Chart Beat
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Morgan Wallen’s One Thing at a Time notches a third straight week at No. 1 on the Billboard 200 albums chart (dated April 1). The set earned 209,500 equivalent album units in the United States in the week ending March 23 (down 19%), according to Luminate. It debuted at No. 1 with 501,000 units, then tallied 259,000 in its second frame.
In the last 12 months, only two albums have exceeded 200,000 units in each of their first three weeks: One Thing at a Time and Taylor Swift’s Midnights (which surpassed 200,000 in each of its first four weeks).
The last album by a male act to spend its first three weeks at No. 1 on the Billboard 200 was Drake’s Certified Lover Boy, which also spent its first three frames atop the list (Sept. 18-Oct. 2, 2021-dated charts).
Further, in the last 10 years, only two country albums have clocked at least three weeks at No. 1 on the Billboard 200 and both are by Wallen: One Thing at a Time, his last album, Dangerous: The Double Album (10 weeks at No. 1 in 2021). (Country albums are considered those that have hit or are eligible for Billboard’s Top Country Albums chart.)
Also in the top 10 of the new Billboard 200 chart, U2 collects its 13th top 10-charting effort, as Songs of Surrender debuts at No. 5. The retrospective sees U2 revisiting its own catalog, re-recording and re-interpreting familiar hit songs from the band’s career. Among the tracks including on the project: “Where the Streets Have No Name,” “One,” “Pride (In the Name of Love)” and “I Will Follow.”
Plus, U2 becomes only the fourth group with a newly-charting top 10 title on the Billboard 200 albums chart in the 1980s, ‘90s, 2000s, ‘10s and now the ‘20s.
The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new April 1, 2023-dated chart will be posted in full on Billboard‘s website on March 28. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.
Of One Thing at a Time’s 209,500 equivalent album units earned in the week ending March 23, SEA units comprise 194,000 (down 17%, equaling 256.13 million on-demand official streams of the set’s 36 songs), album sales comprise 12,500 (down 41%) and TEA units comprise 3,000 (down 12%).
SZA’s chart-topping SOS climbs 4-2 on the Billboard 200 with 72,000 equivalent album units earned (though down 5%), while Swift’s former leader Midnights jumps 6-3 with 61,000 units (up 31%) following her Eras Tour launch on March 17. Miley Cyrus’ Endless Summer Vacation falls 3-4 in its second week with 49,000 units (down 59%).
U2’s Songs of Surrender debuts at No. 5 on the Billboard 200 with 46,500 equivalent album units earned. Of that sum, album sales comprise 42,000, SEA units comprise 4,000 equaling 4.99 million on-demand official streams of the set’s tracks) and TEA units comprise 500. The retrospective re-records project is available in multiple editions, including a standard 16-track edition, a 20-track deluxe and a 40-track super deluxe (with the latter divided into four 10-track chapters named after each band member: Bono, Adam Clayton, The Edge and Larry Mullen Jr.). Sales were also aided by a dozen vinyl variants of the album, including exclusive editions sold by Amazon, Target and independent retailers.
U2 is the fourth group to achieve a newly-charting top 10 album on the Billboard 200 chart in the 1980s, ‘90s, 2000s, ‘10s and now the ‘20s. The quartet joins AC/DC, Def Leppard and Metallica.
Rounding out the top 10 of the new Billboard 200 are five former No. 1s: Karol G’s Mañana Será Bonito (5-6 with 45,000 equivalent album units earned; down 15%); Dangerous: The Double Album (a non-mover at No. 7 with 42,000; down 2%); Metro Boomin’s Heroes & Villains (holding at No. 8 with 40,000; up 3%); Drake and 21 Savage’s Her Loss (10-9 with 38,000; up 12%); and Bad Bunny’s Un Verano Sin Ti (9-10 with 37,000; up 1%).
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
Bailey Zimmerman’s sophomore single “Rock and a Hard Place” ascends to No. 1 on Billboard’s Country Airplay chart (dated April 1).
In the week ending March 23, the song drew 32.9 million audience impressions, essentially even week-over-week, according to Luminate.
“Rock,” released on Elektra / Warner Music Nashville / WEA, was co-written by Jacob Hackworth, Jet Harvey and Heath Warren.
For the 23-year-old Zimmerman from Louisville, Ill., “Rock” marks his second straight career-opening No. 1. It follows his rookie single, “Fall in Love,” which led the Dec. 10 ranking, becoming the first debut hit to lead in 2022.
“In my wildest dreams, I never thought I’d see my name or any of my songs on the Billboard charts, so the fact that I’ve now had two reach the No. 1 spot is mind-blowing,” Zimmerman says. “Thanks to everyone who has supported me and my music. I owe everything to y’all.”
Both “Fall” and “Rock” are from Zimmerman’s nine-song set Leave the Light On, which arrived on Top Country Albums at its No. 2 high in October and has spent its first 22 frames on the chart in the top 10.
Notably, nine months and one week passed between the Country Airplay debut of “Fall” (June 25, 2022) and the reign of “Rock” (April 1, 2023). Among acts that have led the list with their first two entries, that ties for the least amount of time that any act has needed between the debut of a first No. 1 and the coronation of a second since Florida Georgia Line’s “Cruise” debuted on Aug. 11, 2012, and “Get Your Shine On” hit No. 1 on May 18, 2013.
On May 10, Zimmerman will release his new 16-cut LP Religiously. The Album., which will also include his two Country Airplay No. 1s.
Songs ‘Didn’t’ Ever Do This Before
Brett Young’s “You Didn’t” lifts 11-10 on Country Airplay (16.7 million, up 1%) – completing a record 70-week trip to the top 10. The song, which entered the chart on Dec. 4, 2021, at No. 60 is also the first title to chart for as many as 70 weeks since the survey began in January 1990.
Travis Denning’s “After a Few” previously charted on Country Airplay the longest: 67 weeks, having hit No. 1 in June 2020. Meanwhile, LOCASH’s “One Big Country Song” formerly made the longest trek to the top 10: 59 weeks, on its way to No. 2 in August 2020.
“Didn’t” gives Young his eighth top 10, a sum that includes six No. 1s, through “Lady” in April 2021.
Additional research by Gary Trust
A-ha’s “Take on Me” gives The Last of Us its first No. 1 on Billboard’s Top TV Songs chart, powered by Tunefind, reigning on the February 2023 ranking.
Rankings for the Top TV Songs chart are based on song and show data provided by Tunefind, and ranked using a formula blending that data with sales and streaming information tracked by Luminate during the corresponding period of February 2023.
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“Take on Me” was heard in the seventh episode of the HBO series’ first season, which aired Feb. 26.
It follows a pair of bows for the freshman show on the January 2023 survey: Linda Ronstadt’s “Long Long Time” at No. 5 and Depeche Mode’s “Never Let Me Down Again” (No. 7).
In February 2023, “Take on Me” earned 15.1 million official on-demand U.S. streams and 3,000 downloads, according to Luminate.
The song was a-ha’s top charter in the U.S., reaching No. 1 on the Billboard Hot 100 in October 1985.
It’s one of four songs from The Last of Us to reach the February 2023 tally. Agnes Obel’s “Fuel to Fire,” from episode five (Feb. 12), leads the group, hitting No. 5 (378,000 streams, 1,000 downloads).
The highest non-The Last of Us entry is TALK’s “Run Away to Mars,” which appears at No. 2. It was heard in the seventh episode of the 19th season of ABC’s long-running Grey’s Anatomy, which premiered Feb. 23.
In February 2023, “Mars” earned 5.3 million streams and 4,000 downloads. Concurrently, it could be heard on a variety of U.S. radio formats; it peaked at No. 1 on the Adult Alternative Airplay chart for three weeks beginning Jan. 28 and also reached No. 6 on Alternative Airplay.
See the full top 10, also featuring music from YOU and Shrinking, below.
Rank, Song, Artist, Show (Network)
“Take on Me,” a-ha, The Last of Us (HBO)
“Run Away To Mars,” TALK, Grey’s Anatomy (ABC)
“Heads Will Roll,” Yeah Yeah Yeahs, YOU (Netflix)
“I Would Die 4 U,” Holly Humberstone, Shrinking (Apple TV+)
“Fuel to Fire,” Agnes Obel, The Last of Us (HBO)
“True Faith,” Lotte Kestner, The Last of Us (HBO)
“Alone and Forsaken,” Hank Williams, The Last of Us (HBO)
“Killer,” Valerie Broussard, YOU (Netflix)
“I Know the End,” Phoebe Bridgers, Shrinking (Apple TV+)
“Dangerous,” Big Data feat. Joywave, YOU (Netflix)
On March 24, 2018, Chris Stapleton’s “Broken Halos” became his first of two No. 1s on Billboard’s Country Airplay chart. Stapleton wrote the song with Mike Henderson and produced it with Dave Cobb.
The track was released on Stapleton’s LP From A Room: Volume 1, which arrived at the Top Country Albums summit in May 2017 and led for eight weeks, marking his second of four leaders. It followed his highly acclaimed album Traveller, which ruled for 29 frames.
Born April 15, 1978, in Lexington, Ky., Stapleton co-penned hits for other artists before breaking through as a recording act, include five Country Airplay No. 1s starting with Josh Turner’s “Your Man” in 2006.
“Halos” was named best country song at the 60th Annual Grammy Awards, and both single and song of the year at the 52nd Annual Country Music Association Awards.
Stapleton has recorded five Country Airplay top 10s, through his second No. 1, “You Should Probably Leave,” in February 2022.
Stapleton, 44, sang the national anthem at Super Bowl LVII at State Farm Stadium in Glendale, Ariz., Feb. 12. He became the third consecutive country singer to perform “The Star-Spangled Banner” at the Super Bowl, following Eric Church (with Jazmine Sullivan) in 2021 and Mickey Guyton in 2022.
Stapleton is currently touring on his All-American Road Show tour, set to run through Aug. 25 in Alpharetta, Ga. Plus, Stapleton, Kane Brown and Luke Bryan are scheduled to headline the Stagecoach Festival in Indio, Calif., April 28-30.
Morgan Wallen is crowned on Australia’s albums chart crown for the first time with his sprawling third studio LP, One Thing at a Time (via Mercury/Universal).
The 36-song effort climbs 4-1 in its third week on the ARIA Chart, as its track “Last Night” improves 5-3, a new peak, and “You Proof” bows at No. 40 on the national singles survey.
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One Day is the followup to 2021’s Dangerous: The Double Album, which peaked at No. 2 in these parts.
One Day summits as Wallen embarks on his Australia and New Zealand arena tour, which is produced by Frontier Touring and takes in five shows, with Hardy in support, in addition to his headline slot at CMC Rocks festival on March 19.
Further down the albums list, U2 debuts at No. 3 with Songs Of Surrender (Island/Universal), a 40-track collection of re-recorded songs, mined from the legendary Irish band’s 40-year-deep goldmine.
According to ARIA, it’s their 18th top 10 title in Australia, a feat that dates back to War from 1983. Bono and Co. have led the ARIA Albums Chart with 11 LPs, from 1984’s The Unforgettable Fire through to 2009’s No Line On The Horizon.
Over on the ARIA Singles Chart, Miley Cyrus extends her reign with ”Flowers” (Columbia/Sony) into a tenth week — all consecutive. “Flowers” is the longest-running leader since Elton John and Dua Lipa’s ”Cold Heart (PNAU remix)” also logged 10 non-consecutive weeks at No. 1 in late 2021 and early 2022, is sat at No. 33 on the latest ARIA Chart, published March 24.
The last number to log more time at the top was “Stay” by The Kid LAROI and Justin Bieber, which ruled the survey for 14 weeks in 2021, and is currently at No. 34.
Taylor Swift makes another splash on the ARIA Singles Chart, following the release of a four-pack of previously-unreleased tracks. One of those, ”All Of The Girls You Loved Before” (Universal), a song that didn’t make the cut for Swift’s seventh studio album, Lover, starts at No. 18, for the highest debut of the week. Also, her former leader “Anti-Hero,” from Midnights, improves 10-8.
Calvin Harris and Ellie Goulding ’90s rave-leaning banger “Miracle” (Columbia/Sony) enjoys a top 40 berth, starting at No. 36 on the fresh survey. “Miracle” is a top 5 hit in the U.K.
Finally, Meghan Trainor makes an appearance on the ARIA Top 50 with “Mother” (Epic/Sony), starting at No. 49. The U.S. pop star is a judge on the 2023 season of Australian Idol. The TV talent quest reaches its grand final this Sunday (March 26) on the free-to-air Channel 7.
Coi Leray claims her first No. 1 on Billboard’s Hot Rap Songs chart as “Players” advances to the summit of the list dated March 25. The song jumps from No. 3 as it simultaneously strengthens its radio airplay reach and maintains its steady hand in the streaming sector.
As “Players” tops Hot Rap Songs, it dislodges Nicki Minaj’s “Red Ruby Da Sleeze,” after the latter’s one week in charge. With the replacement, Nicki Minaj and Coi Leray combine to give two women rappers successive No. 1s on the chart for the first time since 2014, when Minaj’s “Anaconda” yielded to Iggy Azalea’s “Black Widow,” featuring Rita Ora, on Oct. 18, 2014. (Between the eight-year gap, the switch occurred twice involving a featured artist, with the same pair of songs: On the chart dated Oct. 10, 2020, Travis Scott’s “Franchise,” featuring Young Thug and British rapper M.I.A., ousted Cardi B’s “WAP,” featuring Megan Thee Stallion; the latter rebounded the next week.)
“Players” conquers Hot Rap Songs, which blends streaming, radio airplay and sales into its rankings, with 10.2 million official U.S. streams in the week ending March 16, according to Luminate, a 2% slip from the prior week. Still, the song recovers 7-6 on the Rap Streaming Songs chart, where it previously peaked at No. 4 in February. On the Rap Digital Song Sales chart, “Players” climbs 4-3 despite a 9% weekly drop in sales to 4,000 in the latest tracking week. The track has posted seven weeks at No. 1 on Rap Digital Song Sales since its release – one of only five songs since Jan. 1, 2020, to lead for as long.
Radio airplay, however, is where “Players” cements its growth. The single wins a second term at No. 1 on the Rhythmic Airplay chart as the most-played song on U.S. monitored rhythmic radio stations after it gained 7% in plays in the most recent tracking week compared with the previous frame. Leray’s hit also gets a second radio chart crown on Rap Airplay, where it lifts 2-1 for her first career champ there. In addition to those victories, “Players” continues to flex on Mainstream R&B/Hip-Hop Airplay, where it repeats at its No. 5 high thus far, but increased 7% in weekly plays at the format and Pop Airplay, with a 16-13 boost thanks to an 11% improvement in weekly plays. Strength at the many formats pushes “Players” 10-8 on the all-genre Radio Songs chart. There, it registered 52.5 million in total audience in the last tracking week.
Elsewhere, “Players” rises 6-4 on the Hot R&B/Hip-Hop Songs chart and, notably, matches the chart peak of its sampled tune. “Players” borrows from the hip-hop classic “The Message” by Grandmaster Flash & The Furious Five, which peaked at No. 4 in September 1982. On the all-genre Billboard Hot 100, the track rallies 24-12 for a new high after having reached No. 16 two weeks ago. The yo-yo of its rise, fall and rise again traces to several high debuts from Morgan Wallen’s, One Thing at a Time album, including five tunes in the top 10 for the country superstar.
Lizzy McAlpine’s “Ceilings” reigns on Billboard’s Alternative Streaming Songs chart for the first time, lifting to the top of the March 25-dated survey.
It’s McAlpine’s first Billboard No. 1.
In the March 10-16 tracking week, “Ceilings” earned 8.8 million official U.S. streams, a jump of 9%, according to Luminate.
The track rules Alternative Streaming Songs in its sixth week on the chart after debuting at No. 23 on the Feb. 18-dated list.
But the story of “Ceilings” didn’t start there. The song was initially released in April 2022 on McAlpine’s second studio album, Five Seconds Flat.
“Ceilings” grew on such shortform video services as TikTok in late 2022, eventually debuting at No. 26 on the Hot Rock & Alternative Songs tally dated Jan. 28, 2023.
The song reaches a new No. 5 high on that chart’s latest edition, with its U.S. streams joined by 1.3 million radio audience impressions (up 111%) and 1,000 downloads sold (up 5%).
Being promoted to radio, “Ceilings” is drawing airplay on pop, adult pop, alternative and adult alternative formats.
Concurrently, “Ceilings” returns to the all-format Streaming Songs chart at No. 39 and leaps 80-54 on the Billboard Hot 100, both new best ranks.
Five Seconds Flat places at No. 6 on Americana/Folk Albums and No. 15 on Top Alternative Albums and has earned 133,000 equivalent album units to date.
Ryan Hadlock, Dan Darmawan and Tyler Smyth are Billboard’s No. 1 rock producers on the latest March 25-dated rankings, thanks to various hits on the Hot Rock & Alternative Songs, Hot Alternative Songs and Hot Hard Rock Songs charts.
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Ryan Hadlock Leads Rock & Alternative Producers
Hadlock tops the all-rock-genre Rock & Alternative Producers chart for the first time, thanks to his work on Zach Bryan’s “Something in the Orange,” of which he’s the sole credited producer.
“Orange” stands at No. 2 on Hot Rock & Alternative Songs after spending six weeks at No. 1. The song marks Hadlock’s second leader on the chart, after The Lumineers’ 18-week No. 1 “Ho Hey” in 2012-13. He’s also produced chart hits for Blond Redhead and Vance Joy.
“Orange” hit No. 10 on the all-genre Billboard Hot 100 in January.
Dan Darmawan Rules Alternative Producers
Darmawan hits No. 1 on the Alternative Producers chart for the first time, thanks to two production hits on Hot Alternative Songs, both of which are by newcomer d4vd. The tracks, “Romantic Homicide” and “Here With Me,” rank at Nos. 4 and 5, respectively, and mark Darmawan’s first chart appearances as a producer.
“Romantic Homicide” reached No. 33 on the Hot 100 in October, while “Here With Me” reached No. 60 in February.
Tyler Smyth Continues Run Atop Hard Rock Producers
On Hard Rock Producers, Smyth scores a 25th week at No. 1, thanks to two production credits on the latest Hot Hard Rock Songs chart, both of which are by Falling in Reverse: “Watch the World Burn” (No. 3) and “Voices in My Head” (No. 7).
Dating to the Hard Rock Producers chart’s launch, only Greg Kurstin has spent more weeks on top (34 weeks).
Billboard launched its Hot 100 Songwriters and Hot 100 Producers charts, as well as genre-specific rankings for country, rock & alternative, R&B/hip-hop, R&B, rap, Latin, Christian, gospel and dance/electronic, in June 2019; alternative and hard rock joined in 2020, along with seasonal holiday rankings in 2022. The charts are based on total points accrued by a songwriter and producer, respectively, for each attributed song that appears on the Hot 100. The genre-based songwriter and producer charts follow the same methodology based on corresponding “Hot”-named genre charts. As with Billboard’s yearly recaps, multiple writers or producers split points for each song equally (and the dividing of points will lead to occasional ties on rankings).
The full Hot 100 Songwriters and Hot 100 Producers charts, in addition to the full genre rankings, can be found on Billboard.com.
Ashley Gorley rises to No. 1 on Billboard’s all-genre Hot 100 Songwriters chart (dated March 25), leading as the top songwriter in the United States for the first time thanks to 12 writing credits on the latest Billboard Hot 100, including 10 by Morgan Wallen.
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All 10 songs by Wallen are on his new LP, One Thing at a Time, which debuted at No. 1 on the Billboard 200 (dated March 18) with 501,000 equivalent album units, according to Luminate. The sum marks the biggest week of 2023 for any album, in terms of units earned, and the largest week for any country album since Taylor Swift’s Red (Taylor’s Version) opened with 604,500 units in November 2021. One Thing at a Time spends a second week at No. 1 on the latest list (259,000 units).
Leading Gorley’s Hot 100 entries is the set’s single “Last Night,” which ranks at No. 2 after hitting No. 1 a week earlier. It earned Gorley his first leader on the chart as a songwriter.
Here’s a recap of Gorley’s songwriting credits on the March 25 Hot 100:
Rank, Artist Billing, Title
No. 2, Morgan Wallen, “Last Night”
No. 10, Morgan Wallen, “You Proof”
No. 17, Morgan Wallen, “Thinkin’ Bout Me”
No. 20, Morgan Wallen, “One Thing at a Time”
No. 29, Morgan Wallen, “Everything I Love”
No. 51, Morgan Wallen feat. ERNEST, “Cowgirls”
No. 52, Carly Pearce, “What He Didn’t Do”
No. 61, Morgan Wallen, “Whiskey Friends”
No. 76, Morgan Wallen, “Tennessee Fan”
No. 81, Morgan Wallen, “Me + All Your Reasons”
No. 87, Brett Young, “You Didn’t”
No. 96, Morgan Wallen, “180 (Lifestyle)”
Gorley has been one of the most in-demand country music songwriters since the mid-2000s. He’s written or co-written 96 Hot 100 entries, dating to his first, Carrie Underwood’s “Don’t Forget to Remember Me,” in 2006.
His country chart achievements are even more impressive. Gorley has written or co-written 51 No. 1 hits on Country Airplay and 15 No. 1s on Hot Country Songs.
Gorley has also spent 32 weeks at No. 1 on the Country Songwriters chart, the second-most after Zach Bryan (38 weeks).
On the Hot 100 Producers chart, Joey Moi tallies a 23rd week at No. 1, thanks to 29 production credits on the Hot 100 – with all but one via songs by Wallen. Only Dan Nigro has spent more weeks at No. 1 (27). As previously reported, Moi concurrently becomes the first artist to spend 100 weeks at No. 1 on the Country Producers chart.
Billboard launched its Hot 100 Songwriters and Hot 100 Producers charts, as well as genre-specific rankings for country, rock & alternative, R&B/hip-hop, R&B, rap, Latin, Christian, gospel and dance/electronic, in June 2019. (Alternative and hard rock joined in 2020, along with seasonal holiday rankings in 2022). The charts are based on total points accrued by a songwriter and producer, respectively, for each attributed song that appears on the Hot 100. The genre-based songwriter and producer charts follow the same methodology based on corresponding “Hot”-named genre charts. As with Billboard’s yearly recaps, multiple writers or producers split points for each song equally (and the dividing of points will lead to occasional ties on rankings).
The full Hot 100 Songwriters and Hot 100 Producers charts, in addition to the full genre rankings, can be found on Billboard.com.
Snow Man’s “Tapestry” hits No. 1 on the Billboard Japan Hot 100, dated March 22, selling nearly a million copies in its first week.
The nine-member boy band’s latest single, featured as the theme of a new movie starring member Ren Meguro, launched with 921,011 CDs to blast in at No. 1 for sales. The track also ruled radio airplay and came in at No. 3 for video with 2,167,138 weekly views, soaring 90-1 on the Japan Hot 100 this week.
The group’s previous single, “Orange Kiss,” sold 850,692 copies and reached 1,853,558 views in its first week, meaning the group has further expanded its fanbase in the meantime.
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This week’s Japan charts saw STU48’s “Iki wo suru kokoro” hit No. 2 for sales with 298,796 first-week copies and Kep1er’s “I do! Do you?” follow at No. 3 for the metric with 80,783 copies sold. These two numbers also performed well in the other metrics of the chart’s methodology, resulting in debuts at Nos. 2 and 3 on the Japan Hot 100, respectively.
As such, Official HIGE DANdism’s “Subtitle,” which had coasted along in the top 3 for 22 weeks — including a record 13 non-consecutive weeks at No. 1 — fell out of the top 3 on its 23rd week on the Japan Hot 100, slipping to No. 4. Still, the track is still going strong in streaming with more than 9 million weekly streams — 9,221,292 last week and 9,010,308 this week — and is likely to return to the top 3 again.
The Billboard Japan Hot 100 combines physical and digital sales, audio streams, radio airplay, video views and karaoke data.
See the full Billboard Japan Hot 100 chart, tallying the week from Mar. 13 to 19, here. For more on Japanese music and charts, visit Billboard Japan’s English Twitter account.