Chart Beat
Page: 96
Tommy Richman’s “Million Dollar Baby” spends its 10th week at No. 1 on the TikTok Billboard Top 50 chart dated July 20, becoming the first song to reach the 10-week milestone since the list’s September 2023 inception.
Explore
See latest videos, charts and news
See latest videos, charts and news
The TikTok Billboard Top 50 is a weekly ranking of the most popular songs on TikTok in the United States based on creations, video views and user engagement. The latest chart reflects activity July 8-14. Activity on TikTok is not included in Billboard charts except for the TikTok Billboard Top 50.
All but one week of the 11-week history of “Million Dollar Baby” on the TikTok Billboard Top 50 have been spent at No. 1; the song debuted at No. 2 on the May 11 survey and has led since its coronation the following week.
Trending on Billboard
Its TikTok Billboard Top 50 rule has coincided with success on the multimetric Billboard Hot 100; it debuted at No. 2 on the May 11 tally and has fallen no lower than No. 6 since, appearing at No. 4 on the July 20 list via 65.4 million radio audience impressions, 28.5 million official U.S. streams and 4,000 downloads sold in the week ending July 11, according to Luminate.
“Million Dollar Baby” initially reigned thanks to pent-up demand for the song following a snippet of the track that was uploaded to Richman’s TikTok account on April 13, prior to its April 26 premiere in full. A variety of trends using the tune have followed, paced by dance challenges.
BlackMayo’s “Jus’ Know” holds at its No. 2 best on the TikTok Billboard Top 50, while Ian’s “Magic Johnson” lifts one spot to No. 3. “Jus’ Know” remains dominated by a dance trend first popularized by basketball player Jared McCain and Twitch star Kai Cenat, and “Magic Johnson” has found recent success thanks to a mashup that adds the countdown of Chappell Roan’s “Hot to Go!” to the sound. LeoStayTrill and Mr Reload It’s “Pink Lemonade (Str8 Reload)” vaults from its No. 8 debut July 13 to a new peak of No. 4 thanks to lip-synch uploads.
Nos. 5 and 6, meanwhile, are new to the top 10: Blood Orange’s “Champagne Coast,” which jumps 21-5, and Megan Thee Stallion’s Yuki Chiba-featuring “Mamushi,” which leaps 12-6.
“Champagne Coast,” a nearly 13-year-old song released on Blood Orange’s 2011 album Coastal Grooves, has risen to prominence on TikTok in recent weeks thanks mostly to a trend with the prompt “did we get rich?” or “did we win the lottery?,” usually talking to their younger selves. Another trend talks about how they’ll stay single until someone looks them in the eyes and the result sounds like “Champagne Coast.”
“Champagne Coast” did not make a Billboard chart upon its initial release (nor has parent album Coastal Grooves). The song boasts a 65% jump in official U.S. streams to 3.9 million in the week ending July 11.
“Mamushi” is comparatively a much newer song, released June 28 on Megan Thee Stallion’s new album Megan. It sports a 40% gain in its second week (ending July 11) to 10.3 million chart-eligible streams, spurring a 68-45 leap on the Hot 100.
Its No. 6 rank on the TikTok Billboard Top 50 is helped by a dance trend that highlights the chorus, featuring alternating verses from Chiba and Megan Thee Stallion.
As for the chart’s top debut of the week, that honor goes to El Alfa and Nfasis, whose “Este” starts at No. 11. Released July 4, the Spanish-language tune is mostly driven by lip-synch videos to its chorus.
See the full TikTok Billboard Top 50 on Billboard.com. You can also tune in each Friday to SiriusXM’s TikTok Radio (channel 4) to hear the premiere of the chart’s top 10 countdown at 3 p.m. ET, with reruns heard throughout the week.
As Selena’s fans celebrate the 30th anniversary of her No. 1 album Amor Prohibido, the set’s remastered version makes its No. 1 debut on Billboard’s Vinyl Albums chart (dated July 20) following its first pressing on vinyl. Released via Capitol Latin/UMLE, it is the second Latin album to debut atop the list in 2024 after Kali Uchis’ Orquídeas in January.
Explore
Explore
See latest videos, charts and news
See latest videos, charts and news
Amor Prohibido blasts in at No. 1 on Vinyl Albums scoring the Latin legend her second No. 1 on the 13-year-old tally. It follows the No. 1-peaking Ones, which spent one week in charge in 2020.
Trending on Billboard
Amor Prohibido bows with 10,000 vinyl copies sold in the U.S. during the July 5-11 tracking week, according to Luminate. Selena almost doubles her previous largest week on vinyl, notched in 2020 when Ones sold 6,000 copies in its second week on the chart (July 18, 2020-dated list). That week, a limited-edition vinyl version of the greatest hits album prompted the set’s re-entry at No. 1. It earlier debuted on the list in 2016 with 3,000 sold in its first week (Nov. 5, 2016 chart). When Ones re-entered the list at No. 1, it became the first Latin album to top Vinyl Albums since the chart launched in Jan. 2011.
The new remastered Amor Prohibido was pressed on four vinyl variants – a standard clear color edition, a Target-exclusive pink color (containing a poster), a Spotify-exclusive coke bottle clear edition, and a picture-disc variant sold via Selena’s webstore.
The new version of Amor Prohibido was also issued on CD, cassette (exclusive to Selena’s webstore) and digital download. All versions – old and new — are combined for tracking and charting purposes. All of the 2024 editions of the album retain the tracklist of the original 10-song 1994 album.
In total, Amor Prohibido marks just the fourth Latin album to reach No. 1 on the Vinyl Albums chart – out of the 499 total No. 1s on the list. The set stands alongside Selena’s Ones (one week, July 2020), Bad Bunny’s Anniversary Trilogy (one week, Jan. 2022) and Kali Uchis’ Orquídeas (one week, Jan. 2024). Uchis also scored another No. 1 effort on Vinyl Albums, through her English-language set, Red Moon In Venus in March 2023.
In addition to its No. 1 debut on Vinyl Albums with 10,000 copies sold, Amor Prohibido re-enters Top Album Sales, after almost three decades, at No. 4, with 11,000 sold (across all configurations, physical and digital, of the album). Plus, it climbs 47-5 on Top Latin Albums and 21-4 on Regional Mexican Albums with 13,000 equivalent album units earned during the same period, 2,000 stemming from streaming activity, which equates to 3.54 million on-demand official streams of the album’s 10 songs.
In 1994, Amor Prohibido became the first Tejano album to reach No. 1 on Top Latin Albums, spending 20 total weeks at No. 1. It was just the second set to top the still-young chart (which launched in July of 1993), after Gloria Estefan’s Mi Tierra ruled for 58 weeks between July 1993 and June 1994.
Three of the album’s songs ruled Hot Latin Songs in 1994: “Amor Prohibido” (nine weeks), “Bidi Bidi Bom Bom” (four) and “No Me Queda Más” (seven weeks).
Welcome to Billboard Pro’s Trending Up newsletter, where we take a closer look at the songs, artists, curiosities and trends that have caught the music industry’s attention. Some have come out of nowhere, others have taken months to catch on, and all of them could become ubiquitous in the blink of a TikTok clip.
Explore
See latest videos, charts and news
See latest videos, charts and news
This week: Only in 2024 could we use the phrase “post-assassination-attempt streaming bump” for a pair of hits — one new and one old — while the most recent albums from Megan Thee Stallion and Charli XCX both spin off new viral jams, and more.
Many Streams and Sales for 50 Cent Classic, New Tom McDonald Single Following Assassination Attempt on Former President Donald Trump
[embedded content]
On Saturday night (July 13), the world was rocked by news of an assassination attempt on former president Donald Trump during a campaign rally near Butler, PA. As folks tried to make sense of what had happened, they inevitably turned to contemporary culture’s most reliable source of comfort in helping to process world events: memes. One of the most common such templates compared Trump to the rapper 50 Cent, who famously rose to fame following an attack that left him shot nine times. 50 himself got in on the game, posting a photo of his iconic Get Rich or Die Tryin’ album cover with a photo of Trump’s head crudely pasted over his own, along with the shrugging caption, “Trump gets shot and now I’m trending.”
Trending on Billboard
It wasn’t just his image that was trending, though: Listeners also flocked to 50’s Get Rich staple “Many Men (Wish Death),” the most frequent soundtrack for TikTok videos related to the assassination attempt, due to 50’s history and its “Many men/ Wish death ‘pon me” chorus. (Naturally, 50 himself also shared and responded to one or two over social media – and promoted his own “Many Men” T-shirts.) The result of it all was a massive surge in streams and sales for the song, as it collected over 2.2 million U.S. on-demand audio streams from July 13-15 – up 250% from the previous Saturday-to-Monday period – while also rising from a negligible amount of sales to over 2,000, according to Luminate.
50 wasn’t the only artist to capitalize on the event and its public reaction: Conservative rapper Tom MacDonald, who has been a regular presence on the Billboard charts over the past few years for his right-leaning, anti-woke anthems, also seized the moment with the July 14 release of new single “You Missed.” The song begins with the lyrics “They burning the country down with they progressiveness/ It started with changing what gender is” and goes on to blame the “evil” woke left for the assassination attempt, ultimately taunting: “B–ch, you missed/ Thank god the left can’t aim!”
Predictably, the song has resonated with its intended audience: “You Missed” racked up 423,000 on-demand audio streams over its first two days of release, as well as nearly 10,000 in digital song sales. If those numbers – particularly the latter one – keep up through the rest of the week, “You Missed” will likely hit on next week’s Billboard Hot 100 (dated July 27). – ANDREW UNTERBERGER
Charli XCX’s ‘Apple’ Makes for Delicious TikTok Fodder
[embedded content]
As Brat Summer continues, Charli XCX’s hit album has enjoyed plenty of viral moments — although “Apple,” the standout synth workout in the LP’s back half, has established itself as a fan favorite. As explained in the new Billboard cover story on Charli, “Apple” almost didn’t make the final cut of Brat — but now, the song has launched a multi-step dance routine on TikTok, which Charli performed herself alongside pals Troye Sivan and Terrence O’Connor.
Now, “Apple” is earning considerably more streams than it was a few weeks ago: during the week ending July 11, the track scored 2.71 million official on-demand U.S. streams, up 50 percent from its total two weeks prior (1.81 million), according to Luminate. In lieu of an official music video, Charli has been sharing fan performances of the “Apple” dance on social media, writing yesterday of the song, “It’s her world and we’re just living in it!” – JASON LIPSHUTZ
Megan Thee Stallion Eyes Bilingual Smash With Yuki Chiba Collab “Mamushi”
[embedded content]
After topping the Billboard Hot 100 and eviscerating the rap game earlier this year with her blazing diss track “Hiss,” Megan Thee Stallion now has her eyes on another potential hit from her recently released Megan album.
According to Luminate, “Mamushi” — which features Japanese rapper Yuki Chiba (KOHH) — earned 10.2 million official on-demand U.S. streams during the period of July 5-11. That’s a whopping 39.5% increase from the 7.33 million streams the Koshy-produced track pulled during the week prior (June 28-July 4), following the album’s debut. And it’s still going up: Over the past weekend (July 12-14), “Mamushi” posted an 18.3% increase to 4.8 million official on-demand U.S. streams from the 4.05 million streams it earned during the previous weekend (July 5-7).
The somewhat unlikely hit has been significantly boosted by a viral TikTok dance craze, which has already seen participation from actress Tia Mowry, WNBA powerhouse A’ja Wilson and Thee Stallion herself. Dancer and TikTok user @mona712_official originated the infectious dance combination on June 29 – just one day after the Megan album hit DSPs. In the time since then, her clip has garnered over 19.4 million views, which helped the official “Mamushi” sound own over half a million posts in just two and a half weeks. On Instagram, the smash collab soundtracks over 327,000 reels. “Mamushi” is also far and away the most viewed audio clip from Megan, with over nine million views.
Already a Hot 100 hit – the track reached a new peak of No. 45 on the chart dated July 20 — “Mamushi” looks poised to continue climbing the chart.
Yaelokre Hops Into Viral Success With “Harpy Hare”
[embedded content]
The folk revival continues with new artist Yaelokre and her song “Harpy Hare” which hit No. 1 on the Spotify Viral 50 Global and US charts this week. Yaelokre is unlike anyone else out there: The artist combines her folk songs with her hand-drawn woodland illustrations on all her artwork and lyric videos. Plus, when she performs live or to her TikTok audience (580.2K followers and counting), she wears a handmade animal mask. It’s almost as if Gorillaz existed in the same stylistic universe as the drawings of Maurice Sendak’s Where the Wild Things Are, if that makes any sense.
While the visuals are certainly eye-catching, it seems that the music is what is turning TikTok scrollers in the true fans for Yaelokre. “Happy Hare” rose 577% in official on-demand U.S. streams from the week of June 14-20 to July 5-11 – and from last week to the first half of this week (July 12-14), it jumped again by 186%. – KRISTIN ROBINSON
Season’s Gainings: It’s Coming Home? Maybe Next Time
[embedded content]
You know it’s football tournament season – the soccer kind, not the gridiron kind – when you start to see the whispers of “It’s coming home” spreading through social media, expressing optimism for England’s chances of finally claiming the Euro Cup championship. (Even American pop star Katy Perry got into the action on Sunday.) And with it, of course: a surge in consumption for Baddiel, Skinner & Lightning Seeds’ “Three Lions,” which was written as the team’s anthem when England hosted the 1996 Euro Cup, and has been revived for its Cup pursuit essentially every three years since – including last Sunday (July 14), where it spiked 714% from the prior Sunday to 72,000 official on-demand streams in the U.S. alone. Unfortunately, England fell to Spain in the Sunday championship finals – the country has still yet to win the tournament in its 66-year history – but hey, there’s always 2027. – AU
The Contenders is a midweek column that looks at artists aiming for the top of the Billboard charts, and the strategies behind their efforts. Next week (for the upcoming Billboard 200 dated July 27), Taylor Swift’s Billboard 200 reign faces its greatest challenger yet in the form of Eminem’s alter-ego-killing latest.
Explore
See latest videos, charts and news
See latest videos, charts and news
Eminem, The Death of Slim Shady (Coup de Grace) (Shady/Aftermath/Interscope): If you’re a regular reader of The Contenders and are rolling your eyes at yet another “Could [Non-Taylor Swift Artist] Finally Knock Taylor Swift From Atop the Billboard 200?” type headline, it’d be hard to blame you. In the past three months, we’ve seen such charges mounted by the likes of Billie Eilish, Gracie Abrams and (most recently) Zach Bryan, and all have ultimately fallen short: Swift’s The Tortured Poets Department has now reigned uninterrupted on the chart for a full 12 weeks, becoming the longest-running No. 1 of her career, and tying Morgan Wallen for the longest consecutive rule of the decade.
Trending on Billboard
But this week, Swift faces a challenger unlike any she’s faced in Poets’ lifetime – from one of just a handful of artists this century who can legitimately claim to be in the same galaxy of commercial success. Eminem, one of the best-selling solo recording artists of all-time – with two RIAA diamond-certified albums to his name, and a stunning 10 consecutive No. 1 sets on the Billboard 200, a streak dating back to 2000’s The Marshall Mathers LP – returns this week with his first new album in four years. What’s more, the set aims to be something of a career bookend for the veteran rapper, as it trumpets The Death of Slim Shady – Em supposedly killing off the alter-ego persona that helped vault him to superstardom a quarter-century ago.
The album is already off to a strong start at streaming, with every one of its 19 tracks – except for the 24-second “All You Got” skit – debuting in the top 100 of Spotify’s Daily Top Songs USA chart after its Friday (July 12) release, and most of them remaining in the region at mid-week. What’s more, the set already has one pre-certified smash in lead single “Houdini” — which debuted at No. 2 on the Billboard Hot 100 in June and is still lingering around the top 20 – and another more modest hit in the Big Sean and BabyTron collab “Tobey,” which vaults 95-27 on the chart in its first full week of release.
Streaming will have to make up the bulk of The Death of Slim Shady’s consumption, as the album has not yet been released in physical form. (The CD version of it is currently scheduled for a Sept. 13 release, with cassette and vinyl due on Oct. 25). However, there were two D2C digital editions of the album for purchase, both available for a limited time before the set’s release, and both with their own exclusive bonus track – one with “Kyrie & Luka” (featuring 2 Chainz) and one with “Like My Shit” (featuring FIFTEENAFTER) — and a third one was released today, with both bonus tracks and a new “Steve Berman” skit.
Eminem’s prior album, 2020’s Music to Be Murdered By, moved 279,000 in its first week, without the benefit of an advance single or a career-spanning narrative hook. If the rapper’s latest again debuts with a number in the 200,000s, it would mark a bigger week than Swift has had for Poets since its fifth week on top, for the chart week dated June 1. And if Em is able to secure the No. 1 with Death of Slim Shady, his 11th consecutive all-new album to hit No. 1 would again tie Ye (formerly Kanye West) — who extended his own run earlier this year with the Ty Dolla $ign teamup Vultures 1 — for the longest such streak in Billboard 200 history.
Taylor Swift, The Tortured Poets Department (Republic): Are there any cards left for Taylor Swift to play to maintain her already-historic Poets run atop the Billboard 200? With Swift’s restocked exclusive CD variants of the album shipping last week – helping Poets to fend off Zach Bryan’s six-digit first full week for The Great American Bar Scene, and securing Swift her first 12-week run at No. 1 – and a truly formidable opponent arriving this week with Eminem’s latest, it certainly feels like the greatest chance yet that the blockbuster finally cedes the top spot.
Still, there is more history for Swift to make with one more frame at the chart’s apex: a 13th consecutive week at No. 1 would make it just the second album to reign consecutively for that long on the 200 following its debut, tying the mark set nearly a half-century ago by Stevie Wonder’s Songs in the Key of Life. Never count out Taylor Swift until every last sale and stream is counted.
IN THE MIX
ENHYPEN, Romance: Untold (Belift/Genie/Stone): In a less loaded week, we might have been talking about whether South Korean pop group ENHYPEN was headed for its first No. 1 album on the Billboard 200. The boy band’s second Korean-language full-length album follows last year’s Orange Blood EP, which brought ENHYPEN to the chart’s top five, and is available for purchase in a stunning 17 different CD variants — including exclusives for Barnes & Noble, Target, Walmart and the group’s webstore; all with collectible paper ephemera like photocards, stickers, and a poster – as well as a pair of vinyl editions.
Megan Moroney, Am I Okay? (Sony/Columbia): While Megan Moroney has yet to score another radio hit on the scale of her 2022 breakthrough “Tennessee Orange,” the country singer-songwriter has developed an impressive fan following, which looks ready to pay off with second full-length Am I Okay? The set is off to a strong start in both sales and streams, with the addictive title track leading the way on DSPs, and the album being sold in three deluxe CD boxed sets and three different vinyl editions, including a signed version exclusive to her webstore.
Clairo, Charm (Clairo Records): After reaching the top 20 on Polydor/Republic in 2021 with sophomore album Sling, Clairo went independent – self-releasing her third album Charm on Friday. The singer-songwriter born Claire Cottrill does not seem to be suffering commercially for her move: The warmer-sounding album already has a streaming hit in lead single “Sexy to Someone,” and appears set for impressive first-week sales – helped by eight different-colored vinyl variants and four CD boxed sets, three with a T-shirt and one with a handkerchief – as well as perhaps her best showing yet on the Billboard 200.
Matthew West banks his 13th leader on Billboard’s Christian Airplay chart as “Don’t Stop Praying” rises to the top of the tally dated July 20. During the July 5-11 tracking frame, the song advanced by 1% to 6.7 million audience impressions, according to Luminate. With his newest Christian Airplay leader, West ties TobyMac for the […]
Mrs. GREEN APPLE’s “Lilac” hits the top spot on the Billboard Japan Hot 100, moving 4-1 on the chart dated July 17 after spending 14 weeks on the tally.
[embedded content]
The opener for the anime series Oblivion Battery was released back in April and debuted at No. 11 on the Japan Hot 100, then climbed to the top 5 where it coasted along powered by streams. The last episode of the anime aired on July 3, and the track saw an increase in all metrics this week with downloads at 106%, streaming at 107%, radio airplay at 194%, video views at 123%, and karaoke at 120% week-over-week.
Explore
Explore
See latest videos, charts and news
See latest videos, charts and news
Debuting at No. 2 is SixTONES’s “GONG,” the lead track off the boy band’s 13th single “GONG/Koko ni kaettekite.” The CD launched with 438,438 copies to hit No. 1 for sales, while the song also comes at No. 35 for radio and No. 33 for video.
Trending on Billboard
[embedded content]
Creepy Nuts’ long-running hit “Bling-Bang-Bang-Born” holds at No. 3, followed by BOYNEXTDOOR’s “One and Only” at No. 4. “One and Only” is the lead track from BOYNEXTDOOR’s first single called “And,” which sold 238,859 copies in its first week to come in at No. 2 for sales.
“Fatal” by GEMN, the duo consisting of Kento Nakajima and Tatsuya Kitani, rises 21-8 to break into the top 10. “Fatal” is being featured as the opener for the anime series Oshi no Ko Season 2, which began airing July 3. The track jumps 42-11 for streaming, 20-4 for video, and bows at No. 65 for radio.
[embedded content]
Other notable chart moves this week include ONE OK ROCK’s “Delusion:All,” the theme song for the movie Kingdom 4, debuting at No. 21, and Ado’s “RuLe,” the theme song for the drama series Billion x School, bowing at No. 40.
The Billboard Japan Hot 100 combines physical and digital sales, audio streams, radio airplay, video views and karaoke data.
See the full Billboard Japan Hot 100 chart, tallying the week from July 8 to 14, here. For more on Japanese music and charts, visit Billboard Japan’s English Twitter account.
Ever wondered what the most played song is in the United States on jukeboxes? According to TouchTunes, that song is Shaboozey’s “A Bar Song (Tipsy),” which leads the jukebox service’s first ranking of music available on its platform.
Explore
See latest videos, charts and news
See latest videos, charts and news
“A Bar Song” tops the TouchTunes Frontline Chart, which ranks music released in the last 18 months, for the second quarter of 2024 (covering April 1-June 30). It’s also the most played song among the entire catalog of songs available on TouchTunes (besting all songs on the TouchTunes Catalog Chart, which ranks any music released longer than 18 months ago).
That’s after first-quarter (January-March) data that saw Chris Stapleton’s “Tennessee Whiskey” the platform’s most played song and No. 1 on the Catalog ranking. The song remains No. 1 on the second-quarter Catalog tally and the second most played song overall behind “A Bar Song.”
Trending on Billboard
“A Bar Song” tops the Frontline chart despite not even being available for the entire three-month period; it was released on April 12. The track has reigned on Billboard’s multimetric Hot Country Songs chart for five weeks through the latest list, dated July 20, and reached the all-genre Billboard Hot 100’s summit for one frame (July 13). It’s No. 2 on the newest Hot 100, as previously reported, via 69.5 million in airplay audience, 41.5 million official U.S. streams and 21,000 downloads sold, according to Luminate.
“Tennessee Whiskey” was released in 2015 and is featured on Stapleton’s Traveller album from that year. It’s remained a popular song to stream, let alone play on TouchTunes jukeboxes; the tune has spent a record 447 weeks on Billboard’s Country Streaming Songs chart.
Teddy Swims’ “Lose Control” ranks behind “A Bar Song” as No. 2 on the Frontline list. Released in June 2023, the song – which crowned the Hot 100 for a week in March – sported an 18% in plays quarter over quarter, according to TouchTunes.
Post Malone’s Morgan Wallen-featuring “I Had Some Help” bows at No. 3 on the Frontline chart, while Wallen’s own “Last Night” and Luke Combs’ “Fast Car” rounds out the top five.
Of note, four of the top five are country songs. That genre domination coincides with TouchTunes’ data on all frontline songs on the platform; in quarter two, 36% of plays were for country songs, 16 percentage points more than the next closest genre (rap, 20%).
Including catalog, that percentage drops to 23% of the entire platform for country, based on a 21% share of all catalog titles. It’s nonetheless the second highest performing genre among all catalog songs, behind rock, which nabs 41% (and 38% of all songs). That’s despite the entire top six of the Catalog chart being country music; after “Tennessee Whiskey” comes Toby Keith’s “I Love This Bar” at No. 2, with Garth Brooks’ “Friends in Low Places,” Jelly Roll’s “Son of a Sinner” and Hardy’s “Truck Bed” rounding out the top five.
The highest ranking rock song on Catalog is Queen’s “Fat Bottomed Girls,” which appears at No. 7.
Wallen boasts the most songs between the two surveys: eight (two on Catalog, six on Frontline). The Frontline sum includes his featured role on Malone’s “I Had Some Help.”
“Music superfans of all genres use the jukebox to curate shared listening experiences,” John Stephen, TouchTunes head of music partnerships and audience, tells Billboard. “From introducing a new generation to classics from icons like Garth Brooks and Van Morrison, to spotlighting current sensations such as Shaboozey and Benson Boone, TouchTunes unites people through music in over 60,000 locations nationwide.”
See both 25-position charts below.
TouchTunes Frontline Chart
1. “A Bar Song (Tipsy),” Shaboozey2. “Lose Control,” Teddy Swims3. “I Had Some Help,” Post Malone feat. Morgan Wallen4. “Last Night,” Morgan Wallen5. “Fast Car,” Luke Combs6. “Beautiful Things,” Benson Boone7. “Get It Sexyy,” Sexyy Red8. “Save Me,” Jelly Roll with Lainey Wilson9. “Lovin on Me,” Jack Harlow10. “Where the Wild Things Are,” Luke Combs11. White Horse,” Chris Stapleton12. “Cowgirls,” Morgan Wallen feat. Ernest13. “Too Sweet,” Hozier14. “Texas Hold ‘Em,” Beyonce15. “I Remember Everything,” Zach Bryan feat. Kacey Musgraves16. “Pretty Little Poison,” Warren Zeiders17. “You Proof,” Morgan Wallen18. “Not Like Us,” Kendrick Lamar19. “Yeah Glo!,” GloRilla20. “Need a Favor,” Jelly Roll21. “Try That in a Small Town,” Jason Aldean22. “Spin You Around (2024),” Morgan Wallen23. “Paint the Town Red,” Doja Cat24. “Thinkin’ Bout Me,” Morgan Wallen25. “Rich Baby Daddy,” Drake feat. Sexyy Red and SZA
TouchTunes Catalog Chart
1. “Tennessee Whiskey,” Chris Stapleton2. “I Love This Bar,” Toby Keith3. “Friends in Low Places,” Garth Brooks4. “Son of a Sinner,” Jelly Roll5. “Truck Bed,” Hardy6. “Neon Moon,” Brooks & Dunn7. “Fat Bottomed Girls,” Queen8. “Drinkin’ Problem,” Midland9. “I Think I’ll Just Stay Here and Drink,” Merle Haggard10. “Wasted On You,” Morgan Wallen11. “Copperhead Road,” Steve Earle12. “Something in the Orange,” Zach Bryan13. “Whiskey Glasses,” Morgan Wallen14. “Don’t Stop Believin’,” Journey15. “Simple Man,” Lynyrd Skynyrd16. “Family Tradition,” Hank Williams Jr.17. “Rockstar,” Nickelback18. “The Joker,” The Steve Miller Band19. “Brown Eyed Girl,” Van Morrison20. “Save Me,” Jelly Roll21. “Should’ve Been a Cowboy,” Toby Keith22. “Thunderstruck,” AC/DC23. “Oklahoma Smokeshow,” Zach Bryan24. “Sweet Child o’ Mine,” Guns N’ Roses25. “In the Air Tonight,” Phil Collins
After its first full tracking week, Eminem, Big Sean and BabyTron’s “Tobey” rockets to the top 10 of Billboard’s Hot R&B/Hip-Hop Songs chart. The song was released on Wednesday, July 3, allowing it only two days of activity for the chart’s Friday-Thursday tracking cycle for the week of June 28-July 4, but despite the truncated window, “Tobey” still debuted at No. 26. After the tracking week of July 5-11, the collaboration, which name checks Spider-Man actor Tobey Maguire in its hook, soars to No. 7 on the list dated July 20.
For the multimetric Hot R&B/Hip-Hop Songs chart, which combines streaming, radio airplay and sales data, “Tobey” registered 13.6 million official U.S. streams, according to Luminate, In the July 5-11 tracking week. The nine-figure sum prompts a No. 4 debut on the R&B/Hip-Hop Streaming Songs chart and No. 21 on the corresponding, all-genre list. The track also sold 3,000 song downloads and repeats at No. 4 on the R&B/Hip-Hop Digital Song Sales chart. “Tobey” only generated a negligible amount of airplay, with radio promotional efforts still focused on Eminem’s focus single, “Houdini.”
Trending on Billboard
With “Tobey,” Eminem captures his 18th top 10 on Hot R&B/Hip-Hop Songs. Here’s a rundown of his collection:
Song Title, Artist (if other than Eminem), Peak Position, Peak Date
“Lose Yourself,” No. 4, Dec. 21, 2002
“Forever,” Drake featuring Kanye West, Lil Wayne & Eminem, No. 2, Oct. 31, 2009
“Love the Way You Lie,” featuring Rihanna, No. 7, Oct. 2, 2010
“My Life,” 50 Cent featuring Eminem & Adam Levine, No. 6, Dec. 15, 2012
“Berzerk,” No. 2, Sept. 14, 2013
“Survival,” No. 6, Oct. 26, 2013
“Rap God,” No. 2, Nov. 2, 2013
“The Monster,” featuring Rihanna, No. 1 (13 weeks), Nov. 16, 2013
“Guts Over Fear,” featuring Sia, No. 6, Sept. 13, 2014
“Walk on Water,” featuring Beyoncé, No. 6, Dec. 2, 2017
“River,” featuring Ed Sheeran, No. 5, Jan. 3, 2018
“Fall,” No. 10, Sept. 15, 2018
“Lucky You,” featuring Joyner Lucas, No. 5, Sept. 15, 2018
“The Ringer,” No. 7, Sept. 15, 2018
“Killshot,” No. 2, Sept. 29, 2018
“Homicide,” Logic featuring Eminem, No. 2, May 18, 2019
“Godzilla,” featuring Juice WRLD, No. 3, Feb. 1, 2020
“Houdini,” No. 1 (one week), June 15, 2014
“Tobey,” with Big Sean & BabyTron, No. 7 (to date), July 20, 2024
[embedded content]
The new hit secures Big Sean his 12th career top 10 on Hot R&B/Hip-Hop Songs and first in nearly seven years, since “Feels,” a Calvin Harris track that featured the rapper alongside Pharrell Williams and Katy Perry, reached No. 10 in August 2017.
BabyTron, meanwhile, achieves a career milestone by teaming up with his fellow Michigan rap stars, earning his first Hot R&B/Hip-Hop Songs top 10 with his first title to make the chart.
“Tobey,” which includes lyrics suggesting Eminem’s stance on his place on the Billboard staff’s Greatest Rappers of All Time list, appears on the superstar’s The Death of Slim Shady (Coup de Grâce) album. The set, released on July 12, is the rapper’s first new body of work since 2020’s Music to Be Murdered By.
Ed Sheeran has emerged as the U.K.’s undisputed king of the streaming era in a musical landscape transformed by the digital age.
As the Official U.K. Charts mark a decade since embracing the streaming revolution, the ginger-haired troubadour from Suffolk, England stands tall atop a mountain of megahits and record-breaking achievements.
It’s hard to believe that just ten years ago, in July 2014, the U.K. charts took their first tentative steps into the world of streaming. Ariana Grande’s “Problem” featuring Iggy Azalea claimed the historic first No. 1 spot in this new era, setting the stage for a decade of the format’s dominance.
Explore
Explore
See latest videos, charts and news
See latest videos, charts and news
But it’s Sheeran who’s truly stolen the show. His 2017 album Divide didn’t just break records – it shattered them. With a staggering 4.26 million chart units and the title of the most-streamed album of all time in the U.K., Sheeran’s musical juggernaut shows no signs of slowing down.
Trending on Billboard
And let’s talk about “Shape of You.” This earworm has burrowed its way into the nation’s collective consciousness, racking up a mind-boggling 6.29 million chart units and over 627 million streams.
It’s officially the biggest song of the streaming era, proving that Sheeran’s shape is the one we all want to be in.
But the streaming revolution isn’t just about one man. It’s transformed the very fabric of the music industry, opening up a world of unlimited choice for music lovers. Martin Talbot, chief executive of the Official Charts Company, puts it perfectly:
“We are delighted to be celebrating this exciting landmark for the Official Charts, 10 years since the way we measured music fandom changed forever. It feels like only yesterday that streams were ushered into the Official Singles Chart for the first time – and yet we seem to have enjoyed access to every track in music history, instantly, delivered like water through a digital pipe, for a lifetime.”
From Adele’s record-breaking 24 million streams in a single week for “Easy On Me” to the surprising dominance of “Baby Shark” in video streams, the past decade has been a wild ride.
We’ve seen Meghan Trainor make history with the first streaming-only U.K. top 40 hit, and watched as total U.K. audio streams surpassed the trillion mark.
As we raise a glass (or perhaps a pair of headphones) to ten years of streaming, one thing is clear: the way we consume music may have changed, but our love for it is stronger than ever. Here’s to another decade of chart-topping hits, unexpected viral sensations, and the thrill of discovering your next favorite song with just a click.
And to Ed Sheeran? Well, as Talbot says, “What a decade it has been for the Suffolk-raised superstar. Congratulations Ed!”
Three weeks after Karol G’s “Si Antes Te Hubiera Conocido” debuted at No. 2 on Billboard’s Hot Latin Songs, the song rolls 3-1 on the Tropical Airplay chart (dated July 20), for the Colombian’s first No. 1 there. It’s the second track by a female soloist, unaccompanied by another act, to rule the tally in the 2020s.
Explore
Explore
See latest videos, charts and news
See latest videos, charts and news
“Si Antes Te Hubiera Conocido,” on Bichota/Interscope/ICLG and released June 21, advances to No. 1 on Tropical Airplay –as the Greatest Gainer of the week– with 7.6 million audience impressions during the July 5-11 tracking week, according to Luminate: that’s a 27% gain from the week prior.
Trending on Billboard
While “Si Antes Te Hubiera Conocido” gives Karol G her first champ on Tropical Airplay, the singer-songwriter previously achieved a No. 8 high through “Casi Nada” in 2016, before the chart became genre-based.
The track, produced in partnership with Coke Studio, makes Karol G the second solo woman, unaccompanied by any other act, to lead Tropical Airplay this decade, after Rosalía hit No. 1 with “Despechá” in 2022. Prior, La India ruled with “Dímelo” for one week in 2016.
[embedded content]
Notably, only six women have seated atop Tropical Airplay in the ‘20s with or without collaborators: Natti Natasha, La India, Rosalía, Maria Becerra, Shakira and now, Karol G. Out of those, Rosalía has successfully managed three champs, while Becerra, two. Here is their collection of No. 1s:
Title, Artist, Peak Date, Weeks at No. 1“La Mejor Versión de Mí,” Natti Natasha & Romeo Santos, Oct. 26, 2019, 15 (seven of its weeks at No. 1 were in 2020)“Victimas Las Dos,” Victor Manuelle & La India, May 29, 2021, one“La Fama,” Rosalía Featuring The Weeknd, May 14, 2022, two“Te Espero”, Prince Royce & Maria Becerra, May 28, 2022, four“Despechá”, Rosalía, Oct. 1, 2022, four“Monotonía,” Shakira & Ozuna, Dec. 3, 2022, nine“El Pañuelo,” Romeo Santos & Rosalía, Feb. 4, 2023, four“Así Es La Vida,” Enrique Iglesias & Maria Becerra, Dec. 9, 2023, eight“Si Antes Te Hubiera Conocido,” Karol G, July 20
Over on Hot Latin Songs, “Si Antes” remains at its No. 2 debut and peak for a third week. Meanwhile, advances 5-2 on the overall Latin Airplay list.