Chart Beat

Benson Boone’s “Beautiful Things” blasts to No. 1 on the Billboard Global 200 chart.
Meanwhile, Tate McRae’s “Greedy” adds a fifth week atop the Billboard Global Excl. U.S. survey.

Plus, Miley Cyrus’ “Flowers” resurges to the top 10 of both the Global 200 (29-8) and Global Excl. U.S. (32-10) after Cyrus performed it, and it garnered her two wins, at the Grammy Awards Feb. 4.

The Billboard Global 200 and Billboard Global Excl. U.S. charts, which began in September 2020, rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Global 200 is inclusive of worldwide data and the Global Excl. U.S. chart comprises data from territories excluding the United States.

Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.

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Boone Bounds to No. 1 on Global 200

Benson Boone’s “Beautiful Things” vaults 6-1 on the Billboard Global 200 with 52.8 million streams (up 31%) and 13,000 sold (up 24%) worldwide Feb. 2-8. A week earlier, the song, released on Night Street/Warner Records, became the first top 10 for the 21-year-old singer-songwriter from Monroe, Wash. He previously hit No. 48 in May 2022 with “In the Stars” and No. 79 in November 2021 with “Ghost Town.”

Tate McRae’s “Greedy” rises 3-2 on the Global 200, following two weeks at No. 1 beginning in November; Jack Harlow’s “Lovin in Me” dips 2-3, after two weeks at No. 1 in January; Teddy Swims’ first top 10, “Lose Control,” reaches the top five (7-4); and Taylor Swift’s “Cruel Summer” rebounds 10-5 after a week at No. 1 in November.

Plus, Miley Cyrus’ “Flowers” returns to the Global 200’s top 10 (29-8), boosted by buzz at the Grammys, where it won for record of the year and best pop solo performance – marking Cyrus’ first career Grammy wins – and she performed the song. It soars with 37.4 million streams (up 38%) and 33,000 sold (up 1,271%) worldwide. It spent 13 weeks at No. 1 starting upon its debut in January 2023.

On Global Excl. U.S., “Flowers” flies 32-10 with 27.5 million streams (up 31%) and 7,000 sold (up 470%) outside the U.S. It logged a record-tying 13 weeks at No. 1 in 2023 (matching the reigns of Mariah Carey’s “All I Want for Christmas Is You” from 2021 through the most recent holiday season and Harry Styles’ “As It Was” in 2022).

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McRae’s ‘Greedy’ for Sixth Week Atop Global Excl. U.S.

Tate McRae’s “Greedy” tops the Billboard Global Excl. U.S. chart for a fifth nonconsecutive week, with 38.3 million streams (down 3%) and 1,000 sold (up 7%) outside the U.S. Feb. 2-8. The track, on RCA Records, became McRae’s first No. 1 on the chart in early December.

Benson Boone’s “Beautiful Things” roars 14-2 to become his first Global Excl. U.S. top 10, with 31.3 million streams (up 38%) and 4,000 sold (up 49%) outside the U.S. (His “In the Stars” hit No. 59 and “Ghost Town” reached No. 98.)

Creepy Nuts’ first Global Excl. U.S. top 10, “Bling-Bang-Bang-Born,” bumps 7-3 with 27.1 million streams (up 7%) and 12,000 sold (up 29%) outside the U.S. The track by the Japanese duo rose to No. 1 two weeks earlier on the Billboard Japan Hot 100.

Plus, Xavi’s “La Diabla” descends 3-4 on Global Excl. U.S., after reaching No. 2, and Taylor Swift’s “Cruel Summer” rebounds 6-5, after hitting No. 3.

The Billboard Global 200 and Billboard Global Excl. U.S. charts (dated Feb. 17, 2024) will update on Billboard.com tomorrow, Feb. 13. For both charts, the top 100 titles are available to all readers on Billboard.com, while the complete 200-title rankings are visible on Billboard Pro, Billboard’s subscription-based service. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.

Billy Joel’s “Turn the Lights Back On” returns the legendary singer-songwriter to the Billboard Hot 100, as it debuts on the chart dated Feb. 17 at No. 62. The song — Joel’s first single release in 17 years — marks his first entry on the chart since the survey dated Oct. 11, 1997, when he wrapped the run of his version of Bob Dylan’s “To Make You Feel My Love.”
Joel returns to the Hot 100 just one week shy of the 50th anniversary of his first appearance on the chart: on the list dated Feb. 23, 1974, he debuted at No. 94 with his breakthrough hit “Piano Man,” which went on to peak at No. 25. Among his 43 career Hot 100 entries including “Turn the Lights Back On,” he has banked 13 top 10s, including three No. 1s: “It’s Still Rock and Roll to Me” (for two weeks in 1980), “Tell Her About It” (one week, 1983) and “We Didn’t Start the Fire” (two weeks, 1989).

“Turn the Lights Back On” enters the Hot 100 following its first full week of tracking (Feb. 2-8), after it was released at 7 a.m. ET Thursday, Feb. 1, on Columbia Records. Further boosted by Joel’s performance of the piano ballad at the Grammy Awards on Feb. 4, it debuts with 5.1 million in radio audience, 4.5 million official streams and 22,000 combined physical (via 7” vinyl) and digital singles sold in the U.S., according to Luminate. It concurrently jumps 11-5 on the Digital Song Sales chart.

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Notably, Joel, who was inducted into the Rock & Roll Hall of Fame in 1999, appeared as a writer on the Hot 100 amid his quarter-century-plus break from the chart as a recording artist: the Glee Cast’s covers of his classics “Only the Good Die Young” and “Uptown Girl” hit Nos. 50 and 68 in 2010 and 2011, respectively, while Fall Out Boy’s update of “We Didn’t Start the Fire” reached No. 94 last July. (Plus, Olivia Rodrigo’s “Deja Vu” shouts-out “Uptown Girl” and Joel himself; both his original “Uptown Girl,” in 1983, and “Deja Vu,” in 2021, hit No. 3. The pair performed both songs together at Madison Square Garden in New York in August 2022.)

“Turn the Lights Back On” was written by Joel, Arthur Bacon, Wayne Hector and Freddy Wexler. (Hector has co-written five top five Hot 100 hits, beginning with O-Town’s “All or Nothing” in 2001, while Wexler co-wrote Ariana Grande and Justin Bieber’s 2020 No. 1 “Stuck With U.”)

“The melody, the chords, the chord progression, even the time signature was something that struck me immediately, and that’s how I relate to music,” Joel said of how he reacted to what Wexler was working on. “This particular lyric in this song, I’ve had these thoughts, I could have written these lyrics verbatim. I’ve chewed on these words and I’ve thought of these words, and I’ve said these words before. It was all kind of falling into place – and who am I to fight that?”

Joel has solo-written 40 of his 43 Hot 100 hits as a recording artist, with “Turn the Lights Back On” serving as his first charted co-write. In addition to the Dylan-penned “To Make You Feel My Love,” Joel reached the ranking in 1992 with his cover of Elvis Presley’s “All Shook Up,” which Presley wrote with Otis Blackwell.

Jack Harlow’s “Lovin on Me” returns to No. 1, from No. 2, for a fifth nonconsecutive week atop the Billboard Hot 100. The song first led for a week in December, followed by two frames at the summit in January.
Elsewhere, Benson Boone’s “Beautiful Things” reaches the Hot 100’s top five (8-3) and hits No. 1 on the Streaming Songs chart, while three songs soar in the Hot 100’s top 10 following spotlights at the Grammy Awards Feb. 4: SZA’s “Snooze” (10-5), Luke Combs’ “Fast Car” (20-8) and Miley Cyrus’ “Flowers” (32-10).

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts (dated Feb. 17, 2024) will update on Billboard.com tomorrow, Feb. 13. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

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Harlow’s “Lovin on Me,” released on Generation Now/Atlantic Records, drew 76.7 million radio airplay audience impressions (up 1%) and 23.2 million streams (down 10%) and sold 6,000 downloads (down 39%) in the Feb. 2-8 tracking week, according to Luminate.

The single adds a fourth week at No. 1 on the Radio Songs chart and dips 2-3 after five weeks atop Streaming Songs and 6-20 after two frames atop Digital Song Sales. It concurrently leads the Hot R&B/Hip-Hop Songs and Hot Rap Songs charts, which use the same methodology as the Hot 100, for a 12th week each.

Teddy Swims’ “Lose Control” hits a new No. 2 Hot 100 high, rising from No. 4.

Benson Boone’s “Beautiful Things” bounds 8-3 on the Hot 100, a week after it became his first top 10. It becomes his first Streaming Songs No. 1, with 22.8 million streams (up 23%). (The song’s sum of raw streams is the week’s second-highest, after Harlow’s “Lovin on Me,” but “Beautiful Things” tops Streaming Songs due to the application of weighting to all titles’ paid/subscription and ad-supported on-demand streams and programmed/radio streams.)

Taylor Swift’s “Cruel Summer” retreats 3-4 on the Hot 100, following four nonconsecutive weeks at No. 1 beginning in October. It also becomes the sixth of her 232 charted titles (the most among women) to log at least 40 weeks on the tally, joining “Anti-Hero” (53 weeks; 2022-23), “Shake It Off” (50; 2014-15), “You Belong With Me” (50; 2008-10), “Love Story” (49; 2008-09) and “Teardrops on My Guitar” (48; 2007-08).

SZA’s “Snooze” reawakens with a 10-5 jump on the Hot 100, after reaching No. 2, up 29% to 16.5 million streams and 284% to 3,000 sold, as well as 1% to 45 million in airplay audience. SZA performed the song, in a medley with her 2023 No. 1 “Kill Bill,” at the Grammys, broadcast on CBS from Crypto.com Arena in Los Angeles, while “Snooze” additionally won for best R&B song.

Notably, “Snooze” scores its 60th week on the Hot 100. It’s just the 26th title to reach the milestone (among the over 30,000 that have hit the chart dating to its Aug. 4, 1958, inception).

“Snooze” concurrently leads the multimetric Hot R&B Songs chart for a 28th week.

Zach Bryan’s “I Remember Everything,” featuring Kacey Musgraves, keeps at No. 6 on the Hot 100, after it led for a week upon its debut last September. The collab, which won the Grammy Award for best country duo/group performance, tops the multimetric Hot Rock & Alternative Songs and Hot Rock Songs charts for a 24th week each and Hot Country Songs for a 20th frame.

Tate McRae’s “Greedy” descends 5-7 on the Hot 100, after reaching No. 3. It sports a 6% gain to 1,000 sold after she performed it at the NHL All-Star Game Feb. 3 in Toronto (broadcast in the U.S. on ABC).

Luke Combs’ “Fast Car” revs 20-8 on the Hot 100, after peaking at No. 2, up 26% to 13.6 million streams and 1,185% to 17,000 sold, as well as 1% to 39.4 million in radio reach. Combs performed the song, which was nominated for best country solo performance, at the Grammys with Tracy Chapman, whose original version hit No. 6 on the Hot 100 in 1988.

Chapman’s “Fast Car” meanwhile, re-enters Digital Song Sales at No. 1 with 35,000 sold (up 8,215%). It marks the singer-songwriter’s first leader on a Billboard chart since 2000, when “Telling Stories (There Is Fiction in the Space Between)” topped Adult Alternative Airplay for eight weeks. Plus, with 6 million streams (up 153%) and 1.3 million airplay audience impressions (up 67%), Chapman’s “Fast Car” re-enters the Hot 100 at No. 42. She appears on the chart for the first time since the survey dated Dec. 28, 1996, while her recording of “Fast Car” reaches the ranking for the first time since it wrapped its original 21-week run on the list dated Oct. 22, 1988.

(Chapman has won four Grammy Awards, including best female pop vocal performance for “Fast Car,” which she wrote solo, in 1989; she also won for best new artist, while “Fast Car” parent LP Tracy Chapman won for best contemporary folk album that year.)

Doja Cat’s “Agora Hills” backtracks to No. 9 from its No. 7 Hot 100 high.

Rounding out the Hot 100’s top 10, Miley Cyrus’ “Flowers” (32-10) likewise benefits from buzz at the Grammys, where it won for record of the year and best pop solo performance – marking her first career Grammy wins – and she performed the song. After dominating the chart for eight weeks starting upon its debut in January 2023, it surges with gains in streams (11.3 million, up 51%) and sales (26,000, up 2,160%), along with 33 million in radio audience.

Again, for all chart news, you can follow @billboard and @billboardcharts on Billboard’s social accounts, and all charts (dated Feb. 17), including the Hot 100 in its entirety, will refresh on Billboard.com tomorrow (Feb. 13).

Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.