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On Nov. 15, 2014, Sam Hunt’s breakthrough hit “Leave the Night On” lifted to No. 1 on Billboard’s Hot Country Songs chart.
Hunt co-authored the song with Shane McAnally and Josh Osborne. McAnally co-produced it with Zach Crowell. It was released as the lead cut from Hunt’s debut album, Montevallo, which produced five hit singles. The LP arrived at the Top Country Albums summit, also on Nov. 15, 2014, and reigned for nine weeks.

Montevallo sophomore single “Take Your Time” dominated Hot Country Songs for 11 frames, followed by “House Party,” which ruled for six. “Break Up in a Small Town” and “Make You Miss Me” rounded out the set’s singles, both peaking at No. 2.

On Country Airplay, Hunt banked four No. 1s off his rookie album, starting with “Leave the Night On.”

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To date, Hunt boasts 10 Country Airplay No. 1s, through “Outskirts” this May. He has earned four leaders on Hot Country Songs No. 1s and two on Top Country Albums.

Hunt was born on Dec. 8, 1984, in Cedartown, Ga. He was a star quarterback during high school before playing college ball at Middle Tennessee State University and the University of Alabama at Birmingham. In 2014, he signed with MCA Nashville, his label home since. Before rattling off his own hits, her was an accomplished songwriter, penning tracks for Kenny Chesney, Billy Currington and Keith Urban, among others.

Hunt and his wife since 2017, Hannah Lee Fowler, have two children — daughter Lucy Louise and son Lowry Lee.

Hunt’s latest single, “Country House,” which he co-wrote, ranks at No. 50 on the latest, Nov. 23-dated Country Airplay chart (1.8 million in audience, up 2% week-over-week, according to Luminate).

Nothing More claims two straight No. 1s on Billboard’s Mainstream Rock Airplay chart for the first time, ruling the Nov. 23-dated ranking with “Angel Song” featuring David Draiman.

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The song follows the band’s two-week reign with prior single “If It Doesn’t Hurt” in June and July.

Nothing More now boasts three total Mainstream Rock Airplay No. 1s, having also led with “Go to War” in 2017.

As for Draiman, frontman of Disturbed, “Angel Song” is his second solo No. 1 on the chart, following “Dead Inside” with Nita Strauss in 2022. Disturbed has scored 12 rulers, while he made another trip to the top as the singer of the short-lived band Device (with “Vilify” in 2013).

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Concurrently, “Angel Song” bullets at its No. 11 high on the all-rock-format, audience-based Rock & Alternative Airplay chart with 2.9 million audience impressions (up 14%), Nov. 8-14, according to Luminate. That’s the band’s second-best rank on the tally, following the No. 7 peak of “If It Doesn’t Hurt.”

On the most recently published multimetric Hot Hard Rock Songs chart (dated Nov. 16, reflecting data Nov. 1-7), “Angel Song” placed at a new No. 10 best, becoming Nothing More’s second top 10 dating to the ranking’s 2020 inception. (“If It Doesn’t Hurt” reached No. 8 in February.) In addition to its radio airplay, “Angel Song” earned 365,000 official U.S. streams, according to Luminate.

The track is the second single from Carnal, Nothing More’s seventh studio album. The set bowed at No. 9 on the Top Hard Rock Albums chart in July and has earned 48,000 equivalent album units to date.

All Billboard charts dated Nov. 23 will update on Billboard.com Tuesday, Nov. 19.

Lady Gaga and Bruno Mars’ “Die With a Smile” bounds four spots to No. 1 on Billboard’s Pop Airplay chart (dated Nov. 23).
The ballad, on Streamline/Atlantic/Interscope/ICLG, reigns with Greatest Gainer honors, up 10% in plays at the format Nov. 8-14, according to Luminate. The song drew an average of 77 plays per reporter playing it in that span (translating to a play roughly every two hours).

The Pop Airplay chart ranks songs by weekly plays on over 150 mainstream top 40 radio stations monitored by Mediabase, with data provided to Billboard by Luminate.

Notably, Gaga rules Pop Airplay for the first time since the chart dated April 9, 2011, with “Born This Way.” She rewrites the mark for returning to No. 1 after the longest break: 13 years, seven months and two weeks. (In between, she logged six top 10s.) Mariah Carey previously held the distinction, with a wait of nine years, four months and three weeks between “One Sweet Day” with Boyz II Men in 1995-96, and “We Belong Together” in 2005. (Last year, Miley Cyrus ended a nine-year, two-month and two-week break between the reigns of “Wrecking Ball” in 2013 and “Flowers.”)

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Mars last led Pop Airplay with “Finesse,” with Cardi B, in 2018.

Gaga now boasts eight career Pop Airplay No. 1s and Mars, 10 – tying him with Justin Bieber for the most among solo males. Here’s a look at the acts with the most leaders since the chart began in October 1992:

13, Taylor Swift11, Maroon 511, Katy Perry11, Rihanna10, Justin Bieber10, Ariana Grande10, Bruno Mars9, P!nk8, Doja Cat8, Lady Gaga8, Justin Timberlake7, Beyoncé

Plus, Gaga becomes only the third act to have topped Pop Airplay in the 2000s, ‘10s and ‘20s, joining Maroon 5 and Taylor Swift. Gaga scored a career-launching-record six No. 1s on her first six tries in 2009-10, beginning with “Just Dance” featuring Colby O’Donis.

As previously reported, “Die With a Smile” crowned the Billboard Global 200 chart for eight weeks in September-October, the most for any song this year. It drew 119.6 million streams worldwide Nov. 1-7 and has tallied over 100 million streams globally in each of the last 10 weeks (through the Nov. 16-dated chart), the longest such streak since the survey began in September 2020.

Meanwhile, Gaga’s new solo single “Disease” holds at its No. 18 high on the Nov. 23-dated Pop Airplay chart (up 12% in plays).

All charts dated Nov. 23 will update Tuesday, Nov. 19, on Billboard.com.

Gracie Abrams has landed a second week at No. 1 on the U.K. Singles Chart with “That’s So True,” the breakout song from the deluxe edition of her sophomore album, The Secret of Us. Last week “That’s So True” gave Abrams her maiden chart-topper in the U.K., and follows The Secret of Us debuting at […]

Musical theater stars Michael Ball and Alfie Boe have landed their fourth No.1 album as a duo on the U.K.’s Official Albums Chart. 
The British pair – who have both performed extensively in West End show Les Misérables among others over the years – released their fourth studio album Together At Home via Tag8 Music. It follows their previous releases Together (2016), Together Again (2017) and festive collection Together at Christmas (2020), all of which landed at the summit of the chart. Ball also has two No. 1 records to his name as a soloist.

Sabrina Carpenter’s Short n’ Sweet finishes at No. 2 following the news that the LP was nominated in three categories at the 2025 Grammys: album of the year, best pop vocal album and best engineered album (non-classical). Carpenter nabbed seven nods in total, including best new artist.   

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The Cure’s Songs of a Lost World holds steady at No. 3, having previously been at the top spot last week, which gave them their first chart-topping album in 32 years. The band also saw success on multiple Billboard charts over the last week, including topping the Total Album Sales chart and landing at No. 4 on the Billboard 200.

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There’s also an entry in the top 10 for Lancaster rockers Massive Wagons, as their seventh studio LP, Earth to Grace, finishes at No. 4. It’s their first to land in the top five and their third to place inside the top 10. 

As new documentary film Elton John: Never Too Late lands on Disney+, the Rocket Man’s enduring Diamonds greatest hits collection returns to the top 10 this week, rising four spots to No. 8. 

Elsewhere, rising U.K. rappers Fimiguerrero, Len and Lancey Foux score their first collaborative top 40 album with Conglomerate at No. 23.

Scottish icons Primal Scream, led by vocalist Bobby Gillespie, return to the top 40 with their 12th studio album, Come Ahead. It’s their first new material in eight years, and their 13th top 40 record across a 37 year career. 

Morgan Wallen earns his 15th No. 1 on Billboard’s Country Airplay chart as “Lies Lies Lies” ascends a spot to the top of the tally dated Nov. 23. During the Nov. 8-14 tracking week, it drew 30.3 million audience impressions, according to Luminate.

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The song was written by Jessie Jo Dillon, Josh Miller, Daniel Ross and Chris Tompkins, and produced by Joey Moi. It’s the lead single from an upcoming Wallen album.

Notably, Wallen rounds up his fifth Country Airplay chart-topper of 2024 – marking the first time that an act has amassed five No. 1s in a single year dating to the list’s January 1990 launch. “Lies Lies Lies” follows “Cowgirls” (featuring Ernest), which led for a week in in July; Post Malone’s “I Had Some Help” (featuring Wallen; four weeks, June-July); “Man Made a Bar” (featuring Eric Church; one week, April); and Thomas Rhett’s “Mamaw’s House” (featuring Wallen; one week, March).

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Luke Combs (2021) and Garth Brooks (1991 and 1993) each collected four new Country Airplay No. 1s in single years, while Wallen ranked at the summit with four songs in 2023, including “You Proof,” which first led in 2022. (Brooks remains the only act to notch as many as four new No. 1s all as a lead artist in a single year, in both 1991 and 1993).

McGraw Ties for Most Top 10s

Tim McGraw claims his own slice of Country Airplay history, scoring his record-tying 61st top 10 as “One Bad Habit” bounds 11-5 (24 million, up 40%).

Marc Beeson, Aaron Eshuis and Tony Lane wrote the song, which McGraw produced with Byron Gallimore.

McGraw matches Kenny Chesney and George Strait for the most Country Airplay top 10s. Alan Jackson is next with 51, followed by Keith Urban (44), Toby Keith (42) and Brooks & Dunn (41).

Plus, with “One Bad Habit” climbing to No. 5, McGraw pads his lead for the most top five Country Airplay hits: 55. Strait is second with 53 and Chesney has 50.

McGraw last reached the Country Airplay top tier with “Standing Room Only,” which hit No. 2 last November. He earned his first top 10 with the No. 8-peaking “Indian Outlaw” in April 1994. Follow-up “Don’t Take the Girl” became his first of 29 No. 1s when it dominated for its first of two frames the next month. He most recently led with two hits in 2016: his own “Humble and Kind” (one week, that June) and as featured on Florida Georgia Line’s “May We All” (two weeks, December).

While it was largely assumed that Taylor Swift’s 1989 would have a big debut when it arrived on the Billboard 200 albums chart dated Nov. 15, 2014 — after all, she was coming off three straight No. 1 sets that had sold in the millions — no one knew just how big it would be.
And then … it exploded atop the chart.

After 1989’s release on Oct. 27, 2014, the project not only sold more than a million copies in its first week in the United States — 1.29 million to be exact, according to Luminate — but also cleared the largest sales week for an album in over a decade (since Eminem’s The Eminem Show debuted with 1.32 million in 2002).

“Another way to look at it,” Billboard further noted at the time, “1989 outsold the Nos. 2-107 albums on the Nov. 15-dated Billboard 200 combined.”

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In fact, in the 10 years since 1989’s arrival, there have only been three weeks in which an album has sold more copies — and two of those weeks are also by Swift: the debuts of 2023’s rerecorded 1989 (Taylor’s Version) and 2024’s The Tortured Poets Department. (The third: the opening week of Adele’s 25 in 2015, when it logged a Luminate-era single-week record 3.38 million.)

Swift called 1989 a “bit of a rebirth” when she announced the set during a livestream event on Aug. 18, 2014. She said that she “woke up every single day that I was recording this record not wanting, but needing, to make a new style of music than I had ever made before.”

She added: “And for the record, this is my very first documented official pop album.”

While that may seem quaint today, as the Swift we know in 2024 is a globe-trotting, stadium-filling, mega-mega Pop star with a capital P, back in 2014, she was following four albums that straddled the worlds of country and pop. She had reached No. 1 on the Top Country Albums chart with her first four studio full-lengths, while also topping the Pop Airplay chart with “Love Story,” from her second LP, Fearless, and “I Knew You Were Trouble,” from her third, Red.

But with her decisive “official pop album” declaration, Swift was moving into new territory. Would the move pay off? Would the sonic shift influenced by pop of the late-1980s yield even bigger success than she had already experienced? Turns out, yes! The set spent 11 weeks atop the Billboard 200, generated three No. 1s on the all-genre Billboard Hot 100, the most from any Swift album, and five enduring No. 1s on Pop Airplay: “Shake It Off,” “Blank Space,” “Style,” “Bad Blood” and “Wildest Dreams,” also the most from a Swift LP.

1989 would also garner Swift her first nomination, and win, for best pop vocal album at the Grammy Awards. Plus, it won for album of the year — the second of her record four trophies in the coveted category.

1989 arrived with a wall-to-wall promotional blitz and media campaign. During release week, Swift engaged with her fanbase on social media, heavily leaning into Twitter (now called X) and Tumblr to reach existing and newly converted Swifties. She blanketed terrestrial media during the album’s rollout, including appearances on the MTV Video Music Awards, ABC’s Good Morning America and CBS’ The Late Show With David Letterman. She had promotional tie-ins with Subway and Diet Coke, while the album was carried in non-traditional sellers such as Kroger supermarkets, Starbucks and Walgreens.

Notably, 1989’s first-week sales were bolstered by its lack of availability on streaming services; a deluxe edition exclusive to Target, with six bonus tracks; its CDs being packaged with one of five sets of 13 collectible Polaroid-like images of Swift (with fans not knowing which set they would get); and a contest, dubbed the “1989 Swiftstakes,” whereby every purchase of the album through the final day of the set’s first week could be entered to win one of 1,989 prizes. (Such contests are no longer allowed to count toward Billboard’s charts.)

1989 has gone on to spend more than 500 nonconsecutive weeks on the Billboard 200, the most of any Swift album. It’s one of her 14 leaders on the list, the most among women. She boasts 12 No. 1s on the Hot 100, having tied Madonna and The Supremes for the sixth-best sum among all acts.

In 2023-24, 1989 has been showcased as one of the eras in Swift’s retrospective The Eras Tour. The trek began on March 17, 2023, in Glendale, Ariz., and is scheduled to conclude on Dec. 8 in Vancouver, B.C. On Aug. 9, 2023, during her final Los Angeles-area show at SoFi Stadium, Swift announced the release of 1989 (Taylor’s Version). It arrived at retail and via streamers on Oct. 27, 2023 — exactly, nine years after the original 1989 was released. The rerecorded album continued the epic 1989 story, as it debuted at No. 1 on the Billboard 200, buoyed by an even larger first-week sales figure than the original 1989: 1.36 million sold.

Coldplay’s Moon Music has landed to No. 1 on the ARIA Albums Chart this week, rocketing from last week’s No. 6 position.
Initially debuting at No. 2 upon its release in October, the album’s resurgence reflects the impact of the band’s sold-out Australian leg of their Music of the Spheres World Tour. The tour marked Coldplay’s first in Australia since 2016, though they performed two shows in Perth in 2023 due to an exclusive agreement with the state’s tourism board.

This week’s ARIA achievement marks Coldplay’s eighth No. 1 album in Australia, a streak that began with A Rush of Blood to the Head in 2002 and includes chart-toppers like X&Y, Viva La Vida or Death and All His Friends, Ghost Stories, Everyday Life, and Music of the Spheres.

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The band’s ongoing tour has been nothing short of a phenomenon. Their recent four-night stint at Melbourne’s Marvel Stadium from Oct. 30 to Nov. 3 shattered attendance records for a band, with 227,000 fans flocking to the shows.

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“Coldplay have officially broken our all-time largest attendance record for a band at Marvel Stadium, with 227k people attending across the four Music of The Spheres World Tour shows held at the Stadium,” the venue wrote on Instagram on Nov. 4.

According to the venue’s own history, the current record for highest-attended concert belongs to fellow English musician Adele, whose performance on March 19, 2017 was attended by a total of 77,327. Just shy of one year later, Ed Sheeran broke the record for the largest attendance for a concert series by a single artist, bringing in a total audience of 257,751 across four shows in March 2018.

Elsewhere on the ARIA Album Chart, Perth’s South Summit made an impressive debut with their album The Bliss landing at No. 25, while Make Them Suffer’s self-titled effort entered at No. 38.

On the Singles Chart, Gracie Abrams dethroned Rosé and Bruno Mars to claim her first-ever No. 1 with “That’s So True,” while the duo’s “APT.” slips to No. 2. Abrams’ hit is her third charting single this year, following “Close to You” (No. 34) and “I Love You, I’m Sorry” (No. 7).

Weezer’s self-titled debut album, first released in 1994, returns to Billboard’s album charts (dated Nov. 16) following its 30th-anniversary deluxe reissue on Nov. 1. The set, referred to as the Blue Album due to its blue-colored cover, boasts the top 10-charting Alternative Airplay hits “Undone – The Sweater Song,” “Buddy Holly” and “Say It Ain’t So.” For its anniversary, it was reissued across five vinyl variants (including a deluxe four-LP set), a deluxe three-CD set and a deluxe digital download edition. The deluxe vinyl, CD and download sets included a wealth of bonus tracks.

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All versions of the album, old and new, are combined together for tracking and charting purposes. On the Top Album Sales chart, the set reaches the top 10 for the first time, re-entering at No. 10 with 8,000 copies sold in the U.S. in the week ending Nov. 7 (up 719%), according to Luminate. The album previously peaked at No. 16 in early 1995. With its delayed arrival to the top 10, the album marks the 14th top 10-charting effort for the band on Top Album Sales.

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The Blue Album also re-enters at No. 3 on Indie Store Album Sales, No. 4 on Vinyl Albums, No. 10 on Top Alternative Albums, No. 13 on Top Rock Albums, No. 17 on Top Rock & Alternative Albums and No. 87 on the Billboard 200.

Elsewhere on the Top Album Sales chart, The Cure’s Songs of a Lost World debuts at No. 1, Jimmy Fallon’s Holiday Seasoning jingles in at No. 3, Skillet’s Revolution bows at No. 7 and the Saltburn soundtrack enters at No. 8.

Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units.

At No. 1 on Top Album Sales, The Cure’s Songs of a Lost World arrives with 53,000 copies sold in its first week – marking the band’s best sales week since 2004. Tyler, The Creator’s CHROMAKOPIA falls 1-2 in its second week, with 44,000 sold (down 69%). Fallon’s first festive album, Holiday Seasoning, opens at No. 3 with 12,000 sold; it’s Fallon’s first top 10-charting set on Top Album Sales. Rounding out the top five is Chappell Roan’s The Rise and Fall of a Midwest Princess (jumping 16-4 with 11,000 sold; up 22%, following her turn on NBC’s Saturday Night Live on Nov. 2) and SEVENTEEN’s chart-topping SPILL THE FEELS (7-5 with nearly 11,000; down 40%).

Sabrina Carpenter’s Short n’ Sweet steps 13-6 (10,000; down 2%), Skillet snares its sixth top 10 with the debut of Revolution at No. 7 (nearly 10,000), the Saltburn soundtrack debuts at No. 8 (nearly 10,000; largely from vinyl sales), Jelly Roll’s former leader Beautifully Broken rises 11-9 (8,000; down 30%) and Weezer’s self-titled debut re-enters at No. 10.

Benson Boone’s “Beautiful Things” tops the first Top Gabb Music Songs chart as the most-played song on Gabb Wireless phones during October 2024.
As announced Nov. 14, Billboard has partnered with Gabb Wireless, a phone company for kids and teens, to present a monthly chart tracking on-demand streams via its Gabb Music platform. Gabb Music offers a vast catalog of songs, all of which are selected by the Gabb team to include only kid- and teen-appropriate content. Gabb Music streams are not currently factored into any other Billboard charts.

Boone’s “Beautiful Things” leads the inaugural 25-position list, one of two songs from the pop singer-songwriter in the initial top 10. Released in early 2024, “Beautiful Things” peaked at No. 2 on the Billboard Hot 100 in March and ranks at No. 8 on the latest, Nov. 16-dated survey. It earned 82.7 million official U.S. streams on Billboard in October 2024, according to Luminate.

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Boone also appears in the top 10 of Top Gabb Music Songs via “Slow It Down,” at No. 9; it peaked at No. 32 on the Hot 100 in September.

Country music is represented in Gabb’s top 10 by Luke Combs’ “Ain’t No Love in Oklahoma,” at No. 2. Combs’ contribution to the Twisters: The Album soundtrack peaked at No. 13 on the Hot 100 in August and at No. 3 on the Hot Country Songs ranking in September.

And at No. 3 comes the top hip-hop entry (as well as the newest release in the top 10, as the song arrived on Oct. 3): KSI’s “Thick of It,” featuring Trippie Redd. Known not just as a musician but also as a YouTube star, boasting nearly 25 million subscribers, KSI’s latest release reached No. 64 on the Hot 100 dated Oct. 26.

Continuing a trend of genre variety, Hozier’s “Too Sweet” represents rock/alternative music in Top Gabb Music Songs’ top 10, at No. 4. It’s one of two songs in the top 10 to reach No. 1 on the Hot 100 — alongside Sabrina Carpenter’s “Please Please Please,” at No. 8 — having ruled for a week in April.

Then there’s NF, who charts the most appearances in the top 10 with three in all; “Let You Down,” from 2017’s Perception, leads the group at No. 5, followed by “Hope” at No. 7 (from his 2023 album of the same name) and “The Search” at No. 10 (the title track to his 2019 album).

NF doesn’t stop there; the rapper also boasts the No. 13 song with “Motto,” giving him four total entries on the inaugural Top Gabb Music Songs chart. That’s the second-most of any act, behind Imagine Dragons, which has five, led by “Bones” at No. 16.

Speaking of Imagine Dragons: “Radioactive” (No. 19) and “Demons” (No. 21), both from the band’s 2012 album Night Visions, are the oldest songs on the chart. The aforementioned “Thick of It” is the newest.

See the full top 25 below.

Top Gabb Music Songs, October 2024

1. “Beautiful Things,” Benson Boone2. “Ain’t No Love in Oklahoma,” Luke Combs3. “Thick of It,” KSI feat. Trippie Redd4. “Too Sweet,” Hozier5. “Let You Down,” NF6. “Golden Hour,” JVKE7. “Hope,” NF8. “Please Please Please,” Sabrina Carpenter9. “Slow It Down,” Benson Boone10. “The Search,” NF11. “Heat Waves,” Glass Animals12. “Stressed Out,” Twenty One Pilots13. “Motto,” NF14. “Stargazing,” Myles Smith15. “Deja Vu,” Olivia Rodrigo16. “Bones,” Imagine Dragons17. “Eyes Closed,” Imagine Dragons18. “Pink Skies,” Zach Bryan19. “Radioactive,” Imagine Dragons20. “Enemy,” Imagine Dragons21. “Demons,” Imagine Dragons22. “She’s All I Wanna Be,” Tate McRae23. “We Can’t Be Friends (Wait for Your Love),” Ariana Grande24. “I Am Not Okay,” Jelly Roll25. “Sunroof,” Nicky Youre & Dazy