Chart Beat
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The late Dominican Rubby Pérez singer-songwriter returns to the Billboard charts as his 2021 album, Rubby Pérez ¡Grandes Éxitos! debuts at No. 7 on the Tropical Albums chart (dated April 19). The 30-song set launches with 2,000 units equivalent album units earned in the U.S. during the April 4-10 tracking week, according to Luminate. Pérez died on April 8 in Santo Domingo, Dominican Republic, after the roof of the Jet Set nightclub collapsed during one of his performances. He was 69.
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It’s the merengue artist’s first appearance on any Billboard albums chart in over three decades. He was last on an albums chart when his self-titled set peaked at No. 15 on the Top Tropical Albums chart in 1987.
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“It’s been 25 years, a lifetime together, filled with beautiful memories,” Enrique Paulino, Pérez’s international manager tells Billboard. “The most important thing for me was his humility and his outpouring of affection for his audiences.”
Out of Rubby Pérez ¡Grandes Éxitos! album’s unit sum earned in the week ending April 10,1,000 units were attributed to streaming activity. That translates to 1.6 million official on-demand streams for the set’s songs; a resurgence that comes two days after Pérez’s passing. The remaining negligible amount come from traditional album sales and track-equivalent units.
“Rubby quietly did thousands of deeds, such as buying medicine for people with cancer and various other illnesses,” Paulino adds. “He bought pets and schoolbooks for children. He was greatly loved in his country, Dominican Republic, and Venezuela. I want you to always remember him with his beautiful smile and his love for everyone.”
Pérez also achieved success on the Tropical Airplay chart, landing four entries over the years. Among them, “Tu Vas a Volar” reached a career-high at No. 9 in 2001. Most recently, Pérez collaborated with Romeo Santos, Toño Rosario and Fernandito Villalona on “15,500 Noches,” featuring Ramón Orlando, which peaked at No. 15 in 2022.
All charts (dated April 19, 2025) will update on Billboard.com tomorrow, April 15. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Lady Gaga and Bruno Mars’ “Die With a Smile” tallies a 16th week at No. 1 on the Billboard Global 200 chart. The song also adds for a 13th week atop the Billboard Global Excl. U.S. survey. The ballad first led both lists last September.
Plus Drake’s “Nokia” hits the Global 200’s top 10, rising 13-8, and W Sound, Beéle & Ovy On the Drums’ “La Plena (W Sound 05)” reaches the Global Excl. U.S. top 10, thumping 14-9.
The Billboard Global 200 and Global Excl. U.S. charts, which began in September 2020, rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Global 200 is inclusive of worldwide data and the Global Excl. U.S. chart comprises data from territories excluding the United States.
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Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.
“Die With a Smile” continues atop the Global 200 with 91.3 million streams (down 4% week-over-week) and 6,000 sold (down 3%) worldwide April 4-10. At 16 weeks, the song solely claims the second-longest No. 1 run since the chart began:
19 weeks at No. 1, “All I Want for Christmas Is You,” Mariah Carey (2020-25)
16 weeks, “Die With a Smile,” Lady Gaga & Bruno Mars (2024-25)
15 weeks, “As It Was,” Harry Styles (2022)
14 weeks, “Flowers,” Miley Cyrus (2023)
12 weeks, “APT.,” ROSÉ & Bruno Mars (2024-25)
“APT.” holds at No. 2 on the Global 200; Alex Warren’s “Ordinary” keeps at its No. 3 high; Billie Eilish’s “Birds of a Feather” flutters 5-4 following three weeks at No. 1 last August; and Doechii’s “Anxiety” dips 4-5 after reaching No. 3.
Drake’s “Nokia” surges 13-8 on the Global 200. It drew 39.9 million streams (up 9%) and sold 12,000 (up 28%) worldwide April 4-10, after its official video premiered March 31. Drake adds record-extending 36th top 10 since the chart began, lifting him further past runner-up Taylor Swift (33).
“Die With a Smile” collects a 13th week at No. 1 on Global Excl. U.S., with 74 million streams (down 7%) and 3,000 sold (down 8%) outside the U.S. The song ties for the third-longest domination in the chart’s archives:
19 weeks at No. 1, “APT.,” ROSÉ & Bruno Mars (2024-25)
14 weeks, “All I Want for Christmas Is You,” Mariah Carey (2021-25)
13 weeks, “Die With a Smile,” Lady Gaga & Bruno Mars (2024-25)
13 weeks, “Flowers,” Miley Cyrus (2023)
13 weeks, “As It Was,” Harry Styles (2022)
“APT.” is steady at No. 2 on Global Excl. U.S.; “Ordinary” holds at its No. 3 high; “Birds of a Feather” lifts 6-4, after three weeks at No. 1 last August; and JENNIE’s “like JENNIE” slips 4-5 after hitting No. 3 high.
Plus, all-Colombian collaboration “La Plena (W Sound 05)” bounds 14-9 on Global Excl. U.S. with 35.7 million streams (up 8%) outside the U.S. Billed to W Sound, Beéle & Ovy On the Drums, the track marks the first top 10 for each act (with W Sound the team-up series between Westcol and Ovy on the Drums).
The Billboard Global 200 and Billboard Global Excl. U.S. charts (dated April 19, 2025) will update on Billboard.com tomorrow, April 15. For both charts, the top 100 titles are available to all readers on Billboard.com, while the complete 200-title rankings are visible on Billboard Pro, Billboard’s subscription-based service. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
Kendrick Lamar and SZA’s “Luther” leads the Billboard Hot 100 songs chart for an eighth total and consecutive week. The single, whose title celebrates late R&B legend Luther Vandross, who is sampled on the track, became Lamar’s sixth No. 1 and SZA’s third. Lamar and SZA each extend their longest career Hot 100 reigns with the song.
Meanwhile, “Luther” ties 24kGoldn’s “Mood” (featuring iann dior), which led for eight weeks in 2020-21, for the second-longest Hot 100 command among rap hits this decade, after Roddy Ricch’s “The Box,” which dominated for 11 weeks in 2020. (Rap titles are defined as those that have hit or are eligible for Billboard’s Hot Rap Songs chart.)
Plus, Drake’s “Nokia” rises 3-2 on the Hot 100 following the first full tracking week after its official video premiered March 31, and two songs enter the top 10: BigXthaPlug’s “All the Way,” featuring Bailey Zimmerman, debuts at No. 4 and Alex Warren’s “Ordinary” bounds 14-7. BigXthaPlug and Warren each earn their first top 10s, marking the first acts to reach the tier for the first time in 2025, while Zimmerman adds his second.
Browse the full rundown of this week’s top 10 below.
The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts (dated April 19, 2025) will update on Billboard.com tomorrow, April 15. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
‘Luther’ Airplay, Streams & Sales
Playboi Carti’s MUSIC returns to No. 1 on the Billboard 200 albums chart (dated April 19), rising one spot, with 64,000 equivalent album units earned in the U.S. in the week ending April 10, according to Luminate. Of that sum, 96% was driven by streaming activity.
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With MUSIC earning 64,000 units in the latest tracking week, that marks the smallest weekly sum for a No. 1 album in over a year, since the Jan. 20, 2024-dated chart, when Morgan Wallen’s One Thing at a Time was tops with 61,000 units.
Also in the top 10 of the latest Billboard 200 chart, Elton John and Brandi Carlile’s first collaborative album, Who Believes in Angels?, debuts at No. 9, while Ethel Cain’s 2022 set Preacher’s Daughter debuts at No. 10 following its vinyl release.
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The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new April 19, 2025-dated chart will be posted in full on Billboard‘s website on April 15. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Of the 64,000 equivalent album units earned by MUSIC in the week ending April 10, SEA units comprise 61,500 (down 27%; equaling 84.61 million on-demand official streams of the set’s songs; it’s No. 1 for a fourth week on Top Streaming Albums), album sales comprise 2,500 (down 59%; it falls 11-33 on Top Album Sales) and TEA units comprise a negligible sum (down 44%).
The next seven titles on the Billboard 200 are all former No. 1s. Ariana Grande’s Eternal Sunshine falls to No. 2 (56,500 equivalent album units; down 59%); PARTYNEXTDOOR and Drake’s $ome $exy $ongs 4 U rises 5-3 (56,000; down 3%); SZA’s SOS steps 6-4 (54,000; down 4%); Kendrick Lamar’s GNX dips 4-5 (53,000; down 9%); Sabrina Carpenter’s Short n’ Sweet rises 7-6 (49,000; down 2%); Morgan Wallen’s One Thing at a Time climbs 10-7 (44,500; down less than 1%); and Bad Bunny’s Debí Tirar Más Fotos is a non-mover at No. 8 (42,500; down 5%).
Elton John and Brandi Carlile’s first collaborative album, Who Believes in Angels?, debuts at No. 9 on the Billboard 200, marking the 22nd top 10 set for John and the fourth for Carlile. The set earned 40,000 equivalent album units in its opening week. Of that sum, album sales comprise 36,500 (it debuts at No. 2 on Top Album Sales), SEA units comprise 2,500 (equaling 3.54 million on-demand official streams of the set’s songs) and TEA units comprise 500.
John and Carlile ushered in the release of the album with a flurry of media appearances, including CBS News Sunday Morning (CBS, March 30), The Tonight Show Starring Jimmy Fallon (April 3), Saturday Night Live (NBC, April 5) and the concert special An Evening With Elton John and Brandi Carlile (CBS and Paramount+, April 6), along with interviews with Apple Music’s Zane Lowe, NPR and SiriusXM’s The Howard Stern Show, among other outlets.
John earned his first Billboard 200 top 10 a little over 54 years ago, when his self-titled album climbed 11-7 on the Jan. 30, 1971-dated chart; it peaked at No. 4 a week later (Feb. 6, 1971). Breaking down John’s 22 top 10s by decade: 13 in the 1970s, two in the 1990s, one in the 2000s, four in the 2010s and two in the 2020s. Who Believes in Angels? is John’s second album with shared artist billing to reach the top 10, following The Union, with Leon Russell, which reached No. 3 in 2010.
John continues to be among elite company of acts with at least 20 top 10-charting albums on the Billboard 200, from March 24, 1956, when the list began publishing on a regular, weekly basis, through the new, April 19, 2025-dated chart. Here’s an updated leaderboard:
Most Billboard 200 Top 10s:38, The Rolling Stones34, Barbra Streisand33, Frank Sinatra32, The Beatles27, Elvis Presley23, Bob Dylan23, Madonna22, Elton John22, Bruce Springsteen21, Paul McCartney/Wings21, George Strait20, Prince
Notably, the Kidz Bop Kids music brand has collected 24 top 10s, in 2005-16, with its series of kid-friendly covers of hit singles. The franchise’s early albums were performed mostly by anonymous studio singers, although later releases focused on branding named talent.
Rounding out the top 10 of the latest Billboard 200 is a debut at No. 10 for singer-songwriter Ethel Cain’s 2022 album Preacher’s Daughter. The set jumps onto the list with 39,000 equivalent album units earned (its best week yet), with 37,000 of that sum driven by album sales (it debuts at No. 1 on Top Album Sales). SEA units comprise 2,000 of the set’s total for the week (equaling 2.77 million on-demand official streams of the set’s songs), while TEA units comprise a negligible sum.
The album was released on vinyl for the first time on April 4, marking its first release on any physical format. It had previously only been available to purchase as a digital download, and via streaming services. Vinyl sales comprise essentially all of the set’s 37,000 copies sold in the latest tracking week – the sixth-largest sales week for a vinyl album in 2025.
Since its release in May 2022, the album’s songs have collected 229.73 million on-demand official streams in the U.S. The No. 10 debut of Preacher’s Daughter marks Cain’s second appearance on any Billboard chart, following a one-week appearance on the now-defunct TikTok Billboard Top 50 in January with the album’s “Strangers.”
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
Elton John and Brandi Carlile’s Who Believes In Angels? has hit No. 1 in the Official Albums Chart, giving the former his 10th chart-topper in the U.K (April 11). The Andrew Watt-produced record was written and recorded by John and Carlile alongside John’s longtime songwriting partner Bernie Taupin. The collaborative record is Carlisle’s maiden No. […]
Alex Warren’s “Ordinary” has earned its fourth consecutive week at No. 1 on the U.K. Singles Chart, staving off competition from Ed Sheeran’s comeback track “Azizam” (April 11). Sheeran ends the week at No. 3, but looks set to be a fierce competitor to Warren’s crown over the next seven days. The “Bad Habits” singer has […]
Jason Aldean rings up his milestone 40th top 10 on Billboard’s Country Airplay chart as he hoists “Whiskey Drink” three spots to No. 8 on the list dated April 19. The song rose by 8% to 18.6 million audience impressions April 4-10, according to Luminate.
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The single, which Kurt Allison, Jonathan Edwards, Tully Kennedy and John Morgan co-wrote, is from Aldean’s LP Highway Desperado. In November 2023, the set arrived as his 12th top 10 on Top Country Albums.
Aldean has the eighth-most Country Airplay top 10s since the chart launched in 1990. Kenny Chesney, Tim McGraw and George Strait are tied for first with 61 each. He also scores simultaneous Country Airplay top 10s for the first time. He’s featured on Morgan’s “Friends Like That,” which pushes 5-4 for a new best (24.3 million, up 10%).
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Aldean’s run of Country Airplay top 10s began in 2005 when “Hicktown” reached No. 10 that October. “Why” followed, becoming his first of 25 No. 1s in May 2006.
Moroney Is A-‘Okay’
Megan Moroney earns her second Country Airplay top 10 as “Am I Okay?” hops 13-10 (16.5 million, up 9%). The Savannah, Ga., native wrote the song with Jessie Jo Dillon and Luke Laird, and Kristian Bush produced it. The single is from Moroney’s same-named LP, which entered Top Country Albums at its No. 3 peak last July, marking her second top 10. Her Lucky hit No. 10 in May 2023.
Moroney notched her first Country Airplay top 10 with her rookie single, “Tennessee Orange” (No. 4, June 2023). She then added two top 20 hits: “Can’t Break Up Now,” with Old Dominion (No. 19, May 2024), and “I’m Not Pretty” (No. 14, July 2024).
Making Themselves at ‘Home’
LOCASH, the duo of Preston Brust and Chris Lucas, tops Country Airplay for a career-high second week with “Hometown Home” (29.9 million, down 1%). The act previously led with “I Know Somebody” for a week in October 2016.
On Dec. 20, 1984, Harry Belafonte placed a call to nonprofit consultant/music manager Ken Kragen in hopes of staging a concert to raise funds to fight hunger in Africa — specifically Ethiopia, where famine killed nearly 1 million people in 1983-84.Kragen, who managed Lionel Richie and Kenny Rogers at the time, thought that a supergroup charity single would make more of an impact.
Kragen initially planned to recruit a dozen artists for the song, but industry response was so enthusiastic (seemingly inspired by the success of the then-current “Do They Know It’s Christmas?,” a similar charity single by British and Irish stars that would soon hit No. 13 on the Billboard Hot 100) that 50 artists ended up in the group, dubbed USA for Africa (with the “USA” officially short for United Support of Artists).
Richie and Michael Jackson wrote the song, producer Quincy Jones assembled the artists at Hollywood’s A&M Studios in early 1985, and “We Are the World” was born.
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On April 13, 1985, the superstar-spangled single, released on Columbia Records, topped the Hot 100 in just its fourth week, becoming the chart’s fastest-flying No. 1 in nine years (since Elton John’s “Island Girl” also needed just four frames). It additionally ruled Billboard‘s Hot R&B/Hip-Hop Songs, Adult Contemporary and Dance Singles Sales charts and dented Mainstream Rock Airplay and Hot Country Songs.
As impressive as its chart performances were, “World” has also helped raise more than $100 million to fight famine. Decades later, the USA for Africa foundation continues to raise funds and awareness for multiple African causes.
The week that “World” took over the Hot 100, Billboard noted that the song was touching not only consumers, but Capitol Hill, as the Recording Industry Association of America had mailed 12-inch copies of the single to each member of Congress that March 29. “Three working days later,” Billboard reported, “the [RIAA] had received 51 letters and personal notes of congratulations and appreciation from the nation’s legislators, including a number of Senate and House leaders.”
One congressman “even enclosed a personal check to help in the all-star effort.”
After more than a decade of building one of Australia’s most beloved indie catalogues, Ball Park Music has officially reached the top.
The Brisbane five-piece scores its first-ever No. 1 album on the ARIA Albums Chart with Like Love, debuting at the summit on the chart dated April 11. It’s the band’s eighth studio album — and the first to reach the top spot after a long streak of near-misses. Until now, three of the band’s releases had stalled at No. 2: Puddinghead (2014), Ball Park Music (2020), and Weirder & Weirder (2022). Seven of their albums have landed in the top 10.
Like Love also claims a key milestone as the first Australian-made album to top the ARIA Albums Chart in 2025.
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The last local release to hit No. 1 was Kylie Minogue’s Tension II, which opened at the summit in late October 2024. That was one of six Australian albums to top the chart last year — an achievement that speaks to the rarity of homegrown titles hitting No. 1 in today’s global streaming-dominated landscape.
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The band will celebrate the release of Like Love with a massive 30-date tour across Australia and New Zealand, kicking off May 2 at the Forth Pub in Tasmania. The album was released independently via the band’s own label, and continues their streak of success as a self-managed, self-releasing act — a rarity in an industry dominated by major-label machinery.
In this week’s top three, Ball Park Music holds off strong international competition from Sabrina Carpenter’s Short N’ Sweet at No. 2 and Tate McRae’s So Close to What at No. 3.
Melbourne metalcore band Thornhill enters the ARIA Albums Chart at No. 4 with BODIES, continuing their upward trajectory. The band’s debut album The Dark Road peaked at No. 20 in 2019, followed by Heroine, which hit No. 3 in 2022.
Elton John also enters the chart this week at No. 26 with Who Believes in Angels?, a collaborative collection with Brandi Carlile. It marks his 42nd top 40 album in Australia. His first ARIA top 20 entry dates back to 1971’s Elton John (No. 2), and his last studio effort to crack the top 20 was The Lockdown Sessions, which peaked at No. 2 in 2021.
Folk legend and ARIA Hall of Fame inductee John Williamson also makes a new chart appearance at No. 51 with How Many Songs. The prolific songwriter has released over 20 studio albums and first hit No. 1 in 1989 with Warragul. He was inducted into the Hall of Fame in 2010 and remains one of Australia’s most enduring voices in country and folk music.
Over on the ARIA Singles Chart, Alex Warren’s breakout hit “Ordinary” holds the No. 1 position for a third straight week, continuing its impressive reign. Rosé and Bruno Mars’ collaborative single “APT” holds steady at No. 2, while Chappell Roan’s viral anthem “Pink Pony Club” climbs to a new peak of No. 3, up one spot from last week.
The highest new entry belongs to Ed Sheeran, whose latest single “Azizam” lands at No. 30. The track — the lead single from his forthcoming album Play — becomes Sheeran’s 51st top 40 single in Australia. He’s already claimed six No. 1 hits on the ARIA Singles Chart across his career.
Despite a strong week for international artists, just one Australian song appears in the ARIA Singles Chart’s top 50: Vance Joy’s enduring 2013 hit “Riptide,” which slips from No. 36 to No. 42.
HANA‘s “ROSE” blasts in at No. 1 on the Billboard Japan Hot 100, on the chart released April 9.
HANA is the seven-member group born from the BMSG x Chanmina girl group audition No No Girls. The brand-new group’s major-label debut single launched with 12,870 downloads (No. 2 for the metric) and 8,781,853 streams (also No. 2), while topping video views and coming in at No. 17 for radio airplay. Also, HANA’s pre-debut song “Drop” jumped 68-29 as a result of this release.
Mrs. GREEN APPLE’s “Lilac” continues to hold at No. 2. The Oblivion Battery opener has charted for 52 consecutive weeks (a year), and marks its 37th week in the top 3. The three-man band’s new single “KUSUSHIKI,” the opening theme song for the anime series The Apothecary Diaries Season 2 Part 2 debuts at No. 6 on the Japan Hot 100 this week, ruling downloads and coming in at No. 14 for streaming and No. 4 for video. The hitmakers continue to make their presence felt, taking up half the top 10 this week — “Darling” at No. 5, “Que Sera Sera” at No. 8, “Soranji” at No. 10 — and charting 18 songs in the top 100.
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AKB48’s “Masaka no Confession” bows at No. 3. The 65th single by the long-running girl group celebrating its 20th anniversary sold 512,791 copies in its first week to rule physical sales and came in at No. 45 for radio.
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Sakanaction’s “Kaiju” drops a notch to No. 4. The previous record for longest consecutive run in the top 10 by the three-man, two-woman band led by frontman Ichiro Yamaguchi was seven weeks with “Shintakarajima,” and “Kaiju” has now tied this record. “Shintakarajima,” the band’s hit from 2019, has re-entered the Japan Hot 100 for the first time in about 4 years and 10 months, with streams up to 101% compared to the previous week, radio to 239%, and video to 104%.
The No. 1 song for the radio metric this week is BILLY BOO’s “Rhapsody,” featured as the ending theme song for the anime show The Dinner Table Detective, and the track debuts at No. 77 on the Japan Hot 100. Meanwhile, as songs about cherry blossoms continue to climb the charts, Aimyon’s “Sakura ga Furu Yoru wa” re-enters after a year with streams gaining by 111%, radio by 308%, karaoke by 107%, and video also showing increase from the week before.
The Billboard Japan Hot 100 combines physical and digital sales, audio streams, radio airplay, video views and karaoke data.
See the full Billboard Japan Hot 100 chart, tallying the week from Mar. 31 to April 6, here. For more on Japanese music and charts, visit Billboard Japan’s English X account.