Chart Beat
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Surf Curse has been steadily releasing music for more than a decade and now, for the first time, the surf rockers debut on the Billboard Hot 100 with their five-year-old song “Disco.” Explore Explore See latest videos, charts and news See latest videos, charts and news Released in June 2019 via Danger Collective and more […]
There’s just no stopping Sabrina Carpenter, who is on course to savor a fourth consecutive week at No. 1 on the U.K. Singles Chart this Friday (Sept. 20) with her latest banger “Taste.”
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According to the latest chart blast, the impressive run sees the pop star maintaining her dominant streak, and if Carpenter secures another week at the top, it will mark her 16th cumulative week at No. 1 in the U.K in 2024.
The rest of the Top 5 remains a Carpenter stronghold as well. “Espresso” continues to brew success and is predicted to hold steady at No. 2, while “Please Please Please” won’t have to beg to hold its spot at No. 4. Sabrina’s Short n’ Sweet era has taken over the U.K. charts, with multiple singles continuing to perform strongly.
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Meanwhile, Lady Gaga and Bruno Mars are climbing the chart with their lounge-pop duet “Die With A Smile,” which could break into the Top 5 for the first time at No. 5.
Fresh entries also shake things up this week, as The Weeknd’s euphoric new track “Dancing In The Flames” is poised to debut at No. 9, making it the highest new entry of the week.
Tate McRae is also gaining ground with her pop hit “It’s Ok, I’m Ok,” expected to debut just outside the Top 10 at No. 11, while Playboi Carti’s “All Red” is eyeing a No. 13 debut, potentially marking his first solo Top 20 entry in the U.K.
Elsewhere, U.S. soul singer Teddy Swims is set for another chart success with his single “Bad Dreams,” aiming for No. 15, which would be his third Top 20 hit in the U.K.
Meanwhile, Charli XCX looks to make a comeback with a remix of her track “Talk Talk” featuring Troye Sivan, which could re-enter the chart at No. 20.
With only a few days until the official rankings, it looks like Sabrina Carpenter’s latest single still holds its flavor and will likely continue to reign supreme when the U.K. Singles Chart is updated on Friday (Sept. 20).
Snow Patrol are making a strong comeback, as their latest album, The Forest Is The Path, is on track to secure the U.K. No. 1 spot, according to the U.K Official Charts midweek blast.
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If the album holds its lead, it would mark the band’s third U.K. No. 1 overall and their first since 2006. Their previous chart-topping albums in the U.K. include Eyes Open (2006) and Final Straw (2003).
The Forest Is The Path is the first album from Snow Patrol – which consists of Gary Lightbody, Johnny McDaid and Nathan Connolly – since their 2018 release Wildness, which peaked at No. 2 on the U.K. Official Albums Chart. This comeback record, their eighth studio album, signals a return to the top after nearly two decades.
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Close behind in the race for No. 1 in the latest chart blast is London Grammar’s The Greatest Love, currently holding at No. 2. The album is poised to become the trio’s fourth Top 10 U.K. album, with two previous No. 1s, Truth is a Beautiful Thing (2017) and Californian Soil (2021).
Meanwhile, Eminem’s The Death of Slim Shady (Coup De Grâce) is making a significant rebound, moving up to No. 3 in the midweek chart following its Expanded Mourner’s Edition release. The record, which spent three weeks at No. 1 earlier this summer, is heading for its sixth week inside the Top 10.
Welsh rock band Catfish and the Bottlemen are celebrating 10 years of their debut album The Balcony, and its anniversary reissue is set to push the record to its highest-ever peak of No. 9, potentially surpassing its original 2014 peak of No. 10.
Finally, Nilüfer Yanya’s My Method Actor is on track to become her first-ever Top 40 album, currently sitting at No. 17, marking a major breakout moment for the London-based indie-rock artist.
With a few days left until the final U.K. Official Albums Chart results are revealed on Friday, all eyes are on Snow Patrol as they eye off the top spot for the first time in 18 years.
Addison Rae is officially a Billboard Hot 100-charting artist, thanks to her single “Diet Pepsi.” Released Aug. 9 on ARXOXO/Columbia Records, the song debuts at No. 86 on the Sept. 21-dated Hot 100, becoming her first career entry on the chart. It arrives with 5 million official U.S. streams (up 9%) and 487,000 all-format radio […]
Lady Gaga and Bruno Mars’ “Die With a Smile” secures a third week at No. 1 on both the Billboard Global 200 and Billboard Global Excl. U.S. charts. Three weeks earlier, the duet debuted at the runner-up rank on each survey.
Linkin Park lands the highest debut on both the Global 200 and Global Excl. U.S., as the band’s comeback single, “The Emptiness Machine,” launches at No. 2 on the latter and No. 3 on the former.
Plus, Sabrina Carpenter claims three songs in the top 10 of both the Global 200 and Global Excl. U.S. for a third week, all from her new album, Short n’ Sweet, which notches a third week at No. 1 on the U.S.-based Billboard 200.
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The Global 200 and Global Excl. U.S. charts, which began in September 2020, rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Global 200 is inclusive of worldwide data and the Global Excl. U.S. chart comprises data from territories excluding the United States.
Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.
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“Die With a Smile” leads the Global 200 with 111.4 million streams (up 5% week-over-week) and 9,000 sold (down 10%) worldwide Sept. 6-12. The ballad, released Aug. 16, is Lady Gaga and Bruno Mars’ first No. 1 each since the chart began.
Billie Eilish’s “Birds of a Feather” rises 3-2 on the Global 200, following three weeks at No. 1 beginning in August.
Linkin Park’s “The Emptiness Machine” soars onto the Global 200 at No. 3, marking the band’s first top 10 since the chart began, with 74 million streams and 19,000 sold worldwide Sept. 6-12, its first full tracking week; it premiered at 6 p.m. ET on Sept. 5. The song is the lead single from From Zero, Linkin Park’s eighth studio album, due Nov. 15. It’s the group’s first LP of all new music since the death of co-frontman Chester Bennington in 2017 and its first with vocalist Emily Armstrong.
Notably, as “The Emptiness Machine” concurrently blasts to No. 1 on the U.S.-based Hot Hard Rock Songs chart, it’s the first leader on the list also to have hit the Global 200’s top three.
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Sabrina Carpenter claims three songs in the Global 200’s top 10 for a third week: “Taste” slips to No. 4 from its No. 2 high; “Espresso” drops 4-5, following three nonconsecutive weeks at No. 1 beginning in June; and “Please Please Please” descends 5-6, after two weeks at No. 1 also starting in June. She’s the first artist to triple up in the top 10 over three weeks in 2024, besting Eilish and Taylor Swift, each with two such weeks this year.
“Die With a Smile” tops Global Excl. U.S. with 86.1 million streams (up 9%) and 5,000 sold (up 1%) outside the U.S. Sept. 6-12. As on the Global 200, it became Lady Gaga and Bruno Mars’ first No. 1 each since the survey started.
Linkin Park’s “The Emptiness Machine” bounds onto Global Excl. U.S. at No. 2, becoming the band’s first top 10, with 60.8 million streams and 11,000 sold outside the U.S. Sept. 6-12.
Eilish’s “Birds of a Feather” slides 2-3 after three weeks atop Global Excl. U.S. beginning in August; Carpenter’s “Espresso” drops 3-4, following eight nonconsecutive weeks at No. 1 beginning in May; and Karol G’s “Si Antes Te Hubiera Conocido” holds at No. 5, after reaching No. 2.
Plus, Carpenter’s “Taste” falls to No. 6 on Global Excl. U.S. from its No. 4 best and “Please Please Please” backtracks 6-7, following a week at No. 1 in June. Already the only artist with multiple weeks with three songs in the top 10 simultaneously this year, she adds a third week achieving the feat.
The Billboard Global 200 and Billboard Global Excl. U.S. charts (dated Sept. 21, 2024) will update on Billboard.com tomorrow, Sept. 17. For both charts, the top 100 titles are available to all readers on Billboard.com, while the complete 200-title rankings are visible on Billboard Pro, Billboard’s subscription-based service. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
Post Malone’s “I Had Some Help,” featuring Morgan Wallen, holds at No. 2 on the Hot 100, following six weeks at No. 1 beginning upon its debut in May.
Sabrina Carpenter charts three songs in the Hot 100’s top 10, all from her new album, Short n’ Sweet, for a third consecutive week: “Espresso” keeps at its No. 3 high; “Taste” backtracks 5-6 after it debuted at No. 2 two weeks earlier; and “Please Please Please,” which led for a week in June, falls 4-8. Carpenter is the first artist this year to log three weeks with three simultaneous top 10s, surpassing Taylor Swift with two such frames.
“Taste” also tallies a third total and consecutive week at No. 1 on Streaming Songs (27 million, down 14%). (While the song’s sum of raw streams is the week’s second-highest, below that of “A Bar Song (Tipsy),” “Taste” tops Streaming Songs due to the application of weighting to all titles’ paid/subscription and ad-supported on-demand streams and programmed/radio streams.)
Lady Gaga and Bruno Mars’ “Die With a Smile” jumps 6-4 on the Hot 100, three weeks after it debuted at its No. 3 best.
Billie Eilish’s “Birds of a Feather” wings 7-5 on the Hot 100, returning to its highest perch. It leads the multimetric Hot Rock & Alternative Songs and Hot Alternative Songs charts for a sixth week each.
Chappell Roan’s “Good Luck, Babe!” lifts 8-7 on the Hot 100, after hitting No. 6, and Teddy Swims’ “Lose Control,” which led the Hot 100 for a week in March, repeats at No. 9. The latter also now solely sports the eighth-most weeks spent in the top 10 over the chart’s history:
57 weeks, “Blinding Lights,” The Weeknd, 2020-21
44, “Stay,” The Kid LAROI & Justin Bieber, 2021-22
41, “Last Night,” Morgan Wallen, 2023-24
41, “Levitating,” Dua Lipa, 2021
39, “Circles,” Post Malone, 2019-20
38, “As It Was,” Harry Styles, 2022-23
37, “Heat Waves,” Glass Animals, 2021-22
35, “Lose Control,” Teddy Swims, 2024
34, “Cruel Summer,” Taylor Swift, 2023-24
33, “Sunflower (Spider-Man: Into the Spider-Verse),” Post Malone & Swae Lee, 2018-19
33, “Girls Like You,” Maroon 5 feat. Cardi B, 2018-19
33, “Shape of You,” Ed Sheeran, 2017
Rounding out the Hot 100’s top 10, Kendrick Lamar’s “Not Like Us” is steady at No. 10, following two weeks at No. 1 in May and July, as it dominates the multimetric Hot Rap Songs chart for an 18th week and Hot R&B/Hip-Hop Songs for a 16th week.
David Gilmour is back at the top of the U.K. Official Albums Chart, celebrating his third solo No. 1 album with Luck and Strange.
The Pink Floyd guitarist’s latest release marks his ninth overall chart-topping record when combined with his work as a solo artist and a member of the iconic band. Luck and Strange, Gilmour’s fifth studio album, joins the ranks of his previous solo No. 1 albums, On An Island (2006) and Rattle That Lock (2015).
The new collection also tops the U.K. Official Vinyl Albums Chart, solidifying its popularity among vinyl collectors and audiophiles alike.
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In a statement to Official Charts, Gilmour expressed his gratitude to fans: “I’d like to thank everyone who’s bought my new album, Luck And Strange, and helped to make it Number 1 in the Official Albums Chart.”
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This latest achievement adds to Gilmour’s illustrious career, which includes six U.K. No. 1 albums with Pink Floyd, such as Wish You Were Here (1975) and The Division Bell (1994).
However, according to the rocker’s press release, his latest project Luck and Strange, is “the best album I’ve made since Dark Side of the Moon, since 1973.”
“The album feels like a solid body of cohesive work,” Gilmour previously told Billboard of the new album. “It’s the cohesiveness of the whole thing — the writing, the work, the thrill it still gives me to listen to it all the way through as an album. There’s a consistency of thought and of feeling that runs through it that excites me in a way that makes me make those comparisons.”
Also making moves this week, once again, is Sabrina Carpenter’s Short n’ Sweet, which holds strong at No. 2 after three weeks in the Top 5.
Meanwhile, Oasis continues to dominate the chart, with Time Flies… (No. 3), Definitely Maybe (No. 4), and What’s The Story (No. 5) all securing Top 5 positions.
Other notable entries on the tally, published Friday, Sept. 13, include Link Park’s 2024 hits collection Papercuts, which rebounds to No. 8 following the announcement of their new vocalist, Emily Armstrong, while Fred Again…’s ten days comes in at No. 7, marking his second Top 10 album.
Further down the chart, Rex Orange County earns his third Top 40 LP with The Alexander Technique, debuting at No. 15, following previous successes with Pony (No. 5 in 2019) and WHO CARES? (No. 1 in 2022).
South London group Fat Dog makes their Official Albums Chart debut with WOOF., landing at No. 16 and topping the Official Record Store Chart.
Meanwhile, Ensoulment, the first new album in 25 years from The The, enters at No. 19, marking their sixth Top 40 record. Ultravox’s 1984 album Lament returns at No. 35 after a 40th-anniversary edition, and Leeds four-piece English Teacher re-enters at No. 40 with This Could Be Texas, following their 2024 Mercury Prize win.
Sabrina Carpenter‘s smash hit “Taste” continues to savor the sweet taste of victory on the U.K. Official Singles Chart, claiming the No. 1 spot for a third consecutive week.
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The track effortlessly holds its position, marking a triumphant run as Carpenter’s fan-favorite song dominates the charts.
Adding to her success, the singer’s previous chart-toppers, “Espresso” and “Please Please Please,” are also still going strong. “Espresso” holds steady at No. 2, while “Please Please Please” rounds out the Top 5, landing at No. 5. With three singles in the Top 5, Carpenter is seeing some seriously sweet success.
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Meanwhile, Linkin Park makes an explosive return with their latest single “The Emptiness Machine,” debuting at No. 4 on the Official Chart, published Friday, Sept. 13. This marks the alt-rock band’s highest-charting single in the U.K. and their first Top 10 hit since 2008.
The track is also the first release to feature new members Emily Armstrong and Colin Brittain, bringing a fresh sound to the group’s legacy.
Elsewhere on the charts, Lady Gaga and Bruno Mars climb one spot to No. 6 with their ballad “Die With a Smile,” securing its third week in the Top 10. Another major jump comes from Sonny Fodera, Jazzy, and D.O.D, whose collaborative track “Somedays” leaps five spots to No. 10, giving all three artists their first Top 10 hit together.
TikTok sensation Gigi Perez continues to rise, with “Sailor Song” jumping 11 spots to No. 13, marking her first-ever Top 20 hit. Other notable movements include Teddy Swims’ “The Door” climbing seven places to No. 16, and Gracie Abrams’ “I love you, I’m sorry” rising to a new peak of No. 21.
Finally, Central Cee and RAYE’s new collaboration “Moi” debuts at No. 38, solidifying another exciting week for the U.K. Official Charts.
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Sabrina Carpenter’s Short n’ Sweet scores a third consecutive week at No. 1 on the Billboard 200 albums chart (dated Sept. 21), becoming the second album to spend its first three weeks atop the list in 2023. Only Taylor Swift’s The Tortured Poets Department also spent its first three frames atop the list in 2024, of its total 15 nonconsecutive weeks at No. 1.
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Short n’ Sweet earned 117,000 equivalent album units in the U.S. in the week ending Sept. 12 (down 25%), according to Luminate — largely driven by streaming activity of the album’s 12 songs.
Also in the top 10 of the Billboard 200, David Gilmour achieves his third solo top 10 album, as his first studio effort in nine years, Luck and Strange, bows at No. 10.
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The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Sept. 21, 2024-dated chart will be posted in full on Billboard‘s website on Tuesday (Sept. 17). For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Of Short n’ Sweet’s 117,000 equivalent album units earned in its third week, SEA units comprise 101,000 (down 20%, equaling 134.79 million on-demand official streams of the album’s 12 songs; it holds at No. 1 on the Top Streaming Albums chart), album sales comprise 15,000 (down 45%) and TEA units comprise 1,000 (down 5%).
Nos. 2-6 on the Billboard 200 are all non-movers. Post Malone’s former leader F-1 Trillion ranks at No. 2 (72,000 equivalent album units earned; down 16%); Chappell Roan’s The Rise and Fall of a Midwest Princess is No. 3 (57,000; down 7%); Morgan Wallen’s chart-topping One Thing at a Time places at No. 4 (52,000; down 7%); Swift’s The Tortured Poets Department is No. 5 (51,000; down 3%); and Billie Eilish’s Hit Me Hard and Soft is No. 6 (47,000; down 3%).
Zach Bryan’s The Great American Bar Scene rises one spot to No. 7 with 38,000 equivalent album units earned (down 2%), Noah Kahan’s Stick Season climbs 9-8 with 38,000 (down 3%) and Wallen’s former leader Dangerous: The Double Album ascends 11-9 with 32,000 (down 5%).
David Gilmour rounds out the new top 10, as his first studio album in nine years, Luck and Strange, debuts at No. 10. It’s his third solo top 10-charting effort. He previously visited the top 10 with the solo sets Rattle That Lock (No. 5 in 2015) and On an Island (No. 6, 2006).
The new album earned 32,000 equivalent album units in the U.S. in the week ending Sept. 12. Of that sum, album sales comprise 30,000 (it’s the top-selling album of the week and bows at No. 1 on Top Album Sales), SEA units comprise 2,000 units (equaling 2.17 million on-demand streams of the set’s songs) and TEA units comprise a negligible sum. The album’s first-week sales were bolstered by its availability across four vinyl variants (which combined to sell 8,500 copies), two CD variants and a Blu-ray Audio configuration.
Gilmour is also a member of Pink Floyd, and all 10 of iconic rock band’s top 10-charting albums (from 1973’s No. 1 The Dark Side of the Moon through 2014’s The Endless River) reached the region after Gilmour joined the band in 1967. (The Dark Side of the Moon holds the record for the most weeks on the Billboard 200 of any album in the chart’s history — 990 weeks — having most recently made the list in May.)
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
Dustin Lynch’s “Chevrolet,” featuring Jelly Roll, rides two spots to No. 1 on Billboard’s Country Airplay chart (dated Sept. 21).
The single – Lynch’s ninth Country Airplay leader and Jelly Roll’s fifth – increased 10% to 30.1 million audience impressions Sept. 6-12, according to Luminate.
“Chevrolet” was written by Chase McGill, Jessi Alexander and Hunter Phelps, with Mentor Williams also receiving writer billing, as it interpolates his classic “Drift Away.” Recorded by Dobie Gray, the original hit No. 5 on the Billboard Hot 100 hit in 1973. Plus, Uncle Kracker’s update, featuring Gray, reached No. 9 in 2003.
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“The response to this song has been absolutely wild to see in our live shows from way early on,” Lynch tells Billboard. “This iconic melody from ‘Drift Away’ is deep within all of us, and connects us instantly for such an epic sing-along. There’s a nostalgia to it that just feels good, and it becoming my ninth No. 1 on Billboard’s Country Airplay chart means so much, especially since I get to celebrate this with my buddy Jelly. To the fans that have been on this crazy journey with me, this one is for you! Let’s keep riding y’all – I’m just getting started!”
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Notably, “Chevrolet” is the latest Country Airplay No. 1 to either interpolate or remake a past hit. It’s the second in a row, as it supplants Shaboozey’s “A Bar Song (Tipsy),” which updates J-Kwon’s 2004 hip-hop hit “Tipsy.”
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Before that, Kane Brown’s “I Can Feel It,” which reworks Phil Collins’ “In the Air Tonight,” led Country Airplay for a week in March; Luke Combs’ faithful cover of Tracy Chapman’s “Fast Car” reigned for five weeks beginning last July; and Cole Swindell’s “She Had Me at Heads Carolina,” which reimagines Jo Dee Messina’s “Heads Carolina, Tails California,” banked four weeks at No. 1 beginning in September 2022.
Plus, Jelly Roll joined MGK for “Lonely Road.” The reinterpretation of John Denver’s “Take Me Home, Country Roads” has spent the last weeks in the top 40 of the multimetric Hot Country Songs chart.
“Chevrolet,” which Zach Crowell and Ben Phillips produced, is from Lynch’s album Killed the Cowboy. He last topped Country Airplay with “Thinking ‘Bout You,” featuring MacKenzie Porter, for six weeks beginning in December 2021. His other No. 1s: “Ridin’ Roads,” for one week in January 2020; “Good Girl” (one, January 2019); “Small Town Boy” (four weeks, starting in September 2017); “Seein’ Red” (one, February 2017); “Mind Reader” (one, June 2016); “Hell of a Night” (one, September 2015); and “Where It’s At (Yep, Yep)” (two, September-October 2014).
Jelly Roll boasts the longest active streak of Country Airplay No. 1s from the start of a career at the format. (Kane Brown boasts the longest run overall: six, dating to July 2021.) Jelly Roll previously led with “Halfway to Hell,” for one week in June; “Save Me,” featuring Lainey Wilson (two weeks, December 2023); “Need a Favor” (four, beginning in August 2023); and “Son of a Sinner” (one, January 2023).
Jelly Roll concurrently climbs 14-11 (17 million, up 15%) on Country Airplay with his own “I Am Not Okay” (Bailee & Buddy/BMG/Republic/Stoney Creek).
Traveling ‘Miles’
Marshmello and the aforementioned Kane Brown’s “Miles on It” hits the Country Airplay top 10 (11-7; 20.8 million, up 19%). Marshmello reaches the tier in the DJ’s first visit to the chart. Brown banks his 13th top 10 and first since “I Can Feel It,” which became his 11th No. 1 in March.
All charts dated Sept. 21 will update Tuesday, Sept. 17 on Billboard.com.
Additional reporting by Gary Trust.