Chart Beat
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What were some of the most notable trends on the Billboard Hot 100 songs chart during 2023?
Hit Songs Deconstructed, which provides compositional analytics for top 10 Hot 100 hits, has released its year-end 2023 State of the Hot 100 Top 10 report.
Here are three takeaways from Hit Songs Deconstructed’s latest in-depth research.
Pop on Top, Country Climbs
Pop reigns as the most common primary genre in the Hot 100’s top 10 throughout 2023, contributing to 29% of all top 10 hits. Taylor Swift tallied the most top 10s (11) among all acts between January and December, as well as the most No. 1s (three).
Over the past five years, pop previously led in 2021 and 2019, though with heftier 39% and 47% showings, respectively, in those years.
Hip-hop/rap ranked second among primary genres for 2023 with a 23% take of Hot 100 top 10s. Similar to pop, hip-hop/rap is down from first-place finishes of 38% in 2022 and 41% in 2020.
Cutting into pop and hip-hop/rap’s shares, country surged to a 15% claim of Hot 100 top 10s in 2023 among primary genres. “Country songs nearly quadrupled in prominence from 2022 to 2023,” Hit Songs Deconstructed’s report notes. “This was largely thanks to Morgan Wallen, who accounted for nearly half of country’s representation.” Wallen posted five top 10s in 2023, including “Last Night,” the No. 1 song on the Hot 100’s year-end recap.
Country as a primary genre accounted for 4% of all Hot 100 top 10s in both 2022 and 2021, following totals of 5% in 2020 and 2% in 2019.
Women and Sung Vocals Vault in Top 10
Swift also helped spark the rise of women vocals in the Hot 100’s top 10 in 2023.
“Male-led songs accounted for a slight majority of top 10 hits at just over half – 52%,” Hit Songs Deconstructed’s report indicates. “However, female-led songs have been on the rise, increasing to 38% of songs in 2023, their highest level since way back in 2014. This is largely thanks to Swift.”
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Meanwhile, concurrent with hip-hop/rap’s smaller share of Hot 100 top 10s among primary genres in 2023 than in prior recent years, hits “featuring exclusively sung deliveries took the lead in 2023 for the first time since 2019, with 53% of songs,” Hit Songs Deconstructed points out. Sung/rapped top 10s followed at 42%, while entries “with exclusively rapped deliveries continued to be few and far between, accounting for just 4% of songs.”
Different Drums
Looking at trends among instruments in Hot 100 top 10s, acoustic drums snared a key gain in 2023.
“While still in the minority, the use of primarily acoustic drums/percussion increased significantly from 2022 to 2023, rising from just 8% to 21%” of Hot 100 top 10s, recaps Hit Songs Deconstructed. The year-end report cites acoustic-driven hits that “spanned an array of genres,” including country, thanks to such songs as Zach Bryan’s “I Remember Everything,” featuring Kacey Musgraves; Latin (Eslabón Armado and Peso Pluma’s “Ella Baila Sola”); R&B/soul (SZA’s “Kill Bill”); and rock (Olivia Rodrigo’s “Bad Idea Right?”).
Concurrently, “the use of primarily electronic drums/percussion notably plunged between 2022 and 2023, dropping from 64% of [Hot 100 top 10s] to just 45%, [their] lowest level in a decade.”
It’s official: Taylor Swift is the biggest-selling recording artist on the planet, again.
The pop music superstar is crowned on the IFPI’s 2023 Global Recording Artist of the Year Award, an honor that recognizes the top artist across physical sales, downloads and streaming.
The dominance of K-pop is on display, as four acts from the genre crack the IFPI’s top 10: SEVENTEEN (No. 2), Stray Kids (No. 3), TOMORROW X TOGETHER (No. 7) and NewJeans (No. 8). Also, IVE and NCT Dream make their first appearances in the IFPI Global Artist Chart Top 20, at No. 12 and No. 15, respectively.
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However, it’s Swift who takes back-to-back titles and the glory.
And, as she tends to do, Swift makes history by becoming the first artist to top the IFPI tally on four occasions — doing so in 2014, 2019, 2022 and now 2023.
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According to the trade body, the artist award and chart is the first and only ranking to accurately capture the popularity of artists across streaming channels, alongside digital and physical album and singles sales on a global basis, across the calendar year.
Swifties propelled their hero to a “stellar year” during which she ignited charts around with globe with her Midnights LP and the “Taylor’s Version” releases of the Speak Now and 1989 LPs. Also, her record-breaking The Eras Tour, which is currently midway through a seven-stadium run in Australia, helped “lift engagement with her entire catalog on streaming platforms around the world,” reads a statement.
This “phenomenon,” notes the IFPI, was demonstrated by the second life given to “Cruel Summer,” which initially dropped with 2019’s Lover but took flight on charts as she toured the globe.
“We are immensely proud to award the IFPI Global Recording Artist of the Year Award to Taylor Swift for the fourth time, as she continues to redefine the limits of global success,” comments Lewis Morrison, director of charts and certifications at IFPI. Swift “is a singular talent and her commitment to her craft and her fans is truly phenomenal.”
The IFPI Global Recording Artist of the Year Award is now celebrating its 11th year, and is presented to the leader of the IFPI’s Global Artist Chart, also released today.
Top 20 IFPI Global Recording Artist Chart 2023
1 — Taylor Swift2 — SEVENTEEN3 — Stray Kids4 — Drake5 — The Weeknd6 — Morgan Wallen7 — TOMORROW X TOGETHER8 — NewJeans9 — Bad Bunny10 — Lana Del Rey11 — Ed Sheeran12 — IVE13 — SZA14 — Eminem15 — NCT DREAM16 — Zach Bryan17 — Travis Scott18 — Kanye West19 — Post Malone20 — King & Prince
Previous IFPI Global Recording Artist Chart No. 1 Artists
2022 — Taylor Swift2021 — BTS2020 — BTS2019 — Taylor Swift2018 — Drake2017 — Ed Sheeran2016 — Drake2015 — Adele2014 — Taylor Swift2013 — One Direction
Following Usher’s 2024 Super Bowl halftime show on Feb. 11, four of his catalog albums surge on the Billboard 200 chart (dated Feb. 24), alongside the debut of his new release, Coming Home, at No. 2.
Coming Home arrives on the list with 91,000 equivalent album units earned in the U.S. in the week ending Feb. 15, according to Luminate. Of that sum, album sales comprise 53,000 – making it the top-selling album of the week, and the largest sales week for any R&B album in more than four years.
Four more Usher albums dot the Billboard 200: his former No. 1 Confessions, released in 2004, flies 92-15 with 33,500 units (up 199%), 2010’s chart-topping Raymond V Raymond re-enters at No. 68 (14,000; up 154%), 2001’s 8701 re-enters at No. 122 (10,000; up 187%) and 1997’s My Way re-enters at No. 197 (8,000; up 175%). The four albums house songs that Usher performed during his halftime show.
The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album.
In total, Usher’s catalog of albums, including Coming Home, earned 145,000 equivalent album units in the week ending Feb. 15 – up 428% compared to the previous week (27,500 units). Removing Coming Home from the equation, his albums earned 54,500 units for the week – up 98% compared to the previous week (27,500 units).
Meanwhile, Usher’s halftime closer, “Yeah!,” featuring Lil Jon and Ludacris, re-enters the Billboard Hot 100 songs chart at No. 20 and Hot R&B/Hip-Hop Songs at No. 8. It’s the single’s first appearance on either chart since 2004, when the Confessions’ smash spent 12 weeks atop the Hot 100 and eight weeks leading the Hot R&B/Hip-Hop Songs tally. In the week ending Feb. 15, “Yeah!” earned 13.4 million official streams (up 142%), 8.7 million in airplay audience (up 66%) and sold 11,000 downloads (up 636%).
Fuerza Regida earns its sixth top 10 on Billboard’s Top Latin Albums chart as Dolido Pero No Arrepentido – EP debuts at No. 7 on the list dated Feb. 24. The romantic six-track set also starts at No. 3 on Regional Mexican Albums.
According to Luminate, Dolido Pero No Arrepentido, released Feb. 9 via StreetMob/Rancho Humilde/Sony Music Latin, starts with 14,000 equivalent album units earned in the U.S. in the week ending Feb. 15.
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One unit equals to one album sale, 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams for a song on the album.
Most of the album’s opening sum derives from SEA units, which equates to 18.44 million official on-demand U.S. clicks of the album’s songs in its first week.
As the EP arrives, Fuerza Regida captures its sixth top 10 on Top Latin Albums and its ninth on Regional Mexican Albums. Here’s a look at the San Bernardino, Calif.-based group’s six visits to the upper region on the overall Latin albums tally:
Peak, Title, Peak DateNo. 8, Del Barrio Hasta Aquí, July 20, 2019No. 4, Adicto, April 25, 2020No. 2, Sigan Hablando.: II, Jan. 28, 2023No. 3, Pa Que Hablen.: I., April 15, 2023No. 2, Pa Las Baby’s Y Belikeada, Nov. 4, 2023No. 7, Dolido Pero No Arrepentido – EP, Feb. 24
Further, as Dolido debuts on Top Latin Albums, it joins another Regida album in the top tier: Pa Las Baby’s Y Belikeada, which holds strong at its No. 2 debut for a third week.
Regida also stirs up things on the multi-metric Hot Latin Songs ranking, as the complete new EP debuts. In total, the five-member group scores 37 chart visits, the most for a regional Mexican ensemble this decade. Only one other regional Mexican act has collected more in the ‘20s: Peso Pluma, with 44 total entries.
Dolido’s six new tracks join seven other Regida songs. Here’s the countdown on Hot Latin Songs which blends radio airplay, streaming data, and downloads:
No. 4, “Harley Quinn,” with MarshmelloNo. 9, “Que Onda,” with Calle 24 and Chino PacasNo. 14, “Tu Name” (debut)No. 18, “Brillarosa” (debut)No. 20, “Excesos”No. 22, “Crazyz”No. 24, “Barbiez”No. 26, “Enculada” (debut)No. 27, “Una Cerveza,” with Manuel TurizoNo. 30, “Tacata (Remix), with Tiagz & El AlfaNo. 32, “Falsa” (debut)No. 35, “Oye” (debut)No. 44, “PXTXS” (debut)
In addition to its top 10 premieres on Top Latin Albums and Regional Mexican Albums, Dolido begins at No. 69 on the all-genre Billboard 200, Regida’s second-highest debut among four entries, after the No. 14 debut and peak by Pa Las Baby’s Y Belikeada last Nov.
The new Feb. 24, 2024-dated chart will be posted in full on Billboard‘s website on Feb. 21, one day later than usual, owed to the Presidents’ Day holiday in the U.S. on Feb. 19.
Ye (formerly known as Kanye West) and Ty Dolla $ign have a monumental week on Billboard’s charts (dated Feb. 24), thanks to the pair’s new collaborative album, Vultures 1.
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The set by the pair, billed collaboratively as ¥$: Kanye West & Ty Dolla $ign, debuts at No. 1 on the Billboard 200 with 148,000 equivalent album units earned in the U.S. in its opening week (Feb. 9-15, following its Feb. 10 release), according to Luminate. Ye earns his 11th No. 1 album — as he passes Eminem for the third-most among rappers, after Jay-Z (14) and Drake (13) — and Ty Dolla $ign scores his first.
Meanwhile, all 16 songs on the album — Ye’s first following his string of hate speech and antisemitic remarks, which resulted in companies including Adidas and Def Jam Recordings distancing themselves from him — debut on the Billboard Hot 100, led by “Carnival” at No. 3. Ye notches his 21st top 10 hit, and Ty Dolla $ign his third, and first in a lead role.
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Here’s a look at every song, all debuts, by Ye and Ty Dolla $ign on the latest Hot 100.
Rank, Title:No. 3, “Carnival”No. 23, “Fuk Sumn”No. 26, “Back to Me”No. 30, “Talking,” feat. North WestNo. 33, “Burn”No. 34, “Vultures,” feat. Lil Durk & Bump JNo. 39, “Stars”No. 52, “Do It”No. 53, “Paid”No. 55, “Keys to My Life”No. 64, “Paperwork”No. 65, “Beg Forgiveness”No. 67, “Hoodrat”No. 79, “Problematic”No. 93, “Good (Don’t Die)”No. 94, “King”
With 16 debuts on the latest Hot 100, Ye ups his total to 157 career entries. He boasts the sixth-most in the chart’s 65-year history, after Drake (328), Taylor Swift (232), the Glee Cast (207), Lil Wayne (186) and Future (168). Ty Dolla $ign pushes his sum to 46 entries.
Thanks to their featured appearances, North West and Bump J both earn their first career Hot 100 hits. At just 10 years old, North West, the eldest child of Ye and Kim Kardashian (who divorced in 2022), is now one of the youngest acts ever to reach the chart. Among other precocious charted talents, Jay-Z and Beyoncé’s daughter, Blue Ivy Carter, hit the Hot 100 at just 7 years old in 2019, thanks to her featured turn on Beyoncé, Saint Jhn and Wizkid’s “Brown Skin Girl.” She made her overall chart debut just after making her debut in the world, as her coos are heard on Jay-Z’s “Glory,” featuring B.I.C.. The song hit Hot R&B/Hip-Hop Songs in 2012, making her the youngest billed artist ever on any Billboard chart.
Stevie Wonder is the youngest credited artist to hit No. 1 on the Hot 100, as he was 13 when “Fingertips (Part II)” led in 1963. Overall, Jordy is the youngest billed artist to have appeared on the chart, at just over 5 years old with “Dur Dur D’être Bébé (It’s Tough To Be a Baby)” in 1993.
Also notable is the debut of “Good (Don’t Die).” The song was removed from Spotify after less than four days on the streaming service, as it includes an uncleared interpolation of Donna Summer’s 1977 top 10 Hot 100 hit “I Feel Love.” The song has since been removed from all other streaming services and for purchase. Hours after the release of Vultures 1, Summer’s estate claimed “copyright infringement” and disapproved of the use of the alleged sample. “Kanye West … asked permission to use Donna Summer’s song I Feel Love, he was denied … he changed the words, had someone re sing it or used AI but it’s I Feel Love … copyright infringement!!!,” the estate posted in an Instagram Story on the official Donna Summer account Feb. 10.
That isn’t the only sampling issue regarding the album. Ozzy Osbourne called out Ye and labeled him an antisemite after an earlier version of “Carnival” included a live performance of Black Sabbath’s “Iron Man.” Plus, R&B artist Dijon posted to Instagram Stories Feb. 9, a day before the album’s release, suggesting that he was unaware that his song “Good Luck” was being sampled on the track “Stars.”
Benson Boone’s “Beautiful Things” is the biggest song in the world, as it notches a second week at No. 1 on the Billboard Global 200 chart and ascends to the top of the Billboard Global Excl. U.S. survey.
Plus, Ye (formerly known as Kanye West) and Ty Dolla $ign’s “Carnival” debuts at No. 2 on the Global 200 and No. 10 on Global Excl. U.S., while Beyoncé’s “Texas Hold ‘Em” shuffles onto the Global 200 at No. 4.
The Billboard Global 200 and Billboard Global Excl. U.S. charts, which began in September 2020, rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Global 200 is inclusive of worldwide data and the Global Excl. U.S. chart comprises data from territories excluding the United States.
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Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.
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Boone No. 1 on Global 200; Ye, Ty Dolla $ign & Beyoncé New in Top 5
Benson Boone’s “Beautiful Things,” released on Night Street/Warner Records, logs a second week at No. 1 on the Billboard Global 200, with 57.8 million streams (up 10%) and 12,000 sold (down 11%) worldwide Feb. 9-15.
Ye and Ty Dolla $ign’s “Carnival” launches at No. 2 on the Global 200, with 46 million streams and 4,000 sold worldwide from its Feb. 10 release on the pair’s collaborative album Vultures 1 through Feb. 15. As previously reported, the album, Ye’s first since his string of hate speech and antisemitic remarks, which resulted in companies including Adidas and Def Jam Recordings distancing themselves from the rapper, opens at No. 1 on the U.S.-based Billboard 200 chart. Ye adds his fourth Global 200 top 10 and Ty Dolla $ign, his first.
“Carnival” by the pair, billed collaboratively as ¥$: Kanye West & Ty Dolla $ign, concurrently starts at No. 10 on Global Excl. U.S. with 22.5 million streams and 2,000 sold outside the U.S. Ye and Ty Dolla $ign each reach the chart’s top 10 for the first time.
Taylor Swift’s “Cruel Summer” climbs 5-3 on the Global 200 after a week at No. 1 in November.
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Beyoncé’s “Texas Hold ‘Em” bounds onto the Global 200 at No. 4, with 31.9 million streams and 48,000 sold worldwide between its Feb. 11 release and Feb. 15. She lands her second and top-charting hit since the survey began, after “Break My Soul” reached No. 6 in 2022.
Plus, Xavi’s “La Diabla” rises 7-5 on the Global 200, after reaching No. 3.
‘Beautiful Things’ Hits No. 1 on Global Excl. U.S.
Benson Boone’s “Beautiful Things” bumps 2-1 on the Billboard Global Excl. U.S., with 36.1 million streams (up 16%) and 4,000 sold (up 10%) outside the U.S. Feb. 9-15. In his two prior visits to the chart, the 21-year-old singer-songwriter from Monroe, Wash., hit No. 59 in 2022 with “In the Stars” and No. 98 in 2021 with “Ghost Town.”
Creepy Nuts’ first Global Excl. U.S. top 10, “Bling-Bang-Bang-Born,” pushes 3-2; Tate McRae’s “Greedy” falls to No. 3 after five nonconsecutive weeks on top beginning in December; Xavi’s “La Diabla” holds at No. 4, after reaching No. 2; and Taylor Swift’s “Cruel Summer” is steady at No. 5, after hitting No. 3.
The Billboard Global 200 and Billboard Global Excl. U.S. charts (dated Feb. 24, 2024) will update on Billboard.com tomorrow, Feb. 21 (a day later than usual due to the Presidents’ Day holiday in the U.S. Feb. 19). For both charts, the top 100 titles are available to all readers on Billboard.com, while the complete 200-title rankings are visible on Billboard Pro, Billboard’s subscription-based service. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
Pop and R&B/hip-hop superstar Beyoncé makes her debut on Billboard’s streaming-, airplay- and sales-based Hot Country Songs chart (dated Feb. 24) with her first two entries on the survey: “Texas Hold ‘Em” at No. 1 and “16 Carriages” at No. 9.
As previously reported, the songs start at Nos. 2 and 38, respectively, on the all-genre Billboard Hot 100.
Both tracks were released Feb. 11, as announced in a Verizon commercial that aired during CBS’ broadcast of Super Bowl LVIII, ahead of the March 29 arrival of Beyoncé’s album expected to be titled Act II, which follows her 2022 Renaissance LP.
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“Texas Hold ‘Em” drew 19.2 million official streams and 4.8 million in all-format airplay audience and sold 39,000 in the U.S. through Feb. 15, according to Luminate. “16 Carriages” rides in with 10.3 million streams, 90,000 in radio reach and 14,000 sold.
Notably, the Hot Country Songs coronation of “Texas Hold ‘Em” grants Beyoncé No. 1s on seven of Billboard’s multimetric song charts as a solo artist: the Hot 100, Hot Country Songs, Hot Dance/Electronic Songs, Hot Gospel Songs, Hot Latin Songs, Hot R&B Songs and Hot R&B/Hip-Hop Songs. She’s the only act to have notched No. 1s on that combination of rankings.
Only Justin Bieber has led more hybrid song charts – eight, among Billboard’s menu of 14 such surveys – having ruled the Hot 100, Hot Country Songs, Hot Dance/Electronic Songs, the Holiday 100, Hot Latin Songs, Hot Rap Songs, Hot R&B Songs and Hot R&B/Hip-Hop Songs.
Plus, Beyoncé makes history as the first woman to have topped both Hot Country Songs and Hot R&B/Hip-Hop Songs since the lists began as all-encompassing genre song charts in October 1958. Overall, she joins Morgan Wallen, Bieber, Billy Ray Cyrus and Ray Charles as the only acts to have led both charts.
Beyoncé first appeared on Billboard’s rankings in 1997 as a member of Destiny’s Child. The group notched four No. 1s on the Hot 100 and two on the Billboard 200, beginning in 1999. As a soloist, she has scored eight and seven leaders on the respective charts, starting in 2003.
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“Texas Hold ‘Em” is officially being promoted to country radio, as announced in a Columbia Nashville email to stations Feb. 14 at 11 a.m. ET, among other formats, and bows as Beyoncé’s first entry on Billboard’s Country Airplay chart (dated Feb. 24), at No. 54 with 1.1 million audience impressions at the format.
“We put the Beyoncé directly into a strong rotation so it can be heard. I want the station to sound as interesting as possible, because the opposite is boring,” says Dave Parker, program director of Sinclair’s WUSH Norfolk, Va. “This song is sounding great and doesn’t sound like anything else. Plus, the feedback from listeners has been very positive.”
“Texas Hold ‘Em” also begins at No. 38 on the Pop Airplay chart, while additionally drawing play at adult pop, rhythmic, adult R&B and mainstream R&B/hip-hop formats.
The track concurrently begins at No. 1 on Country Digital Song Sales, where it’s Beyoncé’s first leader. It also crowns the all-genre Digital Song Sales survey, becoming her 11th chart-topper.
“Texas Hold ‘Em” is the 16th song to open in the Hot Country Songs penthouse and the first since Zach Bryan’s “I Remember Everything,” featuring Kacey Musgraves, in September. The latter cedes the summit after 20 weeks at No. 1. Among solo women with no accompanying artists, only Beyoncé and Taylor Swift have launched atop the chart, with Swift having achieved the feat with “Love Story (Taylor’s Version)” and “All Too Well (Taylor’s Version)” in 2021.
Meanwhile, “Texas Hold ‘Em” is the first Hot Country Songs leader to name-check a state since Chris Stapleton’s “Tennessee Whiskey,” which led for two weeks in 2015. Among women, before Houston-born Beyoncé, Jamie O’Neal last shouted out a state in the title of a No. 1 song when “There Is No Arizona” led in 2001. As for the biggest state in the continental U.S., until this week it last appeared in the name of a leader on the list thanks to “Texas Tornado” by Tracy Lawrence in 1995.
Jack Harlow’s “Lovin on Me” lands a sixth nonconsecutive week atop the Billboard Hot 100. With the song, which first led for a week in December, the rapper doubles his previous longest reign, as “First Class” ruled for three weeks in 2022. He has also led with “Industry Baby,” with Lil Nas X, for one week in 2021.
Meanwhile, three songs are new to the Hot 100’s top 10: Beyoncé’s “Texas Hold ‘Em” bounds onto the chart at No. 2; Ye (formerly known as Kanye West) and Ty Dolla $ign’s “Carnival” debuts at No. 3; and Noah Kahan’s “Stick Season” rises to No. 10, from No. 11.
The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts (dated Feb. 24, 2024) will update on Billboard.com tomorrow, Feb. 21 (a day later than usual due to the Presidents’ Day holiday in the U.S. Feb. 19). For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
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Harlow’s “Lovin on Me,” released on Generation Now/Atlantic Records, drew 77.8 million radio airplay audience impressions (up 2%) and 21.6 million streams (down 7%) and sold 5,000 downloads (down 7%) in the Feb. 9-15 tracking week, according to Luminate.
The single adds a fifth week at No. 1 on the Radio Songs chart, drops 3-5 after five weeks atop Streaming Songs and rebounds 20-11 after two frames atop Digital Song Sales. It concurrently leads the Hot R&B/Hip-Hop Songs and Hot Rap Songs charts, which use the same methodology as the Hot 100, for a 13th week each.
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Beyoncé’s “Texas Hold ‘Em” blasts onto the Hot 100 at No. 2, with 19.2 million streams, 4.8 million in airplay audience and 39,000 sold through Feb. 15. The track is one of two that she released Feb. 11 (with instrumental and clean and explicit a cappella versions of the song released Feb. 14), along with “16 Carriages,” which debuts at No. 38 (10.3 million streams; 90,000 in audience; 14,000 sold).
The arrival of both tracks was announced via a Verizon commercial that aired during CBS’ broadcast of Super Bowl LVIII, ahead of the March 29 release of Beyoncé’s album expected to be titled Act II, which follows her 2022 Renaissance LP.
Beyoncé lands her 22nd Hot 100 top 10 with “Texas Hold ‘Em” – which concurrently soars in as her first No. 1 on the multimetric Hot Country Songs chart; “16 Carriages” starts at No. 9 on the latter list, giving her two top 10s with her first two entries on the chart.
As previously reported, “Texas Hold ‘Em” is being promoted to country radio, among other formats, and debuts at No. 54 on the Country Airplay chart. It also begins at No. 38 on Pop Airplay, while additionally drawing play at adult pop, rhythmic, adult R&B and mainstream R&B/hip-hop formats.
“Texas Hold ‘Em” concurrently begins at No. 1 on Digital Song Sales, where it’s Beyoncé’s 11th leader.
Ye and Ty Dolla $ign’s “Carnival” enters the Hot 100 at No. 3, with 23.5 million streams and 4,000 sold from its Feb. 10 release on the pair’s collaborative album Vultures 1 through Feb. 15. As previously reported, the album, Ye’s first since his string of hate speech and antisemitic remarks, which resulted in companies including Adidas and Def Jam Recordings distancing themselves from the rapper, premieres at No. 1 on the Billboard 200 chart.
Ye adds his 21st Hot 100 top 10 and Ty Dolla $ign, his third – and first in a lead role; he previously led for a week in 2018 as featured on Post Malone’s “Psycho” and hit No. 4 in 2016 as featured on Fifth Harmony’s “Work From Home.”
“Carnival” by the pair, billed collaboratively as ¥$: Kanye West & Ty Dolla $ign, crowns Streaming Songs, marking Ye’s fourth No. 1 and Ty Dolla $ign’s first.
Benson Boone’s “Beautiful Things” backtracks to No. 4 from its No. 3 Hot 100 high; Teddy Swims’ “Lose Control” falls to No. 5 from its No. 2 best; and Taylor Swift’s “Cruel Summer” slips 4-6, following four nonconsecutive weeks at No. 1 beginning in October.
SZA’s “Snooze” descends 5-7 on the Hot 100, after reaching No. 2, as it leads the multimetric Hot R&B Songs chart for a 29th week.
Zach Bryan’s “I Remember Everything,” featuring Kacey Musgraves, retreats 6-8 on the Hot 100, after it led for a week upon its debut last September. It tops the multimetric Hot Rock & Alternative Songs and Hot Rock Songs charts for a 25th week each.
Tate McRae’s “Greedy” dips 7-9 on the Hot 100, after reaching No. 3. It also becomes McRae’s first No. 1 on the Adult Pop Airplay chart, after it dominated Pop Airplay for eight weeks.
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Rounding out the Hot 100’s top 10, Noah Kahan’s “Stick Season” climbs to No. 10, from No. 11, with 17.8 million streams (up 7%), 15.9 million in airplay audience (up 17%) and 2,000 sold.
The song is the Strafford, Vt., native’s first Hot 100 top 10. He arrived on the chart last June with “Dial Drunk” (featuring Post Malone), which reached No. 25, and peaked at a No. 14 best among his entries prior to “Stick Season” as featured on Zach Bryan’s “Sarah’s Place” in October. Notably, Kahan wrote “Stick Season” solo, making it any soloist’s first top 10 solely written by that artist since Bryan’s “Something in the Orange” (No. 10, January 2023).
“Stick Season” – which leads the multimetric Hot Alternative Songs chart for a fifth week, after it reached No. 2 on the Adult Alternative Airplay chart in November 2022 – is the title track from Kahan’s album released that October. Sparked by its latest deluxe version, the set rebounds to its No. 3 high on the Billboard 200.
Again, for all chart news, you can follow @billboard and @billboardcharts on Billboard’s social accounts, and all charts (dated Feb. 24), including the Hot 100 in its entirety, will refresh on Billboard.com tomorrow (Feb. 21).
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
Idles leads an all-new top three on the midweek U.K. chart with Tangk (Partisan), the British rock outfit’s fifth studio album.
Based on midweek sales and streaming data published by the Official Charts Company, Tangk is predicted to snag the crown, and give the Bristol, England five-piece a fourth U.K. top 10, including the 2020 chart topper, Ultra Mono. Idles scored two nominations for the 2024 Grammy Awards (best rock album for Crawler and best rock performance for “Crawl!”).
Chart victory is not assured.
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Paloma Faith has a chance of scoring the title with her sixth album The Glorification of Sadness, new at No. 2 on the chart update. The Glorification of Sadness (RCA) should give the British pop singer a sixth consecutive U.K. top 10, a tally that includes her first No. 1 in 2017 with The Architect.
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Completing the podium on the Official Chart Update is Liverpool rock act Crawlers, with The Mess We Seem To Make (Polydor), their debut album. It’s new at No. 3, for what should give the four-piece its first U.K. top 10 appearance.
After one week at the chart summit, Noah Kahan’s Stick Season (Republic Records) looks likely to tumble, down 1-4. Kahan nabbed his first chart double last week, when Stick Season and its title track led the respective Official Charts.
Meanwhile, Derby, England pair Pet Needs (brothers Johnny and George Marriott) eye a top 10 berth with their third collection Intermittent Fast Living (Xtra Mile). It’s set to debut at No. 7, for their first impression on the chart.
Finally, veteran indie-rock act Cast is on track for a first top 10 spot in 25 years, and fourth overall with Love is the Call (Cast Recordings), new at No. 8 on the chart blast, while former Genesis guitarist Steve Hackett could bag his first top 10 album in 44 years with his latest solo effort The Circus and the Nightwhale (Inside Out), new at No. 9 on the chart update. Hackett last cracked the top 10 back in 1980 with Defector.
All will be revealed when the Official U.K. Albums Chart is published late Friday, Feb. 23.
Beyoncé strides ahead in the U.K. chart race with “Texas Hold ‘Em,” the first cut from her forthcoming project Renaissance Act II (via Columbia/Parkwood Ent).
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Based on midweek sales and streaming data published by the Official Charts Company, “Texas Hold ‘Em” has an advantage of fewer than 1,500 combined sales over the second-ranked single, Dua Lipa’s “Training Season” (Warner Records).
If “Texas Hold ‘Em” plays its cards right, Bey will bag a sixth U.K. No. 1 single.
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Teased during a Verizon Super Bowl LVIII advertisement, “Texas Hold ‘Em” opened at No. 9 on the Official Chart last week, for the top debut of the cycle and Bey’s 22nd solo U.K. top 10 hit.
The Houston, TX-raised artist chalked up another 12 top 10 singles as a member of Destiny’s Child, including two leaders (“Independent Women, Pt. 1” from 2000 and “Survivor” from 2001).
As Bey bounces up the midweek tally, Dua Lipa’s “Training Ground” gives good fight. It’s at No. 2 on the Official Chart Update, and should earn Lipa her 15th U.K. top 10 single. One of those is “Houdini,” which peaked at No. 2 and is currently sat at No. 12.
As it stands, Washington-born singer and songwriter Benson Boone’s “Beautiful Things” (Warner Records) appears likely to hold at No. 3, its peak position.
Noah Kahan‘s reign with “Stick Season” (Republic Records) appears set to come to an end. Following a seven-week stay at No. 1, the folky hit is predicted to dip to No. 5.
After “Training Ground,” the next best new entry should belong to “Lovers In A Past Life” (Columbia), the latest collaborative track by Scottish EDM hitmaker Calvin Harris and deep-voiced English singer Rag’n’Bone Man. It’s new at No. 19 on the chart update. Rag’n’Bone Man has a perfect two-from-two No. 1 albums in the U.K., and five top 40 singles. Harris has also notched two chart-leading albums, and a whopping 42 solo U.K. top 40 singles. The pair teamed up on 2019’s “Giant,” which peaked at No. 2.
All will be revealed when the Official U.K. Singles Chart is published Friday, Feb. 23.