Chart Beat
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There’s new blood atop the Billboard Hot 100 songs chart, as Olivia Rodrigo’s “Vampire” debuts at No. 1. Rodrigo slays with her third leader, following “Drivers License” and “Good 4 U” in 2021, both of which also launched at No. 1.
With “Vampire” serving as the lead single from Rodrigo’s sophomore album Guts, due Sept. 8, after “Drivers License” introduced her first LP, Sour, she is the first artist ever to debut the lead singles from two career-opening albums at No. 1 on the Hot 100.
Plus, two songs ascend for their first week each in the Hot 100’s top 10: Taylor Swift’s “Cruel Summer,” now being promoted as her new single after it was released on her 2019 album, Lover, jumps 13-7 to becomes her 41st top 10 – extending her record among women – and Gunna’s “Fukumean” pushes 12-8, marking his fourth top 10.
The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts (dated July 15, 2023) will update on Billboard.com Tuesday (July 11). For all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram.
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Streams, airplay & sales: Rodrigo’s “Vampire,” released on Geffen/Interscope Records, drew 35.5 million streams and 26.3 million radio airplay audience impressions (aided by an FCC-friendly radio edit) and sold 26,000 (17,000 sales combined on 7” vinyl, sold for $10, and CD, for $3.50; and 9,000 digital downloads) in its first week, ending July 6, according to Luminate, following its June 30 release.
The song is the 1,150th No. 1 since the Hot 100 began in August 1958, and the 67th to soar in at the summit.
The track likewise debuts at No. 1 on the Streaming Songs chart, No. 2 on Digital Song Sales (as it’s the overall top-selling song of the week, downloads and physical copies combined) and No. 22 on Radio Songs. (It starts at No. 17 on Pop Airplay and No. 22 on Adult Pop Airplay.)
“We always said that it was kind of our version of a rock opera,” Rodrigo told Billboard of “Vampire,” which she wrote with her main collaborator Dan Nigro, who solely produced it. “I think as the album was coming together, we were coming up with a bunch of songs that we really liked, but this one always stuck out to me as something that I felt like was honoring my singer-songwriter roots, but felt like an evolution – in a good way that wasn’t too stark. So, I really liked it for that, and it was always one of my favorites.”
Rodrigo’s 3rd No. 1: “Vampire” is Rodrigo’s third Hot 100 No. 1. “Drivers License” dominated for eight weeks, starting upon its debut in January 2021, and “Good 4 U” ruled for a week in its first frame in May 2021. “Vampire” is her fifth top 10, as her debut album Sour also generated “Deja Vu” (No. 3 peak) and “Traitor” (No. 9). All 11 songs from Sour reached the Hot 100’s top 30.
Leader for lead singles: With “Vampire” the lead single from Rodrigo’s sophomore album Guts, expected Sept. 8, after “Drivers License” ushered in Sour, she is the first artist ever to debut the lead single from two career-opening albums at No. 1 on the Hot 100.
‘V’ is for victory: “Vampire” is just the seventh song that begins with the letter “v” to top the Hot 100.
Here the songs that have made such vaunted vaults:
“Vampire,” Olivia Rodrigo, 2023
“Viva La Vida,” Coldplay, 2008
“Vision of Love,” Mariah Carey, 1990
“Vogue,” Madonna, 1990
“Venus,” Bananarama, 1986
“Venus,” The Shocking Blue, 1970
“Venus,” Frankie Avalon, 1959
(Strange, but it’s the tooth: Rodrigo has the first Hot 100 hit with the word “vampire” in its title.)
Y is for Y2K: Rodrigo was born Feb. 20, 2003. She is the only artist born in the 2000s with multiple Hot 100 No. 1s.
The other acts born since 2000 to have led the Hot 100: Billie Eilish (“Bad Guy,” 2019); Jawsh 865 (“Savage Love [Laxed – Siren Beat]” with Jason Derulo and BTS, 2020); 24kGoldn (“Mood” featuring Iann Dior, 2020); and The Kid LAROI (“Stay” with Justin Bieber, 2021).
“I think the most change I’ve felt was just as a girl, growing up and changing from being a teenager to a 20-year-old,” Rodrigo mused to Billboard of her evolution over the last two years. “All of the maturing and figuring yourself out, that’s just on a normal human-to-human level – I think that was the most surprising thing for me.”
Morgan Wallen’s “Last Night” dips to No. 2 on the Hot 100 following 13 weeks at No. 1, the second-longest command this decade, after Harry Styles’ “As It Was” (15 weeks, 2022). “Last Night” spent the last 10 consecutive weeks at No. 1, the best streak since Roddy Ricch’s “The Box” linked 11 weeks on top all in a row in January-March 2020.
“Last Night” drew 74.5 million in radio reach and 29.8 million streams and sold 8,000 June 30-July 6.
“Last Night” tops Billboard’s Hot Country Songs chart, which employs the same multimetric methodology as the Hot 100, for a 22nd week, the sixth-longest rule since the chart became an all-encompassing genre reflection in 1958; Bebe Rexha and Florida Georgia Line’s “Meant to Be” spent a record 50 frames at No. 1 in 2017-18.
Plus, “Last Night” adds a sixth week atop Billboard’s Songs of the Summer chart, having ranked at No. 1 each week since the survey returned.
Luke Combs’ cover of Tracy Chapman’s “Fast Car” reverses course to No. 3 from its No. 2 Hot 100 high.
Rema and Selena Gomez’s “Calm Down” slips to No. 4 from its No. 3 Hot 100 best as it spends a third week atop Radio Songs (92 million, up 2%). The collab concurrently tops the Billboard U.S. Afrobeats Songs chart for a 45th week, extending the longest reign since the ranking began over a year ago (in partnership with music festival and global brand Afro Nation).
Miley Cyrus’ “Flowers” retreats 4-5 on the Hot 100, after eight weeks at No. 1 beginning upon its debut in January, and Lil Durk’s “All My Life” featuring J. Cole descends 5-6, after it started at its No. 2 peak, as it tops the multimetric Hot R&B/Hip-Hop Songs and Hot Rap Songs charts for a seventh week each.
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Taylor Swift’s “Cruel Summer” bounds 13-7 on the Hot 100, with 30.3 million in all-format airplay audience (up 35%), 14.9 million streams (up 11%) and 3,000 sold (essentially even week-over-week).
The song was released on Swift’s 2019 album Lover and is now being promoted as her newest single. It has been gaining momentum in recent weeks, as Swift has been performing it on her current Eras Tour, her first in which she’s been able to spotlight songs from Lover, which was released shortly before the onset of the COVID-19 pandemic. Each concert on the tour is divided into 10 acts, encompassing nine of her LPs; the Lover era kicks off the show, with “Cruel Summer” performed in the opening set.
Nearly four years after Lover’s release, “Cruel Summer” becomes the set’s fourth Hot 100 top 10, joining lead single “Me!” featuring Brendon Urie (No. 2 peak); “You Need to Calm Down” (also No. 2); and the title track (No. 10), all in 2019.
“Cruel Summer” is Swift’s 41st career Hot 100 top 10, the second-most among all acts and the most among women.
Most Hot 100 Top 10s:
68, Drake
41, Taylor Swift
38, Madonna
34, The Beatles
32, Rihanna
30, Michael Jackson
29, Elton John
28, Mariah Carey
28, Stevie Wonder
27, Janet Jackson
26, Justin Bieber
25, Lil Wayne
25, Elvis Presley (whose career start predated the Hot 100’s inception)
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Gunna’s “Fukumean” charges 12-8 on the Hot 100, driven most heavily by 20.2 million streams, up 12% and boosted by the July 5 premiere of its official video.
The song is the rapper’s fourth Hot 100 top 10, following “Pushin P” with Future and featuring Young Thug (No. 7, January 2022); “Lemonade” with Internet Money and featuring Don Toliver and NAV (No. 6, November 2020); and “Drip Too Hard” with Lil Baby (No. 4, October 2018).
Swift’s “Karma,” featuring Ice Spice, slips 8-9 on the Hot 100, after it soared to its No. 2 high in June following the release of its remix with Ice Spice.
Rounding out the Hot 100’s top 10, Toosii’s “Favorite Song” falls 6-10, after it hit No. 5.
Again, for all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram and all charts (dated July 15), including the Hot 100 in its entirety, will refresh on Billboard.com Wednesday (July 11).
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
Olivia Rodrigo’s “Vampire” (via Geffen) sinks its fangs into the U.K. singles chart.
Arriving at No. 2, the pop-rock number becomes Rodrigo’s fifth U.K. top 10 appearance, a collection that includes two leaders.
When Rodrigo announced her arrival to the pop music world with 2021’s Sour, she set a stack of records. With the release of “Good 4 U,” Rodrigo became, at 18 years and three months, the youngest solo artist in history to snag the Official U.K. Chart double.
The Grammy Award winner’s debut also broke the U.K. record for most first-week streams ever for a debut album, and she’s the first female solo artist to score three simultaneous U.K. top 5 singles with “Good 4 U,” “Deja Vu” and “Traitor” (Rodrigo’s “Drivers License” also led the survey).
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“Vampire” blasts to No. 1 in Australia and is the first release from Rodrigo’s sophomore album Guts, due out Sept. 8. Its predecessor, Sour, spent five weeks at No. 1 in the U.K.
After a tight chart race, the Official Charts Company reports, Dave and Central Cee’s “Sprinter” (Live Yours/Neighbourhood) finds the legs to outpace “Vampire” for its fifth consecutive title.
“Sprinter” accumulates a market-leading 8 million-plus streams, according to the OCC. Completing the top 3 is J Hus and Drake’s “Who Told You” (Black Butter/OVO/Republic), down 2-3.
Taylor Swift’s “Cruel Summer” (EMI) continues to heat up on the U.K. chart, four years after its initial release. The Lover album track cracks the U.K. top 10 for the first time, rising 12-6. It’s the 22nd U.K. top 10 for Swift, who will return to these parts in June 2024 when her The Eras Tour passes through.
Meanwhile, DJ Peggy Gou’s dance number “(It Goes Like) Nanana” (XL Recordings) continues to climb, up 9-7, while D-Block Europe and Clavish’s collaboration “Pakistan” bolts to a top 10 start. “Pakistan” debuts at No. 10, the third top 10 appearance for D-Block and Clavish’s second.
Nothing But Thieves swipe the U.K. chart title for the first time as Dead Club City bows at No. 1.
Formed in Essex, England, the five-piece indie-rock band enjoyed top 10 appearances with each of their previous three albums: 2015’s self-titled debut (peaking at No. 7), 2017’s Broken Machine (No. 2) and 2020’s Moral Panic (No. 3).
“How’s this happened then?!,” reads a message on the band’s socials. “It’s a synth based concept record with too many guitar solos. This is all to say that despite our best efforts of self sabotage, it’s only gone and got Number 1. It can still happen.”
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Completing the podium on the Official U.K. Albums Chart, published July 7, is Elton John’s hits collection Diamonds (Universal/UMC), which holds at No. 2 as the pop veteran winds-up his record-setting final tour; and the Weeknd’s The Highlights (Republic Records/XO), up 6-3.
Further down the list, London singer and songwriter Olivia Dean blasts to No. 4 with Messy, her full-length debut LP.
Also arriving in the top 10 is Lil Uzi Vert’s Pink Tape, new at No. 7. That’s the second top 10 for the U.S. rapper, singer and songwriter, after 2020’s Eternal Atake peaked at No. 3. Lil Uzi Vert also impacted the U.K. chart with 2017’s Luv Is Rage 2 (No. 14), and Pluto x Baby Pluto (No. 39), his 2020 collaborative release with Future.
Meanwhile, Fontaines D.C. frontman Grian Chatten bags a debut solo top 10 appearance with Chaos For The Fly (Partisan). The best-seller this week on wax, Chaos For The Fly takes off at No. 10.
Olivia Rodrigo is back with “Vampire,” and her fans can’t get enough of the U.S. pop star. Rodrigo’s chart-topping debut album from 2021, Sour (Geffen), blasts 32-16 in its 110th week on the tally.
Finally, Madonna enjoys a “get well soon” message from her U.K. fans as Finally Enough Love (Rhino) rises on the chart. The Queen of Pop’s 2022 hits collection reenters the chart at No. 27 following the release of six-LP “Rainbow Edition” boxset.
The American pop legend recently spent several days in the ICU after she developed a serious bacterial infection, a development that pressed pause on her massive, career-spanning Celebration tour. Finally Enough Love originally peaked at No. 3 in the U.K. following its release in 2022.
Luke Combs’ cover of Tracy Chapman’s 1988 pop hit “Fast Car” tops Billboard’s Country Airplay chart (dated July 15) for a second week. In the tracking week ending July 6, the song increased by 1% to 33.6 million audience impressions, according to Luminate.
Combs claims his 12th Country Airplay No. 1 to dominate for more than a week, among his 16 leaders.
Plus, for the first time in almost 10 years, five consecutive Country Airplay chart-toppers rule for multiple weeks. The run started with Morgan Wallen’s “Thought You Should Know,” which led for its first of three weeks on the Feb. 25-dated chart, and continued with Combs’ Going, Going, Gone” (two, March 18), Bailey Zimmerman’s “Rock and a Hard Place” (six, April 1), Wallen’s “Last Night” (eight, May 13) and now “Fast Car.”
The last quintuplet of consecutive multi-week Country Airplay leaders occurred in August-October 2013, encompassing five two-week No. 1s each: Randy Houser’s “Runnin’ Outta Moonlight,” Brett Eldredge’s “Don’t Ya,” Keith Urban’s “Little Bit of Everything,” Florida Georgia Line’s “Round Here” and Jason Aldean’s “Night Train.”
“I think we have a couple things happening,” KBAY San Jose, Calif., program director Bo Matthews tells Billboard about the current streak by Combs and Wallen – who have four of the last five Country Airplay No. 1s – and Zimmerman. “The pop music cycle is not strong currently, and clearly country music is the winner. Consumption is higher with country music, and programmers are being smart, playing what their listeners want and embracing new country stars. What a great time to be in country music. We have the rock stars right now.”
“Country music is in such a good place right now,” echoes Cumulus Media vp of programming Charlie Cook. “The passion for the music is high and with tour season in full swing, fans are connecting with the acts and loving the music. Those one-week No. 1s are often [heavily driven by label promotion]. I like seeing songs finding their way to the top of the chart and settling in for more than one week.”
Jelly Roll scores his second No. 1 on Billboard’s Mainstream Rock Airplay chart, as “Need a Favor” rises to the top of the July 15-dated tally. The coronation follows the one-week rule of his “Dead Man Walking” in May 2022. Explore Explore See latest videos, charts and news See latest videos, charts and news Both […]
Fifty Fifty makes history on Billboard’s Pop Airplay chart as “Cupid” rises from No. 13 to No. 10 on the list dated July 15. The group becomes the second from South Korea – and the first all-female group from the country – to reach the survey’s top 10 after BTS, which has notched two top 10s: “Dynamite” hit No. 5 in December 2020 and “Butter” climbed to No. 7 in August 2021.
Before that, among soloists on Pop Airplay, South Korean rapper PSY broke through with the No. 10-peaking “Gangnam Style” in 2012.
The Pop Airplay chart began in October 1992 and reflects airplay, as tabulated by Mediabase and provided to Billboard by Luminate, on over 150 U.S. mainstream top 40 terrestrial and satellite radio stations.
Among the Pop Airplay chart panelists that have played “Cupid” the most to date are Alpha Media-owned KLLY Bakersfield, Calif., and KBFF Portland, Ore.; SiriusXM’s Hits 1 and Venus; and iHeartMedia’s KHKS Dallas.
The song debuted at No. 36 on the May 20-dated Pop Airplay chart, marking Fifty Fifty’s first appearance on the survey, and enters the top 10 in its ninth week on the ranking, reaching the top tier with a 9% gain in weekly plays.
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Fifty Fifty formed in 2022 and consists of members Aran, Keena, Saena and Sio.
“Cupid” scored two weeks at No. 1 on the Billboard Global Excl. U.S. chart in May and June. (The tally ranks songs based on streaming and sales activity culled from more than 200 territories excluding the U.S., as compiled by Luminate.) It has also risen to No. 17, in May, on the U.S.-based multimetric Billboard Hot 100.
Meanwhile, Fifty Fifty’s newest release is “Barbie Dreams” featuring Kaliii. The song, from the soundtrack to the movie Barbie, both due July 21, arrived July 6, and reworks Janet Jackson’s classic “Together Again,” which topped the Billboard Hot 100 for two weeks in 1998.
All charts dated July 15 will update on Billboard.com Tuesday, July 11.
Taylor Swift sweeps into the Australian record books, breaking a chart mark previously owned by the King of Pop, while Olivia Rodrigo nabs her third leader on the national singles survey.
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“Vampire” (via Geffen/Universal) spreads its wings to debut at No. 1 on the ARIA Chart, following the lead of “Drivers Licence” and “Good 4 U,” which both reigned in 2021.
Rodrigo’s debut album from 2021, Sour, also hit No. 1 in Australia, logging a total of eight weeks in the penthouse. With “Vampire” flying high this week, Sour soars 28-15. Rodrigo’s latest hit is the first release from the U.S. pop phenomenon’s sophomore LP Guts, due out Sept. 8.
With “Vampire” starting atop the ARIA Singles Chart published Friday, July 7, the four-week unbroken reign of Dave and Central Cee’s “Sprinter” (Virgin Music/Universal) is at an end. “Sprinter” dips 1-2, while Swift’s “Cruel Summer” (Universal) works its magic in the Australian winter, holding at No. 3.
In any other week, Rodrigo would command the headlines with her chart-topping feat.
This is no ordinary week. It’s Taylor Swift’s week.
Swift dominates both lists, as “Anti-Hero” (up 7-6) and “Karma” (up 8-7) impact the top 10 on the ARIA Singles Chart, while “Style” (reentering at No. 11) and “Blank Space” (up 20-12) and a string of her hits ascend.
The U.S. pop superstar’s dominance is outright on the ARIA Albums Chart, on which Swift completes an unprecedented sweep of the top 5, led by Midnights, which bounces 2-1 for its 13th week at No. 1, ARIA reports. The top five is closed out by Lover, 1989, Reputation, and Folklore, respectively, while Red (Taylor’s Version) vaults 15-9.
Previously, Michael Jackson was the standard-bearer for dominance, notching the top three albums in the week following his death in 2009.
Swift-mania is a triggered by the general ticket on sale for her The Eras Tour of Australia in 2024, produced by Frontier Touring.
TayTay will play her hits across seven concerts at the Melbourne Cricket Ground and Sydney’s Accord Stadium next February, tickets for which went on sale to the general public Friday, June 30. No further dates will be added for the Australian tour, Frontier Touring has confirmed.
The all-star team of LIT Killah, Tiago Pzk, Maria Becerra, Duki, Emilia, Rusherking, Big One and FMK add a fourth week atop the Billboard Argentina Hot 100 chart as “Los Del Espacio” dominates the July 1-dated ranking.
The song ties with Bizarrap and Shakira’s “Bzrp Music Sessions, Vol. 53” for the fourth-most weeks at No. 1 in 2023, after Emilia, Big One and Callejero Fino’s “En La Intimidad,” which continues to lead with seven weeks in charge, and Ke Personajes, Big One and FMK’s “Un Finde: Big One CROSSOVER #2” which ruled for five weeks.
Continuing with Becerra, the Argentinian collects her 23rd top 10 as “Corazón Vacío” bows at No. 2, the Hot Shot Debut of the week. Thus, she extends her record for the most top 10s among acts since the chart launched in 2018.
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Meanwhile, Bizarrap and Rauw Alejandro’s “Rauw Alejandro: Bzrp Music Sessions, Vol. 56” takes home the Greatest Gainer honors of the week as the collab rallies 54-12, a 42-ranking ascent.
Duki crosses off a career milestone as 11 songs from his latest Antes de Ameri album debut. In total, he places a total of 15 simultaneous tracks on the chart, the second-most after Bad Bunny ranked with 17 concurrent songs in May 2022.
Here’s the complete list of Duki’s songs on the chart:
No. 1, “Los Del Espacio,” with LIT Killah, Tiago Pzk, Maria Becerra, Emilia, Rusherking, Big One & FMKNo. 16, “Rockstar 2.0,” with Jhay Cortez (debut)No. 18, “Antes de Perderte (OG Version)” (debut)No. 33, “Don’t Lie”, with Quevedo (debut)No. 40, “Uno Dos”, with Salastkbron (debut)No. 43, “01 De Enero”, with Lucho SSJ (debut)No. 44, “Jefes del Sudoeste” (debut)No. 50, “Harakiri,” with C.R.O.No. 51, “Contra Mí,”, with We$t Dubai (debut)No. 59, “Gigi” (debut)No. 66, “Csipher,” with Akapellah & Neutro Shorty, featuring Micro TDH (debut)No. 71, “N.C.L.C” (debut)No. 74, “Último Tren a Ameri” (debut)
Other debuts of the week include Rauw Alejandro and Bizarrap’s “Baby Hello” at No. 47, Marshmello and Tiago PZK’s “Como Yo :(” at No. 55, Maluma’s “Coco Loco” at No. 62, and Myke Towers’ “Lala” at No. 68, while YSY A and Sixto Yegros’s “Esta Que Quema,” featuring Sponsor Dios, starts at No. 88.
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Prince Royce notches his 23rd No. 1 on Billboard’s Tropical Airplay chart as “Me EnRD” lifts 2-1 to crown the July 8-dated ranking. The song unseats Marshmello and Manuel Turizo’s “El Merengue” from the lead, after its 13-week domination (it falls to No. 2).
“Me EnRD” lands at No. 1 in its 10th week after a steady climb, including five weeks at No. 2. It crowns the survey with a 4% increase in audience impressions, to 8 million, earned in the U.S. during the June 23-29 tracking week, according to Luminate.
“Me EnRD” is just the second Tropical Airplay-ruling song by an artist unaccompanied by any other act in 2023, after Manuel Turizo’s “La Bachata,” which led for five weeks (a total of 14 weeks in charge). With the 2-1 move, “EnRD” gifts Royce his 23rd champ, after Marc Anthony, who continues at the helm with 35 total No. 1s, and Victor Manuelle with 29.
Here’s the scoreboard with artists with the most No. 1s on Tropical Airplay since the chart begun in 1994:
35, Marc Anthony29, Victor Manuelle23, Prince Royce18, Romeo Santos14, Elvis Crespo14, Gilberto Santa Rosa13, Jerry Rivera
Beyond its Tropical Airplay coronation, “EnRD” makes progress on the overall Latin Airplay chart, with an 8-6 jump.
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La Maquinaria Norteña hits top 10: Elsewhere on Latin Airplay, La Maquinaria Norteña captures its third top 10 as “Te Quiero Ver” climbs 16-9 with 7 million in audience impressions; that’s a 30% gain from the week prior, earned during the same period. It’s the biggest percentage gain among the 50-song deep tally.
As mentioned, “Te Quiero” is the norteño group’s third top 10 on Latin Airplay, all which arrived less than a year ago. The song follows La Maquinaria’s highest-charting title to date, the No. 4-peaking “Eres Ese Algo” (Feb. 25).
Further, “Quiero” nearly misses the No. 1 slot on Regional Mexican Airplay, as the song pushes 5-2.
For the first time since 1997, Blur is in the top 10 of a Billboard airplay chart. “The Narcissist,” the lead single from the Damon Albarn-fronted band’s upcoming album The Ballad of Darren, rises to No. 8 on the Adult Alternative Airplay list dated July 8. It’s Blur’s first time within the top 10 of […]