Chart Beat
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What will be the No. 1 song of the summer of 2023? We’re making our way toward the answer, as Billboard’s annual Songs of the Summer chart returns to Billboard.com today (June 6). The 20-position Songs of the Summer running tally tracks the most popular titles based on cumulative performance on the weekly streaming-, airplay- […]
Dave and Central Cee’s “Sprinter” is doing as its title suggests, as the British hip-hop collaboration leads the U.K. chart race. The fresh cut leads the midweek chart on debut, and is set to become Dave’s third U.K. No. 1, and Central Cee’s first. “Sprinter” (via Live Yours/Neighbourhood) marks the first creative partnership between the […]
A clash of the titans is playing out in the U.K., as Noel Gallagher’s High Flying Birds goes head-to-head with Foo Fighters for top spot.
Based on midweek sales and streaming data published by the Official Charts Company, Gallagher’s Council Skies (via Sour Mash) has the edge. It’s a wafer-thin margin. The Foos’ But Here We Are (Columbia) is just 200 combined units behind, for second place on the Official Chart Update.
Gallagher scores U.K. No. 1s for fun. He’s enjoyed an unbroken streak of 10 consecutive No. 1 studio albums, across his career with Oasis (seven) and with High Flying Birds (three). No other individual has a more impressive track record. Furthermore, every one of Gallagher’s studio LPs has debuted at No. 1.
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The Foos, meanwhile, have led the Official Chart with five albums, including their most recent effort, 2021’s Medicine At Midnight.
But Here We Are represents a new chapter for Dave Grohl’s band, which is still grieving the sudden death last year of drummer Taylor Hawkins.
There’s a touch of beef to this chart race. As the OCC points out, during the Foos’ set at the 2019 Reading Festival, Grohl told the crowd that he wanted to start a petition to get Oasis to reunite. That apparently didn’t sit well with Gallagher, who, during a subsequent concert in San Diego, joked with his audience: “Is anyone gonna sign that petition Dave Grohl wants to get together to get us back together?… I’d like to start a petition to get the Foo Fighters to split up”.
The midweek U.K. podium is completed by Sophie Ellis-Bextor’s Hana (Cooking Vinyl), new at No. 3, for what could be the English pop artist’s fifth top 10 LP, and highest charting title since 2002 debut Read My Lips hit No. 2.
Meanwhile, Bob Dylan’s Shadow Kingdom (Sony Music CG), a collection of rerecorded songs from early in the legendary songsmith’s career, could start at No. 4.
Also eyeing top ten berths are British pop veteran Louise’s career retrospective Greatest Hits (No. 6 via BMG), Scissor Sisters’ Jake Shears’s second solo set Last Man Dancing (No. 7 via Mute), and American heavy metal act Avenged Sevenfold’s eighth studio album Life Is But A Dream… (No. 8 via Warner Records).
All will be revealed when the Official Chart is published late Friday (June 9).
The top 10 of the all-genre Billboard 200 albums chart is more than a little bit country this week, as a full half of the region are country titles. It’s the first time there are five country albums in the top 10 in nearly a decade. The country sets in the top 10 on the […]
Morgan Wallen’s “Last Night” leads the Billboard Hot 100 songs chart for a ninth week.
Plus, Taylor Swift’s “Karma” vaults from No. 27 to No. 2 on the Hot 100. After it originally spent a week in the top 10, at No. 9, upon its debut last November (concurrent with the chart start of parent album Midnights), the song hits a new high following the May 26 release of its remix with Ice Spice, and the wide premiere of its official video May 27.
Swift achieves her milestone 25th top five Hot 100 hit. Ice Spice, now credited on “Karma” on the chart (as the remix accounts for over half the song’s consumption in the May 26-June 1 tracking week), adds both her third top 10 and top five track – and earns her highest career rank.
As previously reported, Midnights surges back to No. 1 on the Billboard 200 albums chart.
The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data. All charts (dated June 10, 2023) will update on Billboard.com tomorrow (June 6). For all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram.
Wallen’s “Last Night,” released on Big Loud/Mercury/Republic Records, drew 66.3 million radio airplay audience impressions (up 1%) and 32.8 million streams (essentially even week-over-week) and sold 8,000 downloads (down 4%) in the May 26-June 1 tracking week, according to Luminate.
The song, which initially led the Hot 100 in March, becoming Wallen’s first leader on the list, notches an 11th week at No. 1 on the Streaming Songs chart; rises 5-4 for a new best on Radio Songs; and dips 5-6 on Digital Song Sales, following a week on top.
“Last Night” commands the Country Airplay chart for a fifth week, having become the first song to top the Hot 100 and Country Airplay simultaneously, and becomes Wallen’s first top 10 on the Pop Airplay chart. It leads the Hot Country Songs chart, which uses the same methodology as the Hot 100, for a 17th week.
Swift’s “Karma” soars 27-2 on the Hot 100. After it first logged a week in the top 10, at No. 9, in its debut frame last November (concurrent with the No. 1 Billboard 200 debut of parent album Midnights), the song hits a new Hot 100 best following the May 26 release of its remix with Ice Spice, and the wide premiere of its official video May 27 (at midnight each day). Attendees at Swift’s May 26 concert — as part of her The Eras Tour at MetLife Stadium in East Rutherford, N.J. — saw the clip even earlier at the show, while Ice Spice joined Swift on-stage for a live debut of the remix.
The song drew 38.4 million in airplay audience (up 15%) and 22.5 million streams (up 175%) and sold 17,000 (up 744%) May 26-June 1, as it wins top Streaming and Sales Gainer honors on the Hot 100. It bounds 50-4 on Streaming Songs; returns to Digital Song Sales at No. 2; and jumps 18-12 on Radio Songs, hitting new highs on each survey.
Swift achieves her 25th top five Hot 100 entry, solely claiming the fifth-most such hits since the chart began in August 1958.
Most Top Five Hot 100 Hits:
35, Drake
29, The Beatles
28, Madonna
27, Mariah Carey
25, Taylor Swift
24, Janet Jackson
24, Rihanna
21, Elvis Presley (whose career began before the chart originated)
20, Justin Bieber
20, Michael Jackson
20, Stevie Wonder
Meanwhile, Swift boasts the sixth-most top two Hot 100 hits: 17, with nine having hit No. 1 and eight having reached No. 2. She follows The Beatles (23; 20 No. 1s, three No. 2 hits); Mariah Carey (23; 19 No. 1s, four No. 2 hits); Drake (20; 11 No. 1s, nine No. 2 hits); Rihanna (18; 14 No. 1s, four No. 2 hits); and Madonna (18; 12 No. 1s, six No. 2 hits).
Plus, Midnights has now generated three top two Hot 100 songs: “Anti-Hero” became Swift’s longest-leading No. 1, for eight weeks in November-January, and “Lavender Haze” debuted at its No. 2 peak in November, as 10 tracks from the album blanketed the top 10 in the set’s starting frame and Swift made history as the first artist to rank at each spot in the top 10 in a single week.
The album is Swift’s second to produce a trio of top two Hot 100 hits, after 1989 yielded three No. 1s in 2014-15: “Shake It Off,” “Blank Space” and “Bad Blood” (featuring Kendrick Lamar).
Midnights is the first album by any act with three top two Hot 100 hits since The Weeknd’s After Hours spun off three No. 1s in 2019-21: “Heartless,” “Blinding Lights” and “Save Your Tears,” the lattermost remixed with Ariana Grande – who, prior to that LP, posted three top two hits, including two No. 1s, from Thank U Next in 2018-19. Earlier in 2018, Drake rung up four, including three No. 1s, from his album Scorpion.
Ice Spice is now credited on “Karma” on the Hot 100, as the remix accounts for over half the song’s consumption in the tracking week. She notches her third top 10 – and highest-charting hit – following “Boy’s a Liar, Pt. 2,” with PinkPantheress (No. 3, March), and “Princess Diana,” with Nicki Minaj (No. 4, April).
Miley Cyrus’ “Flowers” descends 2-3 on the Hot 100, after eight weeks at No. 1, beginning upon its debut in January. It posts a 15th week atop Radio Songs (86.8 million in audience, down 3%).
Notably, “Flowers” ties for the third-longest reign since Radio Songs began in December 1990 – and passes Adele’s “Easy On Me” for the longest rule for a Columbia Records single.
Most Weeks at No. 1 on Radio Songs:
26, “Blinding Lights,” The Weeknd, 2020
18, “Iris,” Goo Goo Dolls, 1998
16, “Flowers,” Miley Cyrus, 2023
16, “Girls Like You,” Maroon 5 feat. Cardi B, 2018
16, “We Belong Together,” Mariah Carey, 2005
16, “Don’t Speak,” No Doubt, 1996-97
15, “Easy On Me,” Adele, 2021-22
Lil Durk’s “All My Life,” featuring J. Cole, rebounds 7-4 on the Hot 100, two weeks after it launched at No. 2. It also returns to No. 1 on Hot R&B/Hip-Hop Songs and Hot Rap Songs, leading each multi-metric list for a second week, as parent album Almost Healed debuts at No. 3 on the Billboard 200.
Rema and Selena Gomez’s “Calm Down” retreats to No. 5 on the Hot 100, from its No. 4 high. It tops the Billboard U.S. Afrobeats Songs chart for a 40th week, extending the longest reign since the ranking began over a year ago (in partnership with music festival and global brand Afro Nation).
(‘00s and aahs: despite Swift, Cyrus and Gomez having all first hit the Hot 100 in the second half of the 2000s – Cyrus in August 2006 [via her former Hannah Montana alter ego]; Swift that September; and Gomez in January 2009 – the three artists appear in the top five together for the first time this week.)
SZA’s “Kill Bill” drops 3-6 on the Hot 100, after it became her first No. 1, for a week in April. It rules the multi-metric Hot R&B Songs chart for a 24th week.
Eslabon Armado and Peso Pluma’s “Ella Baila Sola” slides 6-7 on the Hot 100, after hitting No. 4 – the best rank ever for a regional Mexican song. It adds a ninth week at No. 1 on the multi-metric Hot Latin Songs chart.
Luke Combs’ cover of Tracy Chapman’s “Fast Car” revs to a new No. 8 Hot 100 best, from No. 10, as it claims the chart’s top Airplay Gainer award for a second consecutive week (26.3 million, up 33%). (Chapman’s original version hit No. 6 in 1988.)
Rounding out the Hot 100’s top 10, Toosii’s “Favorite Song” falls to No. 9 from its No. 5 high and Metro Boomin, The Weeknd and 21 Savage’s “Creepin’ ” backtracks 9-10, after hitting No. 3.
Again, for all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram and all charts (dated June 10), including the Hot 100 in its entirety, will refresh on Billboard.com tomorrow (June 6).
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
The chart miracle that is Calvin Harris and Ellie Goulding’s EDM hit is showing no signs of letting-up in the U.K.
“Miracle” (via Columbia) retains top spot on the Official U.K. Singles Chart, published June 2, for an eighth non-consecutive week at No. 1.
That feat equals Harris’ all-time reign over the U.K. survey, matching the eight weeks “One Kiss” with Dua Lipa spent at the summit back in 2018.
Meanwhile, David Kushner’s viral hit “Daylight” (Miserable Music) holds at No. 2, while Afrobeats artist Rema’s “Calm Down” (Mavin) completes the podium, up 5-3 for a new high.
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Loreen’s 2023 Eurovision Song Contest-winning entry “Tattoo” (Polydor) continues to stick around, logging a third week in the top 10. The Swedish singer’s pan-European hit dips 4-10.
The highest new entry on the latest survey belongs to J Hus, as “It’s Crazy” (Black Butter) arrives at No. 15. “It’s Crazy” is the East London rapper’s first taste of new music as a lead artist in three years. With its lofty debut, the hip-hop artist earns his 13th U.K. top 40 appearance.
Taylor Swift is on the rise once again, thanks to the release of Midnights (The Til Dawn Edition) (via EMI). A trio of tracks make a dent — the maximum allowed under the Official Charts Company’s singles chart criteria — led by “Karma,” this week’s big gainer thanks to a new cut featuring rising rapper “Ice Spice”. It’s up 67-12, while “Hits Different” bows at No. 18 and “Snow On The Beach,” which features additional lines from guest artist Lana Del Rey, reenters the top 40 at No. 24.
Also new to the chart is Dua Lipa’s “Dance The Night” (Warner Records), lifted from the forthcoming Barbie movie soundtrack. It drops in at No. 20, for Lipa’s 23rd U.K. top 40 appearance.
Finally, as news of Tina Turner’s death spread the globe, fans paid their respects by listening to the rock legend’s greatest hits. The late singer’s signature song “The Best” (Parlophone) reenters the U.K. chart at No. 25, having peaked at No. 5 in 1989, while her comeback smash from 1984, “What’s Love Got To Do With It,” returns at No. 35. “What’s Love Got To Do With It” is Turner’s highest-peaking solo track in the U.K., reaching No. 3. Turner died May 24 at the age of 83.
Taylor Swift’s Midnights jumps back to No. 1 on the Billboard 200 albums chart (dated June 10), for a sixth nonconsecutive week atop the list. The set bumps 3-1 after the May 26 release of two deluxe editions of the album, along with a new color vinyl variant of the original standard album.
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Midnights earned 282,000 equivalent album units in the United States in the week ending June 1 (up 389%), according to Luminate – the second-largest week of 2023 for any album. Only the debut frame of Morgan Wallen’s One Thing at a Time posted a bigger week this year, when it launched at No. 1 with 501,000 (chart dated March 18).
Midnights debuted at No. 1 on the Billboard 200 dated Nov. 5, 2022, and spent its first two weeks at No. 1. It then notched three further weeks at No. 1 on the charts dated Nov. 26-Dec. 10, 2022. The album has never left the top 10 in its 32 weeks on the chart.
Midnights’ return to No. 1 halts the chart-topping run of Morgan Wallen’s One Thing at a Time, which falls to No. 2 after spending its first 12 weeks at No. 1 – the most weeks atop the chart for a country album in over 30 years. (Country albums are those that have charted on, or are eligible for, Billboard’s Top Country Albums chart.)
Also in the top 10 of the new Billboard 200 chart, rapper Lil Durk score his sixth top 10, as Almost Heated starts at No. 3.
The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new June 10, 2023-dated chart will be posted in full on Billboard‘s website on June 6. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.
Of Midnights’ 282,000 equivalent album units earned in the week ending June 1, album sales comprise 196,000 (up 1,529% — the largest sales week for any album in 2023 and the biggest since Midnights itself debuted with 1.114 million sold on the Nov. 5-dated chart), SEA units comprise 80,000 (up 79%, equaling 107.6 million on-demand official streams of the set’s songs), album sales comprise 6,000 (down 30%) and TEA units comprise 6,000 (up 618%).
Midnights had an array of drivers assisting its return to No. 1 on the Billboard 200. On May 26, Swift released a new deluxe edition of Midnights, dubbed The Til Dawn Edition, through digital retailers, Swift’s webstore and streaming services. The 23-track set includes the original standard album’s 13 tracks, plus the seven bonus tracks from the earlier-released Midnights (The 3am Edition; originally released on Oct. 21, 2022, shortly after the standard album), and three bonus tracks: “Hits Different,” which was previously only on the Target-exclusive CD edition of the standard edition of Midnights; a new version of the standard album’s “Snow on the Beach,” featuring Lana Del Rey, and a remix of the standard set’s “Karma,” adding Ice Spice as a featured artist.
The “Karma” remix, alongside its official music video, also premiered across streamers and digital retailers as a single on May 26. Swift and Ice Spice gave the first live performance of the track at Swift’s May 26 The Eras Tour concert at MetLife Stadium in East Rutherford, N.J.
In addition to the Midnights (The Til Dawn Edition), on May 26 Swift introduced a further iteration of the album, named Midnights (The Late Night Edition). The 21-track set contains the original standard album’s 13 tracks, plus five of the seven bonus tracks from The 3am Edition and three bonus tracks: the previously noted new versions of “Snow on the Beach” and “Karma,” along with a previously unreleased track titled “You’re Losing Me (From the Vault).” The Late Night Edition version of the album is available only as a CD sold at merch stands at Swift’s The Eras Tour stops (having started on May 26) for $10 and was briefly sold through Swift’s webstore (for 24 hours only) as a digital download album for $5.99 (from 8 p.m. ET on May 26 to 8 p.m. ET on May 27). “You’re Losing Me” is exclusive to The Late Night edition of the album and is not available to stream anywhere officially, nor sold as a stand-alone track.
There is no word on when, or if, The Late Night Edition will be widely released, nor if “You’re Losing Me” will be released a la carte.
Beyond the above drivers, the standard Midnights vinyl album was reissued in a color variant on May 26. The day, the Love Potion purple marble color variant of Midnights was available in select independent record stores, after being previously sold in a short pre-order window through Swift’s webstore (with orders shipping out starting May 26).
Wallen’s One Thing at a Time surrenders the No. 1 slot after spending its first 12 weeks at No. 1, as the album dips to No. 2 with 126,000 equivalent album units earned (down 2%).
Lil Durk notches his sixth top 10-charting effort on the Billboard 200 as Almost Heated debuts at No. 3 with 125,000 equivalent album units earned. Of that sum, SEA units comprise 122,000 (equaling 167.82 million on-demand official streams of the set’s tracks), album sales comprise 2,000 and TEA units comprise 1,000. Notably, the 125,000-unit start marks Durk’s best week, outside of his collaborative set with Lil Baby, which bowed at No. 1 with 150,000 (June 19, 2021, chart).
A trio of former No. 1s is next on the Billboard 200, as SZA’s SOS dips 2-4 (55,000 equivalent album units earned; down 29%), Wallen’s Dangerous: The Double Album falls 4-5 (48,000; up 2%) and Swift’s Lover is a non-mover at No. 6 (38,000; down 1%). Luke Combs’ Gettin’ Old rises one rung to No. 7 with 33,000 (down 4%).
Bad Bunny’s chart-topping Un Verano Sin Ti climbs one spot to No. 8 (nearly 33,000 equivalent album units; down 3%), Zach Bryan’s American Heartbreak bumps 10-9 (31,000; down 1%) and Bailey Zimmerman’s Religiously. The Album. climbs back to the top 10, up 11-10 (30,000; down 4%).
As the top 10 contains Wallen’s two albums (One Thing at a Time and Dangerous at Nos. 2 and 5), Combs’ Gettin’ Old (No. 7), Bryan’s American Heartbreak (No. 9) and Zimmerman’s Religiously. The Album. (No. 10), there are five country albums in the top 10 for the first time in nearly a decade. The chart last had at least five country sets in the top 10 on the Oct. 5, 2013-dated list. That week, Justin Moore’s Off the Beaten Path debuted at No. 2, Chris Young’s A.M. launched at No. 3, Luke Bryan’s former leader Crash My Party fell 4-6, Keith Urban’s Fuse fell 1-8 and Billy Currington’s We Are Tonight debuted at No. 10.
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
Newly crowned American Idol winner Iam Tongi sends a pair of songs onto Billboard’s Rock Digital Song Sales chart (dated June 3), paced by his original track “I’ll Be Seeing You,” which soars in at No. 1.
The song bows with 11,000 downloads sold May 19-25, according to Luminate.
It’s followed by his cover of ABBA’s “The Winner Takes It All,” which debuts at No. 19 with 2,000 sold. The song jumps 559% in sales; he initially made it available for download in March and performed it during the ABC competition’s top 20 episode in April.
“I’ll Be Seeing You” also debuts at No. 2 on the all-format Digital Song Sales survey.
In all, Tongi’s catalog so far moved 17,000 downloads May 19-25, a 1,899% boost from 1,000 sold May 12-18. His songs “Trust Me,” “Gone,” “Dreams” and “Efiafi,” the latter featuring Manatau Tuifua, all also accumulated 1,000 paid downloads apiece in that span.
“I’ll Be Seeing You” additionally opens on a pair of multimetric Billboard charts, at Nos. 19 and 23 on Hot Rock Songs and Hot Rock & Alternative Songs, respectively. In addition to its sales, the song earned 911,000 official U.S. streams.
Tongi, 18, won the latest season of American Idol May 21, becoming the first Pacific Islander champion in the show’s history, dating its launch on Fox in 2002. He auditioned with a cover of James Blunt’s 2019 song “Monsters” and performed it with Blunt on the finale; sparked by their duet, Blunt’s “Monsters” bounds back onto Digital Song Sales at No. 3 with 10,000 sold, up 925%. It debuted at No. 3 with 9,000 sold in March, then fueled by Tongi’s audition.
Morgan Wallen’s “Last Night” rolls up a fifth week atop Billboard’s Country Airplay chart – and becomes his first top 10 on the Pop Airplay tally.
The song holds in the Country Airplay penthouse (on the tally dated June 10) with 33.4 million audience impressions (down 1%) May 26-June 1, according to Luminate. It’s the second of Wallen’s nine No. 1s to rule for five weeks or more, after “You Proof” dominated for a record 10 frames beginning last October.
“Last Night” is also just the sixth song so far in the 2020s to top Country Airplay for at least five weeks. It joins “You Proof”; Bailey Zimmerman’s “Rock and a Hard Place” (six weeks starting this April); Dustin Lynch’s “Thinking ‘Bout You” featuring MacKenzie Porter (six, 2021-22); and Luke Combs’ “Forever After All” (six, 2021) and “Better Together” (five, 2021).
Also a crossover hit, “Last Night” rises to No. 10 on Pop Airplay, becoming Wallen’s first top 10 on the chart. He previously reached No. 16 on the list in December with “Wasted on You” and No. 22 in August 2020 as featured on Diplo’s “Heartless.”
As previously reported, “Last Night” has topped the Billboard Hot 100 for eight weeks (with Wallen at the start of 2023 having fueled country’s share of Hot 100 top 10s to its highest level in more than a decade).
He continues to chart two songs in the Country Airplay top 10, as the title track to his album One Thing at a Time holds at No. 9 (18.9 million, up 3%).
Start of ‘Summer’
Brian Kelley’s “See You Next Summer” (Nashville South/Big Machine) marks the week’s highest entrance — and his first solo entry — on Country Airplay, at No. 29 with 4 million in audience. The song was released May 26 and received hourly plays that day on participating iHeartMedia stations.
Florida Georgia Line — the duo of Kelley and Tyler Hubbard — has banked 16 Country Airplay leaders, among 19 top 10s. (The act is on hiatus.)
Hubbard’s “Dancin’ in the Country,” meanwhile, holds at its No. 2 Country Airplay high, with 28.7 million impressions (down 10%). The song became his second solo top 10, after “5 Foot 9” topped the chart for a week last November.
Fans rallied to the late Tina Turner’s catalog in massive numbers in the week following the icon’s death. Her tracks collected more than 40 million U.S. on-demand streams from May 24, the day of her passing, through the six days after, according to preliminary reports to Luminate.
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Turner, the electric performer whose career spanned multiple generations and multiple genres – with pop, rock, soul and even country among her gifts – died at age 83 on May 24 at her home in Switzerland. Her legacy includes a rare double induction into the Rock and Roll Hall of Fame, as she was honored in 1991 part of Ike & Tina Turner and again in 2021 for her solo efforts.
Across all her work, Turner’s tunes captured 40.1 million U.S. on-demand streams May 24-30, up from 2.7 million May 17-23 – a 1,367% increase. Turner’s solo material, consisting of songs largely recorded from 1978 on, contributed 36.1 million clicks of the posthumous activity. Songs credited to Ike & Tina Turner, active from 1960 to 1976, accounted for 4 million streams. (The totals above include both official on-demand streams and user-generated activity [“UGC”] to give a full view of Turner’s posthumous impact. UGC streams do not count toward Billboard’s chart calculations.)
“What’s Love Got To Do With It” led all of the diva’s songs, with 7.2 million clicks May 24-30, up 686% from 912,000 in the previous seven days. The 1984 Billboard Hot 100 No. 1 was the main driver behind her monumental comeback that year. It became her sole Hot 100 No. 1, leading the list for three weeks, and ended 1984 at No. 2 on the year-end Hot 100 chart. The single won Turner two Grammy Awards, including record of the year, at the 1985 ceremony and ranks first on the recap of Turner’s biggest Hot 100 hits.
“The Best” claimed second place among Turner’s streamed songs May 24-30, with 4.5 million on-demand clicks, up 1,022%. Turner’s 1989 cover of the Bonnie Tyler cut became a signature song, inspiring the title of her 1991 greatest-hits set, Simply the Best. The same phrase became a common refrain in many tributes and eulogies on social media.
Ike & Tina Turner’s 1971 classic “Proud Mary” cover ranked third May 24-30 thanks to 3.9 million on-demand streams (up 1,132%). Two cuts from Turner’s 1984 LP, Private Dancer, the title track (2.04 million, up 2,502%) and “Better Be Good to Me” (1.8 million, up 1,714%), round out the top five.
On the Billboard charts (dated June 3), “What’s Love” also generated the strongest impact, despite only two days of the posthumous activity surge in the last chart tracking week (May 19-25). (The weekly airplay, sales and streaming windows for Billboard charts run on a Friday-Thursday cycle.) The single debuts at No. 11 on the Hot R&B Songs chart, which began in 2012 and blends streaming, radio airplay and sales activity.
“What’s Love” also returns at No. 1 on the R&B Digital Song Sales chart with 7,000 downloads sold (up from a nominal sum) and leads eight Turner songs onto the 15-position list:
No. 1, “What’s Love Got To Do With It”No. 2, “We Don’t Need Another Hero (Thunderdome)”No. 3, “Proud Mary”No. 4, “Better Be Good to Me”No. 5, “Private Dancer”No. 7, “I Don’t Wanna Lose You”No. 9, “Let’s Stay Together”No. 10, “River Deep – Mountain High”
All told, Turner sold 78,000 song downloads May 24-30, a 6,238% vault from a little over 1,000 in the prior seven-day window.
The streaming and sales activity spark album gains for her 2005 greatest-hits effort, All the Best: The Hits. The set debuts at No. 6 on the June 3-dated Top R&B Albums chart, No. 14 on Top R&B/Hip-Hop Albums and No. 45 on the Billboard 200.