Chart Beat
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The holiday season may be over, but the hits are just heating up on the ARIA Singles Chart.
As Christmas tracks retreat from their seasonal dominance, Rosé and Bruno Mars have reclaimed the crown with their smash hit “APT.,” catapulting from No. 8 back to No. 1 for an impressive eighth non-consecutive week on top. With holiday tunes swept off the charts, it’s time for pop’s biggest stars to shine again.
Gracie Abrams’ “That’s So True,” a former No. 1, leaps from No. 9 to No. 2, while Lady Gaga and Bruno Mars’ duet “Die With A Smile” ascends to No. 3 from No. 16. The track previously peaked at No. 2.
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Other notable singles include Billie Eilish’s “Birds of a Feather,” which jumps from No. 19 to No. 4 after topping the chart for two weeks in August, and Shaboozey’s “A Bar Song (Tipsy),” climbing from No. 18 to No. 5. The latter spent five weeks at No. 1 during July and August.
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Sydney indie-pop duo Royel Otis debut at No. 47 with “Linger (SiriusXM Session),” a fresh take on The Cranberries’ 1994 hit “Linger.”
The Cranberries’ original version became the band’s breakthrough single in the U.S., peaking at No. 8 on the Billboard Hot 100 in May 1994 and stayed on the charts for 24 weeks. It remains one of their most iconic tracks, blending alternative rock with orchestral elements and highlighting Dolores O’Riordan’s ethereal vocals. Royel Otis’ 2024 album Pratts & Pain earned two ARIA Awards last November.
On the ARIA Albums Chart, Sabrina Carpenter’s Short n’ Sweet continues to dominate, securing its eighth non-consecutive week at No. 1. The album’s standout tracks “Espresso” and “Taste” return to the top 10, climbing to No. 8 and No. 10 respectively.
Ed Sheeran’s greatest hits compilation +–=÷× (Tour Collection) rises from No. 12 to No. 6, spurred by the release of a limited-edition vinyl. The album, which peaked at No. 4 in October, showcases six of Ed’s Australian No. 1 singles, including “Shape of You” and “Bad Habits.”
SZA’s SOS secures a 12th nonconsecutive week atop the Billboard 200 albums chart (dated Jan. 11), continuing to profit from its deluxe reissue on Dec. 20 with 15 additional tracks. The set surged 15-1 on the Jan. 4 chart, following the reissue (dubbed SOS Deluxe: LANA). The set was originally released on Dec. 9, 2022, as a 23-track album and spent 10 weeks at No. 1 in late 2022 and early 2023. All versions of the album, old and new, are combined for tracking and charting.
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SOS earned 130,000 equivalent album units in the U.S. in the week ending Jan. 2 (down 27%), according to Luminate.
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The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Jan. 11, 2025-dated chart will be posted in full on Billboard‘s website on Tuesday (Jan. 7). For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter and Instagram.
Of SOS’ 130,000 equivalent album units earned in the week ending Jan. 2, SEA units comprise 125,500 (down 25%, equaling 166.31 million on-demand official streams of the set’s songs; it holds at No. 1 on the Top Streaming Albums chart), traditional album sales comprise 4,000 (down 59%, falling 23-36 on Top Album Sales) and TEA units comprise 500 (down 63%).
With a 12th total week at No. 1 on the Billboard 200, SOS has the most weeks atop the chart for an R&B/hip-hop album by a woman, or an R&B album by a woman, since Whitney Houston’s self-titled set tallied 14 weeks at No. 1 in 1986. (Honorable mention to the Houston-led soundtrack to The Bodyguard, which logged 20 nonconsecutive weeks at No. 1 in 1992-93. The 12-track album has six songs by Houston and six songs by other artists.)
The last R&B/hip-hop album with at least 12 weeks atop the Billboard 200 was Drake’s Views, which notched 13 nonconsecutive weeks at No. 1 in 2016 (May 21-Oct. 8). The last R&B album with at least 12 weeks at No. 1 on the Billboard 200 was The Bodyguard, with its 20-week reign. (R&B/hip-hop and R&B albums are defined as those that have hit or are eligible for Billboard’s Top R&B/Hip-Hop Albums and Top R&B Albums charts, respectively.)
As we move farther away from Christmas (Dec. 25), and with the chart’s latest tracking week covering the Dec. 27, 2024-Jan. 2, 2025 frame, no holiday albums dot the entire top 100 of the 200-title deep chart. A week ago, six of the top 10, and 32 of the top 100, were holiday efforts. In turn, on the latest chart, nonseasonal sets race up the list — many with week-over-week declines in activity — as the chart shakes off the festive last bits of merriment.
Kendrick Lamar’s former No. 1 GNX climbs 5-2 (70,000 equivalent album units earned; down 9%), Sabrina Carpenter’s chart-topping Short n’ Sweet jumps 12-3 (56,000; down 7%), the Wicked film soundtrack flies 8-4 (49,000; down 31%) and Billie Eilish’s Hit Me Hard and Soft vaults 14-5 (46,000; down 16%).
Taylor Swift’s former leader The Tortured Poets Department moves 7-6 (44,000 equivalent album units; down 40%) and Chappell Roan’s The Rise and Fall of a Midwest Princess rises 16-7 (41,000; down 20%).
To close out the top 10 at Nos. 8-10, three titles that were outside the top 20 a week ago all rush back to the top 10. Morgan Wallen’s chart-topping One Thing at a Time jumps 29-8 (nearly 41,000; up 10%), Gracie Abrams’ The Secret of Us bounces 25-9 (40,000; up 2%) and Tyler, The Creator’s former No. 1 CHROMAKOPIA drives 27-10 (38,000; down less than 1%).
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
Wayne Osmond, the second-oldest of the legendary Osmonds, died on Jan. 1. He was 73 years old.
Wayne, one of nine Osmond siblings, started a barbershop quartet in 1958 alongside his brothers Alan, Merrill and Jay. After getting discovered from a Disneyland performance, the boys were cast over a seven-year period on NBC’s The Andy Williams Show beginning in 1962. When brothers Jimmy and Donny joined the group, they became known as the Osmonds and were standout teen idols throughout the ‘70s.
The Osmonds formed in their hometown of Ogden, Utah. Their mother, Olive, reflected on their origin, born of their Mormon faith, in a 1976 interview, as recounted in Fred Bronson’s The Billboard Book of Number One Hits. “The church encourages talent, beginning with such things as singing, sports and speeches when the children are small,” she mused. “That’s how the four boys started singing together.”
The Osmonds charted four top 10s, among 10 top 40 hits, on the Billboard Hot 100, including the 1971 No. 1 “One Bad Apple.” Alan and Merrill Osmond co-wrote “Down by the Lazy River” (No. 4, 1972), the group’s biggest self-penned hit. The act achieved its top-charting album on the Billboard 200 with Phase-III, which reached No. 10 in 1972. The Osmonds tallied 13 titles on the tally through 2008.
Following 13 Hot 100 hits in 1971-76, the Osmonds disbanded in the summer of 1980. They reformed in 1982, minus Donny, and logged 11 entries on the Hot Country Songs chart, through 1986, led by their introductory hit at the format, the top 20-peaking “I Think About Your Lovin’.”
Amid the Osmonds’ chart dominance as a group, Donny scored solo success, earning five Hot 100 top 10s in 1971-73, including the three-week No. 1 “Go Away Little Girl,” which led seven months after “One Bad Apple.” After a 13-year-break from the chart, he returned and marched to No. 2 in 1989 with “Soldier of Love.”
Plus, Donny and sister Marie Osmond notched seven Hot 100 hits in 1974-78, including two top 10s. Marie forged her own successful career in country, running up four Hot Country Songs No. 1s in 1973-86.
On Jan. 2, Donny shared a heartfelt tribute on X, writing, “Wayne brought so much light, laughter and love to everyone who knew him, especially me. He was the ultimate optimist and was loved by everyone. I’m sure I speak on behalf of every one of us siblings when I state that we were fortunate to have Wayne as a brother.”
Below, browse the Osmonds’ 10 biggest career hits as a group on the Hot 100.
The Osmonds’ Biggest Billboard Hits chart is based on actual performance on the weekly Hot 100 chart from its Aug. 4, 1958, inception, through Jan. 4, 2025. Songs are ranked based on an inverse point system, with weeks at No. 1 earning the greatest value and weeks at No. 100 earning the least. Due to changes in chart methodology over the years, eras are weighted to account for different chart turnover rates over various periods.
“Goin’ Home”
Three Days Grace notches its 18th No. 1 on Billboard’s Mainstream Rock Airplay chart – and its first featuring vocals from original frontman Adam Gontier since “Misery Loves My Company” in 2013 – as “Mayday” lifts two spots to the top of the Jan. 11-dated tally.
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The band moves to within one spot of the all-time No. 1 record on Mainstream Rock Airplay, which began in 1981, behind only Shinedown’s 19 leaders.
Most No. 1s, Mainstream Rock Airplay:
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19, Shinedown
18, Three Days Grace
15, Five Finger Death Punch
14, Foo Fighters
14, Metallica
13, Godsmack
13, Van Halen
12, Disturbed
11, Linkin Park
Of Three Days Grace’s 18 Mainstream Rock Airplay No. 1s, 11 have been with Gontier, the group’s original lead singer, beginning with “Just Like You” in 2004. Following his departure in 2013, succeeding frontman Matt Walst racked up six rulers as the band’s sole vocalist, starting in 2014 with “Painkiller.”
“Mayday” is the first single since Gontier rejoined the band, with the singers trading vocals.
Meanwhile, “Mayday” rules in its sixth week on Mainstream Rock Airplay, completing Three Days Grace’s swiftest rise to No. 1 since “Chalk Outline” wrapped a four-week sprint in 2012.
Concurrently, “Mayday” ascends 37-36 on Alternative Airplay, marking the band’s highest charted entry since “The High Road,” which peaked at No. 24 in 2013. On the all-rock-format, audience-based Rock & Alternative Airplay chart, “Mayday” leaps 6-2 with 3.9 million audience impressions, up 6%, in the week ending Jan. 2, according to Luminate. That’s the band’s highest spot in the standings since “The Good Life” was No. 1 for six weeks in 2010.
On the most recently published multimetric Hot Hard Rock Songs list (dated Jan. 4, reflecting data tracked Dec. 20-26, 2024), “Mayday” ranked at No. 4, after debuting at its No. 2 best on the Dec. 7-dated survey. In addition to its radio airplay, the song earned 871,000 official U.S. streams.
“Mayday” is currently a standalone single, with Three Days Grace recording its eighth studio album and first since 2022’s Explosions. The new set will mark Gontier’s first with the band since 2012’s Transit of Venus.
All Billboard charts dated Jan. 11 will update on Billboard.com Tuesday, Jan. 7.
Gracie Abrams‘ “That’s So True” has returned to the top spot on the U.K.’s Official Singles Chart for a sixth non-consecutive week. Following a three-week stint at No. 1 for Wham!‘s 1984 classic “Last Christmas” over the festive period, Abrams’ single returns to the top for 2025’s opening week (Jan. 3). “That’s So True” first […]
Ed Sheeran has secured his eighth No. 1 on the U.K.’s Official Albums Chart with his greatest hits compilation +–=÷× (Tour Collection). The collection is made up of Sheeran’s hits from his Mathematical series of records: 2011’s + (Plus), 2014’s × (Multiply), 2017’s ÷ (Divide), 2021’s = (Equals) and 2023’s – (Subtract). A number of […]
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It’s a battle between SOS and Christmas this week on the Canadian Billboard charts. SZA’s new deluxe edition of her 2022 award-winner has pushed SOS back to the top spot on the Billboard 200. But in Canada, Michael Bublé’s Christmas continues to reign at No. 1 on the Billboard Canadian Albums chart, with SOS rising […]
Clark Sisters member Karen Clark Sheard scores her second solo No. 1, and first in a lead role, on Billboard’s Gospel Airplay chart as “Send It Down” rises two spots to the top of the list dated Jan. 4. During the Dec. 20-26 tracking week, the single increased by 1% in plays, according to Luminate.
Clark-Sheard co-authored the song with Kierra Sheard, her daughter; J. Drew Sheard II, her son; and Marcus Johnson, who also produced it.
Apart from the Clark Sisters, Clark-Sheard previously topped Gospel Airplay as featured on Kierra Sheard’s “Something Has to Break,” which dominated for two weeks in October 2021. (It became Kierra’s fourth of five No. 1s.) She next reigned with “Miracles,” featuring Pastor Mike Jr., for a week in July 2023.
“Send It Down” is from Clark-Sheard’s LP Still Karen, which arrived at its No. 9 best in September, marking her seventh top 10.
Clark-Sheard boasts three additional solo Gospel Airplay top 10s: as featured on Donnie McClurkin’s “Wait on the Lord,” a No. 2 hit in August 2009; “Prayed Up” (No. 9, June 2010); and “My Words Have Power,” featuring Donald Lawrence & The Co. (No. 5, July 2015).
The Clark Sisters have rolled up three Gospel Airplay leaders: “Blessed and Highly” (seven weeks, starting in June 2007), “Victory” (two, June-July 2020) and “His Love,” featuring Snoop Dogg (one week, May 2021).
Launched in their hometown of Detroit in 1980, the Clark Sisters are comprised of siblings Dorinda Clark-Cole, Jacky Clark Chisholm, Karen Clark-Sheard and Twinkie Clark. (The act was first a quintet; Denise Clark Bradford left in 1986.)
In the 2024 calendar year, 761 songs by a total of 404 different artists appeared on the Billboard Hot 100.
Of those 404 artists, 120 appeared on the chart for the first time in 2024. Billboard has been celebrating these Hot 100 first-timers throughout the year, highlighting their first chart appearances and sharing their reactions to the news. As 2024 draws to a close, let’s look back at each act to debut on the ranking for the first time and the songs that helped them become Hot 100-charting hitmakers.
Notably, of the eight acts nominated for best new artist at the upcoming 67th Grammy Awards in February, two hit the Hot 100 for the first time this year: Chappell Roan with “Good Luck, Babe!” in April, and Shaboozey with his featured turns on Beyoncé’s “Spaghettii” and “Sweet * Honey * Buckiin” from her album Cowboy Carter, also in April. “Good Luck, Babe!” reached No. 4 on the chart in September, and Roan landed six additional songs on the chart this year: “Red Wine Supernova,” “Hot to Go!,” “Pink Pony Club,” “Casual,” “Femininomenon” and “My Kink Is Karma.” Shaboozey, of course, later charted with his breakthrough smash “A Bar Song (Tipsy),” which spent a record-tying 19 weeks at No. 1, and then with “Good News.”
As for the other best new artist nominees: Benson Boone first charted in 2021 with “Ghost Town,” but his song “Beautiful Things” became his biggest hit to date this year, reaching No. 2; Sabrina Carpenter first charted in 2021 with “Skin,” but earned her first three top 10s this year with “Espresso,” “Please Please Please” and “Taste”; Doechii arrived on the Hot 100 in 2023 with “What It Is (Block Boy)”; Raye debuted in December 2022 with “Escapism”; and Teddy Swims arrived in August 2023 with “Lose Control,” which topped the chart this March and finished as Billboard’s No. 1 Hot 100 song of the year. (Khruangbin hasn’t yet appeared on the Hot 100.)
Tommy Richman made a historic first entry on the chart this year with “Million Dollar Baby” when it debuted at No. 2. Since the Hot 100 began in 1958, only five other acts have debuted in the top two with no prior history on the chart: Lauryn Hill, Fantasia, Baauer, Zayn and Oliver Anthony Music. (Hill and Zayn previously charted with Fugees and One Direction, respectively. Fantasia won Season 3 of American Idol. So only Richman, Baauer and Oliver Anthony Music debuted in the top two with no significant previous audience awareness.)
Other notable artists who first reached the Hot 100 this year include Djo, aka actor Joe Keery of Stranger Things, who debuted with his viral hit “End of Beginning”; Sophie Ellis-Bextor, whose 2001 song “Murder on the Dancefloor” received newfound popularity after its appearance in the film Saltburn; YG Marley, who debuted with “Praise Jah in the Moonlight” helping him become the sixth member of the legendary Marley family to chart a song on the Hot 100; and Pabllo Vittar, who joined RuPaul as the only drag queens to ever to debut on the chart.
Proving that age is just a number, two artists over the age of 80 earned their first Hot 100 entries this year. Ariana Grande’s grandmother, Marjorie Grande, was credited as a featured act on her granddaughter’s song “Ordinary Things” (under the name Nonna). At 98 years old, she became the senior-most artist ever to appear on the Hot 100. She surpassed Fred Stobaugh, who charted at 96 years old with “Oh Sweet Lorraine” in 2013. Plus, Linda Martell charted for the first time at age 82 thanks to her guest appearance on Beyoncé’s “Spaghettii.” In 1969, the country music pioneer became the first Black woman to ever play the Grand Ole Opry.
Plus, the children of two superstars also charted on the Hot 100 for the first time this year: North West, the eldest child of Ye (formerly Kanye West) and Kim Kardashian, charted her first song in February at age 10, with her featured appearance on Ye and Ty Dolla $ign’s “Talking.” Two months later, Beyoncé and Jay-Z’s daughter Rumi became the youngest female artist to ever chart on the Hot 100, at just 6 years old. She debuted with her guest appearance on Beyoncé’s “Protector.” She surpassed her sister, Blue Ivy Carter, who was 7 years old when she first charted in 2019 (on “Brown Skin Girl”).
In chronological order below is a roundup of every artist who earned a first Hot 100 hit in 2024, encompassing the charts dated Jan. 6-Dec. 28.
Chayce Beckham
Wham!’s “Last Christmas” becomes the second holiday song in the one-year history of the TikTok Billboard Top 50 chart to hit No. 1, lifting 7-1 on the Jan. 4, 2025-dated tally.
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The TikTok Billboard Top 50 is a weekly ranking of the most popular songs on TikTok in the United States based on creations, video views and user engagement. The latest chart reflects activity from Dec. 23-29. Activity on TikTok is not included in Billboard charts except for the TikTok Billboard Top 50.
“Last Christmas” reigns for the first time after reaching No. 2 a year before on the Jan. 6 survey, behind Mariah Carey’s “All I Want for Christmas Is You.” (Carey’s classic appears at No. 3 on the latest list.)
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Concurrently, “Last Christmas” rises 51% in official Billboard-eligible U.S. streams to 69.6 million listens in the week ending Dec. 26, according to Luminate. It holds at its No. 3 peak on the multimetric Billboard Hot 100, which Carey’s “All I Want for Christmas Is You” rules for an 18th week.
Holiday-related music occupies 10 spots of TikTok Billboard Top 50, including four of the top 10; Jose Feliciano’s “Feliz Navidad” re-enters the chart at No. 8, a new peak, while Brenda Lee’s “Rockin’ Around the Christmas Tree” jumps 18-9.
Christmas music dominates the ranking due to the holiday falling amid the tracking period on Dec. 25, begetting a variety of uploads, from dances and lip syncs to creators showing off their gift hauls for the year.
The chart’s top 10 features another newcomer in the top 10, albeit not a Christmas song: Naughty Boy’s “La La La,” featuring Sam Smith, which leaps 19-4 in its second week on the tally.
Though some of the uploads using “La La La” use the original version, a majority of the top-performing clips feature a sped-up sound, generally set to a dance trend.
“La La La” sports a 165% jump in listens to 3.3 million streams in the week ending Dec. 26. It peaked at No. 19 on the Hot 100 in May 2014, Smith’s first appearance on the list.
See the full TikTok Billboard Top 50 here. You can also tune in each Friday to SiriusXM’s TikTok Radio (channel 4) to hear the premiere of the chart’s top 10 countdown at 3 p.m. ET, with reruns heard throughout the week.