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Chart Beat

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Paul Russell’s “Lil Boo Thang” jumps into the top 10 of Billboard’s Hot Rap Songs chart with a 12-9 climb on the list dated Nov. 4. The pop-rap tune, which first went viral on TikTok and other social media networks, continues its chart ascent with gains in all three chart metrics – streaming, radio airplay, and sales – and sprints into the top 40 of the Billboard Hot 100.

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During the latest tracking week, Oct. 20 – 26, “Lil Boo Thang,” released on Arista Records, generated 6.7 million official U.S. streams, a 14% improvement from the prior week, according to Luminate. It also sold 5,000 downloads in the same period, up 8% from the previous week and retains its crown on the Rap Digital Song Sales chart for third, nonconsecutive week. Among all tracks, it’s the third-best seller and sits at No. 3 on the Digital Song Sales chart, down one spot from its No. 2 best last week. In the radio world, “Lil Boo Thang” registered 28.4 million in weekly audience, up 18% from the prior frame. Thanks to that haul, it steps 24-21 on the all-genre Radio Songs chart.

Pop radio has been the single’s biggest supporter, as it pushes 15-13 on the Pop Airplay chart, following a 16% increase in plays at mainstream top-40 radio during the latest tracking week. The adult pop sector follows closely behind, with a 19-15 advance on the heels of a 26% surge in weekly plays, enough to nab “Lil Boo Thang” the chart’s weekly Greatest Gainer tag. Beyond the pop world, the rhythmic format has also embraced the track, which moves 20-17 on the Rhythmic Airplay chart through a 15% weekly play boost.

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Across-the-board gains drive “Lil Boo Thang” 58-35 on the Hot 100 and secure Paul Russell’s first top 40 visit on the flagship chart. The rising hit already has a Hot 100 tie-in, sampling The Emotions’ “Best of My Love,” a five-week No. 1 from 1977. Thanks to use of the classic, writers Maurice White (of Earth, Wind & Fire) and Al McKay land another top 40 hit

As “Lil Boo Thang” races into the Hot 100’s top 40, Paul Russell lands a third week at No. 1 on Emerging Artists chart, which ranks the most popular developing artists each week using the same formula as the all-encompassing Billboard Artist 100. The Emerging Artists chart, however, excludes acts that have reached the top 25 on either the Hot 100 or Billboard 200, as well as artists that have achieved two or more top 10s on Billboard’s “Hot” song genre and/or consumption-based “Top” album genre charts.

From Jay-Z to Nicki Minaj and beyond, here are the highest grossing artists, according to Billboard Boxscore.

Welcome to Billboard Pro’s Trending Up column, where we take a closer look at the songs, artists, curiosities and trends that have caught the music industry’s attention. Some have come out of nowhere, others have taken months to catch on, and all of them could become ubiquitous in the blink of a TikTok clip. 
This week: A shocked fanbase pays homage to the late Matthew Perry by streaming the song most associated with him, the hit Five Nights at Freddy‘s film adaptation scores huge gains for a near-decade-old fan song and viral teen rapper Lil Mabu returns.

Listeners “There For” Late ‘Friends’ Star With Streams of Beloved ’90s Theme Song

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The entire world was stunned by the news on Saturday night (Oct. 29) that comedic actor Matthew Perry had died at the age of 54. The TV and film star had become a pop culture icon in the ’90s and ’00s, with lead turns in hit movies like The Whole Nine Yards and 17 Again and TV comedies like Studio 60 on the Sunset Strip. But of course, Perry will forever be best remembered for his role as Chandler Bing on the epochal sitcom Friends, which he appeared on for a full decade as one of the show’s six central characters, earning an Emmy nomination and global stardom.

So eternal is the connection between Perry and Friends that, following his death, fans flocked to streaming services to play the song they still most associated with him: The Rembrandts‘ “I’ll Be There for You,” which served as the credits song for all 10 years of Friends‘ NBC run and also became a crossover radio hit, topping Billboard‘s Pop Airplay chart for eight weeks in 1995. According to Luminate, the song garnered a combined 117,000 official on-demand U.S. streams over Oct. 29 and Oct. 30 — the two days following Perry’s death — up 184% from the previous Sunday and Monday. (It also sold nearly 500 copies over those two days, up from a negligible amount the week before.)

It’s one of many beautiful tributes that fans have played to the actor in the days following his passing — which should continue to reverberate for as long as viewers across generations need either comfort-streaming TV and/or mid-’90s pop-rock perfection. – ANDREW UNTERBERGER

Near-Decade-Old ‘Five Nights at Freddy’s’ Theme Song Scares Up Millions of Streams

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Last weekend, Five Nights at Freddy’s — the horror film based on the popular video game franchise, featuring family-restaurant animatronic mascots coming alive and wreaking havoc on an unsuspecting security guard — became a surprise box office behemoth, grossing nearly $90 million in North America over the pre-Halloween weekend. And along with the film’s success at the multiplex, its vocoder-heavy, go-for-broke electro-rock theme, also titled “Five Nights at Freddy’s,” is soaring on streaming services.

Actually, the “Five Nights at Freddy’s” song is nearly a decade old: The Living Tombstone, an Internet-beloved gaming band made up of Sam Haft and Yoav Landau, released the track in 2014, a few weeks after the first Five Nights at Freddy’s video game was released. As a nod toward longtime fans of the Freddy’s franchise, The Living Tombstone’s anthem was placed at the start of the end credits of the film adaptation, where it was revisited by video game enthusiasts and discovered by unfamiliar moviegoers.

As a result, The Living Tombstone’s track experienced a significant streaming uptick upon the film’s release: in the first five days (or five nights, if you will) of Five Nights at Freddy’s being in movie theaters (Oct. 27-31), the song scored 3.05 million U.S. on-demand streams, a 618% increase compared to the previous Friday-through-Tuesday tracking period (424,000 streams), according to Luminate. Will there be more nights at Freddy’s, considering how well the film has performed? With sequel possibilities, The Living Tombstone better get moving on some follow-up themes. – JASON LIPSHUTZ

Lil Mabu & Chriseanrock Spin Blueface Beef Into Streaming Gold With “Mr. Take Ya Bitch” 

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Following in the footsteps of Lil Uzi Vert & Nicki Minaj’s Natalie Nunn-referencing “Endless Fashion” and JaidynAlexis’ viral hit “Barbie,” the Zeus Network industrial complex has spawned yet another streaming smash. “Mr. Take Ya Bitch,” a fiery duet between “Mathematical Disrespect” rapper Lil Mabu and Chriseanrock, a former partner of “Thotiana” rapper Blueface, is making eye-popping streaming gains with each passing week. 

According to Luminate, “Mr. Take Ya Bitch,” has earned just over 7.1 million official on-demand U.S. streams during the period of Oct. 20-26, a staggering 165.5% increase from 2.69 million streams during the period of Oct. 13-19. The new track is the result of a weeks-long marketing campaign that found Mabu inserting himself into the seemingly endless drama between Blueface and Chrisean. In short, Blueface and Chrisean – a former track star turned Internet personality — dated from 2020-2023, welcomed their first child together two months ago, and co-starred in a two-season reality TV series chronicling their turbulent relationship. The pair’s toxic behavior, in tandem with their commitment to livestreaming virtually every second of their lives, has captivated viewers across social media, and now, “Mr. Take Ya Bitch” has enraptured that same audience. 

Lil Mabu first teased his link-up with Chriseanrock in an Oct. 12 TikTok, set to the chorus of Pop Smoke and Lil Tjay’s “Mood Swings.” A TikTok announcing the track’s full release and showcasing the most viral parts of both rapper’s verses arrived on Oct. 16. “I’m Mr. Take Yo B—ch, take her on trip/ Fly her to New York, sign my name all on her t–s/ Yes, I took his lady/ I like blue faces, so I took his baby,” Mabu raps, throwing direct shots at Blueface. Chrisean then spits, “F—k Blueface, I had to find a new bae/ Yeah, aight, with Mabu, f—k what you say/ I might put it in his face cause he want a taste/ This that newborn p—y, make my water break.” 

Thanks to the social pull of both artists – as well as a burgeoning dance challenge set to Mabu’s chorus – the official TikTok sound for the initial snippet has garnered over 24,000 posts, while the official sound for the full song has collected over 608,300 posts. The song’s official music video has also amassed over 14 million views on YouTube in just two weeks, already surpassing the view count for the “Mathematical Disrespect” video – and that track hit No. 90 on the Billboard Hot 100. 

With “Mr. Take Ya Bitch” having reached the top of both the Bubbling Under Hot 100 and the TikTok Billboard Top 50, it looks like Lil Mabu’s second Hot 100 hit could be right around the corner. – KYLE DENIS

Luck Ra’s “La Morocha” featuring BM holds strong at No. 1 on the Billboard Argentina Hot 100 chart (dated Nov. 4) for a sixth week in charge. The extended domination becomes the second longest in 2023, alongside Myke Towers’ “Lala,” which ruled for an equal six weeks. Both songs stand behind another pair of winners, […]

Calibre 50 extends its record for the most No. 1s on Billboard’s Regional Mexican Airplay chart as “Vengo de Verla” crowns the tally dated Nov. 4. The single advances from No. 5 in its 10th week with 7.8 million audience impressions, up 19%, earned during the tracking week ending Oct. 26, according to Luminate. It […]

After three weeks at No. 1 on the TikTok Billboard Top 50, Mitski’s “My Love Mine All Mine” relents the No. 1 spot to Lil Mabu and Chrisean Rock’s “Mr. Take Ya B-tch.” Tetris Kelly: Half the TikTok top 10 are newbies this week and we’ve got a new No. 1. Lil Mabu and Chrisean […]

On Nov. 3, 11 musical acts, one hit-generating songwriter and Don Cornelius, the creator-host — from 1971 to 1993 — of groundbreaking syndicated Black music showcase Soul Train, will be inducted into the Rock & Roll Hall of Fame.

This year’s list of honorees includes a crop of legendary performers: British art-pop legend Kate Bush, hip-hop trailblazer Missy Elliott, late megastar George Michael, pop-rock hitmaker Sheryl Crow, outlaw country icon Willie Nelson, rap-rock firebreathers Rage Against the Machine and smooth soul group The Spinners.

Elsewhere, two individuals are set to be inducted under the “musical influence” category, including “Father of Hip-Hop” DJ Kool Herc and guitar pioneer Link Wray; while the “musical excellence award” will be given to three others: funk idol Chaka Khan, veteran studio musician Al Kooper and longtime Elton John lyricist Bernie Taupin.

Notably, four of the seven performers are being inducted on their first nomination: Crow, Elliott, Michael and Nelson. Among those, Elliott was the only artist eligible for the first time in 2023.

While the achievements of many of the above-named inductees — performers like Elliott, Michael, Crow, Nelson, Rage and Khan — are well-known to many, others on the list require more of an introduction. Below, we’ve compiled quick facts on each of the honorees, from the trails they’ve blazed in the industry to the hit songs that shot them to fame and fortune.

Below, a look at their musical milestones and chart achievements.

The Rock & Roll Hall of Fame induction ceremony will take place at Barclays Center in Brooklyn on Friday (Nov. 3). Viewers can watch the event live on Disney+ starting at 8 p.m. ET.

Kate Bush

Image Credit: TV Times/Getty Images

Tyla’s rapid rise hits a new level this week as “Water” rushes into the top 10 on Billboard’s Hot R&B/Hip-Hop Songs chart with a 12-8 push on the list dated Nov. 4. The South African singer’s single continues to build in all three contributing metrics – streaming, radio airplay and sales – and races into the top 40 on the Billboard Hot 100.

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In the latest tracking week of Oct. 20 – 26, “Water,” released on FAX Records / Epic Records, registered 11.4 million official U.S. streams, according to Luminate, an 18% jump from the prior week. Thanks to that figure, the track lifts 14-10 on R&B/Hip-Hop Streaming Songs and takes the chart’s weekly Greatest Gainer honor. In the sales market, “Water” also sold 2,000 downloads in the tracking week, an 11% improvement on the prior week and enough to keep the track at No. 3 on R&B/Hip-Hop Digital Song Sales for a second week. The single’s radio airplay surges to 15.1 million in total audience, a 39% swell compared to the previous week, and prompts its No. 39 entrance on the all-genre Radio Songs chart. (All radio airplay, regardless of genre format, contributes to a track’s rank on the Hot R&B/Hip-Hop Songs chart.)

Diving further into the “Water” radio appeal, the single is hottest at the R&B/hip-hop format, as it pushes 19-14 on the Mainstream R&B/Hip-Hop Airplay chart through a 25% gain in plays at the format. It’s quickly racing up the ranks at rhythmic radio, dashing 30-20 on Rhythmic Airplay following a 57% explosion in weekly plays there. Plus, the tune launches at No. 39 on the Pop Airplay chart due to a 75% week-over-week improvement in plays at mainstream top-40 radio stations.

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Elsewhere, “Water” springs 5-2 on the Hot R&B Songs chart for a new peak and bursts 46-21 to a new best on the all-genre Hot 100, securing Tyla’s first top 40 hit in the process. In addition, “Water” wins a third term at No. 1 on the Billboard U.S. Afrobeats Songs chart. Echoing its rapid ascent up several U.S. charts, “Water” is also proving a global hit: The tune darts 21-9 on the Billboard Global 200 and 17-11 on the Billboard Global Excl. U.S. chart.

The ”Water” chart rise also lifts Tyla’s fortunes on the Billboard Artist 100, where she leaps 72-58 in her second week on the 100-position list, which measures artist activity across key metrics of music consumption- album and track sales, radio airplay and streaming – to provide a weekly multi-dimensional ranking of artist popularity.

After a three-week reign atop the TikTok Billboard Top 50, Mitski’s “My Love Mine All Mine” relents the No. 1 spot to Lil Mabu and Chrisean Rock’s “Mr. Take Ya B-tch,” which zooms from No. 33 to the top of the Nov. 4-dated tally.

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The TikTok Billboard Top 50 is a weekly ranking of the most popular songs on TikTok in the United States based on creations, video views and user engagement. The latest chart reflects activity Oct. 23-29. Activity on TikTok is not included in Billboard charts except for the TikTok Billboard Top 50.

“Mr. Take Ya B-tch” debuted on the Oct. 28-dated TikTok Billboard Top 50, following the song’s premiere on Oct. 16. In addition to a viral dance to the song on TikTok, the track has also garnered attention due to the song dissing Chrisean Rock’s ex-boyfriend Blueface (she is now dating Lil Mabu). Blueface’s current girlfriend, JaidynAlexis, concurrently leaps into the top 10 of the chart, zooming 13-8 with “Barbie” (more on it here after its debut on the Oct. 21 survey).

Lil Mabu and Chrisean Rock’s collaboration debuts at No. 33 on the Hot R&B/Hip-Hop Songs chart dated Nov. 4, racking up 7.2 million official U.S. streams in the Oct. 20-26 tracking week, according to Luminate.

It’s not the first time Lil Mabu has had a viral moment on TikTok, though it’s the first since the TikTok Billboard Top 50 began in September 2023. Previously, his song “Mathematical Disrespect” rose to No. 47 on the Billboard Hot 100 in May.

Music from Disney films take up two of the TikTok Billboard Top 50’s top 10 spots, with “Mr. Take Ya B-tch” followed by Ariana DeBose’s “This Wish” at No. 2 after it debuted at No. 5 the previous week. The song, from the upcoming film Wish out Nov. 22, continues to rise thanks to continued usages around collective digital character cards on TikTok for Walt Disney Animation Studios’ 100th anniversary that were launched Oct. 16. “We Don’t Talk About Bruno,” from 2021’s Encanto, benefits from the same trend, jumping 25-6.

The TikTok Billboard Top 50’s previous No. 1, Mitski’s “My Love Mine All Mine,” falls to No. 3 (though it continues to vault up the Billboard Hot 100, leaping 35-26 for a new peak), while Aliyah’s Interlude’s “It Girl” lifts from No. 6 to No. 4, its first week in the top five. Future’s “Wicked,” previously at No. 3, drops to No. 5 to round out the top five.

One of the chart’s big movers outside of “Mr. Take Ya B-tch” is Bad Bunny’s “Monaco,” which, after debuting at No. 50 on the Oct. 28 ranking, rises to No. 7 in its second week. Concurrently, the song spends a second week at No. 1 on Billboard’s Hot Latin Songs, with 18.1 million streams, 1.8 million radio audience impressions and 2,000 downloads.

Drake’s “Rich Baby Daddy,” featuring Sexyy Red and SZA, also reaches the TikTok Billboard Top 50’s top 10 for the first time, jumping 21-10 on the heels of dance content and other uploads mostly isolating Sexyy Red’s chorus.

Prince and the Revolution’s “Kiss,” meanwhile is the chart’s top debut of the week, bowing at No. 12. The iconic artist’s two-week Hot 100 No. 1 (1986) blasts onto the list due to a meme of a skeleton dancing to the song.

See the full TikTok Billboard Top 50 here, including debuts from Beach House, Future, Hank Williams Jr. and more. You can also tune in each Friday to SiriusXM’s TikTok Radio (channel 4) to hear the premiere of the chart’s top 10 countdown at 3 p.m. ET, with reruns heard throughout the week.

J Balvin adds a record-extending 36th No. 1 to his Billboard Latin Airplay account as his latest single “Dientes,” with Usher and DJ Khaled, climbs 9-1 on the Nov. 4-dated ranking. Usher and Khaled add their second leader.
“Dientes” becomes the Greatest Gainer of the week with 11 million audience impressions, up 51%, earned in the U.S. during the Oct. 20-26 tracking week, according to Luminate.

With “Dientes,” J Balvin tastes his first No. 1 on the overall Latin Airplay chart in 2023. His last effort, “Nivel de Perreo” with Ryan Castro, reached a No. 26 high last September. Prior, “Forever My Love” and “Sigue,” both collaborations with Ed Sheeran, took Balvin to the summit for one week each in April 2022.

Balvin first broke the No. 1 barrier with “AM” with Farruko in 2014, for one week in charge, and became a staple at the format with six more No. 1s from his next 10 chart visits. In total, Balvin has collected 36 champs, further distancing from the competition.

Here’s the rundown of artists with the most No. 1s on Latin Airplay since the chart began in 1994:

36, J Balvin

33, Ozuna

32, Enrique Iglesias

28, Daddy Yankee

23, Maluma

22, Bad Bunny

22, Wisin

“Dientes” brings Usher to the lead after more than two decades, after his featured role in Romeo Santos’ ”Promise” ruled for 10 weeks between 2011-12. Between his two chart-topping singles, he landed a No. 35 high through his featured turn in David Guetta’s “Without You” in 2012.

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DJ Khaled, meanwhile, scores his second No. 1 after Jennifer Lopez’s “Dinero” — where he is featured along with Cardi B — led for one week in 2018.

Back to the champ, in addition to securing all artists a new No. 1, “Dientes” gives UMLE its fourth ruler in 2023, after the label dominated with Karol G and Shakira’s TQG” (two weeks between May and July), Alejandro Fernandez’s “No Es Que Me Quiera Ir” and Feid and Sean Paul’s “Nina Bonita” (both for one week in Aug.)