Chart Beat
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Seven weeks after landing at No. 1 on Billboard‘s Latin Pop Airplay chart, Danny Ocean and Kapo‘s hit “Imagínate” has climbed to the top spot on the overall Latin Airplay chart (rising 7-1), dated April 26. The track additionally continues atop both Latin Pop Airplay and Latin Rhythm Airplay, for a seventh and second week, respectively.
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“Imagínate” rules the overall Latin Airplay ranking after a 35% boost in audience impressions, to 8.4 million, earned in the U.S. during the April 11-17 tracking week, according to Luminate. The song, released Nov. 7, 2024, via Atlantic/Warner Latina, debuted at No. 48 in January, and makes its way to the top of the chart in its 17th week.
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Coincidentally, both Ocean and Kapo secure their second No. 1 on the overall Latin Airplay chart. Previously, Ocean led for one week with “Amor” in June 2024. Kapo, meanwhile, replaces himself atop the list, after “Más Que Tú,” with Ozuna, reached No. 1 last week, chart dated April 19. The latter falls to No. 3 following a 15% dip in audience impressions (to 7.1 million).
The last act to replace itself at No. 1 was Grupo Firme, when the band’s “El Beneficio De La Duda” ejected its collaboration with Thalia, “Te Va a Doler” (chart dated July 2024).
“Imagínate” continues making its rounds atop two other Latin radio rankings: over on the Latin Pop Airplay chart, it holds strong at the summit for a seventh consecutive week, tying with Shakira’s “Soltera” for the most in 2025 so far. The latter has spent a total of 14 total weeks at No. 1 between 2024-25.
On Latin Rhythm Airplay, “Imagínate” rebounds to its No. 1 for a total of two nonconsecutive weeks in charge, Ocean’s sole No. 1 to date, and Kapo’s third.
Thanks to its radio draw, the song also holds steady at its No. 3 peak on the third iteration of the new Hot Latin Pop Songs chart. Plus, it also moves up on the airplay-, streaming-, and digital sales-blended Hot Latin Songs chart, where it jumps 35-32.
On the latest Billboard 200 albums chart (dated April 26), SZA’s SOS surpasses Adele’s 21 for the most weeks spent in the top 10 among albums by women.
SOS, released in 2022, garners its 85th nonconsecutive week in the top 10 on the chart, where it climbs 4-3. Adele’s 21, released in 2011, was last in the top 10 for its 84th and final (nonconsecutive) week in the region on the Jan. 9, 2016-dated chart.
The new April 26, 2025-dated chart will be posted in full on Billboard‘s website April 22.
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Both SOS and 21 are former No. 1s, with SOS having spent 12 weeks atop the tally and 21 having logged 24 weeks at No. 1 (a record among albums by women). SOS collected its two most recent weeks at No. 1 in January following its SOS Deluxe: LANA reissue with additional songs.
Further, SOS now ties Peter, Paul and Mary’s self-titled album for the third-most weeks in the top 10 among albums by a singular artist. They both trail two albums by Morgan Wallen (Dangerous: The Double Album, with 158; and One Thing at a Time, with 106).
Since the Billboard 200 began publishing on a regular weekly basis, with the March 24, 1956-dated chart, the album with the most weeks in the top 10 is the original cast recording of stage musical My Fair Lady, with 173 weeks in the top 10 between 1956-60.
The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album.
Albums With the Most Weeks in the Top 10 on the Billboard 200 Chart:Weeks in Top 10, Artist, Title, Year First Reached Top 10173, Original Cast, My Fair Lady, 1956158, Morgan Wallen, Dangerous: The Double Album, 2023109, Soundtrack, The Sound of Music, 1965106, Morgan Wallen, One Thing at a Time, 2023106, Soundtrack, West Side Story, 1962105, Original Cast, The Sound of Music, 196090, Soundtrack, South Pacific, 195887, Original Cast, Camelot, 196187, Original Cast, Oklahoma!, 195685, SZA, SOS, 202285, Peter, Paul and Mary, Peter, Paul and Mary, 196284, Adele, 21, 201184, Bruce Springsteen, Born in the U.S.A., 1984(From March 24, 1956, through the April 26, 2025-dated chart)
Because of how the Billboard 200 chart is now compiled, where streaming activity is blended with album sales and track sales, albums tend to spend a longer time on the list thanks to continued streaming activity. The chart only began utilizing streaming information in its methodology in December 2014. Before then, the chart was based solely on traditional album sales.
Also, a lengthy tracklist with multiple popular songs can help accrue large streaming totals, so albums like SOS, One Thing at a Time and Dangerous — each with more than 30 songs apiece — benefit from the continued weekly streams of their long tracklists.
Further, older albums (known as catalog albums; generally defined today as titles at least 18 months old) were mostly restricted from charting on the Billboard 200 from May 25, 1991, through Nov. 28, 2009. After that, catalog and current (new/recently released) albums have charted together on the Billboard 200. In turn, older albums now regularly spend hundreds of weeks on the chart. On the April 26, 2025-dated list, for example, there are more than 30 albums with least 400 total weeks on the chart. Before the rule change in December 2009, allowing catalog albums back onto the chart, only three albums had spent more than 400 weeks on the list – led by Pink Floyd’s chart-topping The Dark Side of the Moon. Today, it continues to hold the record for the most weeks on the list, with 990.
Linkin Park notches its eighth leader and fifth in a row on Billboard’s Rock & Alternative Airplay chart, with “Up From the Bottom” bounding three places to No. 1 on the April 26-dated ranking.
The track leads with 4.7 million radio audience impressions (up 28%) in the week ending April 17, according to Luminate.
The song reigns in its third week on the tally, wrapping the shortest trip to the top since Linkin Park’s own “The Emptiness Machine” hit No. 1 in its second week last September on its way to a 15-week No. 1 command.
The band now boasts five consecutive No. 1s on Rock & Alternative Airplay, from the 20-week leader “Lost” in 2023 through “Friendly Fire,” “The Emptiness Machine” (both in 2024) and “Heavy Is the Crown” (beginning this January). Dating to the chart’s June 2009 start, Linkin Park extends its record for the most consecutive No. 1s, a mark previously broken when it nabbed its fourth straight.
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The streak encompasses the contributions of three vocalists; the last three songs feature newly added singer Emily Armstrong plus longtime singer, rapper and guitarist Mike Shinoda, while the first two were posthumously released after the death of singer Chester Bennington in 2017.
The rockers also led with “New Divide” in 2009, “The Catalyst” in 2010 and “Burn It Down” in 2012 and now tie for the second-most No. 1s in the chart’s history.
Most No. 1s, Rock & Alternative Airplay:11, Foo Fighters8, Green Day8, Linkin Park6, Cage the Elephant6, Twenty One Pilots5, The Black Keys5, Imagine Dragons4, Red Hot Chili Peppers3, Weezer
Concurrently, “Up From the Bottom” breaks into the top 10 of the Alternative Airplay and Mainstream Rock Airplay charts, jumping 11-7 on both. It’s the band’s 22nd top 10 on each tally, with Linkin Park moving into sole possession of the fifth-most on the former, which began in 1988.
Most Top 10s, Alternative Airplay:31, Foo Fighters28, Red Hot Chili Peppers27, Green Day23, U222, Linkin Park21, Pearl Jam21, Weezer20, The Offspring18, Cage the Elephant18, Twenty One Pilots
“Up From the Bottom” debuted at No. 2 on the multimetric Hot Hard Rock Songs chart dated April 12 and ranked at No. 3 in its second week. In addition to its radio airplay, the song earned 2.2 million official U.S. streams and sold 1,000 April 4-10.
The song is from the deluxe edition of Linkin Park’s eighth studio album, From Zero, due May 16. The standard version debuted at No. 1 on the Top Rock & Alternative Albums chart in November and has earned 350,000 equivalent album units to date.
All Billboard charts dated April 26 will update Tuesday, April 22, on Billboard.com.
Mumford & Sons move to No. 1 on Billboard’s Alternative Airplay chart for the fifth time as “Rushmere” lifts a spot to the top of the April 26-dated ranking. Explore Explore See latest videos, charts and news See latest videos, charts and news “Rushmere” becomes the trio’s first leader in six years, following the one-week […]
Lady Gaga and Bruno Mars’ “Die With a Smile” scores a 17th week at No. 1 on the Billboard Global 200 chart. The song also adds a 14th week atop the Billboard Global Excl. U.S. survey. The ballad first led both lists last September.
The Billboard Global 200 and Global Excl. U.S. charts, which began in September 2020, rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Global 200 is inclusive of worldwide data and the Global Excl. U.S. chart comprises data from territories excluding the United States.
Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.
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“Die With a Smile” continues atop the Global 200 with 90.7 million streams (down 1% week-over-week) and 6,000 sold (down 3%) worldwide April 11-17. At 17 weeks, the song moves to within two weeks of tying the longest No. 1 run since the chart began:
19 weeks at No. 1, “All I Want for Christmas Is You,” Mariah Carey (2020-25)
17 weeks, “Die With a Smile,” Lady Gaga & Bruno Mars (2024-25)
15 weeks, “As It Was,” Harry Styles (2022)
14 weeks, “Flowers,” Miley Cyrus (2023)
12 weeks, “APT.,” ROSÉ & Bruno Mars (2024-25)
Alex Warren’s “Ordinary” ascends 3-2 for a new Global 200 high; “APT.” dips 2-3; Billie Eilish’s “Birds of a Feather” holds at No. 4 following three weeks at No. 1 last August; and Kendrick Lamar and SZA’s “Luther” lifts 6-5 after reaching No. 3 in March.
“Die With a Smile” runs up a 14th week at No. 1 on Global Excl. U.S., with 73.5 million streams (down 1%) and 3,000 sold (up 2%) outside the U.S. The song ties for the second-longest command in the chart’s archives:
19 weeks at No. 1, “APT.,” ROSÉ & Bruno Mars (2024-25)
14 weeks, “Die With a Smile,” Lady Gaga & Bruno Mars (2024-25)
14 weeks, “All I Want for Christmas Is You,” Mariah Carey (2021-25)
13 weeks, “Flowers,” Miley Cyrus (2023)
13 weeks, “As It Was,” Harry Styles (2022)
“APT.” keeps at No. 2 on Global Excl. U.S.; “Ordinary” is steady at its No. 3 best; JENNIE’s “like JENNIE” rebounds 5-4 after hitting No. 3; and “Birds of a Feather” backtracks 4-5, after three weeks at No. 1 last August.
The Billboard Global 200 and Billboard Global Excl. U.S. charts (dated April 26, 2025) will update on Billboard.com tomorrow, April 22. For both charts, the top 100 titles are available to all readers on Billboard.com, while the complete 200-title rankings are visible on Billboard Pro, Billboard’s subscription-based service. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
Kendrick Lamar and SZA’s “Luther” rules the Billboard Hot 100 songs chart for a ninth total and consecutive week. The single, whose title honors late R&B legend Luther Vandross, who is sampled on the track, became Lamar’s sixth No. 1 and SZA’s third. Lamar and SZA each extend their longest career Hot 100 reigns with the song, whose official video premiered April 11.
Meanwhile, “Luther” passes 24kGoldn’s “Mood” (featuring iann dior), which led for eight weeks in 2020-21, for the sole second-longest Hot 100 command among rap hits this decade, after only Roddy Ricch’s “The Box,” which dominated for 11 weeks in 2020. (Rap titles are defined as those that have hit or are eligible for Billboard’s Hot Rap Songs chart.)
Plus, Chappell Roan ties her best Hot 100 rank, as “Pink Pony Club” rises 5-4; Alex Warren’s first top 10, “Ordinary,” reaches the top five (7-5), and hits No. 1 on the Digital Song Sales chart; and Teddy Swims’ “Lose Control,” at No. 7, breaks the record for the most weeks ever spent in the Hot 100’s top 10, as it adds a 58th week in the region, one-upping the run of The Weeknd’s “Blinding Lights.”
Browse the full rundown of this week’s top 10 below.
The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts (dated April 26, 2025) will update on Billboard.com tomorrow, April 22. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
‘Luther’ Airplay, Streams & Sales
Ken Carson lands his first No. 1 on the Billboard 200 albums chart, as the rapper’s latest project, More Chaos, enters atop the list dated April 26.
The set earned 59,500 equivalent album units in the United States in the week ending April 18, according to Luminate. Of that sum, nearly 82% was driven by streaming activity. More Chaos is Carson’s first top 10 effort as well and follows two charted titles: A Great Chaos (No. 11 peak in 2023) and X (No. 115 in 2022).
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More Chaos, released via Opium/Interscope Records, replaces Opium label founder Playboi Carti atop the Billboard 200, as the latter’s MUSIC moves to No. 7 after three nonconsecutive weeks at No. 1.
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Carson is the third act in 2025 to land their first No. 1 this year, following Tate McRae (with So Close To What) and PARTYNEXTDOOR (with the Drake collaboration set $ome $exy $ongs 4 U). In all of 2024, there were five acts that got their first No. 1: Ty Dolla $ign (with the Ye collab Vultures 1), TWICE (With YOU-th), Sabrina Carpenter (Short n’ Sweet), Jelly Roll (Beautifully Broken) and Yeat (Lyfestyle).
With More Chaos earning 59,500 units in the latest tracking week, that marks the smallest weekly sum for a No. 1 album in nearly three years, since the May 2, 2022-dated chart, when Pusha T’s It’s Almost Dry opened at No. 1 with just under 55,000 units.
The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new April 26, 2025-dated chart will be posted in full on Billboard‘s website on April 22. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Of More Chaos’ 59,500 first-week equivalent album units, SEA units comprise 48,500 (equaling 67.3 million on-demand official streams of the songs on the streaming editions of the album; it debuts at No. 3 on the Top Streaming Albums chart), album sales comprise 11,000 (it debuts at No. 4 on Top Album Sales) and TEA units comprise a negligible sum.
More Chaos was available in its first week as a standard 18-song album (on color vinyl and a widely available CD and in three deluxe boxed sets containing a T-shirt and CD) and in two widely available expanded digital/streaming editions that added three and four songs, respectively.
The rest of the top 10 on the Billboard 200 is fairly low-key, as Carson is the lone debut in the region. The Nos. 2-10 titles are also all former No. 1s. (The top 10 was last comprised entirely of No. 1s on the Dec. 9, 2023-dated list.) Kendrick Lamar’s GNX rises 5-2 with nearly 55,000 equivalent album units earned (up 3%), while SZA’s SOS climbs 4-3 with 53,000 (down 2%). The pair kicked off their co-headlining Grand National Tour on April 19 at Minneapolis’ U.S. Bank Stadium.
Sabrina Carpenter’s Short n’ Sweet is up two spots to No. 4 (52,000 equivalent album units; up 6%), $ome $exy $ongs 4 U falls 3-5 (nearly 52,000; down 8% — as the set climbs 2-1 on Top Streaming Albums for a fourth nonconsecutive weeks at No. 1); Morgan Wallen’s One Thing at a Time ascends 7-6 (46,000; up 4%); Playboi Carti’s MUSIC falls 1-7 (45,500; down 29%); Bad Bunny’s Debí Tirar Más Fotos is steady at No. 8 (nearly 42,000; down 2%); Ariana Grande’s Eternal Sunshine falls 2-9 (40,000; down 29%); and Lady Gaga’s MAYHEM rises 12-10 (39,500; up 11%).
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
Morgan Wallen banks his 17th No. 1 on Billboard’s Country Airplay chart as “I’m the Problem” ascends a spot to the top of the list dated April 26. The song increased by 7% to 28.8 million audience impressions April 11-17, according to Luminate.
The co-write by the 31-year-old from Sneedville, Tenn., reaches the penthouse in 11 weeks. It completes the quickest trip to No. 1 since Post Malone’s “I Had Some Help,” featuring Wallen, needed just seven frames to reign last June.
“I’m the Problem” is Wallen’s third Country Airplay No. 1 from his album of the same name, ahead of its May 16 arrival. “Love Somebody” dominated for three weeks in February, after “Lies Lies Lies” led for a week in November. He scored his initial No. 1 in June 2018 as featured on Florida Georgia Line’s “Up Down.”
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Wallen’s new LP bulges with 37 tracks, one more than on his 2023 blockbuster, One Thing at a Time. That set has ruled the Top Country Albums chart for 82 weeks, the second-most in the chart’s history, after only his own Dangerous: The Double Album, which ran up a record 97 weeks at No. 1 beginning in January 2021.
Wallen also surges 30-22 on Country Airplay with his newest single from I’m the Problem, “Just in Case” (6.6 million, up 53%). Plus, the album’s “I Ain’t Coming Back,” his second collab with Post Malone, was released Friday (April 18).
‘Holy’ Lands in Top 10
Bailey Zimmerman nets his fifth consecutive career-opening Country Airplay top 10 as “Holy Smokes” lifts 11-10, up 2% to 15.9 million in reach. His first four entries all hit No. 1: “Where It Ends” (last October, for two weeks); “Religiously” (September 2023, one); “Rock and a Hard Place” (beginning in April 2023, six); and “Fall in Love” (December 2022, one).
Zimmerman earned his first No. 1 on the multimetric Hot Country Songs chart (dated April 19) as featured on rapper BigXthaPlug’s “All the Way,” which soared in at the summit. (The single is not currently being promoted to country radio.)
Those Damn Crows has earned its first-ever No. 1 on the U.K.’s Official Albums Chart on Friday (April 18) with fourth album God Shaped Hole. The Welsh band had previously peaked at No. 3 with 2023’s Inhale/Exhale. Explore Explore See latest videos, charts and news See latest videos, charts and news By hitting the top […]
Alex Warren’s “Ordinary” has landed a fifth week at No. 1 on the U.K. Singles Chart on Friday (April 18), and is now the longest-running chart-topper of 2025 so far. By securing his fifth week, he breaks a tie held with Lola Young’s “Messy,” which had also notched up four weeks earlier in the year. […]