckle Rose, in which he starred.
Barbara Mandrell
Winner in: 1981
Other ACM Awards that year: None
Total entertainer of the year nods: 4
Top Hot 100 hit: A remake of Luther Ingram’s 1972 R&B hit “(If Loving You Is Wrong) I Don’t Want to Be Right” (No. 31 in 1979)
Notes: Mandrell co-hosted the ACM Awards in 1978 and 1979.
Alabama
Winner in: 1982, 1983, 1984, 1985, 1986
Other ACM Awards those years: Album of the year in 1982 (Feels So Right), 1984 (The Closer You Get…) and 1985 (Roll On); top vocal group: all five years
Total entertainer of the year nods: 10
Top Hot 100 hit: “Love in the First Degree” (No. 15 in 1982)
Notes: Alabama was the first group to win, and the first act of any type to win more than twice. They remain the only act to win five years in a row. They were the first act to be nominated in this category nine years in a row, a record that has been tied but not surpassed. Alabama was named the ACM’s artist of the decade for the 1980s. The group co-hosted the ACM Awards in 1990. Group member Randy Owen co-hosted in 1993. Alabama was formed by guitarists Owen and Jeff Cook and bassist Teddy Gentry, cousins born and raised near Fort Payne, Ala. Mark Herndon, a rock drummer, later completed the classic lineup.
Hank Williams Jr.
Winner in: 1987, 1988, 1989
Other ACM Awards those years: Country music video of the year in 1989 (“Young Country”)
Total entertainer of the year nods: 7
Top Hot 100 hit: “Long Gone Lonesome Blues” (No. 67 in 1964)
Notes: Williams, the son of country legend Hank Williams, was the first solo artist to win three times. He co-hosted the show in 1988, marking the first time someone won entertainer of the year and hosted on the same show.
George Strait
Image Credit: Ron Galella Collection via GI
Winner in: 1990, 2014
Other ACM Awards those years: None
Total entertainer of the year nods: 14
Top Hot 100 hit: “She’ll Leave You With a Smile” (No. 23 in 2002)
Notes: Strait has the longest gap between wins – 24 years. Strait was 61 at the time of his second win, older than any entertainer of the year winner in ACM history. Strait has amassed more nominations in this category than anyone else. He was named the ACM’s artist of the decade for the 2000s. Strait co-hosted the show five times between 1989 and 1997, including 1990, marking the second time someone won entertainer of the year and hosted on the same show.
Garth Brooks
Winner in: 1991, 1992, 1993, 1994, 1998, 1999
Other ACM Awards those years: Single record of the year (“Friends in Low Places”), album of the year (No Fences), song of the year (as the artist on “The Dance”), country music video of the year (“The Dance”), and top male vocalist, all in 1991; top male vocalist (1992), video of the year (“We Shall Be Free,” 1994).
Total entertainer of the year nods: 13
Top Hot 100 hit: “Lost in You” by Garth Brooks as Chris Gaines (No. 5 in 1999)
Notes: Brooks was the first solo artist to win four times. He has won six times, more than anyone else. He was just 29 at the time of his first win, making him the youngest winner to that point. He was nominated nine years in a row in this category, matching Alabama’s record. (Luke Bryan has since also equaled the feat.) Brooks was named the ACM’s artist of the decade for the 1990s. He is scheduled to host the ACM Awards in 2023.
Reba McEntire
Winner in: 1995
Other ACM Awards that year: Top female vocalist
Total entertainer of the year nods: 9
Top Hot 100 hit: “What Do You Say” (No. 31 in 2000)
Notes: McEntire has amassed more nominations (nine) and more consecutive nominations (six) in this category than any other woman. She finally won on her seventh try, which was a record at the time. McEntire has hosted or co-hosted the ACM Awards 16 times between 1986 and 2019, more than anyone else in the show’s history.
Brooks & Dunn
Winner in: 1996, 1997, 2002
Other ACM Awards those years: Top vocal duet (all three years); video of the year (“Only in America” (2002)
Total entertainer of the year nods: 12
Top Hot 100 hits: “Ain’t Nothing ‘Bout You” (No. 25 in 2001) and “Red Dirt Road” (No. 25 in 2003)
Notes: Kix Brooks & Ronnie Dunn are the only duo to win. They co-hosted the 1996 show, marking the third time someone won entertainer of the year and hosted on the same show.
Shania Twain
Winner in: 2000
Other ACM Awards that year: None
Total entertainer of the year nods: 2
Top Hot 100 hit: “You’re Still the One” (No. 2 in 1998)
Notes: Twain, from Canada, was the first artist born outside the U.S. to win.
The Chicks
Image Credit: J. Vespa/WireImage
Winner in: 2001
Other ACM Awards that year: Top vocal group, video of the year (“Goodbye Earl”)
Total entertainer of the year nods: 3
Top Hot 100 hit: “Not Ready to Make Nice” (No. 4 in 2007)
Notes: The Chicks, previously called Dixie Chicks, are the only female group or duo to win. Sisters Martie Maguire and Emily Strayer founded the band in 1989. Natalie Maines joined in 1995.
Toby Keith
Winner in: 2003, 2004
Other ACM Awards those years: Album of the year (Shock‘n Y’all), top male vocalist of the year, ACM/Launch video of the year (“Beer for My Horses,” with Willie Nelson), all 2004
Total entertainer of the year nods: 8
Top Hot 100 hit: “Red Solo Cup”(No. 15 in 2012)
Notes: Keith was nominated six years in a row – 2001 to 2006.
Kenny Chesney
Winner in: 2005, 2006, 2007, 2008
Other ACM Awards those years: Vocal event of the year (“Find Out Who Your Friends Are” with Tim McGraw and Tracy Lawrence) (2008)
Total entertainer of the year nods: 10
Top Hot 100 hit: “Out Last Night” (No. 16 in 2009)
Notes: Chesney and Garth Brooks are the only solo artists to win in this category four years in a row.
Carrie Underwood
Winner in: 2009, 2010, 2020
Other ACM Awards those years: Top female vocalist (2009)
Total entertainer of the year nods: 6
Top Hot 100 hit: “Inside Your Heaven” (No. 1 in 2005)
Notes: Underwood was the first woman to win twice, and remains the only woman to win three times. She was just 26 at the time of her first win, making her the youngest winner to that point.
Taylor Swift
Winner in: 2011, 2012
Other ACM Awards those years: None
Total entertainer of the year nods: 5
Top Hot 100 hits: Swift has amassed nine No. 1 hits on the Hot 100, most recently with “Anti-Hero” (eight weeks on top from 2022-23).
Notes: Swift was the second woman to win twice. She was just 21 at the time of her first win, making her the youngest winner in ACM history.
Luke Bryan
Image Credit: Kevork Djansezian/GI
Winner in: 2013, 2015, 2021
Other ACM Awards those years: Vocal event of the year (“The Only Way I Know,” with Eric Church and Jason Aldean, 2013, and “This Is How We Roll,” with Florida Georgia Line, 2015)
Total entertainer of the year nods: 9
Top Hot 100 hit: “Play It Again” (No. 14 in 2014)
Notes: Bryan won entertainer of the year three times but never twice in a row. He’s the only person who can make that claim. Bryan was nominated nine years in a row, tying the record set by Alabama and equaled by Garth Brooks. He co-hosted the show five years in a row from 2013-17. He is the only person to win entertainer of the year twice on shows he or she hosted.
Jason Aldean
Winner in: 2016, 2017, 2018
Other ACM Awards those years: Male vocalist of the year (2016), video of the year (the all-star “Forever Country,” 2017)
Total entertainer of the year nods: 9
Top Hot 100 hit: “Dirt Road Anthem” (No. 7 in 2011)
Notes: Aldean and Underwood are the only three-time ACM entertainer of the year winners who have yet to win the CMA Award in that category. Aldean was named the ACM’s artist of the decade for the 2010s.
Keith Urban
Winner in: 2019
Other ACM Awards that year: None
Total entertainer of the year nods: 9
Top Hot 100 hit: “Kiss a Girl” (No. 16 in 2009)
Notes: Urban, born in New Zealand, was the second act born outside of the U.S. to win. He finally won on his ninth try, which is a record in the category. He was 51 when he won, older than anyone else winning the award for the first time. He hosted the show in 2000 and co-hosted in 2001.
Thomas Rhett
Winner in: 2020
Other ACM Awards that year: Video of the year (“Remember You Young”)
Total entertainer of the year nods: 2
Top Hot 100 hit: “Die a Happy Man” (No. 21 in 2016)
Notes: Rhett, the son of 1970s country star Rhett Akins, won in a tie with Carrie Underwood – the only tie in the category’s history.
Miranda Lambert
Winner in: 2022
Other ACM Awards that year: Video of the year (“Drunk (and I Don’t Wanna Go Home),” with Elle King)
Total entertainer of the year nods: 7
Top Hot 100 hit: “Somethin’ Bad,” collab with Carrie Underwood (No. 19 in 2014)
Notes: Lambert finally won on her sixth try, which puts her behind just Urban and McEntire as the artist with the most losses before finally winning.
Morgan Wallen scores a 13th week at No. 1 on the Billboard Artist 100 chart (dated April 29), continuing his reign as the top musical act in the United States thanks to the extended domination of his new LP, One Thing at a Time.
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The album scores a seventh week at No. 1 on the Billboard 200, with 166,000 equivalent album units earned (April 14-20), according to Luminate. His previous LP, Dangerous: The Double Album, is also contributing to Wallen’s Artist 100 performance, as the set rises 6-5 on the Billboard 200. The latter has now spent 116 weeks in the top 10, the second-longest top 10 total in the chart’s history, after only the original cast recording of My Fair Lady (173 weeks, 1956-60).
Plus, Wallen places 12 songs on the current Billboard Hot 100, led by former three-week leader “Last Night” at No. 2. He charted a one-week record 36 songs on the survey dated March 18, all from One Thing at a Time. Here’s a recap of his entries on the latest list:
Rank, Title
No. 2, “Last Night”
No. 18, “You Proof”
No. 22, “Thinkin’ Bout Me”
No. 24, “One Thing at a Time”
No. 25, “Thought You Should Know”
No. 61, “Ain’t That Some”
No. 64, “Everything I Love”
No. 66, “I Wrote the Book”
No. 67, “Cowgirls,” feat. ERNEST
No. 68, “Man Made a Bar,” feat. Eric Church
No. 84, “Sunrise”
No. 98, “’98 Braves”
With 13 weeks logged at No. 1 on the Artist 100, Wallen breaks out of a tie with Billie Eilish for the 10th-most weeks totaled atop the chart, since it began in 2014. Taylor Swift leads with 64, followed by Drake (37), The Weeknd (28), BTS (21), Adele (20), Ariana Grande (15), Justin Bieber, Post Malone and Ed Sheeran (14 apiece).
Meanwhile, Metallica vaults 35-2 on the Artist 100, returning to its peak, thanks to the group’s new LP, 72 Seasons. The set starts at No. 1 on Top Rock Albums and No. 2 on the Billboard 200 with 146,000 units earned. That’s the biggest week for a rock album since Tool’s Fear Inoculum in 2019 (270,000). 72 Seasons also opens at No. 1 on both Top Album Sales (134,000) and Vinyl Albums (43,000).
The Artist 100 measures artist activity across key metrics of music consumption, blending album and track sales, radio airplay and streaming to provide a weekly multi-dimensional ranking of artist popularity.
After losing his voice and skipping a concert in Mississippi on the weekend, Morgan Wallen has scratched three most live dates.
Taking to social media, the country star revealed he hasn’t recovered from the issues which forced him to scotch his performance Sunday night (April 23) at Vaught Hemingway Stadium.
As a result, he’s postponing a trio of concerts in the week ahead: Michigan (April 27), Illinois (April 28), and Nebraska (April 29).
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“Y’all know how important my fans are to me, so I feel horrible about this news,” he explains on his Instagram Stories. “There’s nothing more I want to do than be on stage playing for you guys. But as of today, I’m on doctor-ordered vocal rest, and we have to reschedule this week’s shows.”
New dates are set for June 27 in Grand Rapids, MI; Sept. 8 in Moline, IL, and Sept. 9 in Lincoln, NE, with Wallen’s post assured fans that “all original tickets” would be honored on the rescheduled shows.
“I appreciate and understand everything you do to get to my shows,” Wallen’s social post continues. “So, it would be unfair of me to put on a show that I know will not be 100%. I’m doing everything I can to speed up the process of getting to that 100% mark.”
The singer made history last week when he became the first artist with three songs in the Country Airplay top 10 when “Last Night” jumped to No. 8, right in between “Though You Should Know” at No. 7 and “One Thing at a Time” at No. 9.
His brand of country music is finding fans around the globe. His Billboard Hot 100 leader “Last Night” is the current No. 1 on Australia’s ARIA Chart, his first leader there, and its parent, the Billboard 200 leader One Thing At A Time, has logged time at No. 1 on Australia’s albums chart.
“Last Night” recently gave Wallen his first top 40 in the U.K., a market not recognized as a country music hotbed, with a peak of No. 31.
Artist and songwriter Keith Gattis, who has penned hits for George Strait and Kenny Chesney, died Sunday at age 52, Billboard has confirmed.
Gattis was born May 26, 1971, in Georgetown, Texas, and began performing in the Austin area as a teenager, before relocating to Nashville.
In 1996, Gattis released his self-titled album for RCA Nashville, which included the radio singles “Real Deal” and “Little Drops of My Heart.” In 2002, Gattis became a guitar player for Dwight Yoakam and contributed to Yoakam’s albums, including 2005’s Blame the Vain and 2004’s Dwight’s Used Records.
In 2005, Gattis released another album, Big City Blues, via Smith Music Group. Big City Blues included Gattis’ version of “El Cerrito Place,” which Charlie Robinson had included on his 2004 album Good Times. Robinson also recorded Gattis’s songs including “Big City Blues,” as well as “Reconsider” and “Down Again,” the latter two included on Robinson’s 2009 album Beautiful Day.
Kenny Chesney would later record “El Cerrito Place” for his album Welcome to the Fishbowl, earning a top 10 Country Airplay chart hit with the song in 2012. A year later, Chesney would earn a top 15 hit on the Country Airplay chart with Gattis’s “When I See This Bar,” included on Chesney’s album Life on a Rock.
Gattis was also a writer alongside Tom Douglas on George Strait’s 2013 top 20 Country Airplay hit “I Got a Car,” and co-wrote Strait’s 2015 radio single “Let It Go” alongside Strait and Strait’s son and fellow songwriter Bubba.
Along the way, Gattis contributed his instrumental, vocal, production and/or composition talents to a range of projects, including Randy Houser’s 2019 album Magnolia, Wade Bowen’s 2018 album Solid Ground, Waylon Payne’s 2004 album The Drifter, as well as projects recorded by Brandy Clark, Sara Evans and Gary Allan. Gattis also co-wrote “Tonight I’m Playin’ Possum,” a duet recorded by Joe Nichols and Randy Travis.
Several artists offered kind words of remembrance of Gattis. Sheryl Crow stated via social media, “Woke up to the news that Keith Gattis has gone on. He was a wonderful person, an incredible talent, and a well loved friend to all who knew him. He will be missed.”
Jake Owen stated via social media, “Losing people in our lives is never something we can get used to. Losing someone in this business, is even harder bc of what they brought to everyone around them. @keithgattis brought it all. He was the guy you wish you could be as cool as. From his own records, his style, his swagger,.. Keith was always himself. I really admired him and I wish I would of told him that. It’s hard to only be left with memories.”
Kendell Marvel stated, “I met Keith Gattis through our bud Steve Markland in 2008 and we hit it off immediately. I know people say this all the time but I mean it with all my heart when I say I would not be out here doing what I’m doing today without Gattis. We made my first record together and wrote most of the songs. Hell, we started The Honky Tonk Experience together. He was not only a great guitar slinger/ songwriter/singer/producer, he was also a great friend and an even better dad to his babies and husband to Penny. Gonna miss my ole pal from Texas. Call your people and tell em ya love em just because.”
Carrie Underwood has added three new shows to her Las Vegas residency, Reflection: The Las Vegas Residency at the 5,000-person capacity Resorts World Theatre. The trio of new dates are Dec. 13 and Dec. 15-16, 2023.
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The eight-time Grammy winner was the first artist to perform on the theater’s stage when she launched her Reflection residency in 2021. Her approximately 90-minute set, bolstered by an array of costumes and pyrotechnics, serves as a chronicling of her numerous hits from the past 15 years, as well as songs from her most recent album, Denim & Rhinestones.
These new shows join Underwood’s current slate of performances at the Resorts World Theatre, beginning June 21, including dates in June, July, September, November and December. The residency shows follow her recently wrapped, 43-city arena tour, The Denim & Rhinestones Tour, which featured opener Jimmie Allen.
“We had a blast on the road with The Denim & Rhinestones Tour,” Underwood said via a statement, “but it’s always nice to come back ‘home’ to Resorts World Las Vegas to continue Reflection. This show is truly a celebration of all my music, and I love having the chance to welcome fans from all over the world who come to see us in Vegas.”
Tickets for the new shows go on sale Friday (April 28) at 10 a.m. PT. American Express cardholders can purchase tickets to the new shows before the general public beginning Tuesday, April 25, 2023, at 10 a.m. PT through Thursday, April 27, 2023 at 10 p.m. PT.
See Carrie Underwood’s new shows announcement below:
Jimmie Allen has a unique pre-show ritual when he’s warming up for his concerts on the road –performing the song “Popular” from the 2003 musical Wicked. The tune is delivered by Glinda in the Broadway show.
“I’m a huge musical theater fan,” Allen revealed to Kelly Clarkson on The Kelly Clarkson Show‘s Monday (April 24) episode. “Before every show when I’m on my bus getting ready, I listen and I sing the song ‘Popular’ from Wicked. That’s my jam. I play it, I’m putting my jewelry on, got my skinny jeans on …”
From there, Allen offered up a few bars of the song’s verses, standing up and twirling as he continued singing. Returning to his seat, he was quickly asked by Clarkson whether he would ever want to take part in a movie-musical.
“One of my dreams is to play Aaron Burr in Hamilton,” Allen said. “I did theater all through high school. I want to go to Broadway … my boy Wayne Brady did it in Chicago, then my boy Leslie Odom [Jr.] did it in the original cast. I love theater. I listen to it while I’m driving. I listen to the whole soundtrack.”
Allen recently revealed a new track, “Be Alright (15 Edition),” and premiered the music video for the song during his appearance on The Kelly Clarkson Show.
Allen also recently announced that he and his wife, Alexis Gale, have parted ways, and that they are expecting their third child together. The couple wed in May 2021, and share two daughters, Naomi and Zara. Allen also has an older son, Aadyn, from a previous relationship.
“Our number one priority is and always will be ensuring that our children are happy, healthy and loved,” Allen told fans via a message on Instagram on April 21.
This week brings more collaborations to the country world, as Tyler Hubbard reveals a demo collab with Keith Urban. Meanwhile, Ella Langley teams with Koe Wetzel. Also, talented newcomers showcase new music, including Aaron Vance, Catie Offerman and Meg McRee.
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Tyler Hubbard feat. Keith Urban, “Dancin’ in the Country” (Demo)
Hubbard has earned a top 15 Hot Country Songs hit with “Dancing in the Country,” and now he’s offering fans an inside look at how the song was made, via the song’s demo recording, featuring Hubbard and co-writers Keith Urban, Ross Copperman and Jon Nite. Recorded in October 2021, the demo features Urban on guitar, bass, ganjo and harmony vocals, while also taking the lead on the bridge, with Copperman on keyboards and programming. The collaboration between Urban and Hubbard highlights the song’s raw verve and intensity, even sans the added layers of production.
Megan Moroney, “Girl in the Mirror”
As Moroney gears up for her May 5 album Lucky, Moroney examines love in light of low self-esteem in this track about a toxic relationship. “He puts her down/ She put him pedestal high,” she sings, ultimately counseling listeners that “you can’t love the boy more than you love the girl in the mirror.” Moroney wrote the track with Jessie Jo Dillon and Matt Jenkins, reprising the kind of lilting melody and straight-shooting, confessional lyrics that made a hit of “Tennessee Orange.” Combined with Moroney’s desolate, gritty vocal delivery, it makes for a winning shot.
William Beckmann, “It’s Still January”
His ex-lover has been out of his life for about six months, but for him, time’s pace is glacial and he’s still centered in the hurt and pain of her leaving. A waft of her scent on an old still leads to a breakdown. Lyrically, “It’s Still January” feels akin to the next chapter in Beckmann’s 2021 breakthrough “Bourbon Whiskey,” as the protagonist’s arrogance of preferring whiskey over his lover gives way to a stark realization and haunting loss. This tale of heartbreak is framed in traditional country-leaning song structures from writer Keith Gattis and producer Oran Thornton. “It’s Still January” follows Beckmann’s 2022 album Faded Memories.
Ella Langley with Koe Wetzel, “That’s Why We Fight”
Langley and Wetzel make for an angst-fueled, sultry combo in this track, which depicts a couple that seems woefully mismatched in every way — but as they put it, “Baby, we do one thing right/ That’s why we fight.” Together, they pulverize their way through each biting lyric, mirroring the couple’s turbulent method of “smashing every bottle we keep bottled up inside.” This acerbic tale marks a sweet victory and is included on Langley’s upcoming EP Excuse the Mess.
Catie Offerman, “I Just Killed a Man”
Texas native Offerman makes it clear her ex-lover isn’t the only one doing emotional penance, with these deftly-penned lyrics that liken breaking a lover’s heart to snuffing out their essence. She also knows word will get around in the small town, regardless of whether the relationship was flawed to begin with. The understated production highlights the undercurrent of resignation and loneliness in Offerman’s bruised vocals. Offerman wrote the song with Ryan Beaver, Joe Clemmons, Jessie Jo Dillon and Benjy Davis. The single will be included on Offerman’s debut album.
Aaron Vance, “Just to Get By”
Mississippi native Vance’s previous release “Cabin Fever” (the title track to his solid 2021 album) began with the lyric “Sittin’ at home/ Tryin’ not to stay stoned.” On “Just to Get By,” appropriately released on 4/20, Vance surveys an array of society’s coping mechanisms — some resort to violence, others opt for golf. Vance sings of leaning toward something more low-key: drinks, smokes or “one of those funny little green gummies,” when he needs to shake off the struggles of the world. Written by Vance with Rich Karg, “Just to Get By” encompasses a laid-back melody and sparse accompaniment that highlight his at-times gritty vocal and his smooth falsetto moments.
Meg McRee, “Mary Jane and Chardonnay”
Singer-songwriter McRee offered up another 4/20-appropriate ode with this track from her recent album, Is It Just Me?. As she’s running down her dreams, she finds a way to unwind with “paper and leaves” and “a bottle of grapes from overseas.” This dreamy, hazy track encompasses shades of Sheryl Crow alongside a Southern-rock flavored rhythm, anchored by insightful lyricism from McRee, Andrew Petroff, and Aaron Ratiere. McRee signed with Hillary Lindsey’s Hang Your Hat venture with Concord Music Publishing, and has recently opened shows for Lainey Wilson and Morgan Wade.
Both country labels and broadcasters want to speed the advance of singles on the Country Airplay chart, though figuring out how to do that is a slow process.
A volunteer panel, spurred by a 2022 Country Radio Seminar session, reported on its progress during an April 20 CRS 360 webinar, concluding that stations need to generate 150 spins on most singles to gain reliable research about the song’s connectivity. Stations that limit a new single to overnights and play it only six times a week require 25 weeks to hit that plateau, one of several factors that slow the hit-development process.
Songs ranked No. 11-20 on the chart have the toughest time advancing, according to the panel’s research, in part because of the plethora of approaches by programmers. Reporting stations that commit early to a new single are sometimes ready to move on from particular titles just as slower-evolving stations are beginning to boost rotations.
One partial suggestion, sure to meet pushback, was to use a smaller playlist, expose new singles more quickly in daytime rotations and make a decision at that 150-spin mark.
The issue is more intense in country than any other format, in part because artists and their representatives have a stronger personal relationship with broadcasters and are more invested in succeeding on that platform — and in controlling the outcome.
“It’s the only format I’ve ever been in,” said McVay Media president Mike McVay, “where people call and yell at me for playing a song or beg me not to drop a song.”
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Morgan Wallen fans had already entered Vaught Hemingway Stadium on Sunday night (April 23) when they were unexpectedly informed that the country singer would not be able to perform. According to WTVA, video boards inside the Ole Miss football stadium displayed a message informing attendees that Wallen had lost his voice and would be unable to play his show.
WLBT reported that the message on screens read: “Ladies and gentlemen, unfortunately, Morgan has lost his voice and is unable to perform tonight. Therefore, tonight’s show has been canceled. Please make your way safely to the stadium exits. Refunds for tonight’s event will be available at point of purchase.” The news came after a number of fans had already entered the stadium, including a number who posted pictures in which they eagerly awaited Wallen taking the stage.
The surprise cancellation came one night after Wallen played a show at the same stadium on Saturday night, the first major concert in the venue’s history. It reportedly also left some attendees who sat through the opening acts feeling aggrieved, with a number venting their anger on social media. “Completely disappointed in @MorganWallen!!” wrote one. “Been sitting in this stadium for 3 hrs and he just announced the show is cancelled!!! COMPLETE BULLS–T!!!”
At press time it did not appear that Wallen had posted about the cancellation of the show on his social media accounts. The scotched gig came just days after Wallen laughed off an onstage tumble during his Thursday night gig in Louisville, KY, when fog effects clouded his view and caused him to trip and fall.
The singer made history last week when he became the first artist with three songs in the Country Airplay top 10 when “Last Night” jumped to No. 8, right in between “Though You Should Know” at No. 7 and “One Thing at a Time” at No. 9.
Morgan Wallen places three titles inside the top 10 on Billboard’s Country Airplay chart (dated April 29) – becoming the first artist to achieve the feat since the survey began in January 1990.
The 29-year-old Sneedville, Tenn., native earns his 10th Country Airplay top 10 as “Last Night,” on Mercury/Republic/Big Loud Records, jumps from No. 13 to No. 8. It rose by 21% to 19.4 million audience impressions in the week ending April 20, according to Luminate.
The song leapfrogs Wallen’s “One Thing at a Time,” up 10-9 for a new high (17.9 million, up 3%), while “Thought You Should Know” dips 5-7 (21.7 million, down 5%). The latter gave Wallen his eighth Country Airplay leader when it began a three-week reign in February.
Concurrently, “Last Night,” which is being promoted to pop and adult radio, climbs to No. 16 on Pop Airplay, No. 19 on Adult Pop Airplay and No. 26 on Adult Contemporary. It claimed a third week atop the all-genre, streaming, airplay and sales-based Billboard Hot 100 dated April 22.
All three Wallen hits are on his 36-track LP One Thing at a Time, which has led Top Country Albums and the all-genre Billboard 200 for its first six weeks.
Wallen’s triple in the Country Airplay top 10 follows pop radio’s increasing willingness to play multiple hits by a single artist simultaneously. In May 2021, Ariana Grande became the first act to log three top 10s at once on Pop Airplay; Doja Cat and Harry Styles have since earned the honor, while Miley Cyrus currently has three songs on the latest list from her new album, Endless Summer Vacation: “Jaded” debuts at No. 39, as “Flowers” tallies a ninth week at No. 1 and “River” ranks at No. 25.
“I’m excited to see radio continuing to invest in [country’s] core artists,” Big Loud vp of promotion Ali Matkosky recently told Billboard. “In a time where listeners are pointing out daily what they want to hear [via streaming services], it makes more and more sense to lean into that data.”
‘Rock’ on a Roll
Bailey Zimmerman notches a fifth week atop Country Airplay, as “Rock and a Hard Place” holds at the apex (32 million, down 6%). The song first led the list dated April 1, giving Zimmerman his second straight career-opening chart-topper, following “Fall in Love,” which ruled for one week in December.
Meanwhile, Zimmerman’s latest single, “Religiously,” pushes 56-50 (1.3 million, up 33%).
Additional research by Gary Trust