Country
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Miranda Lambert is mourning the death of one of her beloved dogs, Thelma. Thelma was one of two Great Pyrenees dogs — alongside Louise — that Lambert adopted on May 1, 2016, bringing them to her farm outside Nashville. Lambert named the two dogs Thelma and Louise in honor of the 25th anniversary of the […]
Jung Kook’s “Seven,” featuring Latto, and Jason Aldean’s “Try That in a Small Town” debut at Nos. 1 and 2, respectively, on the July 29-dated Billboard Global 200. It’s only the third time in the 150-week history of Billboard’s global charts that the top two songs are debuts by different artists. But while Jung Kook also opens atop the other global chart – the Billboard Global Excl. U.S. survey – Aldean is nowhere to be found on it.
The Global 200 ranks songs based on streaming and sales activity culled from more than 200 territories around the world. The Global Excl. U.S. chart does the same but excludes domestic consumption, measuring the biggest hits outside the United States.
Since these two global charts launched in September 2020, there has been plenty of crossover, with No. 1 songs aligning 100 times, or two out of every three weeks on average. This week’s top 10 on the Global 200 shares eight songs with the top 10 of the Global Excl. U.S. chart. The two that miss are Gunna’s “Fukumean,” inching 7-6 on the former and surging 44-22 on the latter, and “Try That in a Small Town.”
But Aldean isn’t just outside the top 10 of Global Excl. U.S. – his hit misses the 200-position chart altogether. That makes it the highest-ranking song on the Global 200 to simultaneously be absent from its sister survey since they started three years ago. Previously, Future held that distinction, when “Puffin on Zootiez” and “712PM” hit Nos. 7 and 11, respectively, on the May 14, 2022-dated worldwide ranking.
“Try That in a Small Town” makes a notable sales-powered bow, with 233,000 downloads sold worldwide in the week ending July 20, according to Luminate. The song was released May 19 but makes its global chart debut after CMT pulled the song’s music video three days after premiering (July 14), resulting in a surge of attention.
That six-digit figure is the third-best sales week since the charts launched, behind only the 269,000 for Jung Kook’s “Seven” this week, and BTS’ “Butter,” which debuted on the June 5, 2021-dated list with 249,000.
While Aldean manages the best non-BTS/BTS-related sales week in the global charts’ archives, his track’s streaming count of 11.1 million ranks 196th among this week’s 200 charting titles.
Those figures skew dramatically toward Stateside consumption, with 98% of the song’s worldwide sales and 96% of its streams stemming from the U.S. That towers over the averages among this week’s charting titles (beyond Aldean’s): 52% and 22%, respectively. Aldean’s domestic totals contrast with just 5,000 downloads and 403,000 streams from outside the U.S. during the tracking week, not enough to crack the Global Excl. U.S. chart – even if it were expanded to 600 positions.
“Try That in a Small Town” is a country song, and country has long struggled to export outside the confines of the U.S. Morgan Wallen’s “Last Night,” with its 14 weeks at No. 1 on the U.S.-based Billboard Hot 100, has managed to climb as high as No. 82 on Global Excl. U.S., far removed from its top 10 peak on the Global 200. Otherwise, besides Taylor Swift and holiday titles, Luke Combs is the only other core country act (in a lead role) to have appeared on the chart, as “Forever After All” spent a week at No. 105 in 2020. But not even his current crossover, a cover of Tracy Chapman’s 1989 classic “Fast Car,” is charting, despite being No. 21 on the Global 200 and No. 4 on the Hot 100.
Still, when Combs hit the global charts in 2020, 16% of the song’s streams and 10% of its sales were from outside the U.S in its debut week, indicating some interest outside his home country. Wallen, on both of this week’s editions, is up to 25% and 15% from international territories.
So while, yes, Aldean’s mere association with country music means he’s likely to spur far more U.S. activity than pop, rock or Latin acts, his international draw of 4% in streams and 2% in sales are unprecedented for such a huge hit on the Global 200.
The song’s messaging (or its controversy – however you choose to look at it) is deeply American. Even the title touches on the iconography of U.S. small towns, and its lyrics point to social hot topics. Its official video, and subsequent removal from CMT, pushed the song into the national spotlight, the clip interspersing news footage with small-town scenes to amplify the song’s references to violence and crime.
The specificity and the inevitable political fallout of “Try That in a Small Town” seemingly limits the song’s international prospects, cutting its non-U.S. sales and streams to a fraction of even those by fellow country singles. Meanwhile, although Aldean doesn’t chart on any of Billboard’s Hits of the World charts outside of North America, it debuts at No. 36 on the Billboard Canadian Hot 100, where Wallen and Combs sit at Nos. 1-2.
Apple Music is launching the new series Lost & Found to spotlight country songwriters and a handful of never-before-released songs. The series features six demos (the “Lost” part) in addition to versions of these songs recorded by established and rising country artists (the “Found” part).
“Need a Favor” and “Son of a Sinner” hitmaker Jelly Roll is the first artist taking part in the program with his version of “Dragging These Roots,” a song written by songwriters Ben Hayslip, Josh Thompson and Jesse Frasure that Apple Music’s team first heard in 2019.
“When Apple Music shared the concept with me, I immediately called Frasure on FaceTime from their listening room to let him know I was definitely cutting the song,” Jelly Roll told Apple Music. “I’m so grateful to Apple Music for shining a light on all these creators and their great artistry.”
“I was so excited to hear this lost song got found by Jelly Roll,” Frasure told Apple Music. “It’s one of my favorites that I’ve co-written, and I was hoping it would eventually get to see the light of day. Having one of my favorite artists and friends, Jelly Roll, be the one to cut it was icing on the cake. We had a great time going into the studio on this one, he’s a truly soulful singer behind the scenes, and he put so much heart into it. I can’t wait!”
Additionally, Apple Music is launching Lost & Found Radio, a monthly companion radio show hosted by singer/songwriter Lori McKenna, who is known for penning hits including Tim McGraw’s “Humble and Kind” and Little Big Town’s “Girl Crush,” and who just released her latest album, 1988. Each of the six Lost & Found Radio episodes will include in-depth background on each song and deep dives into the creative process with each song’s original songwriter(s), studio musicians, producers and the artists recording the songs.
The Lost & Found program will be highlighted Tuesday (July 25) with a live radio episode, beginning at 2 p.m. CT, co-hosted by Apple Music Country host Kelleigh Bannen and featuring songwriters whose works are being featured as part of Lost & Found. A Lost & Found Live Broadcast Special will air Tuesday (July 25) at noon CT.
Lost & Found will also have its own dedicated space on Apple Music where listeners can find playlists for the lost demos, the newfound singles, the Lost & Found Radio show episodes, and playlists from more participating songwriters.
“I’m so thrilled to be a part of this initiative and host the companion radio show on Apple Music Country,” McKenna said in a statement. “Every songwriter has a catalog full of lost songs. It’s exciting that Apple is bringing these almost hits to life and giving some space to these writers, and the stories behind these songs.”
“At Apple Music, we are passionate about celebrating and championing artists and creators,” said Kelleigh Bannen, Apple Music Country’s host. “From advocating for the songwriters, to highlighting the enormous wealth of untapped music, Lost & Found is emblematic of what we do every day, not just here in Nashville, but worldwide. We’re so excited to continue marching towards that mission and look forward to inviting incredible artists to partner with us in unique ways like this.”
Jason Aldean dared his audience to “Try That in a Small Town” — so one TikTok user decided to take him up on the offer.
In a TikTok posted on Saturday (July 22), former minor league baseball player Danny Collins did a deep dive on one of Aldean’s promotional TikToks for his controversial song released back in May. Zooming in on a newspaper article in the background of one of the video’s shots, Collins found that it appears to be a piece pulled from a since-discontinued small newspaper from Mississippi.
Finding the original article in an online archive, Collins shared that the clipping used for the video looks to be from a 1956 issue of The Petal Paper in Petal, Miss., in which a public relations consultant for the NAACP wrote to the publication’s editor P.D. East, commending him for using his platform to ridicule white supremacists and criticize the Jim Crow era policy of segregation in schools.
“Never have I seen anything that startled me as much as the March 15 issue of the Petal Paper with its incredible ridiculing of the White Citizens Council crowd. I’m referring specifically to the full-page as I assume you wrote headed, ‘You Too, Can Be Superior,’” the letter read. “I hope I am not congratulating a dead man. This must have taken courage and I hope you are still with us.”
Collins goes on to read portions of East’s response letter, in which the editor detailed being called an “N-lover,” losing subscriptions to his paper and being “bothered and harassed” continually by citizens of his town. In a 1971 column written for The New York Times, East further detailed his experience, saying his open criticism of school segregation led to him losing every subscriber of the Petal Paper, and at one point receiving three death threats in a single week.
In closing his TikTok, Collins pointed back to the accusations against Aldean of including thinly veiled racist dogwhistles throughout his song’s video, saying that the inclusion of this letter to East in the promotional clip felt very on the nose. “Why would this happen to Mr. P.D. East? Because he tried that in a small town,” Collins said. “He challenged the Southern, racist establishment. But let Jason Aldean tell it … and this song has ‘nothing’ to do with race.”
Billboard has reached out to Aldean for comment.
Billboard broke the news on July 18 that CMT had pulled Aldean’s video for the song from their airwaves. In response to the criticism of his song, the country singer shared a comment across his social media accounts, claiming that the accusations of racist songwriting against him were wrong. “There is not a single lyric in the song that references race or points to it and there isn’t a single video clip that isn’t real news footage,” he wrote. “While I can try and respect others to have their own interpretation of a song with music — this one goes too far.”
“Try That in a Small Town” was written by Kelley Lovelace, Neil Thrasher, Tully Kennedy and Kurt Michael Allison.
Check out Collins’ full TikTok below:
Miranda Lambert took a moment to address a fan in the crowd again Saturday night (July 22), but this time it was to give a compliment. The country star, performing at Planet Hollywood Resort and Casino at Zappos Theater during her Miranda Lambert: Velvet Rodeo The Las Vegas Residency, spotted something that amused her in […]
During his concert on Friday night (July 21) in St. Louis, Cody Johnson let his thoughts be known about the controversy surrounding Jason Aldean‘s latest song and video, “Try That in a Small Town,” which was removed from rotation by CMT earlier in the week.
Graham Allen, host of the Dear America podcast, posted a video of “Til ‘You Can’t” hitmaker Johnson coming to Aldean’s defense during the show at St. Louis’ Chaifetz Arena.
“We live in a time where everyone gets p—-ed off at Jason Aldean for putting out a song,” Johnson said, adding, “If you’re videoing this, and Jason Aldean if you’re seeing this video, you keep it up, brother. You do you, boo boo.”
Cody Johnson threw his support behind Jason Aldean the other night!!!“If being patriotic makes me an outlaw, then by God, I’ll be an outlaw.” pic.twitter.com/5avT4uAvcn— Graham Allen (@GrahamAllen_1) July 22, 2023
Johnson went on to note his interpretation of the song as a patriotic one, saying, “If being patriotic makes you an outlaw, then by God, I’ll be an outlaw.”
Artists including Travis Tritt, John Rich and Lee Greenwood have spoken out in defense of Aldean, while Aldean’s labelmate Blanco Brown defended Aldean, but emphasized that he strongly disagreed with the song itself. Artists such as Jason Isbell, Adeem the Artist, Margo Price and Sheryl Crow have slammed both the song and Aldean.
Aldean released “Try That in a Small Town” in May, and performed it during his Nissan Stadium set at CMA Fest in June. However, the video for the song was released last week; the clip and the song quickly began to draw criticism on social media from commenters who called the song racist and pro-gun. Commenters also noted the location of the video, which was filmed at the Maury County courthouse in Columbia, Tenn. — the same location where an 18-year-old Black man, Henry Choate, was lynched in 1927. CMT pulled the video from its rotation on Tuesday (July 18), a move that sparked both praise and backlash on social media.
In addition to releasing a statement about the controversy earlier in the week, Aldean also spoke out in a lengthy speech during his own concert on Friday night in Cincinnati, Ohio.
“It’s been a long week and I’ve seen a lot of stuff suggesting I’m this, suggesting I’m that,” Aldean told the crowd in a fan-captured video. “I feel like everybody’s entitled to their opinion. You can think something all you want to, it doesn’t mean it’s true. What I am is a proud American. I’m proud to be from here. I love our country. I want to see it restored to what it once was before all this bulls— started happening to us. I love my country, I love my family, and I will do anything to protect that, I can tell you that right now, he said, as the crowd began to chant “USA! USA!”
He also added, “You guys know how it is this day and age, cancel culture… This day and age, if people don’t like what you say, they try to make sure they can cancel you, which means try to ruin your life. Ruin everything. One thing I saw this week was a bunch of country music fans that can see through a lot of the bullshit. I saw country music fans rally like I’ve never seen before and it was pretty badass, I gotta say. Thank you guys so much. I know a lot of you guys grew up like I did. You kind of have the same values, the same principles that I have, which is we want to take our kids to a movie and not worry about some asshole coming in there shooting up the theater.”
Before launching into “Try That in a Small Town,” Aldean told the crowd, “So somebody asked me, ‘Hey man, you think you’re going to play this song tonight?’ The answer was simple. The people have spoken and you guys spoke very, very loudly this week.”
After the controversy erupted, Aldean’s sales and streams have surged, according to preliminary reports from Luminate, and the video has now earned 14 million views on YouTube.
Jason Aldean addressed the backlash of his new song “Try That in a Small Town” during his Ohio concert on Friday (July 21).
The 46-year-old country star took a moment during his Highway Desperado Tour stop at Cincinnati’s Riverbend Music Center to reflect on the recent controversy that erupted surrounding the track and its corresponding music video. Many have called the lyrics and imagery racist and anti-protest.
“It’s been a long week and I’ve seen a lot of stuff suggesting I’m this, suggesting I’m that,” Aldean told the crowd in a fan-captured video. “I feel like everybody’s entitled to their opinion. You can think something all you want to, it doesn’t mean it’s true.”
He added, “What I am is a proud American. I’m proud to be from here. I love our country. I want to see it restored to what it once was before all this bulls— started happening to us. I love my country, I love my family, and I will do anything to protect that, I can tell you that right now.”
Aldean’s words were met by roaring cheers from the audience and a chant of “USA! USA!”
Earlier this week, a CMT representative confirmed to Billboard that the outlet had pulled the video for “Try That in a Small Town” after playing it for three days, but did not comment further. The controversial clip features footage of an American flag burning, protesters having confrontations with police, looters breaking a display case and thieves robbing a convenience store.
After releasing a statement on Tuesday (July 18) in response to claims that “Try That in a Small Town” is pro-gun, pro-violence and a “modern lynching song,” Aldean further expanded on the backlash from the stage during his Cincinnati show.
“You guys know how it is this day and age, cancel culture is a thing. If people don’t like what you say, they try to make sure that they can cancel you, which means try and ruin your life, ruin everything,” the singer told audience members. “One thing I saw this week was a bunch of country music fans that can see through a lot of the bulls—. I saw country music fans rally like I’ve never seen before and it was pretty bada– to watch. Thank you guys so much.”
Prior to performing “Try That in a Small Town,” Aldean noted that many people had asked him whether he’d be performing the song live.
“I said, ‘You know, people that come to my shows, you guys know what I’m about. You know what I stand for.’ I never shied away from that at all,” he said. “You have the same values, the same principles that I have, which is we we want to take our kids to a movie and not worry about some a–hole coming in there shooting up the theater, right? So when somebody asked me, ‘Hey man, do you think you’re going to play the song tonight?’ The answer is simple. The people have spoken and you guys spoke very, very loudly this week.”
Watch Aldean address the “Try That in a Small Town” backlash on Twitter below.
🇺🇸 USA Chants Break Out as Jason Aldean Addresses the Media Attacks on Him This Week“I love our country. I want to see it restored to what it once was before all this bullsh*t started happening to us.”*From last night’s show in Cincinnati, OH (7/21) pic.twitter.com/VKGRIp0PvD— Chief Nerd (@TheChiefNerd) July 22, 2023
Following a satire site posting a story that Luke Bryan, in solidarity with his friend Jason Aldean, has asked CMT to pull his music videos from the channel, posters on social media have run wild with the untrue story.
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Earlier this week, a CMT representative confirmed to Billboard that the outlet had stopped playing the video for Aldean’s “Try That in a Small Town” after playing it for three days following its July 14 release but did not comment further. The controversial video features footage of lootings, protesters taunting police, flag burnings and a convenience store robbery taking Aldean’s song about small town residents not allowing such actions within their city limits to a new level.
On Friday (July 21), satirical website Uplifting Today posted a story with the headline, “Luke Bryan pulls his videos from CMT over Jason Aldean debacle: ‘Folks, it’s time for the Bud Light Treatment.’” Though it’s almost immediately clear upon reading the accompanying story that it is satire—the article claims that the President has canceled his CMT subscription and that Billy Ray Cyrus, following a challenge by Bryan, is writing a follow up to “Achy Breaky Heart” called “Achy Breaky Cart” about “a dangerous run-in at a rural Walmart”—but it would seem that many readers did not read beyond the headline and began posting the headline on social media, including Twitter.
They also missed the small print at the end of the story: Uplifting Today produces news satire and parody for global publication. Some of the content contained within this website and on accompanying social media accounts, however similar to real events, is fictitious and will also include this disclaimer. Any real, semi-real or similar names, places, people, products, services and locales are used purely for satirical purposes, and the corresponding story details are purely fictional.
That hasn’t stopped Aldean supporters posting the headline across social media and even chatter within the country music community wondering if other artists were asking for removal.
A representative for CMT confirms that Bryan, nor any other artist, has requested their videos be pulled from the channel. Bryan’s publicist did not reply to a request for comment.
In related news, Nashville’s E3 Chophouse, which Bryan and Aldean are both investors in, posted today on Twitter that it is not playing CMT. “We stand with Jason! E3 supports the small town because that is who we are! We will not air CMT at any of our restaurants until a formal apology is made and Jason’s music video is reinstated.”
Billboard has reached out to E3 Chophouse asking if the restaurant had been playing CMT in its restaurant prior to CMT’s action but has not heard back.
Sales and streams of Jason Aldean‘s single “Try That in a Small Town” have surged, following controversy that erupted this week surrounding the song and its corresponding music video.
After selling around 1,000 copies of the song each day from July 14 through July 17, according to preliminary reports from Luminate, sales rose after Billboard’s July 18 exclusive that CMT had pulled the video. The song earned 12,000 in sales on July 18, before surging to 108,000 in sales on July 19 and 103,000 in sales on July 20. The latest sales total for the week (July 14-20) is 227,000, according to the preliminary reports.
U.S. official on-demand daily streams of “Try That in a Small Town” also exploded over the past week.
After earning 204,000 official U.S. on-demand streams on July 14, and then dipping to 194,000 on July 15 and 174,000 on July 16, streams rose 24.3% to 216,000 on July 17, then surged 178% on July 18 to 600,000. On July 19, U.S. official on-demand streams of “Try That in a Small Town” skyrocketed to 3.2 million, a 440.2% increase.
The sales and streaming spikes come the same week social media commenters began questioning the song’s lyrics and the video’s imagery — with many calling it racist and anti-protest. “Try That in a Small Town” was written by songwriters Kelley Lovelace, Kurt Allison, Tully Kennedy and Neil Thrasher. The video features Aldean performing in front of the Maury County Courthouse in Columbia, Tenn. — the same location where a lynch mob murdered a Black man, Henry Choate, in 1927 — with an American flag hanging from the entrance. The performance is interspersed with footage of a flag burning, protesters screaming and attacking police in various scenarios as well as looting and robbing a convenience store.
Artists including Sheryl Crow and Margo Price have spoken out against Aldean and/or the song and video, while others, including Aldean’s labelmate Blanco Brown, have defended the singer.
Aldean issued a statement on July 18 that read in part, “In the past 24 hours I have been accused of releasing a pro-lynching song (a song that has been out since May) and was subject to a comparison that I (direct quote) was not too pleased with the nationwide BLM protests. These references are not only meritless, but dangerous. There is not a single lyric in the song that references race or points to it and there isn’t a single video clip that isn’t real news footage- and while I can try and respect others to have their own interpretation of a song with music- this one goes too far.”
In the week since it was released, the official music video for “Try That in a Small Town” has now been viewed more than 9 million times on YouTube. On the morning of July 18, before the controversy broke, it had been viewed around 350,000 times.
In terms of radio airplay, on last week’s Country Airplay chart (dated July 15), “Try That in a Small Town” rose one spot from 26-25, though it declined 2% in audience impressions for the week. On this week’s Country Airplay chart (dated July 22), the song holds at No. 25 but gained 16% to 6.5 million audience impressions in its ninth week on the chart.
Luke Combs’ version of Tracy Chapman’s 1988 Billboard Hot 100 top 10 “Fast Car” rules Billboard’s Country Airplay chart (dated July 29) for a fourth week. It drew 34.8 million in audience, up less than 1%, July 14-20, according to Luminate.
The cover now solely boasts the longest Country Airplay domination among remakes of pop hits. It passes two three-week leaders: Brooks & Dunn’s cover of “My Maria,” the duo’s ninth of 20 chart-toppers, led for three weeks in May 1996. The song was originally a No. 9 Hot 100 hit for B.W. Stevenson in 1973. Plus, Alan Jackson’s interpretation of Eddie Cochran’s early rock anthem “Summertime Blues” topped Country Airplay for three frames starting in July 1994. Cochran’s original reached No. 8 on the Hot 100 in 1958.
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After Chapman provided Billboard with a statement revealing how “honored” she was to have a No. 1 on the chart (July 6), Combs replied in kind. “Oh man, ‘Fast Car’ has surprised me more than you can imagine. Tracy Chapman wrote this perfect song that that I first heard with my dad and it has stayed with me since,” Combs told Billboard. “I have played it in my live show now for six-plus years and everyone – I mean everyone – across all these stadiums relates to this song and sings along. That’s the gift of a supernatural songwriter. The success of my cover is unreal, and I think it’s so cool that Tracy is getting recognized and has reached new milestones. I love that she is out there feeling all the love and that she gave me a shout-out! Thank you, Tracy!”
“I never expected to find myself on the country charts, but I’m honored to be there,” Chapman told Billboard. “I’m happy for Luke and his success and grateful that new fans have found and embraced ‘Fast Car.’ ”
Meanwhile, Combs’ official concert video for his cover premiered July 18.
‘Wings’ Flies
Elsewhere, Thomas Rhett banks his 22nd Country Airplay top 10 as “Angels Don’t Always Have Wings” rises from No. 11 to No. 10. In the July 14-20 tracking week, the song increased by 1% to 17.7 million impressions.
The Valdosta, Ga., native co-penned the track with Julian Bunetta, Teddy Swims and Josh Thompson. It’s the third single from Rhett’s LP Where We Started, which began at its No. 2 Top Country Albums high in April 2022, becoming his sixth top 10.
The song follows Rhett’s “Half of Me” (featuring Riley Green), which became his 18th Country Airplay No. 1 last November. Before that, “Slow Down Summer,” the lead single from Where We Started, peaked at No. 2 in May 2022.
Rhett’s third of his 29 entries, “It Goes Like This,” became his first Country Airplay top 10 and first leader. It reigned for three weeks starting in October 2013.