Chart Beat
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Bad Bunny’s Debí Tirar Más Fotos captures a second week at No. 1 on the Billboard 200 albums chart (dated Feb. 1), earning 151,000 equivalent album units in the U.S. in the week ending Jan. 23 (down 26%), according to Luminate. Of Bad Bunny’s four chart-topping albums, it’s the second to spend more than a single week at No. 1; his 2022 set, Un Verano Sin Ti, has collected the most weeks atop the list, with 13 weeks, nonconsecutively.
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Also in the top 10 of the latest Billboard 200, Mac Miller’s from-the-vaults release Balloonerism debuts at No. 3, marking the eighth top 10-charting set for the rapper, who died in 2018. The set’s songs date back to 2014, but the project was shelved in favor of other releases.
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The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Feb. 1, 2025-dated chart will be posted in full on Billboard‘s website on Jan. 28. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Of the 151,000 equivalent album units earned by Debí Tirar Más Fotos in the week ending Jan. 23, SEA units comprise 146,000 (down 25%; equaling 198.78 million on-demand official streams of the set’s songs; it’s No. 1 for a third week on Top Streaming Albums), album sales comprise 4,000 (down 46%; falling 8-11 on Top Album Sales) and TEA units comprise 1,000 (down 30%).
SZA’s former No. 1 SOS rises 3-2 with 90,000 equivalent album units (down 12%).
Mac Miller’s Balloonerism bows at No. 3 with 81,000 equivalent album units earned. Of that sum, album sales comprise 41,000 (it debuts at No. 1 on Top Album Sales), SEA units comprise 40,000 (equaling 51.56 million on-demand official streams of the set’s songs; it debuts at No. 4 on Top Streaming Albums) and TEA units comprise a negligible sum. The set’s sales were bolstered by its availability across six vinyl variants, a CD, digital download album and cassette tape.
In total, Balloonerism is Miller’s eighth top 10-charting effort on the Billboard 200. It follows Faces (No. 3 in 2021), Circles (No. 3, 2020), Swimming (No. 3, 2018), The Divine Feminine (No. 2, 2016), GO:OD AM (No. 4, 2015), Watching Movies With the Sound Off (No. 2, 2013) and Blue Slide Park (No. 1, 2011).
Kendrick Lamar’s former leader GNX is a non-mover on the Billboard 200 at No. 4 (59,000 equivalent album units; down 8%) while Gracie Abrams’ The Secret of Us surges 10-5 (52,000; up 42% after the release of a deluxe version across three vinyl variants and a CD).
Three former No. 1s are next, with Sabrina Carpenter’s Short n’ Sweet steady at No. 6 (43,000 equivalent album units; down 9%), Lil Baby’s WHAM dipping 5-7 (39,000; down 30%) and Morgan Wallen’s One Thing at a Time rising a notch to No. 8 (37,000 down 3%).
Billie Eilish’s Hit Me Hard and Soft falls two rungs to No. 9 (nearly 37,000 equivalent album units; down 8%), and Taylor Swift’s The Tortured Poets Department climbs 12-10 (35,000; down 3%).
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
Almost Monday is No. 1 on a Billboard chart for the first time, with “Can’t Slow Down” jumping two places to the top of the Feb. 1-dated Alternative Airplay survey. Explore Explore See latest videos, charts and news See latest videos, charts and news Previously, the song became Almost Monday’s first top 10 on Alternative […]
Wicked fever reaches Billboard’s Top Movie Songs chart, powered by Tunefind (a Songtradr company), as Cynthia Erivo’s “Defying Gravity,” featuring Ariana Grande, rises to No. 1 on the December 2024 survey.
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Rankings for the Top Movie Songs chart are based on song and film data provided by Tunefind and ranked using a formula blending that data with sales and streaming information tracked by Luminate during the corresponding period of December 2024. The ranking includes newly released films from the preceding three months.
After debuting at No. 2 on the November 2024 Top Movie Songs, “Defying Gravity” rules the latest chart amid Wicked’s first full month of theatrical release; it was debuted in theaters on Nov. 22.
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Set during the finale to the first part of Wicked (Wicked: For Good, its sequel, is scheduled for a Nov. 21 premiere), “Defying Gravity” earned 47 million official on-demand U.S. streams and 13,000 downloads in December 2024, according to Luminate.
The song peaked at No. 44 on the Dec. 7-dated Billboard Hot 100 and ranks at No. 71 on the latest tally.
In all, Wicked accounts for six of the chart’s 10 positions in December, including the entire top four. Grande’s “Popular” follows “Defying Gravity” at No. 2, boasting 35.1 million streams and 7,000 downloads.
The top non-Wicked entry belongs to Nirvana’s “Come As You Are,” featured in the movie Queer, released Nov. 27. A No. 32 hit for Nirvana on the Hot 100 in 1992, the song earned 15 million streams and 1,000 downloads in December.
It’s one of two songs from Queer to make the latest list, ahead of Prince’s “Musicology,” which enter the survey at No. 8.
See the full top 10, also featuring music from Kraven the Hunter and Sonic the Hedgehog 3, below.
Rank, Song, Artist, Movie
“Defying Gravity,” Cynthia Erivo feat. Ariana Grande, Wicked
“Popular,” Ariana Grande, Wicked
“What Is This Feeling?,” Ariana Grande & Cynthia Erivo, Wicked
“No One Mourns the Wicked,” Ariana Grande feat. Andy Nyman, Courtney-Mae Briggs, Jeff Goldblum, Sharon D. Clarke & Jenna Boyd, Wicked
“Come As You Are,” Nirvana, Queer
“Sign of the Times,” Harry Styles, Kraven the Hunter
“Dancing Through Life,” Jonathan Bailey feat. Ariana Grande, Ethan Slater, Marissa Bode & Cynthia Erivo, Wicked
“Musicology,” Prince, Queer
“Run It,” Jelly Roll, Sonic the Hedgehog 3
“The Wizard and I,” Cynthia Erivo feat. Michelle Yeoh, Wicked
Morgan Wallen earns his 16th No. 1 on Billboard’s Country Airplay chart as “Love Somebody” lifts a spot to the top of the tally dated Feb. 1. The song, which he co-wrote, increased by 9% to 33.8 million audience impressions Jan. 17-23, according to Luminate. Dating to his first Country Airplay No. 1, “Up Down” […]
Rising British artist Lola Young has secured her first No. 1 single in the U.K. with viral hit “Messy” (Jan. 24). Young is the first British female artist to hit the No. 1 song with a solo hit since Kenya Grace’s “Strangers” in November 2023. The song knocks Gracie Abrams’ “That’s So True” from the […]
Robbie Williams has secured a huge milestone on the U.K. Album Charts. Better Man, the soundtrack to his recent biopic of the same name, has given the British pop icon his 15th No. 1 album, and sees him pull ahead of The Rolling Stones (14) in the all-time rankings. He is now tied with with […]
ROSÉ and Bruno Mars’ “APT.” becomes the first No. 1 on Billboard’s Pop Airplay chart by an act prominent in K-pop (Korean pop), as it jumps three spots to the top of the latest, Feb. 1-dated survey.
A week earlier, the song surpassed BTS’ “Dynamite,” which peaked at No. 5 on the radio ranking in December 2020, as the highest charting such Pop Airplay hit. “Dynamite” remains the only top five hit on the tally by a K-pop group.
“APT.,” on The Black Label/Atlantic Records, marks the first Pop Airplay chart entry for ROSÉ as a soloist; star K-pop quartet BLACKPINK has charted two tracks (reaching a No. 21 best) with her as a member.
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Mars, meanwhile, earns his 11th Pop Airplay No. 1 — one-upping Justin Bieber for the most among male soloists since the chart began in October 1992. Overall, Taylor Swift boasts a record 13 leaders, followed by Maroon 5, Mars, Katy Perry and Rihanna with 11 each, and Bieber and Ariana Grande with 10 each.
The Pop Airplay chart ranks songs by weekly plays on over 150 mainstream top 40 radio stations monitored by Mediabase, with data provided to Billboard by Luminate.
A select five hits by acts prominent in K-pop have climbed to the Pop Airplay top 10, beginning with PSY’s “Gangnam Style” in 2012. That viral smash and “APT.” are the only such songs billed to solo artists. Here’s a recap:
No. 1 (one week to date), “APT.,” ROSÉ & Bruno Mars, Feb. 1, 2025
No. 5, “Dynamite,” BTS, Dec. 19, 2020
No. 7, “Cupid,” Fifty Fifty, Aug. 5, 2023
No. 7, “Butter,” BTS, Aug. 7, 2021
No. 10, “Gangnam Style,” PSY, Oct. 27, 2012
Pop Airplay chart reporter KMVQ (99.7 Now) San Francisco leads all panelists with more than 1,500 plays to date for “APT.,” dating to the single’s Oct. 18 release. WHTZ (Z100) New York, KIIS (102.7 KIIS-FM) Los Angeles and SiriusXM’s Hits 1 and TikTok Radio have also given the song notable exposure.
“APT.” – from ROSÉ’s album rosie, her first apart from BLACKPINK – has ruled the Billboard Global 200 and Billboard Global Excl. U.S. charts for 11 and 12 weeks, respectively. On the Billboard Hot 100, the song holds at its No. 5 high, with ROSÉ having become the first female K-pop artist to have reached the chart’s top five.
All charts dated Feb. 1 will update Tuesday, Jan. 28, on Billboard.com.
Gracie Abrams is back on top. Her sophomore album, The Secret Of Us, has reclaimed the No. 1 spot—leaping from No. 6—on the ARIA Albums Chart for the week of Jan. 20, fueled by the release of its deluxe edition on vinyl.
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The record previously hit No. 1 in July 2024 and has continued to be a favourite with fans since its release. Abrams’ first album, Good Riddance, peaked at No. 30 in 2023, making her latest success a milestone in her career.
Sydneysiders Dear Seattle celebrated their highest-ever chart debut as their third album, TOY, entered at No. 4. This marks the band’s first time in the top 10, surpassing their prior records: Don’t Let Go peaked at No. 45 in 2019, and Someday climbed to No. 31 in 2022.
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Meanwhile, Robbie Williams made a strong debut at No. 5 with the soundtrack to Better Man, his biopic. The album features 13 tracks, including re-recordings and fresh cuts, contributing to Williams’ 15th top 10 solo album in Australia. Williams has previously claimed five No. 1 albums in the country, with Greatest Hits (2004), Intensive Care (2005), Rudebox (2006), Reality Killed the Video Star (2009), and The Christmas Present (2019). The biopic has also sparked renewed interest in Williams’ extensive catalog, with fans revisiting his biggest hits.
Mac Miller also returned to the ARIA chart with Balloonerism, debuting at No. 12. The posthumous release features collaborations with SZA and his alter ego Delusional Thomas, showcasing tracks recorded in 2014. It’s Miller’s third top 10 album in Australia, following Swimming (No. 7, 2018) and Circles (No. 3, 2020).
Meanwhile, Luke Combs’ upcoming Australian tour, which kicks off in Brisbane on Jan. 24, has also propelled his albums back up the ARIA chart. His 2017 debut album, This One’s For You, rises from No. 11 to No. 8 (it previously peaked at No. 7 in 2019 and again in 2022), whileFathers & Sons leaps from No. 77 to No. 20, continuing its impressive run after peaking at No. 3 last year.
On the ARIA Singles Chart, Rosé and Bruno Mars’ “APT.” extended its reign at No. 1 for an 11th non-consecutive week, becoming the longest-running chart-topper since Miley Cyrus’ “Flowers” in 2023. Abrams also continues to dominate the singles chart, with her track “That’s So True” holding steady in No. 2.
For all the latest chart updates, visit the ARIA Charts.
Rock band Tremonti notches its first top 10 on Billboard’s Top Album Sales chart as The End Will Show Us How debuts at No. 10 on the chart dated Jan. 25. The project also bows at No. 14 on Top Hard Rock Albums and No. 34 on Independent Albums. Fronted by Mark Tremonti, the band has logged six charting efforts on Top Album Sales, stretching back to 2012’s All I Was.
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Also in the top 10 of the latest Top Album Sales chart, Taylor Swift’s reissued Lover: Live From Paris reenters at No. 1, Heidi Montag’s 2010 album Superficial debuts at No. 4 following an outpouring of fan support following the loss of her home in the Pacific Palisades fire, and Ringo Starr logs his first top 10 on the Top Album Sales chart with the No. 7 arrival of his new country set Look Up.
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Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album (TEA) units and streaming equivalent album (SEA) units.
Tremonti’s The End Will Show Us How sold nearly 7,000 copies in its first week, landing the band its best sales week since 2018. The album was led by the radio single “Just Too Much,” which climbs 31-26 on the Mainstream Rock Airplay chart (dated Jan. 25), making it the highest-charting hit ever on the chart for the band. The group has logged seven entries on the radio tally in total.
At No. 1 on Top Album Sales, Taylor Swift’s reissued Lover: Live From Paris reenters atop the list with 202,500 copies sold – largely from vinyl purchases. It’s the 15th No. 1 for Swift on the chart – the most in the chart’s 33-year history.
The Wicked film soundtrack is a non-mover at No. 2 with 12,000 (down 23%) and Chappell Roan’s chart-topping The Rise and Fall of a Midwest Princess moves 5-3 with 11,000 (up 28%).
Heidi Montag’s 2010 album Superficial surges onto the chart at No. 4 with 11,000 copies sold (up from a negligible sum the previous week). After Montag and husband Spencer Pratt lost their home in the Pacific Palisades wildfire in Los Angeles, the pair took to social media to encourage fans to purchase the album and stream its songs to help the family rebuild and generate income. The couple are best known for the appearances on reality TV programs, most famously on MTV’s The Hills.
Stray Kids’ former leader HOP falls 3-5 with 10,000 sold (down 24%) and Sabrina Carpenter’s Short n’ Sweet slides 4-6 with 9,000 (down 5%).
Ringo Starr lands his first top 10 on the Top Album Sales chart with the No. 7 debut of Look Up, selling 8,000 copies. It also grants The Beatles’ drummer with his second top 40-charting effort (and highest yet) on Top Country Albums.
Rounding out the rest of the latest top 10 are Bad Bunny’s Debí Tirar Más Fotos, falling 6-8 in its second week with nearly 8,000 (down 3%) and Billie Eilish’s Hit Me Hard and Soft, slipping 7-9 with nearly 7,000 (down 5%).
Mrs. GREEN APPLE’s “Lilac” continues to rule the Billboard Japan Hot 100 for the fifth week, on the chart dated Jan. 22.
Downloads, streams and video views for the Oblivion Battery opener are down to 67%, 89%, and 95%, respectively, compared to the week before, but karaoke is up to 104%. The track holds at the top spot for the third consecutive week and for fifth time in total, with a huge lead over the track at No. 2 and below.
At No. 2 is Rosé & Bruno Mars’ “APT,.” also holding for the third week. While the track is slowing down in downloads, streams and video, it gained slightly in radio and karaoke.
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STU48’s “Chiheisen wo miteiruka?” debuts at No. 3. The title track of the girl group’s 11th single sold 165,727 copies in its first week to hit No. 1 for sales.
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Mrs. GREEN APPLE’s “Que Sera Sera” slips a notch to No. 4. Streams are down to 93% and downloads to 50% week-over-week, but radio and karaoke are up to 170% and 105%, respectively.
“CBZ (Prime time)” by BSS, a group consisting of members SEUNGKWAN, DK, and HOSHI of SEVENTEEN, bows at No. 5. The lead track of the trio’s second single “TELEPARTY” sold 63,797 copies to come in at No. 2 for sales, while also hitting No. 94 for downloads, No. 86 for radio and No. 41 for video. “’Shohikigen,” by SEVENTEEN released last year, also came in at No. 3 for sales, and the track rises to No. 20 on the Japan Hot 100 after six weeks.
In other chart moves, a number of rapper Chanmina’s tracks have climbed the Japan Hot 100 again, due to the final judging of the audition project she’s producing, No No Girls, airing on Jan. 11. “Harenchi” came in at No. 51 and “Never Grow Up” at No. 79. Also, after the movie 366 Days hit domestic theaters on Jan. 10, the song the story was inspired by, HY’s “366 Days,” has returned at No. 84. The last time this classic ballad charted was about six months ago, in July 2024.
The Billboard Japan Hot 100 combines physical and digital sales, audio streams, radio airplay, video views and karaoke data.
See the full Billboard Japan Hot 100 chart, tallying the week from Jan. 13 to 19, here. For more on Japanese music and charts, visit Billboard Japan’s English Twitter account.