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Zach Bryan notches his first No. 1 on Billboard’s streaming-, airplay- and sales-based Hot Country Songs chart (dated Jan. 7) with “Something in the Orange.” In its 36th week on the survey, the song ascends from No. 2 with 15 million official streams (up 2%) and 4,000 downloads sold (up 11%) Dec. 23-29, according to Luminate.

“Orange” debuted on the survey dated May 7, 2022, at No. 11 and reached the top 10 in June. Being promoted to country radio by Warner Music Nashville, the song marks Bryan’s first entry on the Country Airplay chart, where it ranks at No. 31 in its 26th frame with 2.4 million in reach.

Meanwhile, Bryan’s new live album, All My Homies Hate Ticketmaster (Live From Red Rocks), arrives on Top Country Albums at No. 14. Released Dec. 25, it earned 12,000 equivalent album units through Dec. 29. The 24-song set, which includes “Orange,” was recorded at Bryan’s concert Nov. 3 at Red Rocks Amphitheatre in Morrison, Colo.

“Seems there is a massive issue with fair ticket prices to live shows lately,” Bryan shared on social media. “I have met kids at my shows who have paid upwards of four-hundred bucks to be there and I’m done with it. I’ve decided to play a limited number of headline shows next year to which I’ve done all I can to make prices as cheap as possible and to prove to people tickets don’t have to cost $450 to see a good and honest show.”

“Orange” original parent album American Heartbreak debuted at No. 1 on Top Country Albums last May with 71,000 units – the biggest week tallied by a country LP in 2022. On the Jan. 7-dated list, it ranks at No. 5 (30,000 units).

Notably, Bryan wrote “Orange” solo. It’s the first Hot Country Songs No. 1 penned by a single writer since Taylor Swift’s “Love Story (Taylor’s Version),” which debuted atop the chart dated Feb. 27, 2021. Before that, Blanco Brown’s self-written “The Git Up” reigned for 12 weeks beginning in July 2019.

On Hot Country Songs, “Orange” dethrones Morgan Wallen’s “You Proof,” which dominated for 19 nonconsecutive weeks starting with its debut last May. Concurrently, “You Proof” leads Country Airplay for a record-extending 10th week.

Taylor Swift extends her record run atop the Billboard Artist 100 chart, as she tallies a 59th total week at No. 1 (on the latest Jan. 7-dated list).
Swift holds as the top musical act in the U.S. thanks to the continued success of her album Midnights. The set ranks at No. 2 on the Billboard 200, with 106,000 equivalent album units earned Dec. 23-29, according to Luminate. Of its 10 weeks on the chart, five have been at No. 1.

In total, Swift places eight albums on the latest Billboard 200, the most among all acts: Midnights, Lover (No. 44), Folklore (No. 48), Red (Taylor’s Version) (No. 54), Evermore (No. 55), 1989 (No. 85), Fearless (Taylor’s Version) (No. 121) and Reputation (No. 147).

Swift also charts two songs from Midnights on the Billboard Hot 100: former six-week No. 1 “Anti-Hero,” at No. 8, and “Lavender Haze,” at No. 64 (after it debuted at its No. 2 high upon the set’s chart entrance).

Notably, Swift has now ruled Artist 100 charts dated in eight separate years: 2014, 2015, 2017, 2019, 2020, 2021, 2022 and 2023, becoming the first artist to achieve the feat since the survey began in 2014.

Rounding out the top five of the latest Artist 100, SZA holds at No. 2 as her new album SOS spends a third week at No. 1 on the Billboard 200; Morgan Wallen keeps at No. 3; Harry Styles pushes 8-4; and The Weeknd rises 7-5.

The Artist 100 measures artist activity across key metrics of music consumption, blending album and track sales, radio airplay and streaming to provide a weekly multi-dimensional ranking of artist popularity.

Puerto Rican Ñengo Flow claims his highest charting title on Billboard’s Hot Latin Songs chart thanks to “Gato de Noche,” his second team-up with Bad Bunny. The song, released three days before Christmas, debuts at No. 2 on the Jan. 7-dated list.

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“Gato de Noche” arrives in the runner-up slot on the multi-metric ranking thanks to its lofty streaming contribution during the Dec. 23-29 tracking week. The song, which dropped Dec. 22 via Rimas Entertainment, generated 11.4 million official U.S. streams in its first week, according to Luminate. That yields to a No. 2 debut on Latin Streaming Songs.

Sales also contribute to its high start: “Gato” sold 1,000 downloads in the same period. The sum is an 187% increase from the prior week’s totals (which only had one day of sales, Dec. 22), with a 12-3 surge on Latin Digital Song Sales.

Back on Hot Latin Songs (which blends airplay, streams and digital sales), “Gato de Noche” sends “Me Porto Bonito,” another one of Bad Bunny’s tunes, with Chencho Corleone, to No. 3 after its 12-week run at No. 2. (The track previously logged 20 weeks in charge.)

As mentioned, rapper Ñengo Flow outdoes his personal best with “Gato.” His prior highest bow was with “Safaera,” also with Benito, alongside duo Jowell & Randy; the song peaked at No. 4 in April 2020.

Further, “Gato” becomes Bad Bunny’s highest Hot Latin Songs debut through a collaborative effort since “Volví,” with Aventura, also launched at No. 2 in August 2021. Plus, “Gato” earns the highest start on the chart since Bad Bunny’s “Titi Me Preguntó” arrived at No. 2 in May 2022. The latter continues at the helm in its 13th consecutive week.

Elsewhere, Ñengo concurrently scores his best entry on the overall Billboard Hot 100 as “Gato” bows at No. 62.

Australia was Harry’s House in 2022, as Harry Styles locked up the best-selling single and the No. 2 album, according to year-end data published by ARIA.
The former One Direction star leads the ARIA Top 100 Singles Chart with “As It Was” (via Columbia/Sony Music), which racked up five platinum certifications following its April 1 release.

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Its parent LP, Harry’s House, Styles’ third successive solo No. 1 on the ARIA Albums Chart, spawns three of the top 50 tracks for 2022, and finishes at No. 2 on the year-end albums tally. Styles confirmed his popularity when he won most popular international artist at the 2022 ARIA Awards, a fan-voted category.

The best-selling album, according to ARIA, is Taylor Swift’s Midnights (Universal), which chalked up the biggest single sales cycle of any LP in 2022 and scooped a record nine of the top 10 singles in its first week. Also, Midnights was the year’s best-selling LP on wax.

Both Midnights and Harry’s House are platinum certified (for 70,000 combined units).

U.S. and international acts dominate the year-end tallies.

The top-ranked homegrown album is the Kid LAROI’s F*ck Love (Over You), which finished 2022 at No. 21, after landing at No. 3 on the 2021 year-end survey. The Sydney-raised, Los Angeles-based singer and rapper also scores three singles in the top 100 for 2022, led by “Stay” (Columbia/Sony) featuring Justin Bieber at No. 3 (“Stay” finished 2021 at No. 2).  

Also, Pnau’s award-winning remix of “Cold Heart” (via Warner/Universal) featuring Elton John and Dua Lipa finishes 2022 at No. 4 (“Cold Heart” finished 2021 at No. 13).

The year in music will be remembered by the stranger things done by Kate Bush’s 1985 song “Running Up That Hill (Deal With God)” (via Warner), which caught fire on sales charts around the globe. Powered by Netflix’ Stranger Things, the single logged nine weeks at No. 1 on the ARIA Singles Chart, more than any other song in 2022, and arrives at No. 11 on ARIA’s year-end tally.

ARIA 2022 Top 5 Albums

Taylor Swift – MidnightsHarry Styles – Harry’s HouseThe Weeknd – The HighlightsOlivia Rodrigo – SourEd Sheeran – =

ARIA 2022 Top 5 Singles

Harry Styles – “As It Was”Glass Animals – “Heat Waves”The Kid Laroi & Justin Bieber – “Stay”Elton John & Dua Lipa – “Cold Heart (PNAU Remix)”Ed Sheeran – “Bad Habits”

ARIA 2022 Top 5 Vinyl Albums

Taylor Swift – MidnightsHarry Styles – Harry’s HouseSpacey Jane – Here Comes EverybodyArctic Monkeys – AMEd Sheeran – =

If 2022 was the year of Taylor Swift in the U.K., the New Year appears much the same as Swift’s Midnights (EMI) takes pole position on the midweek chart.
Based on data published by the Official Charts Company, Midnights is on track for the first No. 1 of 2023, and land a fourth non-consecutive week at the summit.

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If it keeps its momentum, the OCC notes, Midnights will eclipse Swift’s 2020 LP Folklore to become her longest-reigning album in the U.K.

Meanwhile, SZA’s sophomore album SOS (RCA/Top Dawg) is set to lift 8-2, and the Weeknd’s career retrospective The Highlights (Republic Records/XO) could bounce 15-4 following the release of “Nothing Is Lost (You Give Me Strength),” the Canadian R&B singer’s single from Avatar: The Way of Water. The Highlights is one of five greatest hits compilations impacting the top 10s, a list that includes sets by Elton John, ABBA, Eminem and Fleetwood mac.

Also, Eurovision contestant Sam Ryder’s former chart-topper There’s Nothing But Space, Man! (Parlophone) is on the up following the BBC’s Sam Ryder Rocks New Year’s Eve TV special.

The start of a New Year is typically a slow time for new releases. 2023 is no different, as modern-day pop classics (Ed Sheeran’s ‘Divide‘, Olivia Rodrigo’s Sour), and compilations (Oasis’ Time Flies, George Michael’s Twenty Five, Elvis Presley’s ELV1S – 30 Number 1 Hits, Michael Jackson’s Number Ones) ready for a top 40 return.

Finally, the release of Kasi Lemmons’ Whitney Houston biopic I Wanna Dance With Somebody is giving a lift to the 2012 best-of collection, I Will Always Love You. It’s on track to return at No. 14, for what would be a new peak. The Arista album has a U.K. chart best position of No. 27.

With Christmas tunes marching down and out the charts, Raye is targeting her first U.K. No. 1 single.

The U.K.-based singer and songwriter leads the midweek U.K. chart with “Escapism” (up 6-1), ahead of SZA’s “Kill Bill” (RCA/Top Dawg) and Central Cee‘s “Let Go” (Central Cee), respectively.

A multiple BRIT Award nominee best known for tracks including “Bed” (U.K. No. 3); “Secrets” with Regard; (U.K. No. 6) and Jax Jones’ “You Don’t Know Me” (U.K. No. 3), Raye in flourishing in her new, independent phase.

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“Escapism” is released through Human Re Sources, J. Erving’s distribution and artist services company, which she signed to in 2022 after publicly splitting with Polydor a year earlier.

“Imagine this pain,” she wrote about her major label arrangement in 2021. “I have been signed to a major label since 2014…and I have had albums on albums of music sat in folders collecting dust, songs I am now giving away to A list artists because I am still awaiting confirmation that I am good enough to release an album.”

Meanwhile, Lady Gaga’s “Bloody Mary” (Interscope) is making quite a stir, thanks to a viral TikTok dance sensation inspired by Wednesday star Jenna Ortega. “Bloody Mary,” lifted from Mother Monster’s 2011 LP Born This Way, could nab a top 40 spot for the first time. It’s flying 59-16 on the Official Chart Update.

Finally, the late Whitney Houston could stage a return to the top 40, following the theatrical release of the biopic, I Wanna Dance With Somebody. Its title track, which peaked at No. 1 back in 1987 (via Arista), is set to return at No. 36.

All will be revealed when the chart is published Friday (Jan. 6).

Mariah Carey’s “All I Want for Christmas Is You” leads the first all-holiday top 10 on the Billboard Global 200 chart and crowns the Billboard Global Excl. U.S. survey, where carols claim nine of the top 10, including the top seven spots. The song adds a 13th total week at No. 1 on the former and an eighth week atop the latter, dating to the charts’ inceptions two years ago.
Plus, holiday hits by Kelly Clarkson, Burl Ives, José Feliciano, Sia and Andy Williams, among others, make further worldwide gains.

The two global charts, which began in September 2020, rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Billboard Global 200 is inclusive of worldwide data and the Billboard Global Excl. U.S. chart comprises data from territories excluding the U.S.

Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.

Carey Tops Global 200; Clarkson, Ives Climb

Mariah Carey’s “All I Want for Christmas Is You” holds at No. 1 on the Billboard Global 200 with 124.9 million streams (up 16%) and 12,000 sold (down 31%) worldwide in the Dec. 23-29 tracking week. The modern holiday classic, released in 1994, adds a 13th week at the summit, and a single-season-best fifth frame this holiday season, after it led for four weeks each over the 2021 and 2020 holidays.

The song paces an all-holiday Global 200 top 10, followed by Wham!’s “Last Christmas” (2-2); Brenda Lee’s “Rockin’ Around the Christmas Tree” (3-3); Bobby Helms’ “Jingle Bell Rock” (4-4); José Feliciano’s “Feliz Navidad” (10-5); Ariana Grande’s “Santa Tell Me” (6-6); Michael Bublé’s “It’s Beginning To Look a Lot Like Christmas” (7-7); Andy Williams’ “It’s the Most Wonderful Time of the Year” (8-8); Kelly Clarkson’s “Underneath the Tree” (12-9); and Burl Ives’ “A Holly Jolly Christmas” (11-10).

Feliciano’s festive favorite, released in 1970, and Ives’, from 1964, each reach the Global 200’s top 10 for the first time, marking each artist’s first top 10 on the tally, while Clarkson’s, from 2013, hit a No. 8 high over the 2020 holiday season.

Carey Rules Global Excl. U.S.; Sia, Williams Scale Top 10

Mariah Carey’s “All I Want for Christmas Is You” keeps atop the Billboard Global Excl. U.S. chart, with 82.8 million streams (up 27%) and 6,000 downloads sold (essentially even week-over-week) in territories outside the U.S. Dec. 23-29. The song scores an eighth total week at No. 1, and a single-season-high fourth frame this Yuletide season, after it ruled for three weeks over last year’s holidays and for a week during the 2020 holiday season.

Holiday hits infuse the Global Excl. U.S. chart’s top seven positions, with Carey’s followed by Wham!’s “Last Christmas” (2-2); Brenda Lee’s “Rockin’ Around the Christmas Tree” (3-3); Michael Bublé’s “It’s Beginning To Look a Lot Like Christmas” (6-4); Bobby Helms’ “Jingle Bell Rock” (7-5); Ariana Grande’s “Santa Tell Me” (8-6); and José Feliciano’s “Feliz Navidad” (16-7).

Bublé’s hit, from 2011, and Helms’, from 1957, each appear in the Global Excl. U.S. top five for the first time, while Feliciano’s becomes his first top 10 on the chart.

The only non-holiday song in either the latest Global 200 or Global Excl. U.S. top 10? Rema and Selena Gomez’s “Calm Down,” which slips 5-8 on the latter list after reaching No. 4 in November.

Rounding out the Global Excl. U.S. top 10, Sia’s “Snowman,” from 2017 (11-9), and Andy Williams’ “It’s the Most Wonderful Time of the Year,” from 1963 (20-10). The songs dash to their first ranks in the region, becoming each act’s first top 10 on the survey.

The Billboard Global 200 and Billboard Global Excl. U.S. charts (dated Jan. 7, 2023) will update on Billboard.com tomorrow (Jan. 4, a day later than usual due to the New Year’s Day holiday Jan. 1). For both charts, the top 100 titles are available to all readers on Billboard.com, while the complete 200-title rankings are visible on Billboard Pro, Billboard‘s subscription-based service. For all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram.

Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.

Even with the latest data tracking week reflecting four days after Christmas Day (Dec. 23-29), Mariah Carey’s “All I Want for Christmas Is You” holds at No. 1 on the Billboard Hot 100 songs chart, reigning for a 12th total week. It leads for a fourth week this holiday season – the most over any Yuletide season since it began topping the tally annually over the holidays in December 2019.
The song also becomes the second holiday hit to reign for four consecutive weeks, and the first in 64 years, after “The Chipmunk Song,” by David Seville & the Chipmunks, spent four frames at No. 1 beginning in December 1958.

Carey’s “Christmas” leads eight festive favorites in the Hot 100’s top 10 – with carols infusing the top seven spots for the first time. One makes its initial appearance in the tier: Nat King Cole‘s classic “The Christmas Song (Merry Christmas to You),” up from No. 11 to No. 9, as the late legend ranks in the top 10 after an unprecedented break of 59 years, six months and a week. As the song debuted on the chart in 1960, it additionally completes the longest journey to the top 10: over 62 years and three weeks.

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data. All charts (dated Jan. 7, 2023) will update on Billboard.com tomorrow (Jan. 4, a day later than usual due to the New Year’s Day holiday). For all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram.

Carey’s “Christmas,” on Columbia Records/Legacy Recordings, was first released on her album Merry Christmas in 1994. As streaming has grown and holiday music has become more prominent on streaming services’ playlists, the song first reached the Hot 100’s top 10 in December 2017 and first hit the top five in the 2018 holiday season, before leading over the holidays in 2019 (for three weeks), 2020 (two), 2021 (three) and this season (a single-season-best four).

Streams, airplay & sales: Carey’s “Christmas” drew 46.9 million streams (down 4%) and 24.6 million radio airplay audience impressions (down 38%) and sold 6,000 downloads (down 47%) in the U.S. Dec. 23-29, according to Luminate.

The song drops to No. 2 on the Streaming Songs chart after 18 cumulative weeks at the summit; to No. 3 on Digital Song Sales following four total frames on top; and to No. 24 from its No. 11 high on Radio Songs.

On the fourth week of ‘Christmas’ … : Up to 12 total weeks, Carey’s “Christmas” expands its record for the most time atop the Hot 100 for a holiday song. The only other seasonal single to lead, “The Chipmunk Song,” by David Seville & the Chipmunks, spent, as noted above, four weeks at No. 1 beginning in December 1958.

The two songs now share the mark for the most consecutive frames atop the Hot 100 – four each – for a Yuletide title, as well as the most in any singular holiday season.

In the fifth year of ‘Christmas’ … : With this week’s Hot 100 dated Jan. 7, 2023, Carey’s “Christmas” is the first song to lead Hot 100 charts dated in five distinct years (2019, 2020, 2021, 2022 and now 2023). No other song has reigned in more than two individual years.

Happy new year: Carey has now placed at No. 1 on the Hot 100 in a record-extending 19 distinct years (per Hot 100 chart dates): 1990-2000, 2005-06, 2008 and, thanks to “Christmas,” 2019-23.

Next up are three acts that have each spent time atop the Hot 100 in 10 individual years: Paul McCartney/Wings (1971, 1973-76, 1978, 1980, 1982-84; additionally, The Beatles, with him as a member, led in seven years: 1964-70); Michael Jackson (1972, 1979-80, 1983-84, 1987-88, 1991-92, 1995; additionally, The Jackson 5, with him in the group, led in 1970); and Madonna (1984-87, 1989-92, 1995, 2000).

Carey’s third No. 1 of 12 weeks or more: Carey becomes the second artist, and first woman, with three songs that have topped the Hot 100 for 12 or more weeks each. She joins Boyz II Men for the honor – with Carey and the group having teamed for one song contributing to the feat:

Mariah Carey:16 weeks, “One Sweet Day,” with Boyz II Men, 1995-9614 weeks, “We Belong Together,” 200512 weeks (to-date), “All I Want for Christmas Is You,” 2019-22

Boyz II Men:13 weeks, “End of the Road,” 199214 weeks, “I’ll Make Love to You,” 199416 weeks, “One Sweet Day,” with Carey, 1995-96

“Christmas” is the 22nd title to command the Hot 100 for 12 or more weeks, a run that under just 2% of all 1,144 No. 1s have achieved.

Longest span atop the Hot 100: Carey’s “Christmas” extends the longest span from a song’s first week at No. 1 on the Hot 100 to its latest, to over three years and two weeks (Dec. 21, 2019-Jan. 7, 2023).

Plus, the latest week atop the Hot 100 for “Christmas” stretches Carey’s record for the longest span of an artist ranking at No. 1 on the chart to 32 years and five months, dating to her first week atop the list dated Aug. 4, 1990, with her debut single “Vision of Love.”

Carey’s record 91st week atop Hot 100: With “Christmas,” Carey adds her record-extending 91st week at No. 1 on the Hot 100, dating to the chart’s Aug. 4, 1958, inception.

Most Weeks at No. 1 on Hot 100:91, Mariah Carey60, Rihanna59, The Beatles54, Drake50, Boyz II Men47, Usher43, Beyoncé37, Michael Jackson34, Adele34, Elton John34, Bruno Mars

“Christmas” became Carey’s 19th Hot 100 No. 1, the most among soloists and one away from The Beatles’ overall record 20. It also made Carey the first artist to have ranked at No. 1 on the chart in four distinct decades, dating to her first week on top with “Vision of Love.” “Christmas” is additionally the only title to have led in four separate runs on the survey.

No. 1 on Holiday 100: Carey’s “Christmas” concurrently crowns the multi-metric Holiday 100 chart for a 57th week, of the chart’s 62 total weeks since the list originated in 2011. It has led the list for 42 consecutive weeks, dating to the start of the 2015-16 holiday season, and rules as the top title on the Greatest of All Time Holiday 100 Songs chart.

Brenda Lee’s “Rockin’ Around the Christmas Tree,” originally released in 1958, keeps at its No. 2 Hot 100 high (for a ninth total week since it first reached the rank in December 2019) and tops the Streaming Songs chart, dancing merrily from No. 2, for the first time. (Its total of raw streams is the week’s second-highest – 46.87 million, just below the 46.895 million logged by Carey’s “Christmas” – but Lee’s hit leads Streaming Songs due to the application of weighting to all titles’ paid/subscription and ad-supported on-demand streams and programmed/radio streams.) “Tree” also drew 20.9 million in airplay audience (down 29%) and sold 2,000 (down 58%).

The late Bobby Helms’ “Jingle Bell Rock,” originally released in 1957, holds at its No. 3 Hot 100 high, reached in each of the last four holiday seasons; Wham!’s “Last Christmas,” from 1984, rises to a new No. 4 best, from No. 5, after it hit the top five for the first time a week earlier; and the late Burl Ives’ “A Holly Jolly Christmas,” from 1964, retreats to No. 5 from its No. 4 peak, achieved over each of the last four Yuletide seasons.

Andy Williams’ “It’s the Most Wonderful Time of the Year,” from 1963, keeps at No. 6 on the Hot 100; it hit a No. 5 high during the 2020 holidays. The song’s latest week in the top 10 extends the late singer’s record for the longest span of an act appearing in the tier to nearly 63 years and three months, dating to his first week in the top 10 with “Lonely Street” in October 1959.

José Feliciano’s “Feliz Navidad,” from 1970, rises 8-7 on the Hot 100; it reached a No. 6 best over the 2020 holidays.

Notably, holiday hits shine like ornaments in the Hot 100’s top seven spots for the first time in the chart’s history.

Taylor Swift’s “Anti-Hero” rebounds 9-8 on the Hot 100 after spending its first six weeks on the chart at No. 1, starting in November. It concurrently leads Radio Songs for a second week, with 80.3 million in audience (up 1%).

Nat King Cole’s “The Christmas Song (Merry Christmas to You)” climbs from its prior No. 11 Hot 100 high (first reached over the 2018 holidays) to No. 9, with 27.4 million streams (down 4%), 15.5 million in airplay audience (down 30%) and 1,000 sold (down 41%).

The song, which Cole first recorded while fronting the King Cole Trio in 1946, becomes his third Hot 100 top 10, following “Ramblin’ Rose” (No. 2, 1962) and (opposite in theme from “Christmas”) “Those Lazy-Hazy-Crazy Days of Summer” (No. 6, 1963). Cole, who passed away in 1965, places in the top 10 for the first time in 59 years, six months and a week, rewriting the record for the longest break between hits in the region set last holiday season by The Ronettes, whose “Sleigh Ride” led the group back to the top 10 after a wait of 58 years and two months.

Before this week, Cole last ranked in the top 10 of the Hot 100 dated June 29, 1963. That week, Kyu Sakamoto’s “Sukiyaki” spent its third and last week at No. 1 and other enduring top 10s included Lesley Gore’s “It’s My Party” (No. 2), The Chiffons’ “One Fine Day” (No. 7) and Jan & Dean’s “Surf City” (No. 10).

(After August 1966, Cole was not credited on a Hot 100 hit until “Christmas” returned over the 2013 holidays. He was, however, heard on daughter Natalie Cole’s virtual duet with him, “Unforgettable,” which reached No. 14 in 1991 and won, among other Grammy Awards, record of the year in 1992.)

Plus, Cole’s “Christmas” wraps the longest ascent to the Hot 100’s top 10, dating to its debut on the Dec. 12, 1960, chart. Its odyssey of 62 years and 26 days narrowly surpasses that of Chuck Berry’s “Run Rudolph Run” (62 years and 18 days) for the most time a song has taken to hit the top 10 from its debut; “Rudolph” arrived in 1958 and lit up the top 10 at last over the 2020 holidays.

Rounding out the latest Hot 100’s top 10, Sam Smith and Kim Petras’ “Unholy” repeats at No. 10, after it led the Oct. 29-dated chart.

Again, for all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram and all charts (dated Jan. 7, 2023), including the Hot 100 in its entirety, will refresh on Billboard.com tomorrow (Jan. 4).

Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.

Michael Buble’s Christmas (via Reprise) is back on familiar territory — at No. 1 in the U.K.

The Canadian crooner’s holiday classic lifts 3-1, for its fifth non-consecutive week at the summit. Christmas first led the Official U.K. Albums Chart following its release in 2011, and last reached the top in December 2021.

With Christmas in the rearview, holiday albums are enjoying mixed fortunes. On the way down are Cliff Richard’s Christmas With Cliff (2-12 via EastWest/Rhino), the Bocellis’ A Family Christmas (5-20 via Decca), and Andre Rieu & Johann Strauss Orchestra’s Silver Bells (7-36 via Decca), while the late Bing Crosby bucks the trend with Christmas Classics (UMC/Virgin), up 91-27.

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In the absence of any new releases, hits collections figure prominently on the latest survey, published Friday, Dec. 30.

Among the best-sellers are Elton John’s Diamonds (Mercury/UMC), up 14-5; and the Weeknd’s The Highlights (Republic Records/XO), which lifts 12-7 following the release of his Avatar 2: The Way of Water soundtrack single, “Nothing Is Lost (You Give Me Strength).”

Also climbing are Fleetwood Mac’s Rumours (up 13-8 via Rhino/Warner Bros) and 50 Years – Don’t Stop (up 25-15 via Rhino); Eminem’s Curtain Call – The Hits (up 18-11 via Interscope); ABBA’s Gold – Greatest Hits (up 20-13 via Polydor in its 1,078th week on the chart, a record); the U.K.’s top-selling album of all time, Queen’s Greatest Hits (up 23-16 via EMI); Oasis’ Time Flies – 1994-2009 (up 38-23 via Big Brother), Elvis Presley’s Elv1s – 30 Number 1 Hits (up 60-31 via BMG) and George Michael’s Twenty Five (up 74-40 via Aegean).

Wham’s “Last Christmas” (via RCA) is the gift that keeps giving, as the ‘80s classic returns to No. 1 in the U.K.

The holiday standard lifts 2-1 on the Official U.K. Singles Chart, published Dec. 30, for its second stint at the summit in 2022.

According to the Official Charts Company, “Last Christmas” scoops over 79,000 combined chart units, including a market-leading 18 million streams, to bag the last No. 1 of the year.

Less than a year earlier, “Last Christmas” was finally crowned on the survey, setting a new mark for the longest journey to the top, at 36 years.

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The latest survey is brimming with Christmas spirit. Indeed, holiday numbers swamp the Top 40, taking out 34 spots, including nine of the top 10. Mariah Carey’s “All I Want For Christmas Is You” (Columbia) improves 4-2; Ed Sheeran & Elton John’s “Merry Christmas” (Atlantic) is up 5-3; Brenda Lee’s 1962 hit “Rockin’ Around The Christmas Tree” (MCA) lifts 8-4, for a new peak; Michael Bublé’s “It’s Beginning To Look A Lot Like Christmas rebounds” (Reprise) is up 11-6; Bobby Helms bags a posthumous top 10 — his first in the U.K. — with “Jingle Bell Rock” (MCA) up 14-7; Lizzo lifts 15-8 with her Amazon Music “Original Someday At Christmas” (Atlantic); The Pogues featuring Kirsty MacColl’s “Fairytale of New York” (Warner Bros) gains 13-9; and Andy Williams’ “It’s The Most Wonderful Time Of Year” (Sony Music) soars 21-10. 

LadBaby set a new chart record when “Food Aid” (BMG) bowed at No. 1 last week, the husband-and-wife duo’s fifth Christmas leader. The charity fundraised falls sharply in its second week, down to No. 85.

Expect an entirely different looking chart this Friday (Jan. 6), as Christmas songs make their annual exodus.

The highest charting non-Christmas-themed song belongs to Stormzy, whose This Is What I Mean ballad “Firebabe” (0207/Merky) lights up 10-5, for its equal peak position.