Chart Beat
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After 16 years, Tainy returns to the top 10 on Billboard’s Top Latin Albums chart as his latest album, Data, rallies 35-2 on the July-15 dated ranking after its first full week of activity.
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“I really try not to expect too much even though I’m working with superstars in this album,” Tainy tells Billboard. “My first thought is doing something both me and the artist love. I rather bring something amazing and different that at first could be weird, but grows on people with time. But I’m so happy it started the way it did, it’s mind-blowing.”
Data dropped June 29, the final day of the previous chart’s tracking week (albums are typically released on a Friday) and debuted on Top Latin Albums at No. 35 (July 8 ranking) from one day of activity. After its first official tracking week, the 19-track set surges to No. 2 with 31,000 equivalent album units in the U.S. in the week ending July 6, according to Luminate.
Most of Data’s first-week sum derives from streaming, which equates to 40.52 million official on-demand streams of the album’s songs. The remainder balance is a negligible amount of album sales and tracking-equivalent album units combined. An equivalent album unit equals one album sale, or 10 individual tracks sold from an album (track equivalent album units, TEA), or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album (streaming equivalent album units, SEA).
Data gives Tainy his highest charting album in more than 16 years on Top Latin Albums, since Más Flow: Los Benjamins with Luny Tunes launched at No. 1 in 2006. His maiden champ reigned for two weeks, and granted indie label Mas Flow, founded by Luney Tunes, its first and only No. 1 there. Data follows Tainy’s co-released album Dynasty with Yandel, which peaked at No. 25 in 2021.
“Figuring out dates to work on tracks with the artists was the toughest thing,” Tainy adds. “They’re superstars, so they’re touring, doing their own projects so that takes time to put it together and make it sound cohesive. But it’s a process I knew was gonna take time, so we made it work.”
As Data hits No. 2 on Top Latin Albums, Tainy brings Neon16 similar fortune: The indie label founded by the Puerto Rican producer alongside former Roc Nation executive Lex Borrero concurrently picks up its first and only top 10 on an albums chart. Previously, Neon 16 Tape: The Kids That Grew Up on Reggaetón earned the indie label a No. 45 high in March 2020.
Tainy’s catalogue of projects date back to the 2000s, since he was 16 years old; he’s produced for reggaetón heavy hitters, some of which appear on the beatmaker’s 19-song new album. They include Daddy Yankee, Bad Bunny, Wisin & Yandel, Arcángel, Zion, Ozuna and others, and share a space with a younger and varied range of collaborators, such as Julieta Venegas, Rauw Alejandro, Young Miko, The Marias, Kany García, Feid and more.
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In the songs realm, Data was preceded by only one song, the No. 2-peaking “Lo Siente Bebe :/” with Bad Bunny and Julieta Venegas (October 2021). Data also brings in three new recruits on the multimetric Hot Latin Songs, including one top 10: “Mojabi Ghost” with Bad Bunny debuts at No. 2, “Pasiempre” with Arcángel and Jhayco featuring Myke Towers at No. 28, and “La Baby” with Daddy Yankee and Feid featuring Sech at No. 47.
About the tracks Tainy concludes: “Each song represents me and my career in different ways, from artist and sounds that inspired me in the beginning to the new genres I’ve grown to love and artists that nowadays inspire me in a new way. Tough to choose just one.”
Beyond its No. 2 rise on Top Latin Albums, Data concurrently soars 19-1 on Latin Rhythm Albums, and debuts at No. 11 on the all-genre Billboard 200.
It’s unlikely to be a Swift Sweep, though Taylor Swift is on track to land three singles in the U.K. top 10. With Swift’s Speak Now (Taylor’s Version) crushing the midweek U.K. albums chart, a trio of her singles are well-placed at the halfway stage. Based on sales and streaming data published by the Official […]
Taylor Swift is in complete control of the U.K. chart race with Speak Now (Taylor’s Version), the third instalment of her “Version” LPs.
Based on midweek sales and streaming data captured by the Official Charts Company, Speak Now (Taylor’s Version) has already accumulated 48,0000 combined units (sales and streams), to lead the Official Chart Update.
It’s highly unlikely Swift can be caught. The new set, a rerecording of her third album, 2010’s Speak Now, is outselling the rest of the top 10 combined, the OCC reports.
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Should it hold its spot when the chart proper is published, Swift would nab a tenth consecutive U.K. No. 1. That feat stretches over a little more than a decade, and would extend Swift’s lead as the female solo artist with the second most No. 1 albums in U.K. chart history, behind only Madonna, with 12.
Swift’s chart domination is especially impressive when considering her U.K. leg of The Eras Tour is booked for almost a year from now. Anticipation is sky-high for her live shows in Australia, where Swift currently locks up the entire top five on the ARIA Chart, a never-seen-before phenomenon.
Coming in at a distant No. 2 on the U.K. chart blast is Wham’s retrospective The Singles: Echoes From The Edge of Heaven, which benefits from the debut of the ‘80s pop duo’s Netflix documentary. Echoes should give Wham, comprised of the late George Michael with Andrew Ridgeley, their sixth top 10 album as a duo.
Completing the podium at the midweek stage is California soul trio Gabriels’ debut set Angels & Queens, new at No. 3, while iconic British singer and songwriter PJ Harvey’s I Inside The Old Year Dying is on course to become her first top 10 in seven years (the last was The Hope Six Demolition Project, which summited in 2016). Dying is new at No. 4 on the midweek survey.
Also eying top 10 berths are D-Block Europe’s fresh mixtape DBE World, at No.7, and the Pigeon Detectives’ TV Show, at No. 10, for what could become the alternative rock band their first top 10 showing since 2008.
All will be revealed when the Official U.K. Albums Chart is published Friday (July 14).
Taylor Swift’s “Cruel Summer,” now being promoted as her new single after it was released on her 2019 album Lover, jumps from No. 13 to No. 7 on the Billboard Hot 100 chart (dated July 15). The song becomes her 41st top 10 – extending her record for the most among women. The track, which […]
As Billboard reported on Monday (July 10), Lil Uzi Vert’s Pink Tape enters the Billboard 200 at No. 1 in the issue dated July 15. That’s the latest in the calendar year we’ve had to wait to see a rap album at No. 1 since 1993, when Cypress Hill’s Black Sunday rang the bell on Aug. 7.
In every other year since 1989, the first album to reach No. 1 did so in the first half of the year.
Beastie Boys’ Licensed to Ill was the first rap album to top the Billboard 200, reaching No. 1 on March 7, 1987. No rap albums reached No. 1 in 1988, the last year that that has been the case.
2Pac had the year’s first rap album to reach No. 1 four times, more than any other rapper. He had the first rap album to reach No. 1 in 1995 and 1996, while he was still living, and in 2001 and 2005, after his death. The rapper was killed in a drive-by shooting in September 1996 at the age of 25.
DMX had the first rap album to reach No. 1 three times – in 1998, 1999 and 2000. He’s the only rapper to have the year’s first rap album to reach No. 1 in three consecutive years. The rapper died in April 2021 at age 50.
Rick Ross and Nicki Minaj each had the first rap album to reach No. 1 twice. Ross scored in 2008 and 2009; Minaj in 2011 and 2012. Minaj is the only female artist to have the first No. 1 rap album of a year.
One soundtrack was the first rap album to hit No. 1 in a calendar year. That was Gridlock’d (1997), which featured such stars as 2Pac and Snoop Doggy Dogg (as he was then billed).
One supergroup collective has had the first No. 1 rap album of the year. That happened in 2020 when Jackboys achieved the feat. The group comprised Travis Scott, Sheck Wes, Don Toliver and Chase B.
Five times, a rap album was the first album to top the Billboard 200 in a calendar year. Once, this was true in back-to-back years. The first album to reach No. 1 in 2018 was Eminem’s Revival. The first to achieve the feat in 2019 was 21 Savage’s I Am > I Was.
Here’s a complete list of the first rap albums to reach No. 1 in each calendar year:
1987: Beastie Boys, Licensed to Ill (March 7)
1988: none
1989: Tone Lōc, Lōc-ed After Dark (April 15)
1990: MC Hammer, Please Hammer, Don’t Hurt ’Em (June 9)
1991: Vanilla Ice, To the Extreme (Jan. 5)
1992: Kris Kross, Totally Krossed Out (May 23)
1993: Cypress Hill, Black Sunday (Aug. 7)
1994: Snoop Doggy Dogg: Doggystyle (Jan. 15)
1995: 2Pac, Me Against the World (April 1)
1996: 2Pac, All Eyez on Me (March 2)
1997: Soundtrack, Gridlock’d (Feb. 15)
1998: DMX, It’s Dark and Hell Is Hot (June 6)
1999: DMX, Flesh of My Flesh, Blood of My Blood (Jan. 9)
2000: DMX, …And Then There Was X (Jan. 8)
2001: 2Pac, Until the End of Time (April 14)
2002: Big Tymers, Hood Rich (May 18)
2003: 50 Cent, Get Rich or Die Tryin’ (Feb. 22)
2004: OutKast, Speakerboxxx/The Love Below (Jan. 10)
2005: 2Pac, Loyal to the Game (Jan. 1)
2006: Juvenile, Reality Check (March 25)
2007: Nas, Hip Hop Is Dead (Jan. 6)
2008: Rick Ross, Trilla (March 29)
2009: Rick Ross, Deeper Than Rap (May 9)
2010: Ludacris, Battle of the Sexes (March 27)
2011: Nicki Minaj, Pink Friday (Feb. 19)
2012: Nicki Minaj, Pink Friday: Roman Reloaded (April 21)
2013: ASAP Rocky, Long.Live.ASAP (Feb. 2)
2014: Schoolboy Q, Oxymoron (March 15)
2015: Drake, If You’re Reading This It’s Too Late (Feb. 28)
2016: Future, Evol (Feb. 27)
2017: Migos, Culture (Feb. 18)
2018: Eminem, Revival (Jan. 3)
2019: 21 Savage, I Am > I Was (Jan. 5)
2020: Jackboys, Jackboys (Jan. 11)
2021: Playboi Carti, Whole Lotta Red (Jan. 9)
2022: Gunna, DS4Ever (Jan. 22)
2023: Lil Uzi Vert, Pink Tape (July 15)
Lil Uzi Vert’s Pink Tape debuts at No. 1 on the Billboard 200 albums chart (dated July 15), earning 167,000 equivalent album units in the U.S. in the week ending July 6, according to Luminate. It’s the rapper’s third chart-topper and launches with the year’s third-largest debut, by units earned, and the biggest week of the year for any rap or R&B/hip-hop album.
Further, Pink Tape brings a rap album to No. 1 on the Billboard 200 for the first time in 2023, marking the longest wait in a calendar year for rap set to lead the list since 1993. That year, the chart didn’t see a rap set top the tally until Cypress Hill’s Black Sunday opened at No. 1 on the Aug. 7, 1993-dated chart (two years before Uzi was born on July 31, 1995).
The last rap album to lead the Billboard 200 prior to Pink Tape was Metro Boomin’s Heroes & Villains, which spent one week atop the chart dated Dec. 17, 2022. The 29-week gap between Metro and Uzi is the longest the Billboard 200 has gone without a rap album at No. 1 since 1992-93, when 34 weeks separated Ice Cube’s The Predator (one week at No. 1, Dec. 5, 1992, chart) and Cypress Hill’s first of two weeks at No. 1 with Black Sunday (Aug. 7, 1993).
Between Heroes & Villains and Pink Tape were six different No. 1s: SZA’s SOS notched 10 nonconsecutive weeks atop the list, Morgan Wallen’s One Thing at a Time logged 15 nonconsecutive frames, and four albums each led for one week during that span – TOMORROW X TOGETHER’s The Name Chapter: Temptation, Karol G’s Mañana Será Bonito, Taylor Swift’s Midnights and Stray Kids’ 5-STAR.
Also in the new top 10 of the Billboard 200, aespa notches its second top 10-charting set as third mini album MY WORLD bows at No. 9, and Rylo Rodriguez scores his first top 10 with the No. 10 bow of Been One.
The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multimetric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new July 15, 2023-dated chart will be posted in full on Billboard‘s website on July 11. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.
Of Pink Tape’s 167,000 equivalent album units earned in the week ending July 6, SEA units comprise 154,000 (equaling 210.39 million on-demand official streams of the set’s 26 songs – the largest streaming week of 2023 for any rap or R&B/hip-hop title), album sales comprise 11,000 and TEA units comprise 2,000.
Lil Uzi Vert announced Pink Tape’s June 30 release just four days earlier, on June 26.
Uzi previously hit No. 1 on the Billboard 200 with Eternal Atake in 2020 and Luv Is Rage 2 in 2017. The rapper hit the top 10 with Pluto x Baby Pluto, a No. 2-peaking collaborative set with Future in 2020.
Back on the new Billboard 200, Wallen’s One Thing at a Time falls to No. 2 with 110,000 equivalent album units earned (down less than 1%) after 15 nonconsecutive weeks atop the list – the most weeks at No. 1 since Adele’s 21 logged 24 nonconsecutive weeks at No. 1 in 2011-12. One Thing at a Time has earned in excess of 100,000 equivalent album units in all 18 of its chart weeks. It extends its own record as the album with the most weeks of 100,000-plus units since the Billboard 200 began ranking titles by units in December of 2014.
Peso Pluma’s Génesis holds at No. 3 on the Billboard 200 in its second week with 68,000 units (down 7%), Swift’s Midnights is also a non-mover at No. 4 with 54,000 (down 5%), Wallen’s former No. 1 Dangerous: The Double Album climbs 7-5 with 48,000 (up 2%), SZA’s SOS rises 8-6 with 44,000 units (down 6%) and Gunna’s A Gift & a Curse falls 5-7 with nearly 44,000 (down 20%)
Swift’s chart-topping Lover climbs 9-8 on the latest Billboard 200 with 43,000 equivalent album units earned (up 1%). Swift’s most recent album release, Speak Now (Taylor’s Version), a re-recorded edition of her 2010 No. 1 album Speak Now, bowed on Friday, July 7. If Speak Now (Taylor’s Version) premieres at No. 1 on the Billboard 200 chart dated July 22, it would mark Swift’s 12th No. 1 – surpassing Barbra Streisand for the most No. 1s among women. All 11 of Swift’s full-length studio albums and re-recorded projects from 2008’s Fearless through 2022’s Midnights have debuted at No. 1. Speak Now (Taylor’s Version) is Swift’s third re-recorded project, following Red (Taylor’s Version) and Fearless (Taylor’s Version), both in 2021.
Aespa’s MY WORLD debuts at No. 9 with 40,000 equivalent album units, marking the second top 10-charting set for the Korean group. Of that sum, album sales comprise 39,000 (making the set the top-selling album of the week), SEA units comprise 1,000 (equaling 1.33 million on-demand official streams of the set’s six tracks) and TEA units comprise a negligible sum.
MY WORLD was initially released in the U.S. via retail download and streaming services on May 5, but did not chart on the Billboard 200 until now, following its CD release on June 30.
Like many K-pop releases, the CD edition of MY WORLD was issued in collectible CD packages (more than 16, including exclusive editions for Amazon, Barnes & Noble, Target, Walmart and the act’s webstore), each containing a standard set of branded merchandise items and randomized branded elements (such as photo cards, posters and stickers). Effectively all of the album’s sales in the week ending July 6 were on the CD format, with a negligible sum generated by digital download album purchases. The set was not released on any other retail format (cassette, vinyl, etc.).
Rapper Rylo Rodriguez closes out the top 10 with his first top 10-charting set, as Been One debuts at No. 10 with 35,000 equivalent album units earned. SEA units comprise effectively all of that sum, equaling 47.93 million on-demand official streams of the set’s 19 songs. (Album sales and TEA units combine total a negligible sum.) Been One is the artist’s second charting effort, following the No. 37-peaking G.I.H.F. (Goat in Human Form) in 2020.
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
Olivia Rodrigo’s “Vampire” blasts in at No. 1 on both the Billboard Global 200 and Billboard Global Excl. U.S. charts (dated July 15).
The song introduces Rodrigo’s sophomore album Guts, due Sept. 8.
Plus, Taylor Swift’s “Cruel Summer” surges from No. 9 to No. 3 on the Global 200 and hits the Global Excl. U.S. top 10, jumping 14-7. The song was originally released on her 2019 album, Lover, and is now being promoted as her newest single.
The Billboard Global 200 and Billboard Global Excl. U.S. charts, which started in September 2020, rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Global 200 is inclusive of worldwide data and the Global Excl. U.S. chart comprises data from territories excluding the United States.
Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.
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Tale of the Crypt: ‘Vampire’ No. 1 on Global 200
Olivia Rodrigo’s “Vampire” launches at No. 1 on the Billboard Global 200, as it drew 86.3 million streams and sold 13,000 downloads worldwide from its release June 30 through July 6.
The song is Rodrigo’s third Global 200 leader, following “Drivers License” (eight weeks on top) and “Good 4 U” (six) in 2021, both of which also debuted at No. 1.
Rodrigo becomes the first woman with as many as three No. 1s since the Global 200 began in 2020, and overall joins only BTS (seven) and Bad Bunny (three) with at least that high a total. (Justin Bieber, BLACKPINK, Drake and Taylor Swift each boast two No. 1s.)
Rodrigo is also the first woman with three No. 1 debuts on the Global 200. Overall, only BTS (five) has more.
Miley Cyrus’ “Flowers” descends to No. 2 on the Global 200, after 13 nonconsecutive weeks at No. 1 beginning upon its debut in January; Swift’s “Cruel Summer” charges 9-3, up 16% to 44.1 million streams and 4% to 5,000 sold worldwide; Eslabon Armado and Peso Pluma’s “Ella Baila Sola” dips 3-4, after six weeks at No. 1 starting in April; and Yng Lvcas and Peso Pluma’s “La Bebe” falls to No. 5 from its No. 2 high.
Rodrigo Also New Atop Global Excl. U.S.
Olivia Rodrigo’s “Vampire” likewise premieres at No. 1 on the Billboard Global Excl. U.S. chart, with 51.5 million streams and 4,000 sold outside the U.S. June 30-July 6.
The song is Rodrigo’s second Global Excl. U.S. leader, after “Drivers License” dominated for nine weeks in 2021. She ties Swift for the most No. 1s among women since the chart originated in 2020.
YOASOBI’s “Idol” recedes to No. 2 on the Global Excl. U.S. chart, following three nonconsecutive weeks at No. 1 beginning in June; Miley Cyrus’ “Flowers” slides 2-3, after 13 weeks at No. 1 starting in January (as it tied Harry Styles’ “As It Was” for the chart’s longest command); Fifty Fifty’s “Cupid” keeps at No. 4 after two weeks on top beginning in May; and Yng Lvcas and Peso Pluma’s “La Bebe” drops 3-5 after hitting No. 2.
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Elsewhere in the Global Excl. U.S. top 10, Swift’s “Cruel Summer” flies 14-7, with 29.7 million streams and 1,000 sold (up 19% in both metrics) outside the U.S. Released on Swift’s 2019 album Lover, and now being promoted as her newest single, the song becomes her 11th Global Excl. U.S. top 10, the most among women and tied for second with BTS among all acts, after Bad Bunny’s 14.
“Cruel Summer” has been gaining momentum in recent weeks, as Swift has been performing it on her current Eras Tour, her first in which she’s been able to spotlight songs from Lover, which was released shortly before the onset of the COVID-19 pandemic. Each concert on the tour is divided into 10 acts, encompassing nine of her LPs; the Lover era kicks off the show, with “Cruel Summer” performed in the opening set.
The Billboard Global 200 and Billboard Global Excl. U.S. charts (dated July 15, 2023) will update on Billboard.com Tuesday (July 11). For both charts, the top 100 titles are available to all readers on Billboard.com, while the complete 200-title rankings are visible on Billboard Pro, Billboard’s subscription-based service. For all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram.
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
There’s new blood atop the Billboard Hot 100 songs chart, as Olivia Rodrigo’s “Vampire” debuts at No. 1. Rodrigo slays with her third leader, following “Drivers License” and “Good 4 U” in 2021, both of which also launched at No. 1.
With “Vampire” serving as the lead single from Rodrigo’s sophomore album Guts, due Sept. 8, after “Drivers License” introduced her first LP, Sour, she is the first artist ever to debut the lead singles from two career-opening albums at No. 1 on the Hot 100.
Plus, two songs ascend for their first week each in the Hot 100’s top 10: Taylor Swift’s “Cruel Summer,” now being promoted as her new single after it was released on her 2019 album, Lover, jumps 13-7 to becomes her 41st top 10 – extending her record among women – and Gunna’s “Fukumean” pushes 12-8, marking his fourth top 10.
The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts (dated July 15, 2023) will update on Billboard.com Tuesday (July 11). For all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram.
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Streams, airplay & sales: Rodrigo’s “Vampire,” released on Geffen/Interscope Records, drew 35.5 million streams and 26.3 million radio airplay audience impressions (aided by an FCC-friendly radio edit) and sold 26,000 (17,000 sales combined on 7” vinyl, sold for $10, and CD, for $3.50; and 9,000 digital downloads) in its first week, ending July 6, according to Luminate, following its June 30 release.
The song is the 1,150th No. 1 since the Hot 100 began in August 1958, and the 67th to soar in at the summit.
The track likewise debuts at No. 1 on the Streaming Songs chart, No. 2 on Digital Song Sales (as it’s the overall top-selling song of the week, downloads and physical copies combined) and No. 22 on Radio Songs. (It starts at No. 17 on Pop Airplay and No. 22 on Adult Pop Airplay.)
“We always said that it was kind of our version of a rock opera,” Rodrigo told Billboard of “Vampire,” which she wrote with her main collaborator Dan Nigro, who solely produced it. “I think as the album was coming together, we were coming up with a bunch of songs that we really liked, but this one always stuck out to me as something that I felt like was honoring my singer-songwriter roots, but felt like an evolution – in a good way that wasn’t too stark. So, I really liked it for that, and it was always one of my favorites.”
Rodrigo’s 3rd No. 1: “Vampire” is Rodrigo’s third Hot 100 No. 1. “Drivers License” dominated for eight weeks, starting upon its debut in January 2021, and “Good 4 U” ruled for a week in its first frame in May 2021. “Vampire” is her fifth top 10, as her debut album Sour also generated “Deja Vu” (No. 3 peak) and “Traitor” (No. 9). All 11 songs from Sour reached the Hot 100’s top 30.
Leader for lead singles: With “Vampire” the lead single from Rodrigo’s sophomore album Guts, expected Sept. 8, after “Drivers License” ushered in Sour, she is the first artist ever to debut the lead single from two career-opening albums at No. 1 on the Hot 100.
‘V’ is for victory: “Vampire” is just the seventh song that begins with the letter “v” to top the Hot 100.
Here the songs that have made such vaunted vaults:
“Vampire,” Olivia Rodrigo, 2023
“Viva La Vida,” Coldplay, 2008
“Vision of Love,” Mariah Carey, 1990
“Vogue,” Madonna, 1990
“Venus,” Bananarama, 1986
“Venus,” The Shocking Blue, 1970
“Venus,” Frankie Avalon, 1959
(Strange, but it’s the tooth: Rodrigo has the first Hot 100 hit with the word “vampire” in its title.)
Y is for Y2K: Rodrigo was born Feb. 20, 2003. She is the only artist born in the 2000s with multiple Hot 100 No. 1s.
The other acts born since 2000 to have led the Hot 100: Billie Eilish (“Bad Guy,” 2019); Jawsh 865 (“Savage Love [Laxed – Siren Beat]” with Jason Derulo and BTS, 2020); 24kGoldn (“Mood” featuring Iann Dior, 2020); and The Kid LAROI (“Stay” with Justin Bieber, 2021).
“I think the most change I’ve felt was just as a girl, growing up and changing from being a teenager to a 20-year-old,” Rodrigo mused to Billboard of her evolution over the last two years. “All of the maturing and figuring yourself out, that’s just on a normal human-to-human level – I think that was the most surprising thing for me.”
Morgan Wallen’s “Last Night” dips to No. 2 on the Hot 100 following 13 weeks at No. 1, the second-longest command this decade, after Harry Styles’ “As It Was” (15 weeks, 2022). “Last Night” spent the last 10 consecutive weeks at No. 1, the best streak since Roddy Ricch’s “The Box” linked 11 weeks on top all in a row in January-March 2020.
“Last Night” drew 74.5 million in radio reach and 29.8 million streams and sold 8,000 June 30-July 6.
“Last Night” tops Billboard’s Hot Country Songs chart, which employs the same multimetric methodology as the Hot 100, for a 22nd week, the sixth-longest rule since the chart became an all-encompassing genre reflection in 1958; Bebe Rexha and Florida Georgia Line’s “Meant to Be” spent a record 50 frames at No. 1 in 2017-18.
Plus, “Last Night” adds a sixth week atop Billboard’s Songs of the Summer chart, having ranked at No. 1 each week since the survey returned.
Luke Combs’ cover of Tracy Chapman’s “Fast Car” reverses course to No. 3 from its No. 2 Hot 100 high.
Rema and Selena Gomez’s “Calm Down” slips to No. 4 from its No. 3 Hot 100 best as it spends a third week atop Radio Songs (92 million, up 2%). The collab concurrently tops the Billboard U.S. Afrobeats Songs chart for a 45th week, extending the longest reign since the ranking began over a year ago (in partnership with music festival and global brand Afro Nation).
Miley Cyrus’ “Flowers” retreats 4-5 on the Hot 100, after eight weeks at No. 1 beginning upon its debut in January, and Lil Durk’s “All My Life” featuring J. Cole descends 5-6, after it started at its No. 2 peak, as it tops the multimetric Hot R&B/Hip-Hop Songs and Hot Rap Songs charts for a seventh week each.
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Taylor Swift’s “Cruel Summer” bounds 13-7 on the Hot 100, with 30.3 million in all-format airplay audience (up 35%), 14.9 million streams (up 11%) and 3,000 sold (essentially even week-over-week).
The song was released on Swift’s 2019 album Lover and is now being promoted as her newest single. It has been gaining momentum in recent weeks, as Swift has been performing it on her current Eras Tour, her first in which she’s been able to spotlight songs from Lover, which was released shortly before the onset of the COVID-19 pandemic. Each concert on the tour is divided into 10 acts, encompassing nine of her LPs; the Lover era kicks off the show, with “Cruel Summer” performed in the opening set.
Nearly four years after Lover’s release, “Cruel Summer” becomes the set’s fourth Hot 100 top 10, joining lead single “Me!” featuring Brendon Urie (No. 2 peak); “You Need to Calm Down” (also No. 2); and the title track (No. 10), all in 2019.
“Cruel Summer” is Swift’s 41st career Hot 100 top 10, the second-most among all acts and the most among women.
Most Hot 100 Top 10s:
68, Drake
41, Taylor Swift
38, Madonna
34, The Beatles
32, Rihanna
30, Michael Jackson
29, Elton John
28, Mariah Carey
28, Stevie Wonder
27, Janet Jackson
26, Justin Bieber
25, Lil Wayne
25, Elvis Presley (whose career start predated the Hot 100’s inception)
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Gunna’s “Fukumean” charges 12-8 on the Hot 100, driven most heavily by 20.2 million streams, up 12% and boosted by the July 5 premiere of its official video.
The song is the rapper’s fourth Hot 100 top 10, following “Pushin P” with Future and featuring Young Thug (No. 7, January 2022); “Lemonade” with Internet Money and featuring Don Toliver and NAV (No. 6, November 2020); and “Drip Too Hard” with Lil Baby (No. 4, October 2018).
Swift’s “Karma,” featuring Ice Spice, slips 8-9 on the Hot 100, after it soared to its No. 2 high in June following the release of its remix with Ice Spice.
Rounding out the Hot 100’s top 10, Toosii’s “Favorite Song” falls 6-10, after it hit No. 5.
Again, for all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram and all charts (dated July 15), including the Hot 100 in its entirety, will refresh on Billboard.com Wednesday (July 11).
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
Olivia Rodrigo’s “Vampire” (via Geffen) sinks its fangs into the U.K. singles chart.
Arriving at No. 2, the pop-rock number becomes Rodrigo’s fifth U.K. top 10 appearance, a collection that includes two leaders.
When Rodrigo announced her arrival to the pop music world with 2021’s Sour, she set a stack of records. With the release of “Good 4 U,” Rodrigo became, at 18 years and three months, the youngest solo artist in history to snag the Official U.K. Chart double.
The Grammy Award winner’s debut also broke the U.K. record for most first-week streams ever for a debut album, and she’s the first female solo artist to score three simultaneous U.K. top 5 singles with “Good 4 U,” “Deja Vu” and “Traitor” (Rodrigo’s “Drivers License” also led the survey).
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“Vampire” blasts to No. 1 in Australia and is the first release from Rodrigo’s sophomore album Guts, due out Sept. 8. Its predecessor, Sour, spent five weeks at No. 1 in the U.K.
After a tight chart race, the Official Charts Company reports, Dave and Central Cee’s “Sprinter” (Live Yours/Neighbourhood) finds the legs to outpace “Vampire” for its fifth consecutive title.
“Sprinter” accumulates a market-leading 8 million-plus streams, according to the OCC. Completing the top 3 is J Hus and Drake’s “Who Told You” (Black Butter/OVO/Republic), down 2-3.
Taylor Swift’s “Cruel Summer” (EMI) continues to heat up on the U.K. chart, four years after its initial release. The Lover album track cracks the U.K. top 10 for the first time, rising 12-6. It’s the 22nd U.K. top 10 for Swift, who will return to these parts in June 2024 when her The Eras Tour passes through.
Meanwhile, DJ Peggy Gou’s dance number “(It Goes Like) Nanana” (XL Recordings) continues to climb, up 9-7, while D-Block Europe and Clavish’s collaboration “Pakistan” bolts to a top 10 start. “Pakistan” debuts at No. 10, the third top 10 appearance for D-Block and Clavish’s second.
Nothing But Thieves swipe the U.K. chart title for the first time as Dead Club City bows at No. 1.
Formed in Essex, England, the five-piece indie-rock band enjoyed top 10 appearances with each of their previous three albums: 2015’s self-titled debut (peaking at No. 7), 2017’s Broken Machine (No. 2) and 2020’s Moral Panic (No. 3).
“How’s this happened then?!,” reads a message on the band’s socials. “It’s a synth based concept record with too many guitar solos. This is all to say that despite our best efforts of self sabotage, it’s only gone and got Number 1. It can still happen.”
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Completing the podium on the Official U.K. Albums Chart, published July 7, is Elton John’s hits collection Diamonds (Universal/UMC), which holds at No. 2 as the pop veteran winds-up his record-setting final tour; and the Weeknd’s The Highlights (Republic Records/XO), up 6-3.
Further down the list, London singer and songwriter Olivia Dean blasts to No. 4 with Messy, her full-length debut LP.
Also arriving in the top 10 is Lil Uzi Vert’s Pink Tape, new at No. 7. That’s the second top 10 for the U.S. rapper, singer and songwriter, after 2020’s Eternal Atake peaked at No. 3. Lil Uzi Vert also impacted the U.K. chart with 2017’s Luv Is Rage 2 (No. 14), and Pluto x Baby Pluto (No. 39), his 2020 collaborative release with Future.
Meanwhile, Fontaines D.C. frontman Grian Chatten bags a debut solo top 10 appearance with Chaos For The Fly (Partisan). The best-seller this week on wax, Chaos For The Fly takes off at No. 10.
Olivia Rodrigo is back with “Vampire,” and her fans can’t get enough of the U.S. pop star. Rodrigo’s chart-topping debut album from 2021, Sour (Geffen), blasts 32-16 in its 110th week on the tally.
Finally, Madonna enjoys a “get well soon” message from her U.K. fans as Finally Enough Love (Rhino) rises on the chart. The Queen of Pop’s 2022 hits collection reenters the chart at No. 27 following the release of six-LP “Rainbow Edition” boxset.
The American pop legend recently spent several days in the ICU after she developed a serious bacterial infection, a development that pressed pause on her massive, career-spanning Celebration tour. Finally Enough Love originally peaked at No. 3 in the U.K. following its release in 2022.