Chart Beat
Page: 81
Billie Eilish’s “Birds of a Feather” nests atop both the Billboard Global 200 and Billboard Global Excl. U.S. charts for a third week. Two weeks earlier, the song became her first leader on each list.
Plus, Lady Gaga and Bruno Mars bound in at No. 2 on each tally with “Die With a Smile” and LISA’s “New Woman,” featuring Rosalía, debuts at No. 6 on Global Excl. U.S.
The Global 200 and Global Excl. U.S. charts, which began in September 2020, rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Global 200 is inclusive of worldwide data and the Global Excl. U.S. chart comprises data from territories excluding the United States.
Trending on Billboard
Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.
[embedded content]
Eilish’s “Birds of a Feather” holds atop the Global 200 with 86.4 million streams (up 1%) and 10,000 sold (down 35%) worldwide Aug. 16-22. (A week earlier, its sales were boosted after she performed the song at the 2024 Summer Olympics Closing Ceremony on Aug. 11.)
[embedded content]
Lady Gaga and Bruno Mars’ “Die With a Smile” soars onto the Global 200 at No. 2 with 75.1 million streams and 31,000 sold worldwide following its release Aug. 16. The former adds his third top 10 since the chart began, while the latter lands her first.
Sabrina Carpenter’s “Espresso” slips 2-3 on the Global 200, following three nonconsecutive weeks at No. 1 beginning in June; Post Malone’s “I Had Some Help,” featuring Morgan Wallen, jumps 12-4, following a week at No. 1 upon its debut in May — as parent album F-1 Trillion debuts at No. 1 on the U.S.-based Billboard 200; and Shaboozey’s “A Bar Song (Tipsy)” tumbles to No. 5 from its No. 3 high.
“Birds of a Feather” concurrently leads Global Excl. U.S. with 64.1 million streams (up 2%) and 5,000 sold (down 30%) outside the U.S. Aug. 16-22.
“Die With a Smile” starts at No. 2 on Global Excl. U.S. with 48.2 million streams and 13,000 sold outside the U.S. It’s Bruno Mars’ second top 10 and Lady Gaga’s first on the chart.
Karol G’s “Si Antes Te Hubiera Conocido” retreats to No. 3 from its No. 2 Global Excl. U.S. best; Carpenter’s “Espresso” falls 3-4, following eight nonconsecutive weeks at No. 1 beginning in May; and Jimin’s “Who” backtracks 4-5 after logging two weeks at No. 1 earlier in August.
[embedded content]
Plus, LISA’s “New Woman,” featuring Rosalía, launches at No. 6 on Global Excl. U.S. with 54.5 million streams and 10,000 sold outside the U.S. Aug. 16-22, following its Aug. 15 release. LISA earns her fourth top 10 on the chart – the most among BLACKPINK members; Jennie boasts three, and Jisoo and Rosé have one each. Meanwhile, LISA matches the four top 10s that BLACKPINK has achieved as a group. Rosalía adds her fifth top 10 on the chart.
The Billboard Global 200 and Billboard Global Excl. U.S. charts (dated Aug. 31, 2024) will update on Billboard.com Tuesday, Aug. 27. For both charts, the top 100 titles are available to all readers on Billboard.com, while the complete 200-title rankings are visible on Billboard Pro, Billboard’s subscription-based service. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
Shaboozey’s “A Bar Song (Tipsy)” adds a seventh nonconsecutive week at No. 1 on the Billboard Hot 100. The single, which became the singer-songwriter’s first leader on the list in July, claims outright 2024’s longest reign, surpassing the six nonconsecutive weeks on top for Post Malone’s “I Had Some Help” featuring Morgan Wallen. The latter, […]
Post Malone has once again claimed the top spot on the U.K. Official Albums Chart, securing his third U.K. No. 1 album with F-1 Trillion.
The New York-born, Texas-raised star artist’s sixth studio album follows in the footsteps of his previous chart-toppers, beerbongs & bentleys (2018) and Hollywood’s Bleeding (2019).
The standard edition of the F-1 Trillion album was released on Aug. 16 and has 18 songs, 15 of which are collaborations with country stars ranging from Dolly Parton and Hank Williams Jr., to Brad Paisley and Blake Shelton, to HARDY and Morgan Wallen.
Explore
Explore
See latest videos, charts and news
See latest videos, charts and news
Later on Aug. 16, F-1 Trillion garnered a deluxe reissue, dubbed the “Long Bed” edition, with nine additional solo Post Malone tracks.
Trending on Billboard
F-1 Trillion not only leads the U.K. Official Albums Chart but also tops the Official Vinyl Albums Chart, making it the most purchased album on vinyl in the U.K. this week.
Meanwhile, The Script celebrates another milestone as their latest album Satellites debuts at No. 2 on the chart. This marks the Irish band’s eighth Top 5 album and their first release since the passing of their lead guitarist, Mark Sheehan, last year. Satellites also claims the top spot on the Official Record Store Chart, the best-selling physical album in independent record shops across the U.K.
Taylor Swift continues to dominate the charts, with The Tortured Poets Department rising to No. 3 this week. Additionally, Swift has six other albums occupying spots within the Top 40, including Lover (No. 10), folklore (No. 11), reputation (No. 12), 1989 (Taylor’s Version) (No. 13), Midnights (No. 14), and Red (Taylor’s Version) (No. 37), amid her return to London’s Wembley Stadium for her Eras Tour.
Further down the chart, Welsh rock band Scarlet Rebels secured their second Top 40 album with Where the Colours Meet debuting at No. 15.
Royal Blood’s self-titled debut album re-enters the Top 40 at No. 21, thanks to a special 10th Anniversary Edition release. Edinburgh’s Hamish Hawk achieves his first-ever Top 40 placement with A Firmer Hand landing at No. 22, while Nevada’s Falling In Reverse scores their first U.K. Top 40 album with Popular Monster at No. 29.
Finally, The Stranglers reached a significant milestone with their live album Fifty Years in Black – The Anniversary Tour 2024, debuting at No. 36, marking their 20th Top 40 album in the U.K.
Further down the chart, Welsh rock band Scarlet Rebels secure their second Top 40 album with Where the Colours Meet debuting at No. 15.
Royal Blood’s self-titled debut album re-enters the Top 40 at No. 21, thanks to a special 10th Anniversary Edition release. Hamish Hawk achieves his first-ever Top 40 placement with A Firmer Hand landing at No. 22, while Nevada’s Falling In Reverse scores their first U.K. Top 40 album with Popular Monster at No. 29.
Finally, The Stranglers reached a significant milestone with their live album Fifty Years in Black – The Anniversary Tour 2024, debuting at No. 36, marking their 20th Top 40 album in the U.K.
You can stream Post Malone’s latest album F-1 Trillion below.
Chase & Status and Stormzy continue their reign atop the U.K. Official Singles Chart for a second consecutive week with their collaboration “BACKBONE.”
The track, which pairs Chase & Status’s high-energy drum and bass production with Stormzy’s commanding lyrical delivery, remains the most-streamed song in the U.K. this week, boasting an impressive 5.5 million streams.
Trending on Billboard
Explore
Explore
See latest videos, charts and news
See latest videos, charts and news
Following the single’s debut at No. 1 in the U.K. last week, Chase & Status, comprised of Saul Milton and Will Kennard, said of the collaboration with Stormzy, “We knew that connecting with Stormzy was going to create something special, but we didn’t expect a KO reaction like this.”
“To see him running out at our show at The Milton Keynes Bowl in his best man’s suit, straight from a wedding and in front of 45,000 people, was insane!” they added. “One of the greatest British MCs to ever do it, spitting over DnB. And for it to go straight in at Number 1? It couldn’t get any better for us.”
This week’s highest new entry belongs to the powerhouse duo of Lady Gaga and Bruno Mars. Their track “Die with a Smile” debuts at No. 7, marking Gaga’s 15th and Mars’s 11th Top 10 singles in the U.K. The track fuses Gaga’s distinctive flair for dramatic pop with Mars’s smooth, R&B-infused vocals, creating a unique blend that has quickly propelled the track into the Top 10.
Meanwhile, BL3SS, CamrinWatsin, and bbyclose celebrate their first-ever Top 5 single as their summer dance hit “Kisses” climbs to a new peak at No. 5.
Belfast’s rising star Jordan Adetunji also continues his ascent, with his catchy track “KEHLANI” moving up to No. 8, marking another career milestone.
Elsewhere on the chart, Chappell Roan’s “HOT TO GO!” breaks into the Top 10, reaching No. 10 after 14 weeks on the chart, thanks in part to a surprise performance with Olivia Rodrigo in Los Angeles. Indian rapper Hanumankind and producer Kalmi make their mark on the U.K. charts as well, with their track “Big Dawgs” jumping six spots to land at No. 15.
In other notable movements, Sonny Fodera, Jazzy, and D.O.D’s “Somedays” continues to climb, now at No. 16, while Taylor Swift’s “I Can Do It With A Broken Heart” rises to No. 21 following the release of its Eras Tour-filmed music video.
Finally, Gigi Perez’s “Sailor Song” makes its first appearance in the Top 40, climbing to No. 35, and Gracie Abrams’ “I Love You, I’m Sorry” gains a new peak at No. 37.
Listen to “BACKBONE” by Chase & Status and Stormzy below.
Post Malone’s first country album, F-1 Trillion, rolls in at No. 1 on the Billboard 200 chart (dated Aug. 31) with 250,000 equivalent album units earned in the U.S. in the week ending Aug. 22, according to Luminate. It’s the sixth top 10, and third No. 1 for the artist. He last led the list with Hollywood’s Bleeding in 2019, which racked up five weeks atop the list. He first reigned with Beerbongs & Bentleys, for three weeks in 2018.
Explore
Explore
See latest videos, charts and news
See latest videos, charts and news
The standard edition of the F-1 Trillion album was released on Aug. 16 and has 18 songs, 15 of which are collaborations with country stars ranging from Dolly Parton and Hank Williams Jr., to Brad Paisley and Blake Shelton, to HARDY and Morgan Wallen. Later on Aug. 16, F-1 Trillion garnered a deluxe reissue, dubbed the “Long Bed” edition, with nine additional solo Post Malone tracks.
Trending on Billboard
F-1 Trillion also leads the Top Country Albums — where it’s Post Malone’s first entry — and the Top Streaming Albums and Top Album Sales tallies.
The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Aug. 31, 2024-dated chart will be posted in full on Billboard‘s website on Aug. 27. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
F-1 Trillion debuts with 250,000 equivalent album units earned — the second-largest week for any country album in 2024. Only Beyoncé’s Cowboy Carter earned a bigger week this year among country sets, when it opened in April with 407,000 units.
Of F-1 Trillion’s first-week sum of 250,000 units, SEA units comprise 164,000 (equaling 212.86 million on-demand official streams of the deluxe album’s 27 songs), album sales comprise 80,000 and TEA units comprise 6,000. The album’s first-week sales were bolstered by its availability across four vinyl editions (a standard black vinyl and three color variants; which combined to sell 25,000 — Post Malone’s best week on vinyl), a cassette and a CD, in addition to explicit and clean digital download albums for the standard 18-song version and the 27-song “Long Bed” version.
F-1 Trillion was led by the crossover hit “I Had Some Help,” featuring country superstar Wallen. The single spent six weeks atop the all-genre Billboard Hot 100 chart, in May-July, reached No. 1 on the all-genre Streaming Songs chart, and topped both the Hot Country Songs and Country Airplay tallies. It also crowned the all-genre Radio Songs airplay ranking and hit No. 1 on both the Pop Airplay and Adult Pop Airplay charts. “Help” was followed by two further preview tracks from the album before the full-length set dropped: “Pour Me a Drink,” featuring Shelton, and “Guy for That,” featuring Luke Combs. Both reached the top 20 on the Hot 100 and the top 10 on Hot Country Songs.
Reflecting their latest sonic turns, Post Malone is the second artist, following Beyoncé, to lead the Top Country Albums chart in 2024 with a first entry after having reached No. 1 on other genre-specific album charts with earlier albums. Between 2017 and 2022, Post Malone claimed four No. 1s on Top R&B/Hip-Hop Albums (with Stoney, Beerbongs & Bentleys, Hollywood’s Bleeding and Twelve Carat Toothache), and also led the Top Rock & Alternative Albums chart in 2023 (with Austin). Earlier in 2024, Beyoncé made her first visit to Top Country Albums with Cowboy Carter, leading the list for four weeks in April-May. Beyoncé previously logged eight No. 1s on the Top R&B/Hip-Hop Albums chart as a soloist in 2003-22.
Post Malone leads an otherwise sleepy top 10 on the new Billboard 200, as F1-Trillion is the only debut in the region. Chappell Roan’s The Rise and Fall of a Midwest Princess holds at its No. 2 high for a second week, earning 72,000 equivalent album units (down 1%), while Taylor Swift’s The Tortured Poets Department falls to No. 3, after 15 nonconsecutive weeks at No. 1, with 62,000 (down 27%). Wallen’s chart-topping One Thing at a Time dips 3-4 with 60,000 (down 5%) and Billie Eilish’s Hit Me Hard and Soft descends 4-5 with 53,000 (down 8%).
Zach Bryan’s The Great American Bar Scene drops 5-6 with 44,000 equivalent album units earned (down 8%); Charli XCX’s Brat slips 6-7 with 41,000 (down 14%); Noah Kahan’s Stick Season falls 7-8 with 38,000 (down 2%); Wallen’s former No. 1 Dangerous: The Double Album descends 8-9 with 36,000 (down 5%); and Bryan’s self-titled leader is a non-mover at No. 10 with 33,000 (down less than 1%).
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
Tommy Richman deposits his first No. 1 on Billboard’s Pop Airplay chart as “Million Dollar Baby” rises a spot to the top the ranking dated Aug. 31.
The song also marks the first leader at the format for the ISO Supremacy, PULSE Records and Concord labels.
The coronation marks the latest for Richman’s breakthrough hit, which ruled the TikTok Billboard Top 50 chart for 10 weeks in May-July, the most for any title since the survey began last September.
The track has also led the Hot R&B Songs chart — for 16 weeks and counting — through the Aug. 24-dated tally; Hot R&B/Hip-Hop Songs (three, May-June); the Billboard Global Excl. U.S. chart (three, May-June); the Billboard Global 200 (two, June); and Streaming Songs (one week, May).
Trending on Billboard
In terms of radio, prior to its Pop Airplay takeover, “Million Dollar Baby” led the Mainstream R&B/Hip-Hop Airplay and Rhythmic Airplay charts for two weeks each in July. (It’s the third song to lead all three lists in 2024, following Doja Cat’s “Agora Hills” and Jack Harlow’s “Lovin On Me.”)
[embedded content]
On the all-genre, multimetric Billboard Hot 100, “Million Dollar Baby” hit No. 2 in May. It has totaled 773 million in radio audience, 559 million official on-demand U.S. streams and 77,000 sold from its release through Aug. 15, according to Luminate.
“This is a big record, but this doesn’t define me,” the Woodbridge, Va., native told Billboard for June’s Chartbreaker spotlight. “I’m using this as, ‘We’re here. We arrived.’ Not as, ‘We made it!’ This is the start of a run.”
All Billboard charts dated Aug. 31 will update Tuesday, Aug. 27, on Billboard.com.
Shaboozey dominates Billboard’s Country Airplay chart (dated Aug. 31) for a fifth week with “A Bar Song (Tipsy).” The song drew 29.8 million audience impressions (down 2%) Aug. 16-22, according to Luminate. Explore Explore See latest videos, charts and news See latest videos, charts and news The track by the Virginian (born Collins Obinna Chibueze) […]
Cold Chisel carves out another leader on Australia’s albums chart, as the homegrown rock legends blast to No. 1 with 50 Years – The Best (via Cold Chisel/Universal Music Australia).
Explore
See latest videos, charts and news
See latest videos, charts and news
The career retrospective is Chisel’s sixth chart-topper and 18th top 10 appearance on the albums tally.
Formed in Adelaide, South Australia back in 1973, Chisel is the prototype Aussie rock band, both a household name and a national treasure. The band was inducted into the ARIA Hall of Fame in 1993, and frontman Jimmy Barnes was inducted as a solo artist in 2005.
With this latest chart champ, Barnes extends his lead as the artist with the all-time collection of ARIA No. 1s at 21, a tally that includes 15 solo best-sellers.
Trending on Billboard
The result is a welcome tonic for Barnes, who is recovering following another trip to the operating theater, and a cause for celebration for the Australian music industry. 50 Years – The Best is the fourth consecutive No. 1 on the ARIA Chart by an Australian act, following new releases from Lime Cordiale, Tones & I, and Amy Shark.
The latest ARIA chart, published Friday, Aug, 23, marks the longest run for local acts at No. 1 since late 2020, when Midnight Oil, Kylie Minogue and AC/DC reigned for a combined six weeks, ARIA notes.
You’d have to go back almost a decade, to 2015, for the last time when four or more different Aussie acts consecutively ruled the chart. On that occasion, Parkway Drive, triple j Like A Version 11, Boy & Bear, Hillsong and 5 Seconds Of Summer did so, for a five-week stretch.
“It’s a big day for chart numbers,” comments ARIA CEO Annabelle Herd. “Huge congratulations to Cold Chisel for a phenomenal sixth No. 1 and 18th top 10 album. It’s an extremely exclusive club of artists who can rival the band’s storied legacy and impact on Australian music over 50 years. Congratulations again to the band, their team and everyone who has contributed to such a triumph.”
Chisel will dish out the hits on a 50th anniversary national tour later in the year, The Big Five-0, which sold over 200,000 tickets sold in a matter of hours, reps say.
Coming in at No. 2 is Post Malone with his first collaboration-stacked country album, F-1 Trillion (Universal).
It’s Posty’s seventh top 10 in Australia, after Stoney (No. 5 in 2016), Beerbongs & Bentleys (No. 1 in 2018), Hollywood’s Bleeding (No. 1 in 2019), Twelve Carat Toothache (No. 2 in 2022), Austin (No. 2 in 2022) and The Diamond Collection (No. 3 in 2023).
Completing the top three is Billie Eilish’s former leader Hit Me Hard Hit Me Soft (Interscope/Universal), down 2-3.
Also new to the chart is Falling In Reverse with U.S. rock band’s fifth studio album Popular Monster (Epitaph Records/RKT). It arrives at No. 8, their career equal-best chart position (Just Like You also peaked at No. 8 in 2015).
Meanwhile, Eilish’s hit “Birds Of A Feather” holds at No. 1 on the ARIA Singles Chart, ahead of Shaboozey’s “A Bar Song (Tipsy)” (unchanged at No. 2 via Empire) and Post Malone featuring Morgan Wallen’s “I Had Some Help” (Universal), up 5-3.
Finally, the top new release on the ARIA Singles Chart — indeed, the only new release in the top 50 — belongs to Lady Gaga and Bruno Mars, as their duet “Die With A Smile” debuts at No. 10.
Gerardo Coronel “El Jerry” rises to No. 1 spot on Billboard’s Regional Mexican Airplay chart as his single “Tutorial Para Olvidar” crowns the list dated Aug. 24. Explore Explore See latest videos, charts and news See latest videos, charts and news “Tutorial Para Olvidar” jumps 3-1 with the Greatest Gainer honors after a 39% surge […]
Asake and Travis Scott’s “Active” jumps 8-1 to rule the Billboard U.S. Afrobeats Songs chart dated Aug. 24. The coronation on the streaming and sales-based charts follows a surge in both metrics, tied to the release of the song’s parent album, Asake’s Lungu Boy, and yields both artists’ first champ on the two-year-old chart.
Explore
See latest videos, charts and news
See latest videos, charts and news
In the tracking week of Aug. 9-15, “Active” registered 2.9 million official U.S. streams, according to Luminate, up 198% from 980,000 in the prior week. In addition to the parent album’s release, “Active” enjoyed prominent, top-spot placement on several Afrobeats and African-music focused playlists, including Apple Music’s “Afrobeats Hits” and “New in Afrobeats” offerings. The single also sold 1,500 downloads in the same period, far above a negligible number in the prior week.
Before “Active” unlocked the penthouse, Asake, a Nigerian-based singer and rapper, had previously topped out at a No. 6 best on U.S. Afrobeats Songs with two different tracks. “Palazzo,” a collaboration with Spinall, debuted and peaked at the rank in May 2022 as did his solo track “Terminator” just over three months later.
Trending on Billboard
Texas-raised rapper Travis Scott, meanwhile, achieves his first No. 1 on U.S. Afrobeats Songs through his first appearance on the list.
[embedded content]
“Active” also shakes up the top spot on U.S. Afrobeats Songs for the first time in nearly a year, as the new champ dethrones Tyla’s “Water,” which had dominated for 44 consecutive frames. At the time of its coronation, “Water,” too, did what almost seemed impossible, closing a 58-week stretch at No. 1 for Rema and Selena Gomez’s “Calm Down.” Thanks largely to monopolies for “Water” and “Calm Down” – both top 10 successes on the Billboard Hot 100 – only four songs have reached No. 1 on U.S. Afrobeats Songs in the last two years: the aforementioned trio and Burna Boy’s “Last Last,” an eight-week champ in July-September 2022.
“Active” leads a parade of Asake titles on U.S. Afrobeats Songs chart from his new album, Lungu Boy, released on Aug. 9. Nine songs debut on the list, while previous single “Wave,” with Central Cee, drives 16-11, nearing its No. 8 peak. Here’s a review of the Lungu Boy track placements on this week’s chart:
No. 1, “Active,” with Travis Scott
No. 7, “MMS,” with Wizkid
No. 11, “Wave,” with Central Cee
No. 12, “Mood”
No. 14, “Fuji Vibe”
No. 16, “Suru,” featuring Stormzy
No. 18, “Worldwide”
No. 20, “Mentally”
No. 22, “Skating”
No. 25, “I Swear”
No. 28, “Ligali”