Chart Beat

Fifty years ago, in the Billboard issue dated June 7, 1975, Elton John did something no one had ever done before: He entered the Billboard 200 at No. 1. He achieved the feat with his ninth studio album, Captain Fantastic and the Brown Dirt Cowboy.
The album dislodged Earth, Wind & Fire’s That’s the Way of the World, which had spent the three previous weeks at No. 1. It was potent enough to hold Wings’ Venus and Mars – the band’s follow-up to its classic album Band on the Run – to the No. 2 spot for four consecutive weeks before Wings finally moved up to No. 1 for one week.

In the nearly two decades between the introduction of the Billboard 200 in March 1956 and Captain Fantastic’s history-making accomplishment, the highest any album had entered the Billboard 200 was No. 2. Van Cliburn’s Tchaikovsky: Piano Concerto No. 1 debuted in the runner-up spot in the issue dated Aug. 4, 1958 (which, coincidentally, was the same week the Hot 100 debuted, with Ricky Nelson’s “Poor Little Fool” as the inaugural leader).

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How was a classical album able to get off to such a fast start? Cliburn had achieved global fame when he won the inaugural International Tchaikovsky Competition in Moscow in 1958 near the height of the Cold War. A cover story in TIME (May 19, 1958) proclaimed him “The Texan Who Conquered Russia.” His album topped the Billboard 200 for seven weeks, won a Grammy for best classical performance – instrumentalist and received an album of the year nod.

Since the Cliburn album was a little far afield, let’s go deeper. The highest that a contemporary pop or rock album had debuted prior to Captain Fantastic was No. 3. That was the debut position for The Beatles’ Hey Jude (March 21, 1970) and a pair of Led Zeppelin albums: Led Zeppelin III (Oct. 24, 1970) and Physical Graffiti (March 15, 1975). Three more contemporary pop or rock albums had debuted in the top five prior to Captain Fantastic: the Woodstock soundtrack (No. 4, June 6, 1970), George Harrison’s All Things Must Pass (No. 5, Dec. 19, 1970) and Elton’s previous studio album Caribou (No. 5, July 6, 1974).

Captain Fantastic was Elton’s sixth No. 1 album in less than three years. His 1972 album Honky Chateau reached No. 1 in its fifth chart week. A pair of 1973 albums – Don’t Shoot Me I’m Only the Piano Player and Goodbye Yellow Brick Road – both reached No. 1 in their fourth weeks. A pair of 1974 albums – Caribou and Greatest Hits – both reached the top spot in their second weeks. Elton was steadily getting hotter year-by-year, as you can see.

Captain Fantastic’s debut at No. 1 received considerable media attention and contributed to Elton’s status as the Greatest Pop Star of the Year – years before Billboard officially recognized such a thing.

In calendar year 1975, Elton had three No. 1 albums on the Billboard 200 (one a carryover from 1974) and three No. 1 singles on the Billboard Hot 100 (plus an uncredited, but prominent, featured role on a fourth – Neil Sedaka’s “Bad Blood”); had a cameo as The Pinball Wizard in the hit movie adaptation of The Who’s Tommy; made the cover of TIME (the inevitable cover line: “Rock’s Captain Fantastic”); and became the first artist since The Beatles to play a concert (two, actually) at Dodger Stadium.

Since Elton’s through-the-roof 1975, we’ve seen such artists as the Bee Gees (1978), Michael Jackson (1983-84) and Taylor Swift (2023-24) experience this same “how-much-hotter-can-they-get” phenomenon.

Captain Fantastic was a loosely autobiographical concept album about the struggles that John (Captain Fantastic) and his longtime lyricist Bernie Taupin (the Brown Dirt Cowboy) experienced in the early years of their careers in London from 1967 to 1969, leading up to John’s eventual breakthrough in 1970.

Captain Fantastic spent its first six weeks at No. 1 before yielding the top spot to Wings’ Venus and Mars and then Eagles’ One of These Nights (which had five weeks on top). In late August, Captain Fantastic returned for a seventh week at No. 1. Only two other John albums ever logged seven or more weeks at No. 1: Goodbye Yellow Brick Road (eight weeks on top in 1973) and Greatest Hits (10 weeks on top in 1974-75).

Captain Fantastic received two Grammy nominations: album of the year (John’s third in that category, following Elton John and Caribou) and best pop vocal performance, male. He lost both awards to Paul Simon for Still Crazy After All These Years. (Fun Fact: Simon had also won album of the year, in tandem with Art Garfunkel, for Bridge Over Troubled Water five years earlier, when the Elton John album was nominated.) Gus Dudgeon, who produced John’s album, received a Grammy nod for producer of the year, non-classical. (He lost to Arif Mardin.)

Just one single was released from Captain Fantastic: “Someone Saved My Life Tonight.” Despite its length and somber tone, the song reached No. 4 on the Hot 100, a reflection of Elton’s popularity at the time. Clocking in at 6:45, “Someone Saved” was the longest song to crack the top five on the Hot 100 since The Temptations’ symphonic soul smash “Papa Was a Rollin’ Stone” (6:53), a No. 1 hit in December 1972.

Of course, even though just one single was released from Captain Fantastic, Elton was blanketing pop radio at the time. The week Captain Fantastic debuted, John’s previous single, the marvelous, disco-accented “Philadelphia Freedom,” rebounded to No. 10 on the Hot 100, having reached No. 1 in April. And though it was never released as a single, John’s rendition of “Pinball Wizard” from the Tommy soundtrack was played on many pop radio stations with the frequency of a hit single.

The Billboard staff included three songs from Captain Fantastic on its 2022 list of the 75 Best Elton John Songs, timed to coincide with the star’s 75th birthday. “Tower of Babel” ranked No. 73, “Curtains” was No. 29, and “Someone Saved” was way up at No. 3, with Billboard‘s Melinda Newman saying of the latter song, “The song has more drama than a made-for-Lifetime movie, including allusions to John’s first suicide attempt in 1968. With a heavy, slow, and instantly unforgettable piano-pounding melody that matches the theatrical storytelling … ‘Someone’ is like slowly walking through molasses in the best possible way, Sugar Bear.”

In November 1975, just five months after Captain Fantastic became the first album to debut at No. 1, Elton’s follow-up album, Rock of the Westies, became the second. Unlike Captain Fantastic, Rock was led by a highly commercial single, the zesty funk-reggae smash “Island Girl,” which topped the Hot 100 for three weeks.

In October 1976, Stevie Wonder’s Songs in the Key of Life became the third album to debut at No. 1. No other albums debuted in the top spot for a little more than a decade, until Bruce Springsteen & the E Street Band’s Live/1975-85 achieved the feat in November 1986. The following year, Whitney Houston and Michael Jackson started on top with their hit-laden albums Whitney and Bad, respectively.

In May 1991, Billboard began compiling the Billboard 200 based on actual units sold. As a result, No. 1 debuts became much more common. Between June and December 1991, seven albums entered the chart at No. 1 – slightly more than the six albums that had achieved the feat over the previous 16 years. (Since December 2014, the chart has ranked titles by equivalent album units, incorporating streaming and sales, with albums continuing to regularly soar in at No. 1.)

In 2006, John recorded a sequel of sorts to Captain Fantastic. That album, The Captain & the Kid, reached No. 18 on the Billboard 200.

Two songs from Captain Fantastic were featured on the 2018 tribute album, Revamp: Reimagining the Songs of Elton John & Bernie Taupin. Mumford and Sons covered “Someone Saved My Life Tonight.” Coldplay took on “We All Fall in Love Sometimes.”  That album reached No. 13 on the Billboard 200.