State Champ Radio Chart Beat
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YOASOBI’s “Idol” continues to steadily break its own record as it logs its 21st consecutive week at No. 1 on the Billboard Japan Hot 100, dated Sept. 6.
The music video accompanying “Idol” sailed past 300 million YouTube views on Saturday (Sept. 2), and the song has racked up 400 million total streams as of Wednesday (Sept. 6), breaking the record for fastest to hit the milestone.
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While falling slightly in downloads (3-2 with 8,202 units) and radio airplay (20-27), the Oshi no Ko opener still sits at No. 1 for streaming (11,816,572 weekly streams), video views, and karaoke.
SixTONES’ “CREAK,” the theme of the drama series Knockin’ on Locked Door starring member Hokuto Matsumura, debuts at No. 2 on the Japan Hot 100 this week. The latest single by the six-member group sold 471,285 CDs in its first week after dropping Aug. 30, ruling physical sales. The track is off to a good start, coming in at No. 2 for radio and No. 5 for video.
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At No. 3 is Nogizaka46’s “Ohitorisama Tengoku,” which soared to No. 2 last week after launching with over 700,000 CDs. The single sold 65,606 copies this week and hits No. 2 for sales, boosted by a campaign that offered a chance to win autographed copies. The girl group’s latest single moves 20-29 for downloads (1,732 units), 35-54 for video, 26-10 for radio, and 74-78 for streaming on this week’s tally, keeping the song in the top 3 on its second week after release.
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King Gnu’s “SPECIALZ” bows at No. 4 on the Japan Hot 100. The opener for the Shibuya Incident story arc of the TV anime series Jujutsu Kaisen dropped digitally on Sept. 1 following the anime’s premiere the day before. The latest track by the popular four-man band rules downloads with 28,311 units while coming in at No. 6 for streaming (5,980,562 streams) and No. 75 for radio. The CD version dropped Wednesday (Sept. 6), so the track is expected to perform well again on next week’s song chart.
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Another Jujutsu Kaisen-related track, Tatsuya Kitani’s “Where Our Blue Is,” rises 7-5 on the Japan Hot 100 this week. The track is currently at No. 2 for streaming (8,277,423 streams), No. 7 for downloads (5,457 units), No. 6 for video, No. 57 for sales, and No. 59 for radio. The song has remained in the top 10 of the Japan Hot 100 for the ninth straight week, peaking at No. 2 for two of them.
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The Billboard Japan Hot 100 combines physical and digital sales, audio streams, radio airplay, video views and karaoke data.
See the full Billboard Japan Hot 100 chart, tallying the week from Aug. 28 to Sept. 3, here. For more on Japanese music and charts, visit Billboard Japan’s English Twitter account.
New music from NCT U, Nicki Minaj and ONE OK ROCK complete the top five of Billboard’s Sept. 16-dated Hot Trending Songs chart, powered by X. Billboard’s Hot Trending charts, powered by X (formerly known as Twitter), track global music-related trends and conversations in real-time across X, viewable over either the last 24 hours or […]
Sierra Ferrell and The War And Treaty are both officially Billboard Hot 100-charting artists, thanks to their featured appearances on Zach Bryan’s new smash LP Zach Bryan.
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The set debuts at No. 1 on the Billboard 200 with 200,000 equivalent album units earned in its opening week (Aug. 25-31) in the U.S., according to Luminate. It’s the third No. 1 country album of 2023, so far, after Morgan Wallen’s One Thing at a Time and Taylor Swift’s Speak Now (Taylor’s Version), and the first rock No. 1 of the year. (The set is categorized as both a country and rock album.)
Bryan’s “Holy Roller,” featuring Ferrell, debuts at No. 37 on the Hot 100 purely on the strength of its first-week streaming sum: 12.1 million U.S. streams earned. That total helps the song open at No. 20 on the Streaming Songs chart. Genre-wise, it also starts at No. 14 on Hot Rock & Alternative Songs and No. 17 on Hot Country Songs. (The Hot 100, Hot Rock & Alternative Songs and Hot Country Songs charts all blend streams, sales and airplay data for their respective rankings.)
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Ferrell, from Charleston, West Virginia, is a newcomer to Billboard’s charts. The country/folk/bluegrass singer-songwriter scored her first overall chart appearance in September 2021, when her third, and most-recent LP, Long Time Coming, reached No. 15 on the Americana/Folk Albums chart and No. 25 on Top Album Sales.
She’s returned to Billboard’s charts once since then with her featured appearance on Ray LaMontagne’s “I Was Born To Love You.” The song climbed to No. 38 on the Adult Alternative Airplay chart in June 2022.
Outside of the charts, she’s released two additional solo LPs: Pretty Magic Spell in 2014, and Washington By The Sea in 2016. She’s also collaborated with Diplo (“Rain on My Mind,” also with Paul Cauthen), Shakey Graves (“Ready Or Not”), and Old Crow Medicine Show (“Belle Meade Cockfight”).
Next year, she’s scheduled to open for Bryan on his stops in Las Vegas and Denver on his Quittin Time Tour.
Bryan’s “Hey Driver,” featuring The War And Treaty, debuts at No. 14 on the Hot 100, also largely on the strength of its first-week streaming sum: 18.3 million U.S. streams, plus 1,000 downloads sold. The streaming sum also generates a No. 5 debut on the Streaming Songs chart. It concurrently debuts at No. 2 on Hot Rock & Alternative Songs and No. 5 on Hot Country Songs.
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The War And Treaty are a husband-and-wife duo, based in Albion, Mich., comprising Tanya and Michael Trotter Jr.
The pair are relatively new to Billboard’s charts. The act first appeared on a chart in 2018 with its second studio album Healing Tide. The set climbed to No. 11 on the Heatseekers Albums chart and No. 26 on the Independent Albums chart. Two years later, in 2020, the couple notched its first song entry on Billboard’s charts with “Five More Minutes.” It peaked at No. 20 on Adult Alternative Airplay.
Since then, the act’s third and fourth albums both charted on the Top Current Album Sales ranking: Hearts Town reached No. 70 in October 2020 and Lover’s Game peaked at No. 56 in March.
Aside from the charts, the War And Treaty have also collaborated with Shovels & Rope (“Tomorrow”), Blues Traveler (“Need Your Love So Bad”), Nitty Gritty Dirt Band (a star-studded cover of Bob Dylan’s “The Times They Are A-Changin,” also with Rosanne Cash, Steve Earle and Jason Isbell), and Dierks Bentley (a live cover of U2’s “Pride (In The Name of Love)”).
Outside of the War and Treaty, Tanya Trotter (née Blount) forged a successful career as a solo act in the ‘90s. She charted three solo songs on the Hot R&B/Hip-Hop Songs list (billed as Tanya Blount): “I’m Gonna Make You Mine” (No. 57 peak in 1994), “Through The Rain” (No. 27; 1994) and “Hold On” (No. 66; 1995).
“Through The Rain” also crossed over onto the Hot 100, reaching No. 90 in October 1994. The track appears on Trotter’s sole solo album, Natural Thing (released via Polydor Records), which climbed to No. 58 on the Top R&B/Hip-Hop Albums chart.
She first rose to prominence after she was cast in the 1993 Whoopi Goldberg film Sister Act 2: Back in the Habit—as the role of Tanya. She has a breakout moment in the film, when she sings “His Eye Is on the Sparrow” alongside future No. 1 Hot 100 artist Lauryn Hill. The duet appears on the soundtrack to the film, which reached No. 74 on the Billboard 200 in 1994.
Bebe Rexha scores a first on Billboard’s charts, becoming the only artist to have notched milestone 50-week No. 1s on both Hot Dance/Electronic Songs and Hot Country Songs.
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The versatile artist and David Guetta’s “I’m Good (Blue)” logs a 50th week atop Hot Dance/Electronic Songs (dated Sept. 9). (Dating to the chart’s launch in 2013, it’s just the second song to post at least 50 weeks at No. 1, after Marshmello and Bastille’s “Happier” dominated for 69 weeks in 2018-20.)
Rexha first spent a record 50 weeks at No. 1 on Hot Country Songs with “Meant to Be” with Florida Georgia Line in 2017-18. Rexha also co-wrote both that song and “I’m Good.”
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“Songwriting is my passion, no matter the style of music,” Rexha told Billboard earlier this year. “I’ve been blessed to have hit songs in different genres throughout my career. Finding this kind of success within both the dance/electronic and country charts is something I’m really proud of. To have my music resonate with so many people and top charts across multiple genres is amazing and means a lot to me, as I’ve never wanted to be put in a box.”
“I’m Good,” released on What a DJ/Warner Records, holds at No. 1 with 26.8 million radio airplay audience impressions, 5.3 million U.S. streams and 1,000 downloads sold in the Aug. 25-31 tracking week, according to Luminate. The collab has controlled Hot Dance/Electronic Songs every week since Oct. 1, 2022.
Among other longevity accolades for “I’m Good” on Hot Dance/Electronic Songs, it tallies a 53rd week in the top five (encompassing its entire chart run), tying Lady Gaga and Ariana Grande’s “Rain on Me” and Major Lazer and DJ Snake’s “Lean On” featuring MØ, for the sixth most. “Happier” rang up a record 91 weeks in the top five.
Guetta and Rexha have both now spent a combined 61 total weeks at No. 1 on the Hot Dance/Electronic Songs chart in their careers, thanks to “I’m Good” and their previous team-up, “Hey Mama,” also with Nicki Minaj and Afrojack (11 weeks at No. 1 in 2015). Only The Chainsmokers (82 weeks), Marshmello (81) and Bastille (69) have spent more time on top.
“I’m Good” became a crossover smash upon its release. It spent one week at No. 1 on the all-format Radio Songs chart and topped Dance/Mix Show Airplay for 14 weeks and Pop Airplay and Adult Pop Airplay for two each. On the Billboard Hot 100, the single even outperformed the song it interpolates: It reached No. 4 in January, while Eiffel 65’s “Blue (Da Ba Dee)” peaked at No. 6 in 2000.
Big Daddy Weave rolls up its seventh No. 1 on Billboard’s Christian AC Airplay chart, as “Heaven Changes Everything” ascends to the top of the tally dated Sept. 9.
The song increased by 4% in plays in the week ending Aug. 31, according to Luminate.
The track is an homage to Jay Weaver, the band’s former bassist from its inception in Mobile, Ala., in 1998. He passed away in January 2022 at age 42 from health complications due to COVID-19.
Big Daddy Weave frontman Mike Weaver (Jay’s older brother) wrote “Heaven Changes Everything” with Jeff Pardo and Matthew West.
“This song hitting No. 1 means so much to us, especially in light of my brother Jay going home,” Mike Weaver tells Billboard. “The stories that we hear from people who have heard this song and have gone through something like this have ministered to us and have given purpose to the pain we’ve been going through.”
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In addition to Mike Weaver, Big Daddy Weave is comprised of Brian Beihl, Jeremy Redmon and Joe Shirk.
Big Daddy Weave first topped Christian AC Airplay with “Every Time I Breathe” for three weeks beginning in June 2007. It had most recently reigned with “Alive” for three frames in August 2019.
On the Christian Airplay chart, “Heaven Changes Everything” ranks at No. 3, after reaching No. 2, with 5.8 million audience impressions (up 2%). Big Daddy Weave has notched seven No. 1s among 21 top 10s on the survey.
“Heaven Changes Everything” follows Big Daddy Weave’s collaboration with Katy Nichole, “God Is in This Story,” which led Christian Airplay for two weeks and reached No. 2 on Christian AC Airplay in late 2022.
Big Daddy Weave’s Heaven Changes Everything Tour is set to start Sept. 20 in Meadville, Penn., and wrap Nov. 5 in Port St. Lucie, Fla. Hannah Kerr and Tasha Layton will serve as supporting acts.
Zach Bryan zooms from No. 16 to No. 1 on the Billboard Artist 100 chart (dated Sept. 9), becoming the top musical act in the U.S. for the first time, thanks to his new LP, Zach Bryan.
The set, released Aug. 25 via Belting Bronco/Warner Records, debuts at No. 1 on the Billboard 200 with 200,000 equivalent album units in its opening week, according to Luminate. It becomes his first No. 1 album, after he charted five prior sets – all since only June 2022: American Heartbreak (No. 5 peak), Summertime Blues (No. 34), All My Homies Hate Ticketmaster (Live From Red Rocks) (No. 88), Elisabeth (No. 92) and Deann (No. 167).
All 16 of the new release’s tracks concurrently debut in the top 50 of the Billboard Hot 100, led by “I Remember Everything” featuring Kacey Musgraves at No. 1. It’s the first Hot 100 leader for each singer-songwriter.
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All 16 tracks also debut on the Hot Country Songs chart, with six in the top 10. Bryan is just the third act to land at least six in the top 10 at once, after Morgan Wallen (a record nine) and Taylor Swift (seven).
Bryan is just the second country act to top the Artist 100 in 2023, after Wallen, who has led the chart for eight weeks this year (among 13 total weeks on top). One country act ruled in 2022 (Luke Combs), after two each led in 2021 (Wallen, Eric Church), 2020 (Combs, Kenny Chesney) and 2019 (Combs, Thomas Rhett). (Still, country music is surging in 2023, thanks in large part to Wallen.)
Meanwhile, Bryan becomes just the the second country male soloist to simultaneously triple up at No. 1 on the Artist 100, Hot 100 and Billboard 200, after Wallen, who has scored four such weeks, including the most recent such frame among all artists: On the April 22 charts, he led the Artist 100 and paced the Hot 100 with “Last Night” and the Billboard 200 with One Thing at a Time.
Elsewhere on the latest Artist 100, Miley Cyrus jumps 22-7, driven by her new single “Used to Be Young.” The ballad begins at No. 8 on the Hot 100, becoming her 12th top 10.
Plus, Tyler, the Creator vaults 52-8 on the Artist 100 thanks to a new vinyl deluxe release of his former Billboard 200 No. 1 Call Me If You Get Lost. The set soars 143-11 on the Billboard 200 (37,000 units) and returns to No. 1 on the Top Album Sales chart for a fifth total week on top.
The Artist 100 measures artist activity across key metrics of music consumption, blending album and track sales, radio airplay and streaming to provide a weekly multi-dimensional ranking of artist popularity.
Doja Cat has another fine chance to capture her first U.K. chart crown with “Paint The Town Red.”
Based on midweek sales and streaming data published by the Official Charts Company, “Paint The Town Red” (via Kemosabe Records/RCA Records) is in pole position.
The U.S. pop singer and rapper will hope for a different result from last week, when “Paint The Town Red” led at the midweek stage, before being outraced in the final straight by Olivia Rodrigo’s “Vampire” (Geffen). Doja Cat’s Scarlet single finished the last chart cycle at No. 2, an equal career high (“Say So” also finished in the runner-up position).
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As it stands, Taylor Swift’s “Cruel Summer” (EMI) lifts 4-2, as “Vampire” dips 1-3.
Meanwhile, Calvin Harris and Sam Smith’s latest collaboration, “Desire” (Columbia), could climb into the top 5 for the first time. It’s up 7-5 on the Official Chart Update.
Fred Again’s “Adore U” (Atlantic) could become the red hot producer’s first Top 10 single as a solo artist. “Adore U” rises 16-10 on the chart blast.
Australia’s pop princess Kylie Minogue is readying the release of her 16th studio album, Tension (due out Sept. 22 via BMG). The title track is set to arrive at No. 19 on the national chart, for what should be Kylie’s 53rd top 40 hit in the U.K. “Tension” is the followup to “Padam Padam,” which crashed the top 10 earlier this year, reaching No. 8.
English singer and songwriter Kenya Grace has never impacted the Official Singles Chart. That could be about to change, as “Strangers” (Major Recordings) blasts to No. 22 on the midweek tally.
Finally, Nicki Minaj’s “Last Time I Saw You” (Republic Records). The Pink Friday 2 cut could bow at No. 25, for what would be the rap star’s 44th U.K. top 40 single. Minaj’s Pink Friday sequel is due out Nov. 17.
The Official U.K. Singles Chart will be presented late Friday, Sept. 8.
It’s a good time to be a country artist.
2023 has been an unusually exceptional year for country music. From Morgan Wallen to Luke Combs, Zach Bryan, Oliver Anthony Music and more, country acts are reaching historic highs across Billboard’s charts – including, most notably, on the all-genre Billboard Hot 100 songs chart.
As of the latest list (dated Sept. 9), four country songs (defined as those that have also appeared on the Hot Country Songs chart) have hit No. 1 on the Hot 100 this year: Wallen’s 16-week juggernaut “Last Night,” Jason Aldean’s one-week leader “Try That in a Small Town,” Oliver Anthony Music’s two-week viral No. 1 “Rich Men North of Richmond,” and, as of this week, Zach Bryan’s “I Remember Everything,” featuring Kacey Musgraves. Dating to the Hot 100’s launch in 1958, only one other calendar year has brought four-or-more country No. 1s: 1975, when five reached the summit (listed below in chronological order of when they topped the Hot 100):
“(Hey Won’t You Play) Another Somebody Done Somebody Wrong Song,” B.J. Thomas“Before the Next Teardrop Falls,” Freddy Fender“Thank God I’m a Country Boy,” John Denver“Rhinestone Cowboy,” Glen Campbell“I’m Sorry,” John Denver
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“Last Night” has been particularly historic, as its 16 weeks atop the Hot 100 from March to August mark the most weeks ever at No. 1 for a non-collaboration, and tie it for the second-most overall. It also became the first chart-topper by an unaccompanied solo male country artist in over 42 years, since Eddie Rabbitt’s 1981 hit “I Love a Rainy Night.”
Meanwhile, Luke Combs’ cover of Tracy Chapman’s “Fast Car” has spent eight weeks at its No. 2 high on the Hot 100, becoming his top-charting song. It has also crowned the all-format Radio Songs chart, Country Airplay and Adult Pop Airplay, and has reached the top 10 on Pop Airplay and Adult Contemporary.
Even further, 11 country songs have hit the Hot 100’s top 10 this year, almost quadruple the three that reached the region in all of 2022 (Combs’ “The Kind of Love We Make” and Wallen’s “You Proof” and “Don’t Think Jesus”). Three country hits also appeared in the top 10 in 2021 (Gabby Barrett’s “I Hope,” featuring Charlie Puth, Taylor Swift’s “All Too Well (Taylor’s Version)” and Walker Hayes’ “Fancy Like”), after four did in 2020 (“I Hope,” Dan + Shay and Justin Bieber’s “10,000 Hours,” Combs’ “Forever After All” and Wallen’s “7 Summers”). “10,000 Hours” was the only country song to reach the Hot 100’s top 10 in all of 2019.
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Zach Bryan has also achieved historic heights. This week, he becomes just the second country artist to chart at least 18 songs on the Hot 100 in a single week, after Wallen. “I Remember Everything” also becomes the first song to ever to top the Hot 100, Hot Country Songs and Hot Rock & Alternative Songs charts. Before this week, his breakout song “Something in the Orange” climbed to No. 10 on the Hot 100 in January, later becoming the longest-charting country song by a male artist, spending 66 total weeks on the survey.
The genre’s 2023 success doesn’t end with Wallen, Combs and Bryan, though. Multiple other country artists have also scored their first Hot 100 entries this year, including Tyler Childers (“In Your Love”), Hailey Whitters (“Everything She Ain’t”) and Warren Zeiders (“Pretty Little Poison”).
As Billboard reported in July, country music consumption in the United States increased by 20.3% year-over-year in the first 26 weeks of 2023, according to Luminate. That’s a significant improvement from the 2.5% growth that it experienced over the same period in 2022. Only K-pop (up 46.2%) and Latin (up 20.6%) saw sharper growths. While that surge is driven mostly by Wallen, a whole new crop of country artists is also contributing, including Bailey Zimmerman, Jelly Roll, and Nate Smith.
As country music continues its chart domination into 2023’s fourth quarter, here’s a look at every country music milestone and record that’s been broken on the Hot 100 in 2023, recapped in chronological order.
Most Country Songs in the Top 50 of the Hot 100 in a Single Week
Jung Kook’s “Seven,” featuring Latto, fittingly notches a seventh week at No. 1 on both the Billboard Global 200 and Billboard Global Excl. U.S. charts (dated Sept. 9), encompassing its entire run on each ranking. Upon its debut, the song became the first leader on the lists for a member of BTS as a soloist.
Plus, Doja Cat’s “Paint the Town Red” jumps to No. 2 on each chart; Zach Bryan’s “I Remember Everything,” featuring Kacey Musgraves, opens at No. 4 on the Global 200; Miley Cyrus’ “Used To Be Young” debuts at No. 6 on the Global 200; and Karol G and Peso Pluma’s “Qlona” climbs 15-8 on Global Excl. U.S. and 12-9 on the Global 200.
The Billboard Global 200 and Billboard Global Excl. U.S. charts, which began in September 2020, rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Global 200 is inclusive of worldwide data and the Global Excl. U.S. chart comprises data from territories excluding the United States.
Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.
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‘Seven’ = 7 Weeks Atop Global 200
Jung Kook’s “Seven,” featuring Latto, aptly adds a seventh week at No. 1 on the Billboard Global 200, with 97 million streams and 12,000 sold worldwide Aug. 25-31. The song is the first of 2023 to debut atop the Global 200 and spend its first seven weeks at No. 1, surpassing Miley Cyrus’ “Flowers,” which logged its first six weeks on the chart on top beginning in January.
Doja Cat’s “Paint the Town Red” rises 3-2 on the Global 200, with 64.2 million streams (up 29%) and 9,000 sold (up 41%) worldwide. It passes “Kiss Me More,” featuring SZA (No. 3 peak, May 2021), for her best career rank on the chart.
Taylor Swift’s “Cruel Summer” rebounds to its No. 3 Global 200 high, from No. 4.
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Zach Bryan’s “I Remember Everything,” featuring Kavey Musgraves, opens at No. 4 on the Global 200 with 38.3 million streams and 11,000 sold worldwide, marking each singer-songwriter’s first top 10. Bryan previously reached a No. 23 best with “Something in the Orange” in October 2022, while Musgraves makes her first visit to the chart. As previously reported, song launches at No. 1 on the U.S.-based Billboard Hot 100, while parent album Zach Bryan bows at No. 1 on the Billboard 200.
Dua Lipa’s “Dance the Night” holds at No. 5 on the Global 200, after reaching No. 3.
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Miley Cyrus’ “Used To Be Young” starts on the Global 200 at No. 6, with 39.4 million streams and 27,000 sold worldwide from its release Aug. 25 through Aug. 31. Cyrus scores her third top 10, following “Flowers” (No. 1 for 13 total weeks) and “Without You,” with The Kid LAROI (No. 10, 2021).
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Plus, Karol G and Peso Pluma’s “Qlona” charges 12-9 on the Global 200, up 15% to 45.8 million streams worldwide. The pair’s first collaboration marks Karol G’s fifth top 10 and Peso Pluma’s fourth on the tally.
“Qlona” also leaps 15-8 on Global Excl. U.S., gaining by 23% to 34 million streams outside the U.S. It’s Karol G’s sixth top 10 on the chart and Peso Pluma’s fourth.
Jung Kook & Latto Also Lead Global Excl. U.S.
Jung Kook’s “Seven,” featuring Latto, concurrently tops the Billboard Global Excl. U.S. chart for a seventh week, with 88.2 million streams and 8,000 sold outside the U.S. Aug. 25-31. As on the Global 200, the song is the first this year to begin atop Global Excl. U.S. and spend its first seven weeks at No. 1, besting Miley Cyrus’ “Flowers,” which led in its first six chart weeks, starting in January.
Doja Cat’s “Paint the Town Red” roars 7-2 on Global Excl. U.S., with 39.8 million streams (up 36%) and 2,000 sold (up 64%) outside the U.S. She achieves her highest placement on the chart, surpassing “Kiss Me More,” featuring SZA (No. 5, May 2021).
Myke Towers’ “LaLa” dips 2-3 on Global Excl. U.S., after it led for a week in July; Taylor Swift’s “Cruel Summer” climbs to a new No. 4 best, from No. 5; and Dua Lipa’s “Dance the Night” drops to No. 5 from its No. 3 high.
The Billboard Global 200 and Billboard Global Excl. U.S. charts (dated Sept. 9, 2023) will update on Billboard.com tomorrow (Sept. 6, a day later than usual due to the Labor Day holiday in the U.S. yesterday, Sept. 4). For both charts, the top 100 titles are available to all readers on Billboard.com, while the complete 200-title rankings are visible on Billboard Pro, Billboard’s subscription-based service. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
Zach Bryan has a monstrous week on the Billboard Hot 100 chart (dated Sept. 9).
After releasing his new self-titled album Aug. 25, the set soars in at No. 1 on the Billboard 200, and all 16 songs from the album debut on the Hot 100, led by “I Remember Everything” featuring Kacey Musgraves, which likewise launches at No. 1.
The first Hot 100 leader for both Bryan and Musgraves raked in 33.7 million U.S. streams, 263,000 radio airplay audience impressions (while not being promoted as an official single) and 10,000 paid downloads in its opening week, according to Luminate. It opens as the most streamed song of the week, starting at No. 1 on the Streaming Songs chart.
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The song also becomes the fourth country hit to reach No. 1 on the Hot 100 in 2023. (Country songs are defined as those that have hit or are eligible for Billboard’s Hot Country Songs chart.) The only year, dating to the Hot 100’s 1958 inception, with more country No. 1s was 1975, when five topped the chart: B.J. Thomas’ “(Hey Won’t You Play) Another Somebody Done Somebody Wrong Song”; Freddy Fender’s “Before the Next Teardrop Falls”; John Denver’s “Thank God I’m a Country Boy”; Glen Campbell’s “Rhinestone Cowboy”; and Denver’s “I’m Sorry.”
“I Remember Everything” also becomes the first song to hit No. 1 on the Hot 100, Hot Country Songs and Hot Rock & Alternative Songs charts (the lattermost of which began in 2009).
All 16 songs from Zach Bryan debut in the top 50 of the Hot 100, including five in the top 20 and 13 in the top 40. Here’s a recap (all of which are new entries except for two previously-charting songs, as noted below).
Zach Bryan on the Sept. 9-dated Hot 100:
No. 1, “I Remember Everything,” feat. Kacey Musgraves
No. 14, “Hey Driver,” feat. The War and Treaty
No. 17, “Spotless,” feat. The Lumineers
No. 18, “East Side of Sorrow”
No. 20, “Tourniquet”
No. 22, “Overtime”
No. 23, “Summertime’s Close”
No. 24, “Fear and Friday’s”
No. 29, “Ticking”
No. 31, “El Dorado”
No. 37, “Holy Roller,” feat. Sierra Ferrell
No. 38, “Smaller Acts”
No. 39, “Fear and Friday’s (Poem)”
No. 41, “Jake’s Piano – Long Island”
No. 44, “Tradesman”
No. 47, “Oklahoman Son”
No. 76, “Dawns,” feat. Maggie Rogers (holds in place; peaked at No. 42 in February)
No. 88, “Oklahoma Smoke Show” (down from its No. 81 peak)
Bryan is just the second country act to land at least five songs in the Hot 100’s top 20 simultaneously, after Morgan Wallen, who has placed five in the top 20 twice (nine on the March 18 ranking and five on March 25). Overall, Drake holds the record for the most concurrent top 20 entries, with 15 songs in the top 20 in a single week (Nov. 19, 2022).
Bryan is also just the second country act to chart at least 13 Hot 100 hits in the top 40 in a single week, after Wallen (16; March 18). The only other artists to amass at least 13 in the top 40 simultaneously are Drake (a record 21, twice), Taylor Swift, Travis Scott, Post Malone, 21 Savage, Harry Styles, Kendrick Lamar and Lil Uzi Vert.
Further, with 18 total songs on the Hot 100, Bryan is just the second country act to log that many songs on the chart in a single frame, after Wallen, who holds the record among all acts: 36, concurrent with the chart debut of his album One Thing at a Time in March.
Before this week, Bryan had sent four songs onto the Hot 100, starting in May 2022: his breakthrough hit “Something in the Orange” (No. 10 peak; it made history as the longest-charting country song – 66 weeks – by a male artist); “Dawns,” featuring Maggie Rogers (No. 42); “Oklahoma Smoke Show” (No. 81); and “Burn, Burn, Burn” (No. 99).
Meanwhile, thanks to their featured appearances on Zach Bryan, husband-and-wife duo The War and Treaty and Sierra Ferrell each visit the Hot 100 for the first time. (The War and Treaty’s Tanya Trotter makes a notable return: She tallied one solo entry, “Through the Rain” in 1994, under her maiden name, Tanya Blount.)
The latest Hot 100 also marks another milestone for country, in what has been an especially prominent year for the genre, as 20 country songs place in Hot 100’s top 40 for the first time. Plus, 25 country songs rank in the top 50, matching the record initially established on the March 18 chart, when Wallen’s One Thing at a Time debuted.
