Chart Beat
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Blink-182’s One More Time bows atop the Billboard 200 albums chart (dated Nov. 4), securing the rock trio its third chart-topping set. The new full-length studio album begins with 125,000 equivalent album units earned in the U.S. in the week ending Oct. 26, according to Luminate, largely powered by traditional album sales.
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One More Time is Blink-182’s first album with the group’s longtime lineup of drummer Travis Barker, vocalist/bassist Mark Hoppus and guitarist/vocalist Tom DeLonge since DeLonge departed the group in 2015 for seven years, and the first studio effort from that trio since 2012’s Dogs Eating Dogs EP. (Barker, Hoppus and DeLonge comprised Blink-182 during the band’s mainstream breakthrough in 1999 through 2014.)
Blink-182 previously hit No. 1 on the Billboard 200 with 2016’s California (with the lineup of Barker, Hoppus and guitarist/vocalist Matt Skiba) and 2001’s Take Off Your Pants and Jacket.
One More Time was led by a pair of No. 1s on Billboard’s Alternative Airplay chart: “Edging” (No. 1 for 13 consecutive weeks in 2022-23, the band’s longest run at No. 1 with any of its five leaders) and the title track (No. 1 for two weeks, thus far, including on the most recently published chart, dated Oct. 28). “Edging” marked the first No. 1 for Blink-182 on the Alternative Airplay chart since 2016’s “Bored to Death,” and One More Time is the first Blink-182 album to generate at least two No. 1s on the survey. Both “Edging” and “One More Time” also reached the all-genre, multi-metric Billboard Hot 100, hitting Nos. 61 and 62, respectively – the band’s highest-charting Hot 100 entries since 2004’s “I Miss You” reached No. 42.
Also in the top 10 of the new Billboard 200, The Rolling Stones extend their record for the most top 10-charting albums in the history of the list, as Hackney Diamonds debuts at No. 3, marking the group’s 38th top 10 effort. It’s the Rock & Roll Hall of Famer’s first studio album of all-original material since 2005’s A Bigger Bang.
The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Nov. 4, 2023-dated chart will be posted in full on Billboard‘s website on Tuesday (Oct. 31). For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.
Of One More Time’s 125,000 equivalent album units earned in the week ending Oct. 26, album sales comprise 101,000 (making it the top-selling album of the week), SEA units comprise 23,000 (equaling 30.19 million on-demand official streams of the set’s songs) and TEA units comprise 1,000.
Sales of One More Time were bolstered by its availability across 11 vinyl variants (which combined to sell 49,000 copies — the largest sales week for a rock album on vinyl in 2023), a standard CD, a cassette, and a deluxe boxed set with a branded shirt and a CD contained inside. The trio also released a late-in-the-week deluxe digital edition of the album, exclusively sold on the band’s webstore beginning on Oct. 25, which boasts two new bonus songs.
Drake’s chart-topping For All the Dogs is a non-mover at No. 2 with 120,000 equivalent album units earned (down 27%). It also scores its first frame at No. 1 on the recently launched Top Streaming Albums chart.
The Rolling Stones’ new studio album Hackney Diamonds debuts at No. 3 on the Billboard 200 with 101,000 equivalent album units earned. It’s the band’s first effort of all-original material since 2005’s A Bigger Bang, which debuted and peaked at No. 3. Hackney Diamonds marks the Stones’ 38th top 10-charting album, extending the group’s record for the most top 10 albums on the chart (since the list began publishing on a regular, weekly basis in 1956). Hackney Diamonds boasts special guests Lady Gaga, Elton John, Paul McCartney and Stevie Wonder. The set was led by the singles “Angry” and “Sweet Sounds of Heaven” with Gaga. Both reached the Hot Rock & Alternative Songs chart, while “Angry” has also reached the top 10 of the Adult Alternative Airplay tally.
Of Hackney Diamonds’ first-week units, album sales comprise 94,000, SEA units comprise 6,000 (equaling 8.41 million on-demand official streams of the album’s songs) and TEA units comprise 1,000. The album’s sales were enhanced by its availability across more than 30 vinyl variants (totaling 36,000 sold), two deluxe boxed sets (with either a branded shirt or a hat, plus a CD), a digipack CD, a CD/blu-ray box set and a standard CD and download album.
Bad Bunny’s Nadie Sabe Lo Que Va a Pasar Mañana falls 1-4 in its second week on the Billboard 200 with 97,000 equivalent album units earned (down 47%).
The rest of the top 10 on the new Billboard 200 consists of former No. 1s, as Morgan Wallen’s One Thing at a Time climbs 6-5 (69,000; up less than 1%); Taylor Swift’s Midnights rises 9-6 (52,000; up 3%); Swift’s Lover ascends 8-7 (52,000; down less than 1%); Zach Bryan’s self-titled album falls 4-8 (just over 51,000; down 29%); Rod Wave’s Nostalgia dips 7-9 (51,000; down 4%); and Olivia Rodrigo’s Guts is a non-mover at No. 10 (45,000; down 9%).
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
Taylor Swift’s fourth re-recorded album, 1989 (Taylor’s Version), sold over 250,000 copies in the U.S. on its first day of release, Oct. 27, according to initial reports to data tracking firm Luminate. After just one day, the album has the third-largest sales week of 2023; the only bigger weeks were registered by Swift’s own Speak Now (Taylor’s Version), with 507,000 in its opening week, and Travis Scott’s Utopia, with 252,000 in its first week.
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The sales of 1989 (Taylor’s Version) will increase in the coming days, with the current tracking week ending on Thursday, Nov. 2. The album’s final first-week sales number is expected to be announced on Sunday, Nov. 5, along with its assumed large debut on the multi-metric Billboard 200 albums chart (dated Nov. 11). If 1989 (Taylor’s Version) debuts atop the Billboard 200, it will mark Swift’s 13th No. 1 album, extending her record for the most among women.
All 12 of Swift’s full-length studio albums and re-recorded projects from 2008’s Fearless, her second studio album, through 2023’s Speak Now (Taylor’s Version) have debuted at No. 1.
The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.
In addition, the songs on 1989 (Taylor’s Version) collectively generated over 110 million on-demand official audio streams on the set’s release day in the U.S., according to initial reports to Luminate.
Further news of initial sales, streaming and track-equivalent activity for the album, as provided by Luminate, will be reported in the coming days.
The original 1989 album debuted atop the Billboard 200 chart dated Nov. 15, 2014, and spent 11 nonconsecutive weeks at No. 1. It is tied with Swift’s first No. 1, Fearless, for her most weeks at No. 1 with a single album. The 1989 album boasts three songs that hit No. 1 on the Billboard Hot 100 — the most No. 1s generated from any Swift album. She sent the tracks “Shake It Off,” “Blank Space” and “Bad Blood,” featuring Kendrick Lamar, to No. 1 in 2014-15.
1989 (Taylor’s Version) includes re-recordings of the original 1989 album’s standard 13 songs plus the three tracks on its deluxe edition. The new 1989 (Taylor’s Version) boasts five additional previously unreleased “From the Vault” songs, bringing the total number of songs on the standard version of 1989 (Taylor’s Version) to 21.
1989 (Taylor’s Version) is available to purchase in 15 collectible physical formats: five color vinyl variants, eight CD editions and two cassette editions. Of the five vinyl variants, Target carries a color variant that includes one bonus track (“Sweeter Than Fiction”). The album is also available to buy in two digital download editions: a standard 21-song version and a deluxe 22-song version (which adds a re-recorded version of the album’s “Bad Blood,” featuring Lamar).
Luke Combs’ “Fast Car” rebounds from No. 6 to No. 5 on Billboard’s Country Airplay chart dated Nov. 4. The song drew 23.4 million audience impressions Oct. 20-26, according to Luminate.
The update of Tracy Chapman’s classic story song, which hit No. 6 on the all-genre Billboard Hot 100 in 1988, became Combs’ 16th Country Airplay No. 1 in July and ruled for five weeks. It also crossed over, leading the all-format Radio Songs chart for four frames and Adult Pop Airplay for two, while reaching the top five on Adult Contemporary and the top 10 on Pop Airplay.
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“Fast Car” adds a 19th week in the Country Airplay top five, the fourth-longest run ever in the region. It follows only Cole Swindell’s “She Had Me at Heads Carolina” (24 weeks, starting in September 2022) and Morgan Wallen’s “You Proof” (22, beginning in October 2022) and “Last Night” (20, starting in May).
Looking at the 10 longest-lasting top five hits, all but one — Sam Hunt’s 2017 smash “Body Like a Back Road” — have charted since 2020.
What’s keeping certain hits from shifting into reverse quickly on Country Airplay? As noted in July, key factors include both a sustained run of perceived strong product and programmers paying attention to what’s streaming well.
Meanwhile, “in the case of ‘Fast Car,’ we’re seeing very little burn,” country radio programming consultant Joel Raab tells Billboard. “Part of the art of programming is to know when to move on, even when a song continues to test well. It may sound like a cliché, but when program directors tire of a song, that’s the time to play it more.”
“Familiarity breeds comfort,” says Charlie Cook, Cumulus Media’s vp of country. “Okay, that’s a mashup of the saying, but that’s the case with today’s country music. I know that some acts and labels are eager to move on, but I doubt that Wallen, Combs and the writers of these longtime radio hits feel the same.”
Along with earning another top five hit on the Country Airplay charts, Combs is also nominated for 10 trophies at the 2023 Billboard Music Awards. This year’s show will air exclusively across the BBMAs and Billboard social media channels, and at BBMAs.watch, on Sunday, Nov. 19.
For the first time, Metallica has notched three No. 1 songs on Billboard’s Mainstream Rock Airplay chart from a single album.
“Too Far Gone?” ascends to the top of the Nov. 4-dated ranking, marking the third leader on the list from 72 Seasons, Metallica’s 11th studio album, released in April. “Lux Æterna” led for 11 weeks beginning last December and the title track spent two weeks on top in July.
“Too Far Gone?” is Metallica’s 13th Mainstream Rock Airplay No. 1 overall, slotting the band into a three-way tie with Foo Fighters and Van Halen for the fourth-most rulers in the chart’s 42-year history. Shinedown leads all acts with 18 No. 1s.
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Most No. 1s, Mainstream Rock Airplay18, Shinedown17, Three Days Grace14, Five Finger Death Punch13, Foo Fighters13, Metallica13, Van Halen12, Disturbed12, Godsmack10, Tom Petty (solo and with the Heartbreakers)10, Volbeat
Prior to 72 Seasons, Metallica had scored two Mainstream Rock Airplay No. 1s apiece from three albums: 1996’s Load (“Until It Sleeps” and “Hero of the Day”), 2008’s Death Magnetic (“The Day That Never Comes” and “Cyanide”) and 2016’s Hardwired… to Self-Destruct (“Hardwired” and “Atlas, Rise!”)
Concurrently, “Too Far Gone?” places at No. 7 on the all-rock-format, audience-based Rock & Alternative Airplay survey, after reaching at No. 6, with 3.1 million audience impressions Oct. 20-26, according to Luminate.
On the most recently published multi-metric Hot Hard Rock Songs chart (Oct. 28), “Too Far Gone?” ranked at No. 12. In addition to its radio airplay, the song earned 201,000 official U.S. streams Oct. 13-19.
72 Seasons bowed at No. 1 on the Top Rock & Alternative Albums chart dated April 29 and has earned 324,000 equivalent album units to date.
All Nov. 4-dated Billboard charts will update on Billboard.com on Tuesday, Oct. 31.
Luck Ra’s “La Morocha” featuring BM rebounds 2-1 on the Billboard Argentina Hot 100 chart (dated Oct. 28) for a fifth week of domination. The song unseats Bizarrap and Milo J’s “Bzrp Music Sessions, Vol. 57” from the lead after one week in charge. With the move, “La Morocha” ties with Ke Personajes, Big One […]
The Rolling Stones roll all the way to the top of Australia’s albums chart with Hackney Diamonds (Polydor/Universal), for their eighth leader.
Hackney Diamonds debuts at No. 1 on the ARIA Chart, published Friday, Oct. 27, the legendary British rock band’s 34th top 10 title.
Featuring collaborations with Lady Gaga, Elton John Stevie Wonder and Paul McCartney, and contributions from former bass player Bill Wyman and the group’s late drummer Charlie Watts, Hackney Diamonds is the Stones’ first album of original material since A Bigger Bang, which blasted to No. 4 in 2005. Since then, the Stones have clocked up two more leaders in Australia, with hits collection GRRR! in 2012, and covers set Blue & Lonesome in 2016.
Mick Jagger and Co. first led the national chart back in 1964 with their debut, self-titled album.
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The reunited Blink-182 bows at No. 2 on the ARIA Chart with One More Time… (Columbia/Sony), for the pop-rock trio’s ninth top 10 in the land Down Under. One More Time… marks the return of the classic line-up, with guitarist and singer Tom DeLonge slotting back in alongside bass player and vocalist Mark Hoppus, and drummer Travis Barker.
Blink-182 has now led the ARIA Chart on four occasions, including Take Off Your Pants and Jacket (2001), Neighborhoods (2011) and California (2016). One More Time… is the band’s first studio album since 2019’s Nine, which featured Alkaline Trio’s Matt Skiba in place of DeLonge, and which peaked at No. 4.
Olivia Rodrigo’s former leader Guts (Geffen/Universal) closes out the top 3 on the latest tally, holding at No. 3, ahead of LPs from Drake (For All The Dogs down 2-4 via Republic/Universal) and Taylor Swift (Midnights up 6-5 via Universal), respectively.
Over on the ARIA Singles Chart, Doja Cat’s “Paint The Town Red” (via RCA/Sony) retains top spot for the 10th consecutive week. According to ARIA, it’s the 27th single to log 10 or more weeks at the top, a list that’s led by Tones And I’s “Dance Monkey” with 24 non-consecutive weeks. Also, Doja is the sixth solo female act to clock double-figure weeks at No. 1, joining Tones, Dinah Shore (13 weeks with “Buttons And Bows” in 1949), Miley Cyrus (12 weeks with “Flowers” earlier this year), Whitney Houston (10 weeks in 1992-93 with “I Will Always Love You”) and Sandi Thom (10 weeks in 2006 with “I Wish I Was A Punk Rocker”).
It’s worth noting, the Spice Girls reigned over the national tally for 11 weeks in 1996-97 with their signature song “Wannabe,” and Elton John’s record-breaking “Cold Heart” with Dua Lipa, remixed by Aussie electronic act Pnau, spent 10 weeks at the summit in 2021-22.
The latest singles chart podium is completed by Taylor Swift’s “Cruel Summer” (Universal), up 3-2 for a new peak position in its 21st week on the survey, and Tate McRae’s “Greedy” (RCA/Sony), down 2-3.
The top new release this week belongs to Sydney-raised singer and rapper The Kid LAROI with “Too Much” (Columbia/Sony), featuring BTS‘ Jung Kook and Central Cee. It’s new at No. 10 for LAROI’s seventh top 10 single in Australia, the third top 10 for British rapper Central Cee (including a seven-week stretch at No. 1 with Dave on “Sprinter” earlier this year), and the third top tier title for South Korean singer Jung Kook.
The Los Angeles-based LAROI ruled the chart for a week in 2021 with “Without You” and again with “Stay,” his monster hit with Justin Bieber, which owned top spot for 17 weeks in 2021-22.
TOMORROW X TOGETHER scores its fifth No. 1 on Billboard’s Top Album Sales chart (dated Oct. 28), as group’s The Name Chapter: Freefall opens atop the list, selling 106,000 copies in the week ending Oct. 19 in the U.S., according to Luminate.
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Also in the top 10 of the new Top Album Sales chart: the latest releases from Offset, Troye Sivan, Beartooth and Boygenius debut in the top 10, while Zach Bryan’s self-titled album re-enters at No. 3 and Pink Floyd’s The Dark Side of the Moon re-enters at No. 7.
Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.
Of the 106,000 copies sold of The Name Chapter: Freefall, physical sales comprise 105,000 (all CD sales) and digital downloads comprise 1,000. As with many major K-pop releases, Freefall was issued in an assortment of collectible CD variants with randomized merchandise contained in each package — 14 in total, including exclusive editions sold through Barnes & Noble, Target and Walmart, as well as the act’s webstore (including signed versions).
Offset’s new Set It Off starts at No. 2 on Top Album Sales with 25,000 copies sold. Its first-week sales were bolstered by its availability in four deluxe boxed sets (each containing a T-shirt and a CD), two artist webstore-exclusive CD variants and three vinyl LP variants.
Zach Bryan’s self-titled album returns to its debut and peak position, as the album re-enters at No. 3 with 24,000 sold (up 2,686%) — a new weekly sales high for the album and for any Bryan album. Its sales gain is owed to its release on CD and vinyl LP — with the CD accounting for about 3,000 sold, and the vinyl selling 20,000. The album was only available in one singular CD or vinyl LP edition. The album was only previously available to purchase as a digital download.
Troye Sivan’s new studio album Something to Give Each Other bows at No. 4 on Top Album Sales, with 16,000 copies sold. It’s his sixth top 10 consecutive album on the tally — the entirety of his charting efforts. The new album’s sales were goosed by its availability across five vinyl variants (including a signed version), three CD editions (including a signed version), a cassette and a digital album.
Beartooth nabs its second top 10-charting effort on Top Album Sales as The Surface starts at No. 5 with 12,000 copies sold. Its sales were enhanced by its availability across 13 vinyl editions (including one signed edition), three CD editions (including a signed CD and a signed longbox package), a cassette and a digital album.
Boygenius’ four-song EP The Rest debuts at No. 6 on Top Album Sales with nearly 12,000 copies sold — largely from vinyl sales. Available in three different vinyl variants, it sold about 9,000 copies on wax. Its CD sold about 1,000 and its digital album sold 2,000.
Pink Floyd’s The Dark Side of the Moon re-enters Top Album Sales at No. 7 with 12,000 copies sold (up 678%), following the release of its 50th anniversary remastered edition on CD, vinyl LP and Blu-ray. It’s the highest rank for the album on the 32-year-old chart, and its biggest sales week since 2014. (On the overall Billboard 200 chart, The Dark Side of the Moon hit No. 1 in 1973, marking the band’s first of five chart-toppers.)
Rounding out the new Top Album Sales chart is a trio of former No. 1s: Olivia Rodrigo’s Guts falls 4-8 (11,000; down 20%), NCT 127’s Fact Check: The Fifth Album drops 1-9 in its second week (10,000; down 67%) and Taylor Swift’s Lover dips 8-10 (9,000; though up 6%).
In the week ending Oct. 19, there were 1.697 million albums sold in the U.S. (up 1.6% compared to the previous week). Of that sum, physical albums (CDs, vinyl LPs, cassettes, etc.) comprised 1.379 million (up 1.8%) and digital albums comprised 318,000 (up 0.6%).
There were 652,000 CD albums sold in the week ending Oct. 19 (up 9.1% week-over-week) and 711,000 vinyl albums sold (down 4.7%). Year-to-date CD album sales stand at 27.411 million (up less than 1% compared to the same time frame a year ago) and year-to-date vinyl album sales total 36.341 million (up 18.4%).
Overall year-to-date album sales total 78.888 million (up 5.4% compared to the same year-to-date time frame a year ago). Year-to-date physical album sales stand at 64.183 million (up 9.7%) and digital album sales total 14.706 million (down 9.8%).
Beartooth notches its second No. 1 on Billboard’s Top Hard Rock Albums chart, as The Surface debuts atop the Oct. 28-dated ranking.
The set bows with 17,000 equivalent album units earned in the Oct. 13-19 tracking week, according to Luminate. Of that sum, 12,000 are via album sales, with 7,000 on vinyl.
Beartooth previously ruled Top Hard Rock Albums in 2018 with Disease, which reigned for a week upon its debut that October. The Caleb Shomo-led band adds its fifth top 10 (and total entry), having also charted with Below (No. 2, July 2021), Aggressive (No. 3, 2016) and Disgusting (No. 6, 2014).
Concurrently, The Surface debuts at No. 9 on Top Rock & Alternative Albums, marking Beartooth’s fourth top 10, dating to the No. 4 debut and peak of Aggressive in June 2016. It also starts at No. 5 on the all-genre Top Album Sales chart, where it’s the band’s second top 10.
The release of The Surface was preceded by a pair of radio singles. “Riptide” peaked at No. 11 on the Mainstream Rock Airplay chart in January, while follow-up “Might Love Myself” lifts 6-5 on the latest list. The latter becomes Beartooth’s first top five hit on Mainstream Rock Airplay among three top 10s, surpassing the No. 6-peaking “Hated” in 2017.
“Might Love Myself” also jumps 22-18 on the all-rock-format, audience-based Rock & Alternative Airplay chart with 1.8 million audience impressions, up 12%.
Five songs from The Surface rank on the Oct. 28-dated, multi-metric Hot Hard Rock Songs survey, paced by “Might Love Myself” at No. 9. In addition to its radio airplay, the song earned 721,000 official U.S. streams. It’s followed by a debut for “I Was Alive” at No. 11 (779,000 streams).
Following the release of her Taylor Swift: The Eras Tour concert film, streams and sales of Taylor Swift’s music rose in the Oct. 13-19 tracking week, spurring gains and re-entries for her catalog on the Billboard charts dated Oct. 28.
In all, Swift’s catalog of songs earned 369.3 million official on-demand U.S. streams Oct. 13-19, according to Luminate. That’s a 22% leap from 302.3 million Oct. 6-12.
Additionally, digital song sales of her music jumped 275% from 25,000 downloads to 94,000, while album sales leaped 7% from 51,000 to 55,000.
Leading the way, Lover‘s “Cruel Summer,” which concurrently crowned the multimetric Billboard Hot 100, as previously reported, received 18.6 million streams, up 35%. That said, the song was assisted by a push to reach No. 1 on the Hot 100 for the first time, with streams and sales boosted by a pair of newly released versions of the track on Oct. 19 — a live edition from the Eras Tour and a remix from LP Giobbi.
The next largest is “Anti-Hero,” from 2022’s Midnights, which jumped 12% to 9.6 million streams. “Blank Space,” from 2014’s 1989, places third at 7.8 million streams, up 18%.
The cross-catalog gains thanks to the film spur appearances from Swift material on a variety of genre-specific Billboard charts. Gains for the Folklore and Evermore tracks “Cardigan,” “August,” “Willow” and “Champagne Problems” even drive all four songs onto the Hot Rock & Alternative Songs tally, where older songs are able to re-enter if in the top 25 of chart points and with a meaningful reason for their re-entry. “Cardigan” paces the group at No. 12 thanks to 5.7 million streams, a gain of 17%.
All four songs also appear on Alternative Streaming Songs, led by “Cardigan,” which lifts 11-8.
Additionally, “All Too Well (Taylor’s Version),” taken from 2021’s Red (Taylor’s Version), returns to Hot Country Songs at No. 19 via 5.8 million streams, a 27% boost. It’s also found at No. 20 on Country Streaming Songs.
A pair of Swift albums appear in the top 10 of the Billboard 200: Lover, at No. 8 (52,000 equivalent album units, up 36%) and Midnights (No. 9, 51,000 units, up 20%). Three more in Folklore (No. 14, 38,000 units, up 20%), Speak Now (Taylor’s Version) (No. 18, 32,000 units, up 13%) and 1989 (No. 19, 32,000 units, up 17%) also make the top 20, with Reputation just outside the top 20 (No. 21, 31,000 units, up 29%).
Taylor Swift: The Eras Tour, which chronicles her popular (and ongoing) concert tour of the same name, was released in theaters on Oct. 13. After starting March 17 in Glendale, Ariz., the tour is currently scheduled to continue through Nov. 23 in Toronto, with much of its 2024 trek taking place outside of the United States.
Mitski’s “My Love Mine All Mine” is No. 1 on the TikTok Billboard Top 50 for a third straight week, while a slew of debuts appear in the top 10 of the Oct. 28-dated chart, led by Martin Garrix and Lloyiso’s “Real Love” at No. 4.
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The TikTok Billboard Top 50 is a weekly ranking of the most popular songs on TikTok in the United States based on creations, video views and user engagement. The latest chart reflects activity Oct. 16-22. Activity on TikTok is not included in Billboard charts except for the TikTok Billboard Top 50.
By reigning again on the TikTok Billboard Top 50, Mitski’s “My Love Mine All Mine” becomes the first song to rule the tally for at least three weeks, this coming in the seventh week of the ranking’s existence.
“My Love Mine All Mine” concurrently continues to vault up other Billboard charts alongside its TikTok success. It crowns the Alternative Streaming Songs survey for a second week with 12 million official U.S. streams Oct. 13-19, up 12%, according to Luminate. It also reaches a new peak of No. 35 on the multimetric Billboard Hot 100.
The previous week’s TikTok Billboard Top 50 Nos. 2 and 3, Future’s “Wicked” and Drake’s Yeat-featuring “IDGAF,” swap spots on the Oct. 28 tally, and they’re followed by a slew of five chart debuts in a row at Nos. 4-8, paced by Garrix and Lloyiso’s “Real Love.” Released Sept. 22, the tune is largely being used in a variety of viral clips rather than having a specific trend attached. It debuted at No. 35 on the Hot Dance/Electronic Songs chart dated Oct. 7 upon the song’s initial release.
It’s followed by a brand-new song in Ariana DeBose’s “This Wish,” the first song released from Disney’s upcoming animated film Wish (Nov. 22). A large chunk of the uploads using “This Wish” correspond not with Wish-related material, but rather with collectible character cards on TikTok created in conjunction with Walt Disney Animation Studios’ 100th anniversary.
The cards were released Oct. 16 (with “This Wish” following on Oct. 18), and many videos express excitement about collecting all the cards or ask their followers for the ones needed to complete their collections.
“This Wish” isn’t the only recent Disney song release that debuts in the top 10 of the latest TikTok Billboard Top 50. Lauv’s “Steal the Show,” from Disney and Pixar’s Elemental released earlier this year, bows at No. 7, also boosted by the collectible cards.
Between the two Disney and Pixar songs comes Aliyah’s Interlude’s “It Girl,” the sped-up version of which debuts at No. 6. Both the original “It Girl” and its sped-up edition were released Sept. 30, and the song has been steadily gaining in recent weeks, jumping 60% to 3.3 million streams toward the Oct. 28-dated Billboard charts (including a No. 34 debut on the Emerging Artists chart).
The final top 10 debut belongs to a classic in Fat Joe’s “What’s Luv?” featuring Ja Rule and Ashanti. A No. 2 hit on the Hot 100 in April 2002, “What’s Luv?” makes a comeback more than 20 years later thanks to a trend where users create crosswords using the word “love” and another word that both represents someone or something they love and happens to use one of the letters in “love.”
See the full TikTok Billboard Top 50 here, including debuts from Creedence Clearwater Revival, Summer Walker, Snoop Dogg and more.