Chart Beat
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Rising singer-songwriter Gracie Abrams is set to claim her first No. 1 album on the Official U.K. Albums Chart with her second studio effort, The Secret of Us.
Midweek sales and streaming figures from the Official Charts Company indicate that the Californian singer’s heartfelt and introspective songs are resonating strongly with U.K. fans, putting her in prime position to clinch the top spot.
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The 23-year-old Californian is currently outpacing her closest rival, Taylor Swift – who coincidentally features on the album’s track “us.” – by a margin of more than 2:1.
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The Secret of Us (Interscope) follows Abrams’ debut LP, Good Riddance, which peaked at No. 3 last year. The new album was preceded by the single “Close To You,” which recently became Abrams’ first U.K. Top 40 hit, reaching No. 35.
Amid her collaborative track with Taylor Swift dropping on June 21 alongside her 13-track sophomore album, Abrams took to Instagram to share a video of the duo playfully creating their collaborative number, calling the evening “some of the most fun I’ve ever had in my life.”
She also included a video of Swift extinguishing an apartment fire. “Now we know how to use a fire extinguisher. I love you,” Abrams wrote.
As Swift wraps up a three-night stint at London’s Wembley Stadium on her The Eras Tour, several of her former chart-topping albums are also present in the U.K. top 40 midweek.
Other notable appearances on the chart blast include The Mysterines’ second album Afraid of Tomorrows (Fiction) eyeing a No. 3 debut, Charli XCX’s BRAT (Atlantic) looking to log a third consecutive week inside the top 5, and Chappell Roan’s The Rise and Fall of a Midwest Princess (Island) potentially reaching a new peak inside the top 10, at No. 8.
Outside the Top 10, Avril Lavigne’s Greatest Hits (Sony Music CG) is on track for a top 20 debut, Ed Sheeran’s X (Asylum) could re-enter the chart thanks to a 10th-anniversary reissue, and Jethro Tull’s Bursting Out (Parlophone) is predicted to become their 26th U.K. top 40 album.
Joe Bonamassa’s Live At The Hollywood Bowl With Orchestra (Provogue) could become his 17th top 40 collection, Kate Nash’s 9 Sad Symphonies (Kill Rock Stars) approaches her highest-charting LP in 14 years, and The Story So Far are expected to enter with I Want To Disappear (Pure Noise).
All will be revealed when the Official U.K. Albums Chart is published late Friday, June 28.
NAYEON scores her second No. 1 on Billboard’s Top Album Sales chart (dated June 29) as NA enters atop the list, with 43,000 copies sold in the U.S. in the week ending June 20, according to Luminate. The TWICE member previously led the list with her first solo entry, IM NAYEON, in 2022.
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Also in the top 10 of the new Top Album Sales chart, the newest releases from $uicideboy$, Don Toliver, Luke Combs and Paul McCartney & Wings debut, while the Twilight soundtrack returns.
Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units. The new June 29, 2024-dated chart will be posted in full on Billboard‘s website on June 25. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.
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Sales of NAYEON’s NA were largely powered by CD sales (34,500 of its total 43,000). Vinyl accounted for 7,500, while digital download album purchases totaled 1,000. The album’s first-week sales were bolstered by its availability across 15 CD variants and two vinyl variants, all containing branded paper merchandise.
Taylor Swift’s former leader The Tortured Poets Department climbs 4-2 with 33,000 sold. The album’s sales grew 42% in the tracking week thanks largely to two new CD variants of the set that shipped to customers. The two CDs, which were sold exclusively in Swift’s webstore, were briefly available to pre-order in early June. Both CDs contain the standard album’s 16 songs and an acoustic bonus track (one includes “Down Bad” and one includes “Guilty as Sin?”).
$uicideboy$ notch their highest-charting effort on Top Album Sales as New World Depression debuts at No. 3 with nearly 20,000 sold. The set’s sales were aided by its availability across six vinyl variants, which sold a combined 16,000 – the hip-hop duo’s best week ever on vinyl. It also debuts at No. 1 on Vinyl Albums – marking the act’s first leader on the tally.
Don Toliver logs his biggest sales week ever, as his new studio album Hardstone Psycho arrives at No. 4 with 19,500 sold – all from digital download album sales. The album’s first-week sales were bolstered by a mid-week release of a deluxe digital download album, sold exclusively through Toliver’s webstore, for $5, containing four additional bonus tracks exclusive to this download version and features from Lil Uzi Vert and Yeat.
Billie Eilish’s Hit Me Hard and Soft is a non-mover at No. 5 on Top Album Sales with nearly 17,000 sold (down 16%).
Luke Combs’s Fathers & Sons starts at No. 6 with 14,000 sold. The set marks his sixth consecutive top 10 – the entirety of his charting entries. The album, which was announced just a week before it was released, was widely available as a digital download purchase, but had just one CD and one vinyl LP (both sold exclusively via Combs’ webstore).
The chart-topping Twilight soundtrack re-enters Top Album Sales at No. 7 with 13,000 sold (up from a negligible sum the previous week), following the set’s reissue on vinyl in three different color variants. Vinyl sales comprise essentially all of the sales for the week, and the album, first released in 2008, debuts on the Vinyl Albums chart at No. 2.
The first official release of Paul McCartney & Wings’ One Hand Clapping debuts at No. 8 with nearly 13,000 sold. The set, which was recorded in August of 1974, was issued as a digital download, CD and in two vinyl editions.
Closing out the top 10 of the latest Top Album Sales chart are Charli XCX’s Brat (falling 3-9 in its second week with 12,000; down 69%) and ATEEZ’s chart-topping Golden Hour: Part.1 (2-10 with nearly 12,000; down 72%).
Sabrina Carpenter’s “Please Please Please” is the newly minted biggest song in the world, as it rises to No. 1 in its second week on both the Billboard Global 200 and Billboard Global Excl. U.S. charts.
The track becomes Carpenter’s second leader on each list, dethroning her first on each ranking, “Espresso,” which a week earlier ascended to the Global 200 summit and logged a fifth week atop Global Excl. U.S.
Carpenter is just the second artist to notch new Global 200 No. 1s in consecutive weeks, after Taylor Swift’s “Cruel Summer” and “Is It Over Now? (Taylor’s Version) [From the Vault]” reached the top spot in back-to-back frames in November 2023.
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Elsewhere, Trueno earns his first Global Excl. U.S. top 10 with “Real Gangsta Love.”
The Global 200 and Global Excl. U.S. charts rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Global 200 is inclusive of worldwide data and the Global Excl. U.S. chart comprises data from territories excluding the United States.
Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.
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“Please Please Please” crowns the Global 200, lifting from No. 2, with 119.2 million streams (up 14%) and 9,000 sold (down 10%) worldwide June 14-20.
The song by the Quakertown, Pa.-born singer-songwriter-actress was released June 7, alongside its official video, and she performed it during her set at New York’s Governors Ball the following day. On June 18, acoustic, a cappella, instrumental, sped up and slowed down versions of the single were released. On June 20, Carpenter announced her 29-date Short n’ Sweet Tour, set to start Sept. 23 in Columbus, Ohio. Her album Short n’ Sweet, featuring both “Please Please Please” and “Espresso,” is due Aug. 23.
“Espresso” dips to No. 2 on the Global 200 as Carpenter becomes the first woman to hold the chart’s top two spots in consecutive weeks. Among all acts, she joins only Peso Pluma, who achieved the feat for two weeks in June 2023.
Billie Eilish’s “Birds of a Feather” rises 4-3 for a new Global 200 high; Shaboozey’s “A Bar Song (Tipsy)” lifts 5-4 for a new best; and Tommy Richman’s “Million Dollar Baby” rebounds 7-5 after it spent two weeks at No. 1 earlier in June.
On Global Excl. U.S., “Please Please Please” vaults 5-1 with 69 million streams (up 26%) and 2,000 sold (down 11%) outside the U.S. June 14-20.
“Espresso” ranks at No. 2 on Global Excl. U.S. – making Carpenter the first solo woman to claim the chart’s top two spots simultaneously. Among all acts, Jung Kook (two weeks in 2023), BLACKPINK (one, 2022) and BTS (one, 2020) have also earned such a double-up.
Carpenter is also the first solo woman to place at Nos. 1 and 2 on both the Global 200 and Global Excl. U.S. concurrently. Overall, Jung Kook (“Standing Next to You,” “Seven,” featuring Latto; Nov. 18, 2023) and BLACKPINK (“Shut Down,” “Pink Venom,” Oct. 1, 2022) previously made such a mark in the charts’ top two ranks simultaneously.
Eilish’s “Birds of a Feather” wings 4-3 for a new Global Excl. U.S. high; FloyyMenor and Cris Mj’s “Gata Only” drops to No. 4 from its No. 3 peak; and Benson Boone’s “Beautiful Things” bumps 6-5 following eight weeks at No. 1 beginning in February.
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Plus, Trueno scores his first Global Excl. U.S. top 10 as “Real Gangsta Love” soars 26-10 with 41.5 million streams (up 43%) outside the U.S. The track by the Argentinian singer and rapper rules four tallies in Billboard’s Hits of the World menu (Bolivia Songs, Ecuador Songs, Peru Songs and Spain Songs) for a second week each and has hit the top five on the Billboard Argentina Hot 100.
The Billboard Global 200 and Billboard Global Excl. U.S. charts (dated June 29, 2024) will update on Billboard.com Tuesday, June 25. For both charts, the top 100 titles are available to all readers on Billboard.com, while the complete 200-title rankings are visible on Billboard Pro, Billboard’s subscription-based service. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
Sabrina Carpenter’s “Please Please Please” rises to No. 1 on the Billboard Hot 100 songs chart, a week after it debuted at No. 2. It becomes the first leader on the list for the pop singer-songwriter and actress.
The song, on Island Records and promoted to radio by Republic Records, drew 50.9 million official streams (up 1%) – Carpenter’s best career streaming week for a song – and 3.2 million radio airplay audience impressions (up 502%) and sold 7,000 (down 10%) in the United States in the June 14-20 tracking week, according to Luminate.
The single spends a second week at No. 1 on the Streaming Songs chart and holds at No. 7 in its second frame on Digital Song Sales. (It’s as yet bubbling under the Radio Songs chart.)
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“Please Please Please” was released June 7, alongside its official video starring Carpenter’s significant other, Oscar-nominated Barry Keoghan, and she performed it during her set at New York’s Governors Ball the following day. On June 18, acoustic, a cappella, instrumental, sped-up and slowed-down versions of the song were released. On June 20, Carpenter announced her 29-date Short n’ Sweet Tour, set to start Sept. 23 in Columbus, Ohio. (She opened on the South American run of Taylor Swift’s The Eras Tour in August-November 2023 and rejoined Swift this February-March for dates in Australia and Singapore.)
The track, along with “Espresso,” at No. 4 on the Hot 100 a week after reaching No. 3, introduces Carpenter’s album Short n’ Sweet, due Aug. 23.
The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts (dated June 29, 2024) will update on Billboard.com Tuesday, June 25. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
Below is a deeper look at Carpenter’s coronation and the rest of the latest Hot 100’s top 10.
Carpenter’s First Hot 100 No. 1
When Taylor Swift filled up Wembley Stadium for three consecutive shows over the weekend, she did so as the undisputed Queen of the national albums chart.
Swift’s The Tortured Poets Department (EMI) enters a seventh non-consecutive week at No. 1 on the Official Chart, published Friday, June 21, coinciding with the first of her eight scheduled concerts at London’s Wembley Stadium.
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Tortured Poets is Taylor’s 11th studio album, and her longest-running chart-topper in the U.K., the Official Charts Company reports, eclipsing 2022’s Midnights which sat at the top for five non-consecutive cycles.
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TayTay leads a podium of female solo artists. Coming in at No. 2 is Billie Eilish’s former leader Hit Me Hard and Soft (Interscope), up two places, while Charli XCX’s Brat (Atlantic) dips 2-3.
The top new debut on the latest tally belongs to British rock outfit Sea Girls, as Midnight Butterflies (Alt) flaps its wings at No. 5. That’s a third-consecutive top 5 appearance for the group, dating back to 2020’s Open Up Your Head (No. 3 peak) and 2022’s Homesick (No. 3).
Chappell Roan landed her first entry on the Billboard Hot 100 earlier this year with the new single “Good Luck, Babe!” The Missouri-born pop artist is enjoying a breakthrough on the other side of the Atlantic, too, where her 2023 debut The Rise and Fall of a Midwest Princess (Island) lifts 15-9, for her first appearance in the U.K. top 10.
Paul McCartney & Wings’ live studio album One Hand Clapping (Capitol) bows at No. 10. The LP, recorded at London’s iconic Abbey Road Studios in August 1974, becomes McCartney and Co.’s first top 10 album since Back To The Egg peaked at No. 6 in 1979 — 45 years ago.
Finally, North Carolina country star Luke Combs bags his fourth top 40 LP with Fathers & Sons (Sony Music CG), his fifth studio album. It’s new at No. 14. Combs’ career tally includes U.K. top 10 spots for 2022’s Growin’ Up (No. 9) and 2023’s Gettin’ Old (No. 5).
Sabrina Carpenter has every reason to be please please pleased. The U.S. singer and actor lands a second No. 1 on the Official U.K. Singles Chart and, in the process, becomes the youngest female artist to concurrently hold the top 2 spots.
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On the latest chart, published Friday, June 21, Carpenter’s “Please Please Please” lifts 3-1, while her former leader “Espresso” (both via Island) holds at No. 2.
“Please Please Please” is the U.K.’s most-streamed song this week, accumulating 9.8 million combined streams, with “Espresso” pouring in 8.1 million plays.
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According to the Official Charts Company, Carpenter is, at 25 years, 1 month and 10 days, the youngest female solo artist to crack the 1-2. Ariana Grande previously set the mark when, in February 2019, she locked up the top 2 spots with “7 rings” and “break up with your girlfriend, i’m bored,” respectively, at age 25 years, 7 months and 20 days. Carpenter also ties-up the top 2 on Australia’s ARIA Chart.
Meanwhile, Luton, England singer-songwriter Myles Smith grabs a career-best with “Stargazing” (RCA), up 7-6.
As Taylor Swift’s The Eras Tour cruises into the U.K., the U.S. pop music superstar’s music — predictably — climbs the U.K. charts. On the singles tally, former leader “Fortnight” featuring Post Malone is up 11-10, “Cruel Summer” lifts 17-14 and “I Can Do It With A Broken Heart” (all via EMI) improves 19-18.
The TayTay effect extends to Benson Boone, Swift’s support act at her Wembley Stadium dates. Boone enjoys gains for his singles “Slow It Down” up (18-15 via Warner Records) and former No. 1 “Beautiful Things” (up 21-19).
Finally, as the ball rolls on the UEFA European Football Championship, one evergreen hit makes its move: Baddiel, Skinner & Lightning Seeds’ 1996 anthem “Three Lions (Football’s Coming Home)” (via Epic). The chant-ready song is back in the top 40, at No. 32. “Three Lions” typically returns to the chart when England competes in major international tournaments. The single topped the chart for two separate one-week runs in 1996 to coincide with that year’s European Championship tournament, then a 1998 update for the World Cup reigned for three weeks. Powered by England’s run to the World Cup semi-finals, “Three Lions” returned to No. 1 in 2018.
Forget the summer of Sabrina Carpenter. The U.S. pop star is also warming-up Australia’s chart through the southern winter.
Carpenter scores her second leader in less than two months as “Please Please Please” (Island/Universal) lifts 4-1 on the ARIA Singles Chart, for its first stint at the top.
Her first leader, the platinum-certified “Espresso,” holds at No. 2 on the Australian chart, published Friday, June 21, giving Carpenter a rare 1-2. “Espresso” topped the national tally for a week in May.
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Closing out the top 3 on the latest ARIA Chart is Shaboozey’s “A Bar Song (Tipsy)” (via Empire), one of three country tunes in the top 10, including Post Malone and Morgan Wallen’s “I Had Some Help” (unchanged at No. 6 via Universal) and Dasha’s “Austin” (up 14-10 via Warner Music).
Over on the ARIA Albums Chart, Billie Eilish logs a fourth week at No. 1 with Hit Me Hard And Soft (Interscope/Universal), ahead of Taylor Swift’s former leader The Tortured Poets Department (Universal), holding at No. 2.
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U.S. country star Luke Combs bags the top debut with Fathers & Sons (Columbia/Sony), his fifth studio album. It’s new at No. 3, extending Combs’ streak of top 10s to five – a career tally that includes a No. 1 for his 2019 record What You See Is What You Get. Album track “The Man He Sees in Me” is the top new cut on the ARIA Singles Chart, at No. 38.
Meanwhile, Fred Again bags a second top 10 on the ARIA Albums Chart with USB (Atlantic/Warner), new at No. 4. The English producer and artist made history in Australia earlier this year with a sold-out “pop up” arena tour.
Also, $uicideboy$ debut at No. 6 with New World Depression (Orchard), their fourth studio album. That’s a career best effort for the New Orleans rap duo.
Finally, Nick Cave collaborators Dirty Three bag a first top 50 album with Love Changes Everything (Remote Control/Inertia), new at No. 12, while homegrown indie band Hockey Dad bow at No. 15 with Rebuild Repeat (BMG/ADA), for their third top 20 album.
Taylor Swift’s The Tortured Poets Department notches its ninth consecutive and total week at No. 1 on the Billboard 200 chart (dated June 29). It earned 126,000 equivalent album units in the U.S. in the week ending June 20 (down 1%), according to Luminate.
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Of Swift’s 14 No. 1s on the Billboard 200, Poets now has the second-most weeks at No. 1; only 1989 and Fearless, each with 11, have more weeks at No. 1.
Swift adds her 78th career week at No. 1 on the Billboard 200, extending her record among soloists. (Elvis Presley has the second-most among soloists, with 67.) The total encompasses her 14 leaders. (She’s tied with Jay-Z for the most No. 1s among soloists.)
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Also in the top 10 of the new Billboard 200, Don Toliver nets his fourth top 10 effort, and best week by units earned, with the No. 3 debut of Hardstone Psycho; $uicideboy$ score their highest-charting album ever, and best weekly units sum, as New World Depression launches at No. 5; Luke Combs nabs his sixth top 10 with the No. 6 bow of Fathers & Sons; and NAYEON achieves her second top 10 with NA’s start at No. 7.
With four debuts in the top 10, the region has the most new entries since a little over a year ago, when six albums debuted in the top 10 on the June 17, 2023-dated list.
The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new June 29, 2024-dated chart will be posted in full on Billboard‘s website on June 25. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Of The Tortured Poets Department’s 126,000 equivalent album units earned, SEA units comprise 93,000 (down 11% — it’s No. 1 on Top Streaming Albums for a ninth week; its SEA units equal 121.32 million on-demand official streams of the deluxe edition’s 31 songs), album sales comprise 33,000 (up 42%) and TEA units comprise less than 1,000 (down 11%). The album’s sales grew 42% in the tracking week thanks largely to two new CD variants of the set that shipped to customers. The two CDs, which were sold exclusively in Swift’s webstore, were briefly available to pre-order in early June. Both CDs contain the standard album’s 16 songs and an acoustic bonus track (one includes “Down Bad” and one includes “Guilty as Sin?”).
Notably, as The Tortured Poets Department has spent its first nine weeks at No. 1, it joins just five other albums that have achieved that same feat: Morgan Wallen’s One Thing at a Time (first 12 weeks at No. 1, of its total 19 weeks at No. 1 in 2023-24); Wallen’s Dangerous: The Double Album (all 10 of its weeks at No. 1 were from its debut atop the chart, 2021); Drake’s Views (first nine weeks at No. 1, of its total 13 weeks at No. 1 in 2016); Whitney Houston’s Whitney (all 11 of its weeks at No. 1 were from its debut atop the chart, 1987); and Stevie Wonder’s Songs in the Key of Life (first 13 weeks at No. 1, of its total 14 weeks at No. 1 in 1976). (For context, today, it’s common for albums to debut at No. 1. However, before 1991, when the Billboard 200 began utilizing Luminate’s electronically monitored tracking information, only six albums debuted at No. 1, including Whitney and Songs In the Key of Life.)
At No. 2 on the new Billboard 200, Billie Eilish’s Hit Me Hard and Soft is a non-mover, with 84,000 equivalent album units earned (down 20%).
Don Toliver’s Hardstone Psycho debuts at No. 3 on the Billboard 200 with 76,500 equivalent album units earned, his best week by units. Hardstone marks the hip-hop artist’s fourth consecutive top 10, the entirety of his charting releases. Of the 76,500 earned by the album in its opening week, SEA units comprise 57,000 (equaling 75.98 million on-demand official streams of the set’s 16 songs on its streaming edition; that marks his largest streaming week ever), album sales comprise 19,500 (his best sales week yet, all from digital download album purchases) and TEA units comprise a negligible sum.
Hardstone Psycho was announced on May 22 and features guest turns from Cash Cobain, Future, Kodak Black, Metro Boomin, Travis Scott, Teezo Touchdown and Charlie Wilson. The set’s release was preceded by a trio of songs, all of which reached the top 40 on the Hot R&B/Hip-Hop Songs chart: the Toliver-solo cuts “Bandit” and “Deep in the Water,” and “Attitude,” featuring Wilson and Cash Cobain.
The album’s first-week sales were bolstered by a mid-week release of a deluxe digital download album, sold exclusively through Toliver’s webstore, for $5, containing four additional bonus tracks exclusive to this download version and features from Lil Uzi Vert and Yeat.
Morgan Wallen’s chart-topping One Thing at a Time holds at No. 4 on the new Billboard 200 with 73,000 equivalent album units (up 2%).
$uicideboy$ clock their highest-charting album and biggest week by units earned as New World Depression debuts at No. 5 with 66,000 equivalent album units earned. It’s the fourth top 10-charting effort for the hip-hop duo (comprising cousins $crim and Ruby da Cherry) and first to reach the top five.
Of the album’s 66,000 units earned in its first week, SEA units comprise 46,000 (equaling 62.75 million on-demand official streams of the set’s 13 songs, marking the act’s biggest streaming week), album sales comprise 20,000 (with 16,000 of that sum on vinyl, bolstered by its availability across six variants — it’s the top-selling vinyl album of the week and the act’s best-ever sales week on vinyl) and TEA units comprise a negligible sum. The album was announced in early March and its release was preceded by the release of the song “Us Vs. Them,” which become the act’s first charting hit on the Billboard Hot 100 chart.
Luke Combs collects his sixth top 10 on the Billboard 200 as his new Fathers & Sons bows at No. 6 with 60,000 equivalent album units earned. The set was released on June 14 with little warning, as the country star announced the effort on June 6 alongside the release of its first cut, “The Man He Sees in Me.” The track debuted at No. 14 on the Hot Country Songs chart dated June 22.
Fathers & Sons is a thematic album “about being a dad” and was issued June 14, two days before the Father’s Day holiday. Combs has two sons, both under the age of 2.
Of the 60,000 units earned in Fathers & Sons’ first week, SEA units comprise 45,000 (equaling 58.11 million on-demand official streams of the set’s 12 songs), album sales comprise 14,000 (it was widely available as a digital download album; it had just one CD and one vinyl LP, both sold exclusively via Combs’ webstore) and TEA units comprise 1,000.
NAYEON nets her second top 10-charting title on the Billboard 200 as the TWICE member’s second solo album, NA, enters at No. 7 with 47,000 equivalent album units earned. The set was announced in May and not preceded by any pre-release songs. (The set’s first single is “ABCD,” released simultaneously with the album on June 14.) Of the album’s 47,000 units earned, album sales comprise 43,000 (making it the top-selling album of the week; it debuts at No. 1 on Top Album Sales), SEA units comprise 4,000 (equaling 5.41 million on-demand official streams of the set’s seven songs) and TEA units comprise a negligible sum. The album’s first-week sales were bolstered by its availability across 15 CD variants and two vinyl variants, all containing branded paper merchandise.
Chappell Roan’s The Rise and Fall of a Midwest Princess continues to climb the chart, as the buzzy artist’s album steps 10-8 (a new peak) with 46,000 equivalent album units earned (up 19%, the set’s best week yet). With a gain of nearly 7,500 units in the tracking week, the album also scores the week’s Greatest Gainer trophy, indicating the chart’s biggest unit gain of the week. During the tracking week ending June 20, Roan played the Bonnaroo Music & Artist Festival (June 16). Her interview and performance on NBC’s The Tonight Show Starring Jimmy Fallon (which aired early in the morning of June 21, and garnered wide attention through its social media clips that day) will impact next week’s chart (dated July 6).
Rounding out the top 10 are Charli XCX’s Brat (falling 3-9 in its second week with 45,000 units earned; down 42%) and Wallen’s chart-topping Dangerous: The Double Album (dipping 7-10 with 44,000; up less than 1%).
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
Mark Morrison’s “Return of the Mack” snags top honors on Billboard’s Top TV Songs chart, powered by Tunefind (a Songtradr company), for May 2024, appearing at No. 1 after a synch in The Equalizer.
Rankings for the Top TV Songs chart are based on song and show data provided by Tunefind and ranked using a formula blending that data with sales and streaming information tracked by Luminate during the corresponding period of May 2024.
“Return of the Mack” can be heard in the eighth episode of the CBS drama’s fourth season; it premiered May 5.
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In May 2024, the song earned 17.9 million official on-demand U.S. streams and sold 3,000 downloads, according to Luminate.
“Return of the Mack” was a No. 2 hit on the Billboard Hot 100 for Morrison in 1997, peaking in June of that year.
The song previously crowned Top TV Songs in November 2015 when it received a synch in Netflix’s Master of None.
“Return of the Mack” reigns over Brandi Carlile’s “The Story,” which places at No. 2 after being heard in the third season premiere of MAX’s Hacks on May 2.
“The Story,” Carlile’s breakthrough hit (it peaked at No. 3 on the Adult Alternative Airplay chart in 2007), accrued 2.1 million streams and 2,000 downloads in May 2024.
Amazon Prime Video’s newly premiered miniseries Maxton Hall boasts a strong start on Top TV Songs in its first appearance, ranking at Nos. 5 and 7 with Amber Run’s “I Found” and SYML’s “Where’s My Love,” respectively. The German-language series premiered each of its six episodes on May 9.
“I Found” earned 4.3 million streams and 1,000 downloads in May 2024, while “Where’s My Love” received 9.2 million steams.
See the full top 10 below, also featuring music from The Veil, Welcome to Wrexham, Pretty Little Liars and Clarkson’s Farm.
Rank, Song, Artist, Show (Network)1. “Return of the Mack,” Mark Morrison, The Equalizer (CBS)2. “The Story,” Brandi Carlile, Hacks (MAX)3. “Angel,” Massive Attack, The Veil (FX)4. “Black Betty,” Ram Jam, Welcome to Wrexham (FX)5. “I Found,” Amber Run, Maxton Hall (Amazon Prime Video)6. “School’s Out,” Alice Cooper, Pretty Little Liars (Freeform)7. “Where’s My Love,” SYML, Maxton Hall (Amazon Prime Video)8. “Fire for You,” Cannons, Pretty Little Liars (Freeform)9. “Golden Brown,” The Stranglers, Clarkson’s Farm (Amazon Prime Video)10. “Voices Carry,” ‘Til Tuesday, Pretty Little Liars (Freeform)
For the first time since 2017, Nothing More has a No. 1 song on Billboard’s Mainstream Rock Airplay chart.
“If It Doesn’t Hurt” climbs to the top of the June 29-dated ranking, becoming the Texas rockers’ second ruler. The band first led with “Go to War” for one week in December 2017.
In between “Go to War” and “If It Doesn’t Hurt,” Nothing More reached Mainstream Rock Airplay with five entries, including three top 10s, led by the No. 5-peaking “Tired of Winning” in 2022. The band first made the list in 2014 with the No. 2-reaching “Ballast.”
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Concurrently, “If It Doesn’t Hurt” leaps 14-10 on the all-rock-format, audience-based Rock & Alternative Airplay survey with 2.6 million audience impressions, up 2%, in the week ending June 20, according to Luminate. It’s the band’s first top 10, exceeding the No. 12 peak of “Go to War.”
On the most recently published multimetric Hot Hard Rock Songs chart (dated June 22, reflecting data over June 7-13), “If It Doesn’t Hurt” ranked at No. 12 (after debuting at its No. 8 high in February). In addition to its radio airplay, the song earned 550,000 official U.S. streams.
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“If It Doesn’t Hurt” is the lead single from Carnal, Nothing More’s seventh studio album, due June 28. Two other songs from the LP, “House on Sand” (featuring Eric Vanlerberghe) and “Angel Song” (featuring David Draiman), reached Nos. 11 and 15, respectively, on Hot Hard Rock Songs upon their debuts. Carnal is Nothing More’s first album since 2022’s Spirits, which bowed at No. 14 on the Top Hard Rock Albums tally and has earned 48,000 equivalent album units to date.
All Billboard charts dated June 29 will update on Billboard.com Tuesday, June 25.