State Champ Radio Chart Beat
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Like magic, the soundtrack for Wicked: For Good materializes at No. 1 on the ARIA Albums Chart.
For Good is, of course, the sequel to Wicked, the soundtrack for which peaked at No. 3 on the ARIA Chart in December 2024, and bounces on the latest frame, up 30-15.
Co-stars Ariana Grande and Cynthia Erivo contribute vocals to many of the 11 new tracks, including “Every Day More Wicked,” “Wonderful” and the closer, “For Good”. Although not a Grande solo effort, Wicked: For Good marks the sixth time she has appeared at No. 1 on the ARIA Chart, following My Everything (from 2014), Dangerous Woman (2016), Sweetener (2018), Thank U, Next (2019) and Eternal Sunshine (2024), which holds at No. 29 on the current chart. For Erivo, it’s her first stint in the Australian chart penthouse.
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Also new to the tally, published Friday, Nov. 28, is Australian pop-punk band SoSo’s So Much For Second Chances, new at No. 4. “We are absolutely blown away,” reads a statement from the band. “This is something we are incredibly proud of and we owe it all to our SoSo Crew: you know who you are!”
Produced by Stevie Knight (Yours Truly, Stand Atlantic, Between You & Me), Second Chances could be closely followed by new music. “This means so much to us as an independent band,” the statement continues, “we can’t wait to share what we have cooking up next.”
Melbourne rockers The Smith Street Band bag a ninth top 50 album with Once I Was Wild, new at No. 14, while Midnight Til Morning are close behind with their debut EP, Afterglow, new at No. 16. The pop-punk outfit was formed during the Netflix competition series Building The Band. Despite being eliminated in the semis, the group has enjoyed international success, including sold-out shows in North America, the U.K. and Europe, and in Australia, the homeland of bandmates Conor Smith and Mason Watts. Midnight Til Morning are signed to and managed by Michael Chugg’s Chugg Music.
The Fab Four make another impression on the Australian chart as the fourth and latest instalment of the Beatles‘ Anthology series starts at No. 20. The first, Anthology 1, led the chart for two weeks in 1995, the year in which the original eight-part TV series aired. Anthology 2 hit No. 2 the following year and Anthology 3 peaked at No. 3 later in 1996. All four of the albums are packaged as the Anthology Collection, new at No. 32. According to ARIA, the Beatles have notched 14 No. 1s on the national albums chart.
Over on the ARIA Singles Chart, Olivia Dean retains top spot for a second week with “Man I Need,” which she performed at the 2025 ARIA Awards in Sydney, and again for a special open-air concert at Fleet Steps. The English singer’s former No. 1 album, The Art of Loving, enjoys a lot of love in these parts, lifting 4-2. Also, Dean’s “So Easy (To Fall In Love)” (up 5-4 ), “Nice To Each Other” (up 9-8) and “Let Alone The One You Love” (up 36-25) are all on the move, each improving to new peak positions.
The top debut this week belongs to K-pop boyband Stray Kids, with Do It. It’s new at No. 10, the group’s best chart performance in Australia, easily eclipsing the No. 64 peak for 2023’s Lalalala. Stray Kids have an Aussie connection: Felix was born in Sydney and Bangchan was born in Seoul, raised in Sydney.
Canadian singer and writer Tate McRae lands another top 20 start with “Nobody’s Girl,” at No. 19.
And finally, Tame Impala is, once again, the only homegrown artist with a single in the top 50, as “Dracula” dips 28-33.
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KPop Demon Hunters‘ chart dominance extends into October, as Billboard‘s Top Movie Songs chart, powered by Tunefind (a Songtradr company), again occupying the October 2025 ranking’s top seven.
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Rankings for the Top Movie Songs chart are based on song and film data provided by Tunefind and ranked using a formula blending that data with sales and streaming information tracked by Luminate during the corresponding period of September 2025. The ranking generally includes newly released films from the preceding three months, with exceptions given to movies whose music is still experiencing a high volume of public interest.
Despite its June premiere, KPop Demon Hunters has remained a pop culture force, paced by its multiweek Billboard Hot 100 No. 1 “Golden” by HUNTR/X, which also stays at the top of the latest Top Movie Songs ranking. In October 2025, it earned 177 million official on-demand U.S. streams and sold 38,000 downloads, according to Luminate. The track also led the Hot 100 for two weeks that month (Oct. 4-11) and has spent the most recent five frames at No. 2.
The rest of Top Movie Songs’ top seven is occupied by songs from the fictional KPop Demon Hunters groups HUNTR/X and Saja Boys, plus soloists EJAE and Andrew Choi, with Saja Boys’ “Soda Pop” leading the rest of the pack at No. 2 (88.2 million streams, 12,000 downloads).
After KPop Demon Hunters, the top song comes from Springsteen: Deliver Me From Nowhere, the Bruce Springsteen biopic that premiered on Oct. 24. Springsteen’s “Hungry Heart” appears at No. 8 with 2.1 million streams and 1,000 downloads; it was his first top 20 on the Hot 100 in its day, eventually peaking at No. 5 in 1980.
See the full top 10, also featuring music from Gabby’s Dollhouse and Tron: Ares, below.
Rank, Song, Artist, Film1. “Golden,” HUNTR/X, KPop Demon Hunters2. “Soda Pop,” Saja Boys, KPop Demon Hunters3. “How It’s Done,” HUNTR/X, KPop Demon Hunters4. “Your Idol,” Saja Boys, KPop Demon Hunters5. “What It Sounds Like,” HUNTR/X, KPop Demon Hunters6. “Takedown,” HUNTR/X, KPop Demon Hunters7. “Free,” EJAE & Andrew Choi, KPop Demon Hunters8. “Hungry Heart,” Bruce Springsteen, Springsteen: Deliver Me From Nowhere9. “Sunroof,” Nicky Youre & Dazy, Gabby’s Dollhouse10. “Who Wants To Live Forever?,” Nine Inch Nails & Judeline, Tron: Ares
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The second season of Netflix’s Nobody Wants This takes top honors on Billboard‘s Top TV Songs chart, powered by Tunefind (a Songtradr company), racking up eight of the tally’s 10 positions, paced by Sabrina Carpenter‘s “Manchild.”
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Rankings for the Top TV Songs chart are based on song and show data provided by Tunefind and ranked using a formula blending that data with sales and streaming information tracked by Luminate during the corresponding period of October 2025.
Nobody Wants This premiered its second season in full on Oct. 23. That’s after its September 2024 first-season premiere, which saw the series notch three entries on Top TV Songs, led by Rihanna‘s “Love on the Brain” at No. 2.
This time, the show nearly triples its chart appearances, with Carpenter’s “Manchild,” featured in the sixth episode of the season, at No. 1. In October 2025, the song, featured on her 2025 album Man’s Best Friend, earned 45.7 million official on-demand U.S. streams and sold 4,000 downloads, according to Luminate.
“Manchild” debuted at No. 1 on the weekly Billboard Hot 100 in June and enjoyed an October best of No. 6 (Oct. 4).
Chappell Roan‘s “Good Luck, Babe!” follows on October 2025’s Top TV Songs at No. 2 (28.2 million streams, 2,000 downloads), while music from Rihanna and Mikky Ekko, Taylor Swift, Ariana Grande and more also dots the chart thanks to the premiere, which will be followed by a third season that’s expected to air in 2026.
HBO Max’s Peacemaker and Apple TV+’s Slow Horses occupy the two lone non-Nobody Wants This positions. Peacemaker‘s at No. 3 with Foxy Shazam‘s “Oh Lord” (5.8 million streams, 4,000 downloads), while Slow Horses reaches No. 7 via The Zombies‘ “She’s Not There” (1.7 million streams, 2,000 downloads).
See the full top 10 below.
Rank, Song, Artist, Show (Network)1. “Manchild,” Sabrina Carpenter, Nobody Wants This (Netflix)2. “Good Luck, Babe!,” Chappell Roan, Nobody Wants This (Netflix)3. “Oh Lord,” Foxy Shazam, Peacemaker (HBO Max)4. “Stay,” Rihanna feat. Mikky Ekko, Nobody Wants This (Netflix)5. “…Ready for It?,” Taylor Swift, Nobody Wants This (Netflix)6. “7 Rings,” Ariana Grande, Nobody Wants This (Netflix)7. “She’s Not There,” The Zombies, Slow Horses (Apple TV+)8. “Big Energy,” Latto, Nobody Wants This (Netflix)9. “Dancing in the Smoke,” Giveon, Nobody Wants This (Netflix)10. “You’ve Got Another Thing Coming,” Teddy Swims, Nobody Wants This (Netflix)
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Welcome to Billboard Pro’s Trending Up newsletter, where we take a closer look at the songs, artists, curiosities and trends that have caught the music industry’s attention. Some have come out of nowhere, others have taken months to catch on, and all of them could become ubiquitous in the blink of a TikTok clip.
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This week: Rumored similarities to an Oscar-nominated actor helps a U.K. rapper break out stateside, while a video game synch turns around a singer-songwriter’s prospects and a likely AI-assisted Charlie Kirk tribute goes viral.
English Rapper EsDeeKid Turns Timothée Chalamet Conspiracy Theory Into Massive Streaming Gains
Timothée Chalamet may be hard at work on the Oscar campaign trail for his upcoming Marty Supreme film, but some fans think he’s secretly balancing a second artistic career.
After breaking through in 2024 with the Rico Ace-assisted “Bally,” enigmatic Liverpool rapper EsDeeKid — who conceals his identity and sports a balaclava — has found a streaming breakthrough as 2025 draws to a close. On Nov. 11, user @gothauntie0 posted a TikTok positing the theory that EsDeeKid is actually Timothée Chalamet; though it’s all speculation and her evidence is purely circumstantial, the theory quickly took off across social media, spurring new listeners to familiarize themselves with his music.
During the week of Nov. 7-13 (when the conspiracy theory first popped up), EsDeeKid’s catalog earned over 5.8 million official on-demand streams, according to Luminate. The following week (Nov. 14-20), that figure jumped 54% to over 9.005 million official streams. Over the past three weeks, the underground rapper’s catalog has exploded over 145% in streaming activity — which helped his debut album, June’s Rebel, enter the Billboard 200 for the first time at No. 131 (on the chart dated Nov. 29).
“4 Raws” and “Phantom” are two of the set’s buzziest tracks. During the week of Nov. 14-20, the former collected over 3 million official on-demand U.S. streams (up 56% over the past three weeks), while the latter earned 2.98 million streams (up 53% over the past three weeks). On Halloween (Oct. 31), EsDeeKid dropped “Century,” which earned 1.68 million streams during Nov. 14-20, marking a two-week gain of 156%.
Neither EsDeeKid nor Timothée Chalamet have commented on the matter — but, for now, their silence is golden. — KYLE DENIS
Bershy’s Video Game-Featured “Radio” Turns on a Career Revival
“Two weeks ago i didn’t really think i’d make music again,” Cincinnati singer-songwriter Bershy (real name: Brea Shay) admitted in an Instagram post last week. But things have turned around for her, as her post was celebrating the recent success of her 2022 synth-pop love song “Radio” — which has been enjoying an overdue viral moment after being featured in the hit new “superhero workplace comedy” adventure video game Dispatch.
The disconcertingly catchy song is featured in an “episode six” housewarming party scene within the game, which begins with the lead character Robert cueing the song (with visible name and cover art) on his phone. Since the Nov. 5 release of the episode, the song has absolutely exploded on streaming, with the song zooming from under 2,000 streams a week to nearly 1.9 million streams for the tracking week ending Nov. 9, according to Luminate.
“Get ready, Bershy,” the official YouTube account of AdHoc Studio — the developer responsible for Dispatch — posted in the comments for the “Radio” music video. Indeed, it seems like she might have to putting those putting-the-career-on-hold plans on hold and tune in to her newfound virality. – ANDREW UNTERBERGER
Seemingly AI-Generated Charlie Kirk Tribute Song Takes Streaming by Storm
A Charlie Kirk tribute song has quickly gone viral on TikTok — but people are laughing at the track’s seemingly AI-generated vocals more than they’re earnestly singing along.
Titled “We Are Charlie Kirk,” the song popped up on streaming on Sept. 16, just six days after its namesake was shot and killed. Spaxelma, an apparently AI-generated act with no social media presence, is behind the track, in addition to several faith-based albums (and a Charlie Kirk Forever Alive tribute album) that date back to May 2024.
During the four-day period of Nov. 14-17, “We Are” earned 56,000 official on-demand steams. A week later (Nov. 21-24), the abrasive torch song leapt 656% to over 423,000 streams. The most popular “We Are” TikTok sound, which appeared on the platform the same day the song hit streaming with the caption “this is genuinely the worst song I’ve ever f—king heard in my life bro,” boasts over 62,000 posts. Currently, “We Are Charlie Kirk” is the only Spaxelma release to surpass one million Spotify streams.
The longevity of Spaxelma’s breakthrough “hit” remains to be seen, but it looks like Tom MacDonald may have some competition cut out for him. — K.D.
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Billboard’s Producer Spotlight series highlights creatives currently charting on Billboard’s producer rankings. Whether they are new to the industry or have been churning out hit after hit, the intention is to showcase where they are now, and their work that’s having a chart impact.
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Olivia Dean is having a major moment on Billboard’s charts, thanks largely to her breakthrough single “Man I Need,” now sitting in the top five on the latest Billboard Hot 100 (dated Nov. 29).
And alongside her breakthrough is her go-to collaborator Zach Nahome, who jumps from No. 5 to No. 1 on this week’s Hot 100 Producers chart — his first time leading a Billboard chart in any capacity. Nahome is the principal producer behind Dean’s album The Art of Loving, having produced or coproduced all 12 of its tracks.
The album ranks at No. 7 on the Billboard 200 after reaching a new No. 5 peak last week, marking her first top 10 album.
Nahome reaches No. 1 on Hot 100 Producers thanks to five production credits on the Hot 100 this week, all from Dean’s album. Here’s a recap:
No. 4, “Man I Need”
No. 18, “So Easy (To Fall In Love)” (coproduced with John Ryan and Julian Bunetta)
No. 55, “A Couple Minutes”
No. 82, “Nice to Each Other”
No. 97, “Let Alone the One You Love” (coproduced with John Ryan, Julian Bunetta and Matt Zara)
While all five tracks contribute to Nahome’s chart points, “Man I Need,” “A Couple Minutes” and “Nice to Each Other” give him the biggest boost, as he’s credited as the sole producer on all three tracks. “Let Alone the One You Love” is also a big contributor too, debuting at No. 97 this week. The song raked in 4.7 million official U.S. streams, a 45% increase from the week before, likely boosted by Dean’s Nov. 15 performance of the song on Saturday Night Live, where she was the musical guest. The song also surged 842% in digital song sales to just under 1,000 downloads sold.
“Man I Need” became the first Hot 100-charting hit for both Dean and Nahome. Before that, Nahome had charted once before with a production credit on PinkPantheress’ “Reason,” which reached No. 39 on Hot Rock & Alternative Songs in 2021.
Beyond Dean and PinkPantheress, Nahome has also produced songs for Bakar, gnash, slowthai and Biig Piig.
Billboard’s Hot 100 Producers chart is based on total points accrued by a producer for each attributed song that appears on the Hot 100. So, for Nahome, all five of his current Hot 100 entries contribute to his points total for Hot 100 Producers. For a song such as “So Easy (To Fall In Love),” which is credited to three producers, all three would split the song’s points equally.
The full Hot 100 Producers chart and full genre rankings can be found on Billboard.com.
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INI’s “Present” soars to No. 1. on this week’s Billboard Japan Hot 100, on the chart dated Nov. 26, halting Kenshi Yonezu’s nine-week reign over the tally.
“Present” serves as the lead track off INI’s new single THE WINTER MAGIC, released Nov. 19. The CD launched with 1,213,001 copies to become the eleven-member boy band’s first million seller, and moved 15,230 downloads to rule the metric. It also hits No. 2 for radio airplay, No. 44 for streaming, and No. 80 for video views. The group earns its fifth No. 1 hit with “Present,” following “CALL 119,” “Password,” “LOUD,” and “WMDA (Where My Drums At).”
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Kenshi Yonezu’s “IRIS OUT” slips to No. 2 after dominating the Japan Hot 100 for the past nine weeks. Though it falls a notch on the list, the Chainsaw Man – The Movie: Reze Arc theme continues to hold atop the streaming and video tallies for the tenth straight week since its debut, and extends its streak on karaoke to seven weeks.
Four tracks from the RADWIMPS tribute album Dear Jubilee -RADWIMPS TRIBUTE- land inside the top 10: Mrs. GREEN APPLE’s “Kyoshinsho” at No. 4, Vaundy’s “Zenzenzense” at No. 5, Kenshi Yonezu’s “Tremolo” at No. 6, and My Hair is Bad’s “Iindesuka?” at No. 7. 13 of the album’s 14 tracks have entered the chart. The original songs by the band are also resurging, with titles such as “Sokkenai,” “Kaishin no Ichigeki,” “Kyoshinsho,” and “Iindesuka?” rising primarily on streaming.
Meanwhile, Gen Hoshino’s “Ikidomari” jumps 22-8 this week, boosted by radio (up 773% from last week) and streaming (up 142%).
The Billboard Japan Hot 100 combines physical and digital sales, audio streams, radio airplay, video views and karaoke data.
See the full Billboard Japan Hot 100 chart, tallying the week from Nov. 17 to 23, here. For more on Japanese music and charts, visit Billboard Japan’s English X account.
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The Contenders is a midweek column that looks at artists aiming for the top of the Billboard charts, and the strategies behind their efforts. This week, for the upcoming Billboard 200 dated Dec. 6, a couple true chart heavyweights duke it out for the top spot.
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Stray Kids, DO IT (JYP/Republic): A new five-track mixtape wouldn’t be a particularly big threat from most artists to take down the record-setting new album by the biggest pop star in the world. But when it comes to the Billboard 200, Stray Kids isn’t most artists. Between albums, EPs and mixtapes, the South Korean pop octet has launched seven sets onto the Billboard 200 since 2022 — and all seven of them have debuted at No. 1. The Kids haven’t missed the top spot yet.
Now, they look to go eight-for-eight with DO IT, the five-track set officially being called the group’s new mixtape, released last Friday (Nov. 21). The release, which offers both a regular version and a “Festival Version” of its title track as its bookending cuts, got off to a strong streaming start, with each of its four new tracks debuting on Spotify’s Daily Top Songs USA chart. (“Do It” remains on the listing four days later.)
But as is usually the case with Stray Kids, physical sales will likely provide the biggest chunk of the album’s overall first-week consumption. To that end, the group has made DO IT available in a wide array of formats — including seven CD variants, all featuring collectibles (some randomized). There’s also four total webstore-exclusive download versions of the mixtape, each of which adds its own “chat” bonus audio tracks with the bandmembers.
Will it all be enough for the Kids to unseat Republic labelmate Taylor Swift’s The Life of a Showgirl, which has reigned for the first seven weeks of its release? Well, in its seventh and most recent week at No. 1, Showgirl amassed 93,000 total equivalent album units. The group’s last Billboard 200-topper, this September’s full studio album KARMA, bowed with 313,000 units. The shorter DO IT might not post numbers quite so robust, but if it’s anywhere in range of that number — well over triple what Showgirl posted in last week — it’s going to be pretty challenging for Swift to make up the difference.
Wicked Movie Cast, Cynthia Erivo & Ariana Grande, Wicked: For Good — The Soundtrack (Republic/Verve): Even without a new Stray Kids project, it would still be far from smooth sailing for Swift’s blockbuster on the Billboard 200 this week. Showgirl also has to compete with perhaps the year’s most-anticipated movie soundtrack (and yet another fellow Republic release), with the accompanying OST to blockbuster film musical sequel Wicked: For Good also debuting on Friday — featuring musical contributions from co-stars Cynthia Erivo and Ariana Grande, as well as cast members Jonathan Bailey, Michelle Yeoh, Jeff Goldblum and more.
The set has also gotten off to a solid start on DSPs, with a number of songs debuting on the Spotify Daily Top Songs USA chart — most of which have stuck around throughout the week, most notably Erivo and Grande dueting on the “For Good” title track. The album should also sell well to the musical’s (and stars’) many obsessive fans, particularly with seven vinyl and four CD variants available for purchase, one of the latter also coming signed by Erivo and Grande.
Does For Good also have a strong chance at a six-digit debut? If the performance of the original Wicked: The Soundtrack is any indication, then yes: That set bowed with 139,000 units in December 2024, with 85,000 of that number coming in sales. This set may come up a little short of that, with the musical’s first half containing some of its more traditionally beloved songs, like “Defying Gravity” and “Popular.”
But this new set does have the benefit of a pair of new compositions: the Erivo solo “No Place Like Home” and Grande solo “The Girl in the Bubble.” And it also now has a historic box office bow for the movie it accompanies — not to mention Thanksgiving weekend (and Black Friday) coming up — meaning that if it doesn’t get to 100k this week, it very well still might in week two.
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The team behind Together For Palestine, the sold-out OVO Arena Wembley gig that raised over £2 million ($2.6 million) for Palestinian causes in September, have announced a charity Christmas single.
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Brian Eno, Celeste, Neneh Cherry, Mabel and Bastille’s Dan Smith are among the names that will feature on “Lullaby,” released by T4P and distributed by global indie EMPIRE on Dec. 12 – the day the U.K.’s Official Christmas No. 1 race kicks off.
The single will see a group of U.K. and Palestinian artists join forces to rework “Yamma Mweel El Hawa,” a traditional Palestinian lullaby. All proceeds going to Choose Love’s Together For Palestine Fund, supporting three Palestinian-led organizations Taawon, Palestine Children’s Relief Fund and Palestine Medical Relief Service in light of the ongoing Israel-Palestine conflict.
Other acts involved include Amena, Kieran Brunt (Shards), Lana Lubany, Leigh-Anne, London Community Gospel Choir (LCGC), Nadine Shah, Nai Barghouti, Sura Abdo, TYSON, Yasmeen Ayyashi and Ysee.
The track is produced by Benji B, Kieran Brunt and Henri Davies, mixed by David Wrench and Valgeir Sidurðsson and mastered by Matt Colton, and was arranged and recomposed by Kieran Brunt and Nai Barghouti, with English lyrics written by Peter Gabriel. Together For Palestine are encouraging fans to pre-order “Lullaby” on BandCamp, iTunes and Amazon, or pre-save the single on their chosen streaming service ahead of its release.Palestinian musician Nai Barghouti said in a statement: “This lullaby from our Palestinian musical heritage has been with me since early childhood. Today, it returns at a much-needed time as a reminder of what Palestinians will never lose: hope, defiance, beauty, and dignity.”
Brian Eno added: “After a year defined by unimaginable loss, grief and injustice, we want to end with an act of love for Palestine’s children. Lullaby reflects their beauty, their longing and their hope. If we rally together and download it, we have a real shot at landing Christmas No. 1 – and turning that moment into vital life-saving support for Gaza’s families.”
Mabel continued: “The song holds a special place for many reasons, but mostly as it’s the first time I’ve sung with both my mum Neneh and sister Tyson, and for it to be a traditional lullaby in tribute to the mothers and children of Gaza means the world. I hope you feel the strength in our voices.”At the aforementioned OVO Arena Wembley gig in London, the likes of Damon Albarn, PinkPantheress and Jamie xx graced the stage in support of Together For Palestine. The event featured performances and speeches by 69 artists, actors, activists, and cultural figures, and was livestreamed to over 200,000 music fans worldwide, according to its organizers.
Trending on Billboard Lainey Wilson logs her ninth top 10 on Billboard’s Hot Country Songs chart dated Nov. 29, as “Somewhere Over Laredo” rises 11-9. The track pulls 4.1 million official United States streams (up 3%), 24.6 million in radio audience (up 8%) and 1,000 in sales (up 36%) during the Nov. 14-20 tracking week, […]
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Summer Walker overcomes the competition on Billboard’s Top R&B/Hip-Hop Albums chart as her third full-length studio album, Finally Over It, starts atop the list dated Nov. 29. The album begins with 77,000 equivalent album units in the United States for the week of Nov. 14-20, according to Luminate, and is the highest total for any R&B album by a woman in 2025.
Of Finally Over It’s first-week results, streaming activity contributes 69,000 units, equal to 91.9 million official on-demand audio and video streams of the album’s songs. 8,000 units are from tradition album sales, with a negligible amount of activity from track-equivalent album units. (One unit equals the following levels of consumption: one album sale, 10 individual tracks sold from an album, or 1,250 paid/subscription tier or 3,750 ad-supported tier of official on-demand audio and video streams for a song on the album.)
Finally Over It was released on Nov. 14 as a standard 14-song widely available digital download album, an 18-song download and streaming edition (which added four tracks) and an 18-song physical edition on CD and vinyl (which added four other tracks). Later in the week, two deluxe editions arrived: an Apple-exclusive version with five bonus audio tracks on Nov. 18 and a widely available download/streaming deluxe version with three other bonus audio cuts on Nov. 19.
With Finally Over It, Walker lands her third No. 1 on Top R&B/Hip-Hop Albums, completing its trilogy of triumph. 2019’s Over It and 2021’s Still Over It both debuted at the summit and each topped the chart for one week. In addition to the three champs, the singer also has appeared on the chart with her mixtape Last Day of Summer, which reached No. 25 in 2018 and two EPs: Life on Earth (No. 6 in 2020) and Clear 2: Soft Life (No. 7, 2023).
Elsewhere, Finally Over It gives Walker her fourth No. 1 on the Top R&B Albums chart and launches at No. 2 on the all-genre Billboard 200.
In addition to the album’s start, 16 of its tracks debut on the Hot R&B/Hip-Hop Songs chart, led by “Robbed You,” a collaboration with Mariah the Scientist, at No. 10. With the entrance, Walker adds her fifth top 10 on the chart, joining “Playing Games” (No. 9, 2019); “No Love,” with SZA (No. 5, 2021); “Bitter,” with Cardi B (No. 9, 2021); and “Good Good,” with Usher and 21 Savage (No. 7, 2023). Mariah The Scientist, meanwhile, earns her third – all achieved this year – following “Burning Blue” (No. 3) and “Is It a Crime,” with Kali Uchis (No. 7).
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Below is a rundown of the Finally Over It placements on the Hot R&B/Hip-Hop Songs chart, which brings Walker to 60 total career entries. Notably, the album generated two pre-release singles, “Heart of a Woman,” which peaked at No. 13 in February, and “Spend It,” a No. 30 hit in May.
No. 10, “Robbed You,” with Mariah The ScientistNo. 11, “Go Girl,” with Latto & Doja CatNo. 15, “Baby,” with Chris BrownNo. 16, “No”No. 19, “1-800 Heartbreak,” with Anderson .PaakNo. 23, “Baller,” with GloRilla, Sexyy Red & MonaleoNo. 25, “Give Me a Reason,” with Bryson TillerNo. 26, “Scars”No. 27, “Get Yo Boy,” with 21 SavageNo. 28, “Finally Over It”No. 29, “Situationship”No. 33, “How Sway,” with SAILORRNo. 34, “Don’t Make Me Do It/Tempted”No. 35, “Number One,” with Brent FaiyazNo. 37, “Stitch Me Up”No. 40, “Allegedly,” with Teddy Swims
