Concerts
Police in Brazil said on Sunday (May 4) that two people have been arrested in connection with an alleged plot to detonate explosives at a free Lady Gaga concert in Rio de Janeiro.
The Rio event on Saturday (May 3) was the biggest show of the pop star’s career that attracted more than 2 million fans to Copacabana Beach and had crowds screaming and dancing along.
Even as Brazilian authorities said they arrested suspects in the hours before Gaga’s show, the event went ahead without disruption — leading some to question the seriousness of the threat. Serious security concerns typically lead organizers to cancel such massive events — as happened with Taylor Swift’s concerts in Vienna last year.
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Police said said nothing about the alleged plot at the time to in an effort to “avoid panic” and “the distortion of information.”
On Sunday, a spokesperson for Gaga said the pop star and her team “learned about this alleged threat via media reports this morning. Prior to and during the show, there were no known safety concerns, nor any communication from the police or authorities to Lady Gaga regarding any potential risks.”
The statement added: “Her team worked closely with law enforcement throughout the planning and execution of the concert and all parties were confident in the safety measures in place.”
Security was tight at Saturday’s concert, with 5,200 military and police officers deployed to the beach where fans were reveling in the pop singer’s classic hits like “Born This Way,” which became something of an LGBTQ anthem after its 2011 release.
Rio de Janeiro’s state police and Brazil’s Justice Ministry presented the bare outlines of a plot that they said involved a group that promoted hate speech against the LGBTQ+ community, among others, and had planned to detonate homemade explosive devices at the event.
“The plan was treated as a ‘collective challenge’ with the aim of gaining notoriety on social media,” the police said. The group, it added, disseminated violent content to teenagers online as “a form of belonging.”
Authorities arrested two people in connection with the alleged plot — a man described as the group’s leader in the southern state of Rio Grande do Sul on illegal weapons possession charges, and a teenager in Rio on child pornography charges. Police did not elaborate on their exact roles in the plot or on how the group came to target Gaga’s free concert.
“Those involved were recruiting participants, including teenagers, to carry out integrated attacks using improvised explosives and Molotov cocktails,” police said.
The Justice Ministry said that it determined the group posed a “risk to public order.” It said the group falsely presented themselves online as “Little Monsters” — Gaga’s nickname for her fans — in order to reach teenagers and lure them into “networks with violent and self-destructive content.”
The ministry said there was no impact on those attending the open-air concert.
During a series of raids on the homes of 15 suspects across several Brazilian states, authorities confiscated phones and other electronic devices. Although police said they believed homemade bombs were intended for use in the planned attack, there was no mention of the raids turning up any weapons or explosive material.
Gaga has expressed gratitude for the enormous crowd in an Instagram post that said nothing of the alleged plot.
“Nothing could prepare me for the feeling I had during last night’s show—the absolute pride and joy I felt singing for the people of Brazil,” she wrote. “The sight of the crowd during my opening songs took my breath away. Your heart shines so bright, your culture is so vibrant and special, I hope you know how grateful I am to have shared this historical moment with you.”
Her free beach concert stood out at a time of surging ticket prices for live music around the world as concert-goers pay budget-busting costs to see their favorite artists.
Rio has done this before — last May, superstar Madonna performed the finale to her latest world tower for some 1.6 million fans on the sprawling sands of Copacabana Beach.
Lady Gaga performed to a record-breaking crowd during her free concert at Copacabana Beach in Rio de Janeiro, Brazil, on Saturday (May 3).
“Tonight, we’re making history,” she told the massive audience. “Thank you for making history with me.”
The concert began around 10 p.m. local time, with the 39-year-old pop icon opening with her 2011 track “Bloody Mary.” She followed it with a hit-filled set including fan favorites like “Poker Face” and “Alejandro,” as well as music from her latest Billboard 200-topping album, Mayhem.
Concert organizers estimated that approximately 2.1 million people attended the free Copacabana Beach show, according to Associated Press. The event is now the highest-attended concert by a female artist in history, surpassing Madonna’s 2024 performance at the same venue, which drew 1.6 million.
The largest concert crowd in history is still held by Rod Stewart, who drew 3.5 million fans to a New Year’s Eve performance at Copacabana Beach in 1994, according to the Guinness World Records.
Gaga’s performance drew over 1 million Brazilians and approximately 500,000 Little Monsters who flew in for the show, generating more than $100,000 for Rio’s economy, NPR reports. The city’s tourism department has announced that free concerts will continue to be held at Copacabana Beach at least through 2028.
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The Rio concert marked Gaga’s first performance in Brazil since 2012.
“I’ve missed you so much,” the superstar told the crowd during a soundcheck the night before the show, according to Rolling Stone. “I know that this is not the first show here, I know this is just a rehearsal, it feels like it’s the real show.”
In 2017, Gaga canceled her Rock in Rio performance due to “severe physical pain,” later revealing she had been hospitalized at the time.
Pop superstar Kylie Minogue capped her first arena tour of the United States and Canada on Friday night (May 2) as her Tension Tour touched down in Los Angeles at Crypto.com Arena.
“Good evening, Los Angeles! We are here!” the ever-gracious performer exclaimed to the packed house early in the evening. “Thank you so much each and every one of you for coming out tonight, and welcome to the Tension Tour.”
While the two-hour show took fans on a journey through four decades of Minogue’s hits, it also highlighted eight songs from her two most recent studio albums, Tension II (released in 2024) and Tension (2023). Among those choice cuts were Tension’s Grammy Award-winning “Padam Padam,” which was also a top 10-charting hit on Billboard’s Hot Dance/Electronic Songs chart in 2023, and the show-opening “Lights, Camera, Action” from Tension II.
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The Tension Tour is just the third traveling show Minogue has brought to the U.S. and Canada, having previously visited the country with Aphrodite Live in 2011 and the KYLIE trek 2009, with both staged before more intimate crowds as compared to the arena-sized audiences of the Tension Tour. Separate from her three tours, Minogue also mounted her first Las Vegas residency in 2023-24, with 20 dates at the 1,000-seat capacity Voltaire at The Venetian Las Vegas.
The Tension Tour kicked off on Feb. 15 in Perth, in Minogue’s home country of Australia, moved to Asia for a trio of dates (March 10-15) and then reached North America on March 29 in Canada. For the U.S. and Canada run, the Tension Tour played 16 shows between March 29-May 2, including a pair of nights at New York’s Madison Square Garden (April 4-5). The trek now moves to Europe on May 16, then to South America on Aug. 7, and then back to North America for its three final dates in Mexico (Aug. 22-26). By the close of the Tension Tour, Minogue will have played nearly 70 shows in more than 25 countries on five continents.
At one point during the Los Angeles show on Friday, Minogue paused and reflected, “Here we are in 2025 and I get to be on a world tour with these beautiful humans, beautiful intelligent humans — the ones you can see on the stage and off stage. And I get very emotional thinking about this, this… that I’ve… it’s been a lifetime and sometimes it just amazes me. So very, very grateful. Thank you so much for being here.”
That “lifetime” of a musical career was on display through the show, with Minogue offering up a bevy of hits like her first single, the 1987 cover of “The Loco-Motion,” along with “Better the Devil You Know” (1990), “Spinning Around” (2000, and joined onstage by the show’s opening act Rita Ora), “Can’t Get You Out of My Head” (2001), “All the Lovers” (2010) and many more.
Before the final song of the night (“Love at First Sight”), a joyful Minogue shared a message with the crowd: “You’ve been beyond tonight. You’ve been here, present, ready, going — thank you so much for being here, for your beautiful energy, for being here for me in all different times of my career. For being there for each other! I just want to give a real shout-out to our entire crew because this has been an incredible run. We’ve loved it, so thank you.” After a moment of applause from the crowd, she then humorously added, “I’ve got some old friends here tonight. Look at me now!”
Rema‘s 2022 debut album, Rave & Roses, spun out the biggest Afrobeats crossover hit in U.S. history (the Selena Gomez-assisted “Calm Down”), and just three years later, the Nigerian superstar has cemented his place in the genre’s Big Four with a fiery, high-octane Madison Square Garden debut in New York City on Friday (May 2).
Named for Heis — his 2024 sophomore LP, which earned him his first Grammy nod for best global music album — Rema’s Heis World Tour is a towering statement of what an impressive career and catalog the 25-year-old visionary has built for himself since exploding onto the scene with 2019’s “Dumebi.” While that early-career hit was saved for later in the night during Friday’s concert, Rema, dressed in a massive fur overcoat and wielding a machete atop a levitating platform, kicked off his headlining set with “March Am,” Heis’ introductory track.
“I wanna introduce to you a man, a myth, a legend,” a faceless announcer declared over brooding, cinematic drums reminiscent of the ones that define the soundscape of Heis. “He goes by many names! He is… Prince of Afrobeats, Rema!” This lead-in may have felt a bit overblown for other artists, but Rema spent the next hour-and-a-half proving why he’s worthy of such an effusive intro. Fellow Heis cuts “Azaman” and “Yayo” followed, keeping the crowd’s energy consistent for the show’s first act before the first of several interludes that chopped up the setlist’s flow.
The concert’s setlist was loosely organized by theme and tempo. What it lacked in continuity, Rema more than made up for with the sheer number of hits he played. A cheeky kiss-cam introduced a mellower, heart-eyed segment featuring cuts like “Favorite Girl” (with Darkoo) and “Soundgasm”; “Calm Down” made for a classic arena sing-along moment, and newer drops like “Bout U” and “Baby (Is It a Crime)” allowed Rema the space to show off both his sultrier R&B side and his swaggering rock edge.
Though his stage was equipped with a sizeable walkway, Rema performed the bulk of his set’s most intense moments atop what appeared to be an entrance to some sort of dungeon. That blocking worked for the show’s overall aesthetic, but it likely would have made for an even more thrilling performance if he hit the night’s most energetic moments closer to the crowd. Nonetheless, from a recreation of the “Charm” music video to the smart additional harmonies sung by his female background singers, the raucous energy of Heis found subtle complements in the pockets of feminine energy that decorated the show.
From surprise guests to eyebrow-raising statements, here are the five best moments from Rema’s Heis Tour stop at New York City’s Madison Square Garden.
A Surprise Birthday Celebration
Australian music festival Spilt Milk has returned from a fallow year with what is shaping up to be one of the country’s biggest touring events in 2025.
Confirming its 2025 lineup on Friday (May 2), the Spilt Milk festival has announced that the four-date affair will be headlined by Kendrick Lamar and Doechii, with Sara Landry, Dominic Fike, and Schoolboy Q rounding out the topline. While Lamar’s appearance will be his first Australian visit since 2022, and the other headliners have previously performed on Australian soil, Doechii will make her debut visit to the country as part of the festival.
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D4vd, Nessa Barrett, and Sombr also join Australian producer Skin on Skin as second-tier additions, while international names such as Rebeca Black and Chance Peña join local acts The Dreggs, The Rions, Ninajirachi, and more.
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Lamar’s high-profile addition to the festival is something of a coup for the event, which first launched in 2016 as a one-day affair in the country’s capital, Canberra.
After three years of events, the festival expanded to the Gold Coast and regional Victorian city Ballarat in 2019, with the likes of CHVRCHES, Khalid, and Juice WRLD appearing on the lineup. The Ballarat edition of Spilt Milk would also serve as Juice WRLD’s final performance before his passing just one week later.
The festival returned from a COVID-induced hiatus in 2022, though announced they would be taking another year off in 2024. “Sorry pookies, we couldn’t get you the Spilt Milk you deserve this year,” event organizers wrote in July. “Sooo imma dip for a bit and come back when I can make all ur dreams come true.”
At the time, concerns were raised for the future of Spilt Milk given the cancellation of other high-profile festivals such as Splendour in the Grass, though organizers confirmed on May 1 that it would return in December 2025. The four-date affair will take place across Ballarat, Perth, Canberra, and the Gold Coast between December 6-14.
The 2025 Roskilde Festival in Denmark will feature four nights of pop, rock, hip-hop and world beat with a little something for everyone. The massive weekend will kick off on July 2 with a headlining set from Charli xcx, who will be joined by the Deftones, Fontaines D.C., Annika, Slimo, Shaboozey, Wet Leg, Tierra Whack, Meridian Brothers and more.
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Night two will be toplined by British grime rapper Stormzy, who will share the stage with Arca, Beabadoobee, D1ma, FKA Twigs, Anton Westerlin, Beth Gibbons, Bright Eyes, Horsegirl, Knocked Loose, Seu Jorge, Thee Sacred Souls, Couch Slut, Wisp, Maureen, Tanner Adell and more.
Friday (July 4) will feature Olivia Rodrigo along with Doechii, Artigeardit, Jamie XX, Schoolboy Q, Electric Callboy, Faye Webster, The Hu, Magdalena Bay, Saint Levant, Big Fan, Allie X, Neckbreakker, Show Strippers and more. The final night’s topliner, Nine Inch Nails, will also feature Tyla, Africa Express, Anohni and the Johnsons, Kenny, Lola Young, A.G. Cook, Anoushka Shankar, BigXthaplug, Flo, Lucy Dacus, Noah Carter, Rachel Chinouriri, The Raveonettes, School of X, The Chisel, Hitech, Lambrini Girls and more.
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This year’s show will feature 185 acts from 45 countries beginning with the “First Days” warm-up nights kicking off on June 29 and lasting through May 1, with sets from Aman Naseer, Andachan, Bette, Betty Bass, Biji, Boy with Apple, Bye Bye Brenda, Baench, Carlloyaboy, Casket Spray, DJ G2G, Fakethias, Groa, Hillari, J. Ludvig III and many more.
“Every summer, 130,000 participants and volunteers come together at Roskilde Festival to celebrate music, art, and community in a way that few other places can match,” said Roskilde’s head of music Thomas Sønderby Jepsen in a statement. “Our 2025 lineup presents 185 acts from 45 countries – a reflection of the energy, creativity, and global spirit that make Roskilde Festival one of the most vital festivals anywhere and offer not only a reflection of the present moment, but also a window into the sounds, trends, and expressions that will shape our future.”
Click here for ticket information and check out the full 2025 Roskilde Festival poster below.
Eddie Vedder, Hozier and Green Day will headline this fall’s edition of the Ohana Festival on Doheny State Beach in Dana Point, CA. The three-day fest (Sept. 26-28) will also feature support on the Vedder-topped first night from Kings of Leon, Garbage, Stereophonics, Lukas Nelson, Kim Deal, Deep Sea Diver, Hinds, Girl and Girl and more.
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Night two will feature Hozier atop a bill with Leon Bridges, Rainbow Kitten Surprise, Tedeshi Trucks Band, Royel Otis, Margo Price, Mdou Moctar, Mon Rovia, Chaparelle, David Duchovny and the Alain Johannes Band.
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The final night will pair pop punk veterans Green Day with Cage the Elephant, Wet Leg, Jams, Mannequin Pussy, the Chats, Lambrini Girls, The Murder Capital, The Criticals and Skating Polly.
A pre-sale begins on Thursday (May 1) at 10 a.m. PT, followed by a public on-sale at 12 p.m. PT if any tickets remain.
One of the highlights of last year’s Ohana fest was founder and Pearl Jam singer Vedder bringing out his 16-year-old daughter Harper to sing a mash-up of PJ’s signature cover of Wayne Cochran’s 1961 car crash tragic love song “Last Kiss” with the second-generation Vedder taking over to slip in the first verse from Taylor Swift’s Fearless song “The Best Day.” The 2024 version also featured sets from Maren Morris, Devo, Dogstar, Sting, Black Pumas and Alanis Morissette, among others.
Before that, Pearl Jam will take the stage to headline at the New Orleans Jazz & Heritage Festival on Saturday night (May 3) and Vedder will be on hand at the Tribeca Festival on June 12 for the premiere of his documentary about the devastating childhood skin disorder epidermolysis bullosa, Matter of Time.
Check out the full poster for the 2025 Ohana Festival below.
Goldenvoice must pay a $20,000 fine to the City of Indio for going past curfew for several minutes during Travis Scott‘s set during the first weekend of the Coachella Valley Music and Arts festival, according to a statement from city officials. On Saturday, April 12, Scott closed out his headlining set three minutes past 1 […]

Lady Gaga unleashed her divine chaos in Mexico City, where on Saturday night (April 26) she held her first concert in 13 years, captivating just over 61,000 attendees (according to promoter OCESA) with the gothic dreams emanating from MAYHEM, her celebrated dark and avant-garde new album.
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The pop star brought the striking opera-style show that dazzled this year’s Coachella festival to the Estadio GNP Seguros (formerly Foro Sol), immersing her “Pequeños Monstruos” (Little Monsters) into a dark parallel universe. During the show, which marked the start of the international leg of her new stadium tour, Gaga read an emotional letter to her fans.
“To all my beautiful little monsters who are here tonight, it is an honor for me to be here, in your beautiful country, performing for you. It’s been 13 years since the last time I was here. I hope you see how hard I’ve worked on stage tonight to show you how much I admire and respect you. I sincerely thank you for choosing to spend the night with me,” Gaga read in Spanish from a balcony while a Mexican flag unfurled in front of her.
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“Mexico City holds a special place in my heart because it’s where I ended my first stadium tour, the Monster Ball,” she added. “I will never forget the excitement and passion you shared with me that night as I bid farewell to the most important show of my career. I’m proud to share this moment with you again, only this time, it’s not the end but the beginning.”
Mother Monster’s return to Mexico was also accompanied by the live debut of the song “Blade of Grass,” a track written for her fiancé, businessman Michael Polansky.
“I wrote this song for the person I love most in the world, my fiancé Michael,” she said in English. “It’s on my new album, and I’ve never performed it before, but I really wanted to perform it here tonight. I just wanted to remind everyone, just for my life, that love can make us so happy. Always follow love and it will make you happy”.
After performing the song on the piano, she moved on to “Shallow” in an intimate moment that brought her to the brink of tears.
The majestic show in Mexico, dubbed “¡Viva La MAYHEM!”, kicked off with “Bloody Mary,” her 2011 hit that experienced a resurgence on TikTok, and “Abracadabra,” the first single from MAYHEM, with Gaga donning a massive three-tiered Victorian-era-inspired red dress. The 22 songs included in the setlist, nearly identical to the one presented at Coachella, featured tracks from her new album, like “Perfect Celebrity,” alongside older hits like “Poker Face” and “Born This Way,” delivered in acts that celebrated an internal battle between the lighter and darker sides of the 14-time Grammy and Oscar winner.
The Mexican “Little Monsters” paid tribute to Gaga by taking creativity to the next level with their outfits, which captured the early years of the diva with costumes inspired by that era, as well as her iconic meat dress worn at the 2010 MTV Video Music Awards; her portrayal of Harley Quinn in Joker 2; and the country style blue outfit with red bows from “Die With a Smile,” her hit collaboration with Bruno Mars.
The star closed the night by stepping off the stage to greet fans in the front rows and performing her mega-hit “Bad Romance” alongside dancers, as the sky lit up with green, white, and red fireworks — a nod to the Mexican flag — in a celebration that will undoubtedly remain etched in the memories of both the artist and her local fans.
Lady Gaga will perform a second concert at the Estadio GNP Seguros on Sunday night (April 27) before heading to Brazil, where she will give a massive free show on May 3 at Copacabana Beach in Rio de Janeiro.

Comedians Gabriel “Fluffy” Iglesias and Jo Koy are playing SoFi Stadium in Los Angeles on March 21, 2026, officials with the stadium announced earlier this week.
Titled One Night Only, the show is produced by comedy promoter Icon Concerts and is anticipating a paid attendance of up to 55,000 fans.
“We’ve been wanting to do this show for a number of years but it wasn’t until recently that we’ve been able to make everyone’s schedule work,” explains Mike Bernal, vp of Icon Concerts. “Gabriel [Iglesias] is an L.A. hometown hero and Jo is nearby in Seattle and has a huge following in Southern California and sold thousands of tickets in the market.”
Bernal says initial presales have been strong, noting “they are selling evenly across all price points, which is what we like to see.” Ticket prices start at between $69 to $113 for the 500 section, $138 to $170 for the midlevel 300 section and $326 for floor seats.
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One Night Only will mark a rare feat in the live comedy business; in the last decade, only a handful of comedians have headlined stadiums, including, most recently, Iglesias, who headlined Dodger Stadium in 2022. In 2015, Kevin Hart performed before an audience of more than 53,000 fans in Philadelphia, and last year, comedian Nate Bargatze became one of the first comedians to sell more than 1 million tickets in a single year, earning $82 million from an impressive 148 shows.
Comedy is a bigger business than ever in the live space. The top 10 comedy tours generated a combined $397.3 million from 4.3 million fans last year, according to Billboard Boxscore. That’s up 52% from 2023, when the top 10 generated $260 million from 2.9 million fans.
Iglesias came in at No. 3 on Billboard’s Top Comedy Tours chart for 2024, grossing $42.8 million with 603,000 tickets sold from 124 shows. Koy ranked No. 10 on the chart, grossing $26 million from 83 shows in front of 368,000 fans.
“Since day one, I wanted to bring comedy to the stadium,” explains Adolfo Romero, vp of programming and booking for SoFi Stadium and Hollywood Park, which is home to a number of smaller venues, including a new Belgian spiegeltent built for CineVita, the cinema live experience first announced in December.
“We’re at a 750-person capacity in the spiegeltent,” Romero said. The complex also includes the 6,000-capacity YouTube Theater, which has played host to a number of comedy events, including the 2024 Black Comedy Festival.
“We want to make sure that when people go out to see comedy, it’s not just the Laugh Factory or in Hollywood,” says Romero, adding that he hopes One Night Only “showcases the stadium in a different way,” noting SoFi’s carefully designed sightlines and visual technology designed to enhance the live experience.
“Sound is really important to them, and we have the five levels of LED screen as well at the stadium [that] they can also use as part of the show,” Romero said. “Their production team is working with our team to ensure that the sound and the sidelines for fans coming in are going to be the best for comedy.”
Tickets for the show are now on sale at Ticketmaster.com.