Chart Beat
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She wasn’t the queen of Christmas this year, though Mariah Carey does reign over Australia’s final chart of 2023 with “All I Want For Christmas Is You” (via Columbia/Sony).
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Carey’s holiday classic lifts 2-1 to close out the festive season Down Under, leading an all-Christmas top 5 on the ARIA Chart, published Friday, Dec. 29.
Last week, “All I Want For Christmas Is You” was pipped for the Christmas No. 1 by Jack Harlow’s “Lovin On Me” (Atlantic/Warner). By completing its chart climb, the hit from 1994 boasts a sixth successive year reaching No. 1.
The top five on the latest tally is rounded out by Brenda Lee’s “Rockin’ Around the Christmas Tree” (up 5-2 via Warner/Universal), Wham’s “Last Christmas” (up 4-3 via Sony), Michael Bublé’s “It’s Beginning To Look A Lot Like Christmas” (up 10-4 via Reprise/Warner) and Ariana Grande’s “Santa Tell Me” (up 7-5 via Universal), respectively.
Harlow’s “Lovin On Me” dips 1-7, ending a six-week stint at the summit. It’s one of just two non-Christmas titles in the current ARIA Top 20, the other being Tate McRae’s “Greedy” (RCA/Sony), down 3-15.
A handful of new tracks impact the survey, all of them Christmas-themed. Among them is Cher’s “DJ Play a Christmas Song” (at No. 45 via Warner Music), which has already established chart records for the pop icon in the U.S. and U.K. Its parent LP Christmas, Cher’s 27th studio album, is the top new release of the week, opening at No. 40 on the ARIA Albums Chart.
Meanwhile, Taylor Swift’s 1989 (Taylor’s Version) (via Universal) holds at No. 1 for the ninth consecutive week, extending its lead as the longest running No. 1 LP of the year in Australia.
Swift owns every title in the top 5 on the ARIA Chart, with the exception of Bublé’s double-diamond certified Christmas (Reprise/Warner), up 4-2. Count them up, Swift has seven of the top 10 albums.
Ado’s “Show” holds at No. 1 after returning to the top spot last week to log its 12th leader on the Billboard Japan Hot 100.
On the chart dated Dec. 27 tallying the week ending on Christmas Eve, “Show” passed the 11-week record held by Gen Hoshino’s “Koi” and is now eyeing the 13-week record held by Official HIGE DANdism’s “Subtitle” for most week at No. 1. (The all-time record for most weeks at No. 1 is 21 weeks, held by YOASOBI’s “Idol.”)
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Streaming for “Show” decreased by approximately 6% from last week to 9,707,241 streams, but continues to rule the metric for the 14th consecutive week. The track also holds at No. 1 for video views (12th straight week), rises 3-2 for downloads with 10,210 units, and moves 7-9 for karaoke.
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“Anti Confiture” by ≠ME (Not Equal Me) debuts at No. 4 on the Japan Hot 100. The eighth single by the girl group launched with 216,440 CDs to hit No. 1 for physical sales. Following at No. 2 for sales is HKT48’s “Bucket wo Kabure!” with 183,540 first-week copies. The girl group’s 17th single bows at No. 5 on the Japan Hot 100.
As mentioned earlier, this chart week ended on Christmas Eve and as always during the holiday season, Christmas- and winter-themed songs surged on the Japan Hot 100 powered mainly by radio airplay. 13 songs charted this year, surpassing 2022’s record of 11 songs. Here’s a list of this year’s winter-themed entries:
No. 2 “Kissin’ Christmas (Christmas dakara janai) 2023” Keisuke Kuwata & Yumi Matsutoya No. 6 “Christmas Song” back numberNo.10 “All I Want for Christmas Is You” Mariah CareyNo. 21 “Christmas Eve” Tatsuro Yamashita No. 24 “Santa Tell Me” Ariana GrandeNo. 25 “Shiroi Koibitotachi” Keisuke KuwataNo. 41 “Merikuri” BoA No. 42 “Heroine” back numberNo. 44 “Last Christmas” Wham!No. 57 “silent” SEKAI NO OWARI No. 69 “WINTER WITHOUT YOU” XGNo. 90 “Itsuka no Merry Christmas” B’z No. 99 “Koibito ga Santa Claus” Yumi Matsutoya
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“Kissin’ Christmas (Christmas dakara janai) 2023” by Keisuke Kuwata & Yumi Matsutoya shoots to No. 2 after the CD dropped Dec. 20. This song was originally written for the Merry Christmas Show, a now-legendary music program Kuwata spearheaded in 1986. It was remade for this release and the Southern All Stars frontman and “Koibito ga Santa Claus” singer-songwriter newly recorded their duet. The song ruled radio, sold 25,639 copies in its first week to hit No. 4 for sales, and came in at No. 7 for downloads with 5,131 units, giving the two iconic hitmakers their highest-ranking song so far on the Japan Hot 100.
back number’s “Christmas Song” from 2015 rises 11-6 this week to break into the top 10 again for the third consecutive year during the same season. This year, the track entered the top 20 on the chart released Dec. 6 and gradually climbed the ranks. This week the evergreen pop-rock love song reaches No. 5 for streaming with 6,976,101 streams, which is an increase of about 3% from last year’s peak (6,715,894 streams). The track comes in at No. 32 for downloads with 1,789 units, No. 7 for radio, No. 8 for video, and tops karaoke for the first time this year.
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Meanwhile, Mariah Carey’s “All I Want for Christmas Is You” also rises 35-10. The Queen of Christmas’s modern standard comes in at No. 3 for radio, behind Tatsuro Yamashita’s iconic seasonal favorite, “Christmas Eve.” Carey’s Yuletide hit comes in at No. 11 for streaming with 5,089,233 streams, No. 28 for downloads with 1,857 units, and No. 29 for video.
The Billboard Japan Hot 100 combines physical and digital sales, audio streams, radio airplay, video views and karaoke data.
See the full Billboard Japan Hot 100 chart, tallying the week from Dec. 18 to 24, here. For more on Japanese music and charts, visit Billboard Japan’s English Twitter account.
Every week, Billboard celebrates artists making their first chart appearances with our “10 First-Timers” spotlight. Ten a week … times 52 … equals over 500 acts new to Billboard charts every year. Of those, one stands highest at year’s end — No. 1 on Billboard’s Top New Artists chart. As of 2023, the Top New […]
U.S. vinyl album sales surged in the week ending Dec. 21, with 2.054 million copies sold, according to Luminate. That marks the largest week of 2023 for vinyl albums, and the third-largest week in the modern era — since Luminate began electronically tracking sales in 1991. The only two larger weeks registered since 1991 both […]
Juanes and Carlos Vives unlock a new chart achievement as “Las Mujeres” tops Billboard’s Latin Pop Airplay chart (dated Dec. 30).
The team-up pushes from No. 3 to No. 1 after a 12% jump in audience impressions, to 3.63 million, earned in the U.S. during the Dec. 15-21 tracking week, according to Luminate. The single takes the lead in its 17th week, after eight solid weeks in the top 10.
“Las Mujeres” is the third two co-billed Colombian partnership to land at the penthouse on Latin Pop Airplay in 2023. Karol G and Shakira did it first with the 14-week leader “TQG,” which started its chart domination in April. Shakira repeated the feat with her Manuel Turizo collab, “Copa Vacía.” The latter cedes the crown after nine weeks in charge and drops to No. 2 with 3.6 million audience impressions.
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“Las Mujeres” puts Juanes back at No. 1 after “Bonita,” with Sebastian Yatra, ruled for two weeks in Nov. 2019. In between, “Cecilia,” with Juan Luis Guerra, propelled the Colombian to a No. 6 high last September. In total, Juanes nabs his 12th champ, breaking the Latin Pop Airplay No. 1 barrier with “A Dios Le Pido,” in 2002. With a new ruler on his account, let’s review Juanes’ collection of No. 1s:
Peak, Title, Artist, Weeks at No. 1Aug. 24, 2002, “A Dios Le Pido,” 1July 19, 2003, “Fotografía,” with Nelly Furtado, 7Sept. 4, 2004, “Nada Valgo Sin Tu Amor,” 20Feb. 5, 2005, “Volverte A Ver,” 3April 2, 2005, “La Camisa Negra,” 10Feb. 25, 2006, “Lo Que Me Gusta A Mi,” 10Sept. 29, 2007, “Me Enamora,” 21Feb. 23, 2008, “Gotas De Agua Dulce,” 8April 18, 2015, “Juntos (Together),” 1Nov. 12, 2016, “Fuego,” 1Nov. 9, 2019, “Bonita,” with Sebastian Yatra, 2Dec. 30, 2023, “Las Mujeres,” with Carlos Vives
Vives, meanwhile, adds his sixth champ on Latin Pop Airplay which arrives just over a year after “Baloncito Viejo,” with Camilo, led for one week in 2022.
Elsewhere, “Mujeres” advances 35-31 on the overall Latin Airplay chart — Vives’ only entry there in 2023.
Mary J. Blige closes out 2023 with a new No. 1 on Billboard’s Adult R&B Airplay chart as “Still Believe in Love,” featuring Vado, crowns the list dated Dec. 30. The calendar year’s final champ advances from the runner-up spot and was the most-played song on U.S. monitored adult R&B radio stations in the week ending Dec. 21, according to Luminate.
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“Still Believe in Love” takes the chart’s top spot despite remaining essentially even in plays compared with the prior week. Last week’s leader, Usher, Summer Walker and 21 Savage’s “Good Good,” slips to No. 3 after falling 5% in plays during the tracking week. (Between the pair, Muni Long’s “Made for Me” climbs 3-2 with a 5% play gain.)
Thanks to “Still Believe in Love,” the Queen of Hip-Hop Soul nabs her eighth career champ on Adult R&B Airplay. Further, she breaks out of a tie with H.E.R. to solely have the third-most No. 1s among women artists in the chart’s 30-year history. Alicia Keys leads the scoreboard, with 14, while Toni Braxton ranks second with 11.
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As “Still Believe in Love” joins the collection, here’s a review of Mary J. Blige’s eight Adult R&B Airplay No. 1s:
Song Title, Artist (if other than Mary J. Blige), Weeks at No. 1, Date Reached No. 1“Not Gon’ Cry,” four, March 2, 1996“Be Without You,” 14, Feb. 4, 2006“Take Me As I Am,” one, Jan. 27, 2007“IfULeave,” Musiq Soulchild featuring Mary J. Blige, eight, Jan. 10, 2009“Thick of It,” 16, Nov. 12, 2016“U + Me (Love Lesson),” three, May 6, 2017“Good Morning Gorgeous,” four, Feb. 26, 2022“Still Believe in Love,” featuring Vado, one (to date), Dec. 30, 2023
For featured act Vado, the New York-based rapper lands his first Adult R&B Airplay No. 1 with his first appearance on the chart. Prior to his collaboration with Blige, the rapper had scored a pair of entries on the Hot R&B/Hip-Hop Songs chart with Cam’ron – “Speaking in Tungs” and “Hey Muma”. Plus, he’d also make chart waves with two albums, the solo effort Slime Flu, which reached No. 22 on Top Rap Albums in 2010, and the Cam’ron collaborative set Gunz N’ Butta, which peaked at No. 7 on the same chart in 2011.
Elsewhere, “Still Believe in Love” repeats at its No. 14 best on the R&B/Hip-Hop Airplay chart, which ranks songs by combined audience totals from adult R&B and mainstream R&B/hip-hop radio stations. Despite the static rank, the song added 2% in weekly audience to reach 6.6 million in the latest tracking week.
Xavi is officially a Billboard Hot 100-charting artist, thanks to the arrival of his two breakthrough singles, “La Diabla” and “La Victima.” Both songs debut on the Dec. 30-dated Hot 100, at Nos. 76 and 91, respectively. The former enters with 8.9 million official U.S. streams and latter with 6.9 million in the Dec. 15-21 […]
Flo Milli has been churning out chart entries for over three years, and now she’s officially a Billboard Hot 100-charting artist.
The rapper, from Mobile, Ala., debuts on the chart (dated Dec. 30) for the first time with “Never Lose Me,” released Nov. 30 via RCA Records. The song opens at No. 84 with 7 million official U.S. streams (up 21%) Dec. 15-21, according to Luminate. The gains can be partly attributed to a remix of the song featuring Lil Yachty, released Dec. 1. The song, which is slated to appear on Flo Milli’s forthcoming album, Fine Ho, Stay, samples Babyface Ray and 42 Dugg’s track “Ron Artest.”
TikTok has also been a contributing factor to the song’s growing popularity. A portion of the track’s original version has soundtracked over 135,000 clips on the platform to date. On the TikTok Billboard Top 50 chart, the track ranks at No. 13.
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“Never Lose Me” concurrently jumps 22-17 on Rap Airplay and 26-21 on Hot R&B/Hip-Hop Songs.
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Flo Milli appeared on her first Billboard chart dated Aug. 8, 2020, when Ho, Why Is You Here? debuted and peaked at No. 46 on the Top R&B/Hip-Hop Albums chart and No. 78 on the Billboard 200.
She told Billboard that year, “I just always went after my heart and my passion, and I think that’s why a lot of people feel me, because I’m not afraid of anything.”
Earlier this year, Lah Pat’s “Rodeo,” featuring Flo Milli, reached No. 9 on Mainstream R&B/Hip-Hop Airplay, No. 11 on Rap Airplay, No. 14 on R&B/Hip-Hop Airplay, and No. 25 on Rhythmic Airplay. It also peaked at No. 39 on Hot R&B/Hip-Hop Songs – her first entry on the chart.
In March, Flo Milli released her second LP, You Still Here, Ho?, which features cuts with Babyface Ray, Lola Brooke and Rico Nasty, among others. She has also served as a go-to collaborator for numerous artists, including $NOT, Baby Tate, BENEE, Big Boss Vette, GoldLink, Tay Money and Yung Bleu.
In 2022, Flo Milli performed at Billboard’s R&B/Hip-Hop Power Players celebration.
Nigeria-born singer-songwriter Blessing Offor nets his second No. 1 – and first in a lead role – on Billboard’s Christian Airplay and Christian AC Airplay charts (dated Dec. 30) with his cover of Paul McCartney’s classic “Wonderful Christmastime.” During the Dec. 15-21 tracking week, the update increased by 11% to 1.5 million impressions on reporting […]
Taylor Swift is the queen of Christmas in Australia as 1989 (Taylor’s Version) retains the chart title for an eighth consecutive week.
With that feat, 1989 (Taylor’s Version) (via Universal) is the longest running No. 1 album of 2023, outpointing Swift’s own Midnights, which led for seven non-consecutive weeks between January and July, ARIA reports.
Swift completed unprecedented sweeps on the ARIA Albums Chart during the year, and doubled up on both main tallies. The U.S. pop star’s sales and streaming action should reach fever pitch in February 2024 when Swift’s The Eras Tour visits Australia for seven sold-out stadium shows, produced by Frontier Touring.
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Meanwhile, Australian alternative rock favorites Violent Soho return to the ARIA Chart at No. 2 with Hungry Ghost (I Oh You/Universal), their third album. The LP roars up the survey thanks to a 10th anniversary reissue, which eclipses its previous peak of No. 6, during a run when Hungry Ghost logged more than a year in the top 50. Violent Soho, which announced an indefinite hiatus in 2022, has reigned over the ARIA Albums Chart twice: with 2016’s Waco and 2020’s Everything Is A-OK.
Completing Australia’s albums chart podium is Swift’s Midnights, up 4-3; while Michael Bublé’s double-diamond certified Christmas (Reprise/Warner) shines on the national tally, up 8-4. Christmas first hit No. 1 in 2011 and logged 15 weeks at the summit, across six stints, ARIA reports.
Over on the ARIA Singles Chart, Jack Harlow’s “Lovin On Me” (Atlantic/Warner) completes a sixth-straight week at No. 1, handing the Louisville rapper honors as the first new artist in six years to reign over Australia’s chart during the week of Christmas.
With Harlow’s hit getting all the love, Mariah Carey’s “All I Want For Christmas Is You” (Columbia/Sony) is denied a sixth consecutive Christmas No. 1; it’s up 3-2 on the ARIA Chart, published Friday, Dec. 22, ahead of Tate McRae’s “Greedy” (down 2-3 via RCA/Sony), Wham’s “Last Christmas” (up 5-4 via Sony) and Brenda Lee’s “Rockin’ Around The Christmas Tree” (up 9-5 via Warner/Universal), respectively.