Chart Beat
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Morgan Wallen’s name is now etched in the ARIA history books as “Last Night” (via Republic/Universal) enters week eight at No. 1. “Last Night” holds top spot on the latest Australian singles chart, published June 2, making it the longest reigning leader by a male American country singer since the ARIA Charts launched in 1983. It beats by a week Billy Ray Cyrus’ seven-week stint at the top with “Achy Breaky Heart” in 1992.Taylor Swift gets some good karma on the ARIA Charts, following the release of Midnights (Til Dawn Edition) (via Universal), which returns to No. 1. Swifties have been obsessing over the fresh cut of “Karma,” which features Ice Spice and flies 59-2 for a new chart peak, besting its No. 9 high from 2022. It’s one of several album tracks on the rise, including “Snow on The Beach,” which features additional lyrics from Lana Del Rey and reenters at No. 12; while “Hits Different” impacts the chart for the first time at No. 16. Dua Lipa shuffles into the top 40 with “Dance The Night,” lifted from the Barbie soundtrack. It’s new at No. 22 for her 21st top 50 single in Australia, a streak that dates back to “Be The One,” which reached No. 6 in 2015, ARIA reports.Also impacting the chart for the first time is “America Has a Problem” by Beyonce and Kendrick Lamar, a remix of a cut from Bey’s chart-topping album from 2022, Renaissance. It’s new at No. 32. Over on the ARIA Albums Chart, Swift’s Midnights returns to the summit, up 7-1, for its first stint in the penthouse since February of this year. Midnights has now logged 13th non-consecutive weeks at No. 1. Matchbox Twenty lights up the tally with Where The Light Goes (Atlantic/Warner), their fifth studio album. It’s new at No. 2 for the week’s highest debut. Thanks to Swift, the U.S. group misses out on extending its streak of No. 1s. They’ve landed four thus far, with Yourself Or Someone Like You (1996), Mad Season (2000), career retrospective Exile On Mainstream (2007) and North, their most recent studio album from 2012.Rockabilly “supergroup” the Barnestormers complete the podium with their self-titled set, new at No. 3 with the debut of their self-titled album (via Mushroom Group’s Bloodlines, distributed by Universal Music Australia). The Barnestormers features Jimmy Barnes on vocals, the Living End’s Chris Cheney on guitar, Stray Cats’ Slim Jim Phantom on drums, producer Kevin “Caveman” Shirley on bass, and Squeeze keyboardist and broadcaster Jools Holland.Close behind is Sydney indie band Boy & Bear, which bows at No. 4 with their eponymously titled fifth album (through UNFD/Orchard). It’s the fourth top 5 appearance for the ARIA Award winners, a run that includes No. 1s for 2013’s Harlequin Dream and 2015’s Limit Of Love.Finally, Tina Turner proves she’s still simply the best, as Aussies remember the U.S. R&B legend by returning to her greatest hits. “The Best” (Rhino/Warner), which soundtracked Turner’s campaigns for Australia’s professional rugby league, reenters at No. 29 on the singles survey after peaking at No. 4 in 1989 (a duet with Aussie rocker Jimmy Barnes, which also appeared in a league campaign, hit No. 14 in 1992). Her signature comeback song “What’s Love Got To Do With It” returns at No. 84, while a string of her albums enjoy sales and streaming spikes: All The Best (up 28-17), Private Dancer (reentering at No. 53) Tina! (No. 58). Turner passed away May 24, aged 83.
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Lewis Capaldi claims his first top 10-charting effort on Billboard’s Top Album Sales chart (dated June 3) as his second studio album, Broken By Desire to Be Heavenly Sent, debuts at No. 4 with his best sales week ever — 20,000 copies sold in the United States in the week ending May 25, according to Luminate.
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Capaldi’s first studio album, Divinely Uninspired to a Hellish Extent, saw its largest sales week in its opening frame, when it sold about 3,500 copies (bowing and peaking at No. 26 on the June 1, 2019-dated chart).
Also in the top 10 of the new Top Album Sales chart, Dave Matthews Band notches its eighth No. 1 with the chart-topping bow of Walk Around the Moon, Ghost’s five-song covers set Phantomime enters at No. 2, SZA’s SOS re-enters at No. 3 after its physical release on CD and vinyl, Sleep Token’s Take Me Back to Eden bows at No. 6, (G)I-DLE’s I Feel starts at No. 7 and Def Leppard’s Drastic Symphonies, with the Royal Philharmonic Orchestra, rocks in at No. 8.
Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.
Of Broken By Desire…’s 20,000 sold, physical sales comprise 15,000 (8,000 on CD, 7,000 on vinyl) and digital download sales comprise 5,000. The set’s first-week sales were supported by its availability across multiple vinyl LPs (including exclusive color variants for Target, independent record stores, Spotify and the artist’s official webstore; as well as a signed vinyl sold through the artist’s webstore), four CD editions (including a Target-exclusive with two bonus tracks, a signed edition sold in his webstore and an Amazon-exclusive variant with an alternative cover), and an iTunes Store-exclusive digital album with two bonus tracks.
Dave Matthews Band’s Walk Around the Moon lands at No. 1 on Top Album Sales, marking the eighth chart-topper for the group. It launches with 40,000 copies sold. The album’s sales were bolstered by its availability across multiple vinyl variants, including exclusive color variants for the band’s fan club, Barnes & Noble, independent record stores and Target.
Ghost’s five-song covers project Phantomime bows at No. 3 on Top Album Sales with 34,000 copies sold, supported by its availability across multiple vinyl variants (resulting in 16,500 copies sold on the format – the week’s second-largest selling album on vinyl).
SZA’s SOS, released in December, re-enters Top Album Sales at No. 3 – its first week in the top 10 – following the set’s debut on physical formats (CD and vinyl). It surges back onto the chart with 29,000 copies sold across all of its retail formats. The bulk of that figure comprises vinyl LPs – with 25,000 copies sold on vinyl, marking the largest sales week on vinyl in 2023 for an R&B/hip-hop album. It debuts at No. 1 on the Vinyl Albums chart.
SEVENTEEN’s former No. 1 SEVENTEEN 10th Mini Album: FML rises 6-5 with a little over 16,000 copies sold (up 2%). Sleep Token’s Take Me Back to Eden debuts at No. 6 with 16,000. (G)I-DLE’s I Feel bows at No. 7 with 16,000, while Def Leppard’s Drastic Symphonies, with the Philharmonic Orchestra, starts at No. 8 with 15,000 sold.
The Guardians of the Galaxy Vol. 3: Awesome Mix Vol. 3 soundtrack falls 5-9 with 12,000 (down 37%) and Taylor Swift’s chart-topping Midnights dips 8-10 with 12,000 (down 5%).
In the week ending May 25, there were 1.795 million albums sold in the U.S. (up 1% compared to the previous week). Of that sum, physical albums (CDs, vinyl LPs, cassettes, etc.) comprised 1.436 million (down 0.8%) and digital albums comprised 359,000 (up 8.6%).
There were 625,000 CD albums sold in the week ending May 25 (up 0.9% week-over-week) and 799,000 vinyl albums sold (down 2.2%). Year-to-date CD album sales stand at 13.918 million (up 4.3% compared to the same time frame a year ago) and year-to-date vinyl album sales total 19.588 million (up 25.8%).
Overall year-to-date album sales total 41.127 million (up 9.3% compared to the same year-to-date time frame a year ago). Year-to-date physical album sales stand at 33.726 million (up 15.8%) and digital album sales total 7.402 million (down 12.8%).
Christian Nodal’s “Un Cumbión Dolido” surges to No. 1 from No. 4 on Billboard’s Regional Mexican Airplay chart (dated June 3). With the new coronation, Nodal cements his record for the most champs among soloists (eighth overall), with 15 No. 1s since the chart launched in 1994. Plus, he’s the only solo act to lead the chart in 2023.
According to Luminate, “Un Cumbión Dolido” crowns Regional Mexican Airplay boosted by a 27% gain in audience impressions, to 7.7 million, logged during the May 19-25 tracking week. Released Feb. 20 via Producciones Ladrón/Sony Music Latin, the cumbia with mariachi norteño, takes the lead in its 10th week.
“Cumbión” is a single from Nodal’s third EP, Forajido EP2, released May 29. The six-song set is a follow-up to Forajido (EP), which joined three full-length LPs when it debuted and peaked at No. 6 in June 2022 to grant Nodal his fourth straight top 10 on Regional Mexican Albums.
As “Cumbión” cracks the No. 1 spot on Regional Mexican Airplay, it trades places with Eslabon Armado and Peso Pluma’s ‘Ella Baila Sola” after one week in charge. Now, with 15 champs to his name, Nodal strengthens his long-time rule as the soloist with the most No. 1s, a status he assumed April 24, 2021, when “Duele,” his team-up with Alejandro Fernández, landed at the summit.
Further, Nodal is the only act thus far to lead Regional Mexican Airplay on his own, unaccompanied by any other act in 2023, among the 15 acts who have reached the top. The last soloist to rule the ranking was Gerardo Ortiz with “Modo Crudo” last October (one week).
Outside of its Regional Mexican Airplay coronation, “Cumbión” makes progress on the overall Latin Airplay chart, pushing to No. 6 after breaking the top 10 barrier the week prior, at No. 9.
Grupo Firme & Gerardo Coronel Take the Lead
Elsewhere on the Latin charts, Gerardo Coronel nabs his first top 10 on Latin Airplay thanks to “Que Onda Perdida” with Grupo Firme, which rallies 21-8 in its sixth week.
“Que Onda,” originally released Feb. 17 via RB/Union Music, breaks new ground after the Grupo Firme collab released through Music VIP, had a robust 52% increase in audience impressions to 7.2 million, earned during the same period, becoming the Greatest Gainer of the week.
Coronel takes home a first champ after he reached No. 32 with “Te Felicito” in May. Grupo Firme, meanwhile, picks up its seventh top 10, after the Tijuana, Baja California-based band landed at No. 7 with “Alaska” in November.
As “Onda” surges 13 rankings on Latin Airplay, the track joins three other songs that have ascended as much — or more — in 2023, notably all regional Mexican titles: Pepe Aguilar and Intocable’s “No Me Hablen de Amor” (chart dated Jan. 28) and Yuridia and Angela Aguilar “Que Agonía” (Feb. 11-dated list) both soared 28-10, while Carin Leon and Grupo Frontera’s “Que Vuelvas” climbed 21-6 (Jan. 28).
The Contenders is a midweek column that looks at artists aiming for the top of the Billboard charts, and the strategies behind their efforts. This week (for the upcoming charts dated June 11), Morgan Wallen’s 12-week No. 1 faces formidable challenges from a deluxified Taylor Swift blockbuster and a new Lil Durk album.
Taylor Swift, Midnights (Republic): Remember this one? It’s not as though Taylor Swift’s massive Midnights has ever fallen far from the top spot after its seismic, 1.57 million-unit-moving debut week last October – as recently as the chart dated May 27, it was perched in the runner-up spot. But next week, it may have its best chance yet at getting back to No. 1 since it ceded the Billboard 200‘s top spot to Metro Boomin’s Heroes and Villains set last December.
That’s for several reasons, including new physical and digital re-issues of Midnights that came out last Friday (May 26). For vinyl enthusiasts, she debuted the new Love Potion purple marble variant of Midnights, which is available in independent stores (and was also briefly for preorder sale on her webstore earlier in the week). Fans more comfortable with DSPs and MP3s can get the Til Dawn edition of Midnights, which includes three bonus tracks: another version of the original album’s Lana Del Rey-featuring “Snow on the Beach” (this time with more Lana), a remix of “Karma” featuring buzzy rapper Ice Spice and “Hits Different,” previously available only on the Target-exclusive physical edition of Midnights.
If all that isn’t enough, there’s also Midnights (The Late Night Edition) — which was also very briefly for sale as a digital download on Swift’s webstore, as well as in CD form at her three live shows at New Jersey’s MetLife Stadium over the weekend. This version also includes the new takes on “Snow” and “Karma,” and an original bonus cut, “You’re Losing Me,” which is not yet available for streaming. Between all these new editions of Midnights – already one of the best-performing albums of the 2020s — the clock may finally be ticking for Morgan Wallen’s continuous run at No. 1 with One Thing at a Time.
Lil Durk, Almost Healed (Only the Family/Alamo/Sony): If not for Midnights re-entering the discussion, we’d likely be talking about the latest album from hip-hop superstar Lil Durk as having the best chance of unseating One Thing at No. 1. The Chicago rapper’s Almost Healed is his first LP since last year’s 7220, which brought him to the top of the Billboard 200 for the first time as an unaccompanied solo artist.
Durk is also riding his biggest Billboard Hot 100 success to date as a lead artist, with Almost Healed’s J. Cole-featuring advance single “All My Life” debuting at No. 2 on the Hot 100 last week. Beyond Cole, the 21-track set also features a wide variety of big-name guests, including Future, 21 Savage, Alicia Keys, Kodak Black, the late Juice WRLD – and even Wallen himself, who teams up again with his old “Broadway Girls” co-star for this album’s “Stand by Me.”
IN THE MIX
Kodak Black, Pistolz & Pearlz (Atlantic/Sniper Gang): Speaking of Kodak Black: The Florida rapper is also back, with his own follow-up to a smash 2022 LP (the “Super Gremlin”-featuring Back for Everything) in new set Pistolz & Pearlz. The new album, which has no A-list features and also lacks a physical release (or a lead single on the level of the top five-peaking Hot 100 hit “Gremlin”) may be Kodak’s final one for Atlantic — with the chart-topping rapper inking a new deal in 2022 to move to Capitol after his contract was done.
Matchbox Twenty, Where the Light Goes (Atlantic): The last time we heard from turn-of-the-century pop/rock superstars Matchbox Twenty, in 2012, they were topping the Billboard 200 with the band’s fourth album, North. A lot has changed about the industry and about the top 40 landscape since, but the group returns this year with fifth album Where the Light Goes and is offering multiple vinyl variants with alternate cover art (as well as cassette, CD and digital releases) for the album, to hopefully still put up a first-week number worthy of the group’s best-selling ‘00s days.
Tina Turner, All the Best: The Hits (Parlophone): Tina Turner’s death last week at age 83 sent the music industry into mourning, and fans to DSPs and online retailers to consume the legendary performer’s classic catalog. The set of hers that has received the bulk of the attention so far is her 2004 compilation All the Best, which assembles 18 of her signature hits, with most of the focus on her ‘80s and ‘90s solo material. The collection debuts at No. 45 on the Billboard 200 this week and will likely climb even higher in the first full week following her passing.
YOASOBI’s “Idol” continues its domination over the Billboard Japan Hot 100, on the chart released May 31. The Oshi no Ko opener adds another week at No. 1 to bring the total to seven, becoming the duo’s longest stay atop the list so far.
On the chart tallying the week from May 22 to 28, “Idol” ruled four metrics of the chart’s methodology: streaming, downloads, video views, and karaoke. The “Into the Night” pair dropped the English-language version of its latest smash along with the accompanying video this week, and this led to figures for video jumping from 7,620,563 to 9,300,982 weekly views. The song also toppled Vaundy’s “Kaiju no Hanauta” from the top spot for karaoke, where it had led for 12 consecutive weeks.
Logging its seventh week atop the Japan Hot 100, “Idol” is now aligned with some of the biggest hits of J-pop in recent years: Official HIGE DANdism’s “I LOVE…,” “Pretender,” and Kenshi Yonezu’s “Lemon.” It also surpassed YOASOBI’s own “Yoru ni kakeru” (“Into the Night”), which scored 6 weeks in 2020 and went on to top the year-end list for that year.
Most weeks at No. 1 on Japan Hot 100:
Official HIGE DANdism “Subtitle” 13 weeksGen Hoshino “Koi” 11 weeksAimer “Zankyosanka” 9 weeksLiSA “Homura” 8 weeksKenshi Yonezu “Lemon” 7 weeksOfficial HIGE DANdism “I LOVE…” 7 weeksOfficial HIGE DANdism “Pretender” 7 weeksYOASOBI “Idol” 7 weeksYOASOBI “Yoru ni kakeru” 6 weeksAdo “New Genesis” 6 weeks
INI’s “Fanfare” jumps to No. 2 on the Japan Hot 100 after debuting at No. 10 last week. The CD single launched with 522,251 copies to hit No. 1 for sales, and the track also ruled radio this week. The track also hit No. 2 for downloads after increasing by 619 percent from the week before, while streaming fell 18 percent to come in at No. 22.
The new song “Hikari no naka e” (“Into the Light”) by Kessoku Band — the fictional band from the TV anime Bocchi the Rock! that aired last fall — is off to a good start, debuting at No. 10 on the Japan Hot 100 after hitting No. 4 for sales and No. 3 for downloads. The other new song by the band called “Aoi Haru to Nishi no Sora (“Blue Spring and Western Sky”) also bowed at No. 70 on the song chart after hitting No. 4 for downloads, indicating the lasting popularity of the beloved anime series.
The Billboard Japan Hot 100 combines physical and digital sales, audio streams, radio airplay, video views and karaoke data.
See the full Billboard Japan Hot 100 chart, tallying the week from May 22 to 28, here. For more on Japanese music and charts, visit Billboard Japan’s English Twitter account.
Welcome to Billboard Pro’s Trending Up column, where we take a closer look at the songs, artists, curiosities and trends that have caught the music industry’s attention. Some have come out of nowhere, others have taken months to catch on, and all of them could become ubiquitous in the blink of a TikTok clip. This week: Bonus cuts from Taylor Swift’s new Midnights reissue look to shake up the charts, a new Disney musical remake leads to big gains for its classic songs and another conservative anthem puts up big sales numbers.
Chart Supremacy’s a Relaxing Thought: Taylor Swift Eyes Major Moves With Til Dawn
How big will Midnights – The Til Dawn Edition be? Next week’s Billboard charts will reflect the full commercial response to Taylor Swift’s new edition of last year’s Midnights album, which was released last Friday (May 26) and included an Ice Spice-assisted remix of “Karma,” a “More Lana Del Rey” version of “Snow on the Beach” and the streaming debut of “Hits Different,” among other goodies for fans. Based on early streaming and sales figures, those tracks are predictably getting played by a huge audience, and could impact the Hot 100 chart in a major way if those numbers hold.
On the streaming side, “Karma” was the big winner on the Til Dawn release date, with the original version and the Ice Spice remix combining for 5.65 million U.S. official on-demand streams on Friday — a 395% uptick from the previous day, according to Luminate. “Karma” — which is up to No. 27 on the Hot 100 this week, in the chart frame prior to the release of the remix and its accompanying music video — dipped a bit over the holiday weekend, but was still raking in 2.34 million streams on Monday, which was more than double its daily average in the days leading up to the remix release. Combined with a big boost in downloads (7,400 in sales on Friday alone), “Karma” could be flexing like a gosh darn acrobat in the upper reaches of next week’s Hot 100.
Meanwhile, “Hits Different,” which was originally released on the Target-exclusive physical edition of Midnights in October, scored an even higher sales day on Friday than “Karma,” with 11,200 downloads to Swifties anxious to add the track to their digital collections. “Hits Different” also earned 3.27 million streams on Friday, with that daily number hovering a bit above 1 million streams each day over the holiday weekend. And “Snow on the Beach” kicked off the weekend with 3.76 million streams on Friday — a whopping 849% increase from the previous day — and 8,000 in sales, with its daily streams winding down to the same levels as “Hits Different” by Monday.
Although the numbers for “Hits Different” and “Snow on the Beach” are worth monitoring, all eyes are on “Karma,” which Swift performed with special guest Ice Spice at each of her MetLife Stadium shows in East Rutherford, N.J. this past weekend. In the coming weeks, “Karma” could become Swift’s second Hot 100 chart-topper from Midnights, following “Anti-Hero,” which became the superstar’s longest-running No. 1 single by logging eight weeks atop the chart. Meanwhile, Midnights could return to the top of the Billboard 200 chart, snapping the 12-week run at No. 1 of Morgan Wallen’s One Thing at a Time. – JASON LIPSHUTZ
Little Mermaid Songs Swim to Big Gains
The new live-action Disney remake of the studio’s 1989 animated classic The Little Mermaid is off to a dynamite start at the U.S. box office, with nearly $120 million reportedly raked in over its first four days of release (May 26-29). Unsurprisingly, the movie’s early ubiquity has inspired people to return to some of the timeless songs remade in the new version on streaming services, both in their newer and original incarnations.
“Part of Your World,” the Little Mermaid ballad originally sung by voice actress Jodi Benson (which Billboard‘s staff recently named the best song in Disney history) and covered by star Halle Bailey in the 2023 version, rose 71% in daily on-demand official U.S. streams from 294,000 on May 25 (the day before its release) to 503,000 on May 27 (the day after), while the Benson original was up 18% to 210,000 over that same span, according to Luminate. Meanwhile, the Daveed Diggs-led “Under the Sea” from the new version was up 125% to 208,000, and Samuel E. Wright’s 1989 rendition gained 11% to 202,000.
Are any of the 2023 version’s new Lin-Manuel Miranda-penned songs on their way to a classic status of their own? Hard to tell so far, but “The Scuttlebutt” — led by the Awkwafina-voiced Scuttle, and also featuring Diggs — seems to be off to the strongest start, with the song climbing to over 200,000 daily on-demand U.S. audio streams this week, a number that may only continue to rise as more and more kids nationwide are re-infected with Mermaid-mania. – ANDREW UNTERBERGER
Neo-Con Rappers Put a “Target” on Store’s Pride Month Display With Homophobic and Transphobic New Best-Selling Single
The No. 1 song on iTunes’ real-time chart isn’t from Taylor Swift or The Little Mermaid — but rather conservative rappers Forgiato Blow and Jimmy Levy’s new single “Boycott Target,” also featuring Nick Nittoli and Stoney Dudebro. The reactionary song takes aim at the titular megastore for its recently debuted PRIDE Collection and takes open shots at the LQBTQ community with lyrics like “You know the LGBTQ done went too far/ You know they cuttin’ these kids, they leavin’ tr—ies with scars/ Why they push an agenda, promoting with sexual genders/ I’m only rockin’ with Bruce, don’t rock with no Caitlyn Jenner.” Meanwhile, the video features the artists parading around a Target’s PRIDE section, with several of them donning a cartoonish amount of pro-USA (and/or pro-Trump) clothing and paraphernalia, and singer Jimmy Levy positing, “Inside this store, Satan resides.”
As several other conservative anthems have done in recent years, from Aaron Lewis’ “Am I the Only One?” to multiple different songs named “Let’s Go Brandon,” the song has attracted thousands in sales due to word-of-mouth and exposure via FOX News. The song grew from just over 200 in daily sales on May 25 to nearly 2,900 on May 30, despite Blow’s claims to FOX that the song had been “shadow-banned” from searches on Apple Music, and daily streams have also started to pick up, though they still remain in the modest five digits. Regardless of whether or not the consumption will be enough for “Boycott Target” to match the top 40 debuts of those previously mentioned right-wing rallying cries, its success thus far strikes a sour note for the start of Pride month. — A.U.
David Guetta, Anne-Marie and Coi Leray hit No. 1 on Billboard’s Dance/Mix Show Airplay chart dated June 3 with “Baby Don’t Hurt Me.”
Guetta achieves his 13th leader on the list, tying him — again — with Calvin Harris for the most since the chart began nearly 20 years ago, in August 2003. On the May 20 ranking, Harris pulled ahead of Guetta thanks to “Miracle” with Ellie Goulding. Notably, that track, which led for two weeks, was remixed by Guetta.
Until their latest leaders, Guetta and Harris were tied with Rihanna, who boasts 12 No. 1s.
The chart’s new leading song, a reworking of Haddaway’s Eurodance classic “What Is Love” (which reached No. 11 on the Billboard Hot 100 in 1993), is Anne-Marie’s third Dance/Mix Show Airplay No. 1 and Leray’s first. The song earned core-dance airplay on SiriusXM’s BPM, KMVQ-HD2 San Francisco and Music Choice’s Dance/EDM channel, among other outlets, May 19-25, according to Luminate.
(The Dance/Mix Show Airplay chart measures radio airplay on a select group of full-time dance stations, along with plays during mix shows on around 60 top 40-formatted reporters.)
Here’s a look at Guetta’s 13 Dance/Mix Show Airplay No. 1s.
Title, Weeks at No. 1, Year(s):
“Baby Don’t Hurt Me,” with Anne-Marie & Coi Leray, one to-date, 2023
“I’m Good (Blue),” with Bebe Rexha, 14, 2022-23
“Heartbreak Anthem,” with Galantis & Little Mix, 2021
“Bed,” with Joel Corry & RAYE, three, 2021
“Let’s Love,” with Sia, 2020
“Stay (Don’t Go Away),” feat. Raye, 2019
“Turn Me On,” feat. Nicki Minaj, three, 2012
“Without You,” feat. Usher, two, 2011
“Gettin’ Over You,” with Chris Willis, feat. Fergie & LMFAO, two, 2010
“Sexy Chick,” feat. Akon, six, 2009
“When Love Takes Over,” feat. Kelly Rowland, nine, 2009
“Love Is Gone,” with Chris Willis, 2007
“The World Is Mine,” feat. JD Davis, two, 2007
On the multimetric Hot Dance/Electronic Songs chart, “Baby” bounces 3-2 for a new high. The track earned 10.2 million radio airplay audience impressions (up 13%) and 4.1 million official streams (up 9%) and sold 1,000 downloads (up 3%) in the tracking week. Concurrently, the song bows on the Hot 100 at No. 96.
‘Whistle’ Is Working
Additionally on Dance/Mix Show Airplay, Jax Jones jumps to his ninth top 10 and Calum Scott scores his first with “Whistle” (11-9).
Plus, Paul Woolford and MNEK each add a third top 10 and Lewis Thompson achieves his first with “16 Again” (12-10).
Minogue’s Best Rank
Kylie Minogue’s “Padam Padam” parades onto Hot Dance/Electronic Songs at No. 12 – the week’s top debut and her highest rank among 15 appearances (dating to the chart’s start in 2013). The track, which introduces Minogue’s forthcoming album Tension (Sept. 22), earned 1.4 million streams and sold 2,000 downloads May 19-25, following its May 18 release.
Previously, Minogue placed three other top 20 tracks on the chart: “Real Groove,” with Dua Lipa (No. 15, 2021), “Magic” (No. 17, 2020) and “Say Something” (No. 18, 2020).
Plus, “Padam Padam” pushes to No. 1 – becoming Minogue’s her first leader – on the Dance/Electronic Digital Song Sales chart. It started at No. 5 a week earlier after only one day of availability.
Good ‘Look’
Further on Hot Dance/Electronic Songs, Odetari vaults to his third top 10 and cade clair claims his first with “Look Don’t Touch” (24-10). The song drew 2.3 million streams in its first full week of availability.
Carin León secures his first top 10 on any Billboard albums chart thanks to the dual debut of Colmillo de Leche on both the Top Latin Albums and Regional Mexican Albums charts (dated June 3). The 18-track studio effort bows at No. 10 on the former, while on the latter it launches at No. 5.
Colmillo de Leche also marks León’s first entry on an albums tally, dating back to “Me La Aventé,” his maiden entry on a Billboard chart, in 2019 (the song reached No. 16 high on Hot Latin Songs in 2020.) The set, a gumbo of sounds bookended by León’s regional Mexican imprint –blends soul, flamenco, salsa and pop– was released May 18 via Socios/Oplaai. The new entry also secures a first top 10 and entry for both independent labels.
In its first tracking week ending May 25, Colmillo registered 7,000 equivalent album units, according to Luminate. Streaming-equivalent album units contributes to the bulk of activity, which equates to 10.1 million official U.S. on-demand streams of the album’s songs. Track-equivalent album units, meanwhile, account for the negligible units left.
On the multimetric Top Latin Albums chart, each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album.
Notably, Colmillo marks the fifth instance a regional Mexican album debuts in the upper region on Top Latin Albums out of the nine total top 10s debuts during 2023 so far. Here’s the regional Mexican recap:
Debut Date, Debut Pos., Title, Artist
Jan. 14, 2023, 5, Pa Que Hablen.: I., Fuerza Regida
Jan. 14, 2023, 6, Sigan Hablando.: II., Fuerza Regida
May 13, 2023, 1, Desvelado, Eslabon Armado
May 27, 2023, 9, Don’t Stop The Magic, Grupo Marca Registrada
June 3, 2023, 10, Colmillo de Leche, Carin León
As mentioned, Colmillo also arrives in the top 10 on Regional Mexican Albums, at No. 5.
The album was preceded by the No. 30-peaking “No Es Por Acá” on Hot Latin Songs last October. In between, León has placed three other songs (outside of Colmillo) on Regional Mexican Airplay, including a six-week domination through “Que Vuelvas,” with Grupo Frontera.
From classics by The Supremes and Stevie Wonder to Silk Sonic and SZA, SiriusXM today (June 1) kicks off the Billboard Top 500 R&B Countdown.
In honor of Black Music Month, the countdown spotlights the top 500 R&B classics by Black artists spanning the past six decades-plus, as ranked by performance on the Billboard Hot 100 chart, per Billboard‘s Greatest of All Time methodology (with consideration also given to titles’ histories on Billboard’s Hot R&B/Hip-Hop Songs and Hot R&B Songs charts).
The limited engagement Billboard Top 500 R&B Countdown will air on SiriusXM channel 104 June 1-7 and on the SXM App June 1-30.
From No. 500 to No. 1, the Billboard Top 500 R&B Countdown highlights the enduring legacy of the genre, from iconic Motown, funk and disco anthems to love songs and more, highlighting the biggest hits by legendary artists including Aretha Franklin, Smokey Robinson, Lionel Richie, Prince, Michael Jackson, Janet Jackson, Whitney Houston, Mariah Carey, Boyz II Men, Usher, Beyoncé and Rihanna.
The Billboard Top 500 R&B Countdown marks the latest partnership between SiriusXM and Billboard. Most recently, the Cupid Countdown made Valentine’s Day even sweeter, after the Billboard Top 112 Songs of Christmas Countdown celebrated the sounds of the season and the Billboard Top 500 Summer Hits recapped the biggest summer songs in the Hot 100’s history.
Additionally, SiriusXM’s Big 40 Countdown, on 80s on 8, and the Back in the Day Replay, on ’90s on 9, are based on historical weekly Hot 100 charts, while the Prime 30, on Prime Country, time-travels back through Billboard‘s Hot Country Songs chart.
New releases from Dave Matthews Band and Ghost top Billboard’s rock album charts dated June 3.
Walk Around the Moon, Dave Matthews Band’s 10th studio set, bows at No. 1 on the Top Rock & Alternative Albums and Top Rock Albums tallies with 44,000 equivalent album units earned May 19-25, according to Luminate. Of that sum, 40,000 are via album sales.
The set is frontman Matthews’ seventh No. 1 on both surveys, which began in 2006. (Five leaders are billed as by Dave Matthews Band; two are credited to Matthews and DMB guitarist Tim Reynolds.) He boasts the third-most rulers in the history of both charts, behind only John Mayer and Bruce Springsteen (solo and with the E Street Band), each with eight.
Most No. 1s, Top Rock & Alternative Albums:
8, John Mayer
8, Bruce Springsteen (solo and with the E Street Band)
7, Dave Matthews (solo and with Dave Matthews Band)
6, The Beatles
6, Coldplay
6, Grateful Dead
6, Tom Petty (solo and with the Heartbreakers)
Dave Matthews Band first commanded Top Rock & Alternative Albums in 2006 with The Best of What’s Around, Vol. 01. Until its latest No. 1, the group had last led with 2018’s Come Tomorrow.
Walk Around the Moon’s 40,000-unit sales mark also slots the set at No. 1 on the all-genre Top Album Sales chart, where it’s the band’s eighth leader. On the Billboard 200, it begins at No. 5, marking Matthews’ 13th top five entry, a run that began with Dave Matthews Band’s Crash in May 1996.
Concurrently, “Monsters,” the second radio single from Walk Around the Moon, lifts 12-11 on Adult Alternative Airplay. “Madman’s Eyes” reached No. 4 in March.
Meanwhile, Phantomime, Ghost’s new all-covers EP, starts at No. 1 on Top Hard Rock Albums with 36,000 units, with 34,000 from album sales.
The five-song set features the rockers’ renditions of music from Genesis, Iron Maiden, The Stranglers, Television and Tina Turner.
It’s Ghost’s fifth Top Hard Rock Albums ruler. The band first led with Infestissumam in May 2013 and had most recently reigned with Impera in March 2022.
Phantomime also begins at No. 2 on both Top Rock & Alternative Albums and Top Rock Albums. On the Billboard 200, it arrives as the Tobias Forge-led outfit’s fourth top 10, at No. 7.
The EP’s lead single, Ghost’s cover of Genesis’ “Jesus He Knows Me,” rises 18-16 on Mainstream Rock Airplay. It has outperformed the Phil Collins-sung original, which hit No. 24 in 1992.