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Happy New Year! It’s time for another quick spin around the Executive Turntable, Billboard’s comprehensive(ish) compendium of promotions, hirings, exits and firings — and all things in between — across music.
ASM Global welcomed live music veteran and former artist manager Jason Rio as senior vice president of live entertainment and content development. In his new role, Rio will oversee ASM’s plans to grow its position in content generation for its arenas, stadiums, theaters and convention centers. Rio brings years of promoter expertise ranging from his time at Live Nation, where he held senior roles in the major Houston and Chicago markets, to his most recent assignment as vp of music for the Ambassador Theatre Group. In a past work life, Rio spent 20 years managing the likes of The Fray, Liz Phair, Michelle Branch and others. He also worked for Pres. Barack Obama’s re-election campaign in 2012 … Across the pond, Andy O’Sullivan joined the company as CEO of landmark multi-use event space Olympia London. He arrives following an 11-year run as venue director at Tottenham Hotspur Stadium. “I’m incredibly excited to be joining such a transformational project at such a critical time, one that’s taking shape right here in London!” he said.
Wise Music Group hired Betsey Perlmutter as vice president of Schirmer Theatrical, the company’s concert and theatrical production arm. In her new position, Perlmutter will focus on leveraging WMG’s global catalog across symphonic, ballet, concert and theatrical disciplines. She is best known as former producer and artistic planning manager for the New York Philharmonic at Lincoln Center, where she oversaw the expansion of non-traditional concert programming, spanning musical theater, contemporary opera, chamber music and the launch of The Art of the Score film music series. Prior to the Phil, she held positions at Wave Hill Cultural Center and the New York Public Library. “Betsey’s extensive experience with the New York Philharmonic at Lincoln Center is invaluable to us as we embark on this new stage of international creative rights development,” said Robert Thompson, president.
DICE hired Piper McCoy as vp of communications, overseeing campaigns, executive profiling, thought leadership initiatives and government affairs comms. She previously held the same role at Buzzfeed, and has held key roles at Rush Communications, Roc Nation, New Era Cap and Walmart. “With over 20 years of experience across the media, sports and entertainment industries, Piper has been brought on board to build DICE’s stakeholder and industry engagement, drive growth across Europe and the US, and guide DICE in reshaping the live music industry through impactful strategic storytelling campaigns,” the company said in its announcement.
Board Shorts: The Golden Globe Foundation, formed last year following the award show’s sale to Eldridge Globes, elected its officers and board of directors for the year. Veteran photojournalist Earl Gibson III will serve as board chair, freelance journalist Henry Arnaud as treasurer, and leadership consultant Tom Kittleson as secretary. The foundation’s board also includes Silvia Bizio, Mia Farrell, Jeff Harris, Helen Hoehne, Adam Tanswell, and Meher Tatna.
Sony Music’s AWAL promoted a pair, putting Jacqueline Rossi in charge of the company’s global commercial partnerships team and Dale Connone at the helm of streaming and promotion efforts. Rossi was most recently senior director of global commercial partnerships, while Rossi led initiatives related to digital services. He also helms the independent label service IN2UNE, an AWAL-owned music coalition.
Dale Watson’s annual Ameripolitan Music Awards hired industry mainstay Roger Christian as head of marketing and promotion ahead of its 10th annual show, taking place Feb. 18 at The Moody Theater in Austin. With over 40 years of experience in the bank, Christian has held senior roles at MCA, Sony/CBS, Jem Records Texas and Big State Distributing, among others, and most recently centered his efforts growing his Roger Christian Entertainment Group. “Promoting the Ameripolitan Music Awards is the kind of challenge I love,” Christian said. “I’m so very honored to be working with Dale, Celine and all the incredibly talented artists in Ameripolitan Music.”
Last Week’s Turntable: BMG Lifer Heads Back to Berlin
With climate change having an increasing effect on the music industry, Billboard is partnering with the Music Sustainability Alliance to help foster impactful solutions to this urgent issue.
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Billboard will be the official media partner of the inaugural Music Sustainability Summit, happening Feb. 5 at the USC Campus in Los Angeles. Produced by the Music Sustainability Alliance, the event marks the first music industry climate summit in North America.
“Billboard is delighted to be partnering with the Music Sustainability Alliance to amplify their essential work in educating the music industry about climate action,” says Billboard‘s Chief Brand Officer Dana Droppo. “Dedicating our attention to environmentalism is an investment in future generations of fans and artists alike, and we can’t wait witness the exchange of ideas at this inaugural Summit.”
The Music Sustainability Alliance provides science-based solutions, business case analyses, best practices, and tools for operational change across the music industry. Tickets for the Summit — running 9 a.m. to 5:30 p.m. — are available on a sliding scale between $25 and $200 and are available now.
“The MSA is thrilled to partner with Billboard to advance meaningful climate action in the music industry,” adds Music Sustainability Alliance President and Co-founder Amy Morrison. “With the support of Billboard, The Summit will become an annual gathering of the tribes, bringing together the MSA team, our diverse group of stakeholders and new advocates.”
The Summit will feature speakers including Lindsay Arell, head of sustainability at ASM, Maggie Baird the founder of Support + Feed, John Fernandez, the director of the Environmental Solutions Initiative at MIT, Adam Gardner, the co-founder and Co-Director of REVERB (and also the guitarist and vocalist for Guster), Garrett Keraga, the senior manager of sustainability, policy & advisory at ClimeCo, Cassie Lee, the CEO of Sound Future, Michael Martin, the CEO and founder of r.World & Effect Partners, Amy Morrison, the president & co-founder of the the Music Sustainability Alliance, Lesley Olenik the vice president of touring at Live Nation and Jake Perry, the director of operations at C3 Presents. See the complete program here.
Verswire — a venture capital music startup launched by Veeps founder/COO Sherry Saeedi, Blink-182‘s Mark Hoppus and Lippman Entertainment partner Nick Lippman, with Fall Out Boy’s Pete Wentz on board as a strategic advisor — raised $12.3 million in seed and Series A funding led by E.O.A. Productions and idobi Radio along with Warped Tour founder Kevin Lyman and Foo Fighters tour manager Gus Brandt. Concurrently, Verswise announced a new publishing arm set to launch this year in partnership with Kobalt Music Group.
Verswire has been described as a development incubator for both emerging and established artists that tailors a custom investment for each, including “funding, resources, tools, mentoring, support from prominent music executives and an ecosystem to own and operate their businesses within while allowing them to keep majority ownership of their masters,” according to a press release at launch. The company has signed two artists thus far: Beauty School Dropout and brand-new signee Girlfriends, an alt-rock duo composed of Travis Mills and Nick Gross.
Oscilloscope Laboratories has acquired North American rights to director Alexandria Bombach’s Indigo Girls documentary Indigo Girls: It’s Only Life After All, which premiered on the opening night of the 2023 Sundance Film Festival. The distributor is planning a theatrical release for the film in the spring.
BMG acquired the majority of the recorded music catalog of French pop singer and composer Alain Chamfort. The acquisition comprises 13 albums, including Poses, Amour Année Zéro, Tendres Fièvres and Secrets Glacés as well as some of his biggest hits, including “Manureva,” “La Fièvre Dans Le Sang” and “Géant.” BMG will release Chamfort’s future recordings, including a four-track EP with Sébastien Tellier in January and a new studio album, L’Impermanence, in March. BMG will subsequently reissue several of Chamfort’s previous albums.
Additionally, BMG has strengthened its interest in Berlin band NENA‘s catalog, including the band’s global smash hit, “99 Luftballons.” Adding to its existing shares in the catalog, the company has acquired singer Nena’s U.S. recording copyright and ROW artist royalties, along with three band members’ artist shares. Other songs in the NENA catalog including “Nur geträumt,” “Leuchtturm,” “Irgendwie, irgendwo, irgendwann” and “? (Fragezeichen).”
Iron Horse Acquisitions Corp., a special purpose acquisitions company (SPAC), has raised $69 million from an initial public offering of 6,900,000 units at $10 each. Each unit consists of one share of common stock, one full warrant and one right to receive one-fifth of one share of common stock upon the consummation of an initial business combination. The company’s units are listed on the Nasdaq and started trading under the ticker symbol IROHU on Dec. 27. Founded by Jose A. Bengochea, who serves as CEO, Iron Horse is described as a media and entertainment-focused blank check company that will focus on deals spanning verticals including music rights aggregators, music licensors, international music labels, K-pop, AI, production studios, celebrity-backed content creators, gaming, fantasy sports, social media marketers and talent management.
TRINITI, a generative artificial intelligence platform powered by music tech studio CreateSafe, has partnered with newly launched music production platform SOUNDS.STUDIO, which will use TRINITI technology to provide an in-browser music and audio AI tool allowing users to create and distribute music all in one place. TRINITI previously made news for powering Grimes‘ AI voice model. Under the new deal, SOUNDS.STUDIO will allow its users to have the GrimesAI voice model on their own music and then distribute it to the major streaming platforms via TRINITI’s distribution channels.
Lyrics licensing and data solutions company LyricFind acquired technology company Rotor Videos, which makes it easier and more cost-efficient for artists and labels to create video content for Spotify Canvas, Apple Motion Art, social media platforms and more. The Rotor Videos team will continue to be led by founder/CEO Diarmuid Moloney, who will report to LyricFind founder/CEO Darryl Ballantyne. Along with the acquisition, LyricFind and CD Baby have struck a partnership to launch integrations of the Rotor Videos tool and LyricFind’s video enterprise solution, enabling CD Baby artists to create video content directly on the CD Baby platform.
ADA Worldwide has struck a distribution partnership with Omnivore Recordings covering the label’s entire catalog along with new releases. Omnivore specializes in historical releases, reissues and previously unissued vintage recordings, as well as select releases of new music, on CD, vinyl and digital. Omnivore’s catalog includes recordings by such acts as The Muffs, Alex Chilton, Laura Nyro, Stephen Stills and Blood, Sweat & Tears.
ASM Global has renewed its management contract with the Wilmington Convention Center in Wilmington, N.C., extending the relationship through 2028. The relationship between the two extends back to 2008.
Colombian hemp and cannabis producer One World Products partnered with Kx Family Care, a CBD-enriched personal care product line created by Stephen Marley and Shelly O’Neill. Under the deal, One World will produce and distribute Kx Family Care products in Colombia and Latin America, with the two companies collaborating on efforts to market and distribute the products.
Kids’ music brand KIDZ BOP struck an exclusive apparel licensing deal with IHL Group. An all-new KIDZ BOP apparel line including activewear, intimates, sleepwear and loungewear is set to hit North American retailers in the third quarter of 2024.
Virgin Music Group has acquired Saban Music Latin, it was announced on Thursday (Jan. 4). The deal comes five years after entertainment mogul Haim Saban invested $500 million to launch Saban Music Group, and two years after the music company launched its Latino division.
Under the terms of the transaction, Virgin Music — a division of Universal Music Group — will acquire Saban Music Latin’s catalog, which includes such artists as Jon Z, Reykon and German Montero. It will also release future albums by Saban Music Latin artists.
Saban Music Latin’s roster includes emerging L.A.-based pop artist Loyal Lobos, Puerto Rican singer-songwriter Chesca — who has scored two No. 1 songs on Billboard‘s Latin Airplay chart (“Súbelo” and “Te Quiero Baby”) — and rapper-producer YoGambii.
Saban Music Group launched in 2019 as a music company with a Latin focus and with veteran music executive Gustavo Lopez as CEO. Lopez was the longtime GM and executive vp Universal Music Latin, where he launched Latin urban label Machete Music, home to artists like Wisin & Yandel and Don Omar, and also ran Universal Music Latin Entertainment’s regional Mexican labels, Fonovisa and Disa. After leaving UMLE in 2017, he launched indie music company Talento Uno, which was acquired by Saban.
In 2020, Saban Music Group entered into an exclusive global administration agreement with Universal Music Publishing Group — and in February 2022, it announced it was launching a Latin division with Alejandro Reglero in the role of executive vp/GM, reporting to Lopez.
The acquisition follows Virgin Music Group’s recent partnerships with other Latin labels, including DEL Records, the West Coast-based independent label home to Latin music’s biggest song of 2023, “Ella Baila Sola” by Eslabon Armado and Peso Pluma. In November, Virgin Music also announced a worldwide agreement with Pepe Aguilar‘s two regional Mexican labels, Machin and Equinoccio Records.
The Virgin Music Group roster already includes such Latin stars as Espinoza Paz, Sech, Grupo Firme, Tainy and Angela Aguilar.
On a recent balmy December afternoon in Los Angeles, The Black Music Action Coalition (BMAC) sponsored a panel discussion on wellness for students at King/Drew Magnet High School of Medicine and Science. BMAC co-founder and chair Willie “Prophet” Stiggers was joined on the panel, titled Healing Through Music, with other music industry professionals who shared their wellness journeys.
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The students at King/Drew are held to high standards and face a rigorous curriculum. They’re also teenagers who are navigating all that comes with this stage of growing up, including their fast-approaching post-high school lives. While this can be exciting, it can also bring up uncertainty and anxiety.
Moderated by entertainment attorney, activist and BMAC founding member Dina LaPolt of LaPolt Law, P.C., the panelists included LaPolt’s client artist and songwriter Iann Dior, wellness and mental health expert Rebecca Kordecki, and songwriter/producer Maejor. The panelists discussed their mental health struggles and how they learned to cope. LaPolt has long been a supporter of King/Drew High School and has been a mentor to several students.
“I want to talk to you about something that’s very important in today’s world, especially after the pandemic, which is wellness,” LaPolt shared in her opening remarks to students just before holiday break. “Emotional, physical, and mental wellness. Anxiety, all kinds of depressing disorders can happen… it’s a lot.”
Songwriter, producer and podcast host Maejor travels to underserved communities and teaches about breath work, wellness and the importance of “setting intention.” Maejor’s journey to wellness began when he was diagnosed with cancer. It was during this time that he was bombarded with info on healing, some of which he had a hard time taking seriously. His interest was piqued by what he was learning about the effects of sound on well-being, and he highlighted the chanting of monks as an example. He was inspired to use what he was learning from science, the spiritual community and the music industry.
For several minutes, Maejor filled the auditorium with one of his compositions that he described as utilizing the A444 frequency — the relaxation frequency.
Wellness and mental health expert Rebecca Kordecki has worked as a motivational speaker for over 20 years. It was during this journey to wellness, that she discovered the importance of breath work. “We breathe involuntarily,” Kordecki told students. “The beautiful thing about breath is that we can voluntarily manipulate the breath to do things for us. For instance, we can manipulate the breath to give us energy, we can manipulate it to calm us down, we can manipulate to put us to sleep at night. So, learning how to use the breath is a really powerful tool.”
She added, “Eight years ago, I discovered breath work and it changed the game for me. I was doing fitness training, working with celebrities and doing all these amazing things but from the outside in. Helping people get six pack abs, feel stronger, and make better movies and all those things, but they were still unhappy inside, I would notice. I thought, how can I get people to connect with their inside while working with them on the outside? That’s when I started to incorporate breath work into the work I do with clients so that they can connect to themselves.”
Kordecki lead everyone in a few breathing exercises, including “box breathing”, which she demonstrated as a four-count inhale, a four-count hold, and then a four count exhale. The technique is often used to help young children learn to regulate their emotions. It is also a great tool for handling anxiety.
Iann Dior, who was impressed the students got out of class to attend the event, was the most in his element, and related easily with the students. At only 24, Dior has already achieved multi-platinum status with “Mood,” his 2020 Hot 100 No. 1 with 24KGoldn.
“One way that I find myself, calming myself down before I go out on stage and everything, is just being by myself,” Ian shared. “I go into the room, and I chill and kind of talk to myself. I remind myself, ‘You’ve been through a lot. You’ve seen a lot of things that normal kids don’t have to see’ … and I remind myself that I’m thankful for all those bad times.”
“Anytime something bad happens, or something doesn’t go my way, I’m thankful for it,” he continued. “I talk to myself, and ask myself, why is this happening, because I need to overcome this and next time something happens again, I move past it.”
He invited the audience to share their stories of what is troubling them. A student near the front shared how it’s been a stressful week due to final exams, and how her academic performance affects her self-esteem. Another shared, through nervous giggles and tears, that she’d been fighting with her friends and learned that her boyfriend had been cheating on her.
Prophet acknowledged from the stage that everyone has experienced that pain and that everyone could relate.
Ian asked the audience to raise their hand if they had a goal or a dream for their life. He shared that at one point he was homeless while living in Puerto Rico. He shared that focusing on what would happen if he didn’t do something to achieve his dreams and advised setting realistic goals and working towards them.
LaPolt then gave the audience a parting task: “When you get home tonight, I want you to look into the mirror and give yourself a high-five and say you got this. That’s want we got to do. We’ve got to motivate each other, but the first thing you have to do is motivate yourself.”
Bob Fead, who held key positions with such powerhouse labels as Liberty Records and A&M Records from the 1960s into the 2000s, died Tuesday (Jan. 2) at the Motion Picture and Television Fund Wasserman Campus in Woodland Hills, Calif. He was 89.
Fead was born and raised in Omaha, Nebraska — the youngest of four children and the son of a semi-pro baseball player who died at an early age. Fead found work in Omaha selling men’s clothing but had a dream to move west. He soon found himself in Los Angeles working for a shirt company, but a chance meeting at a party with a record executive landed him a promotions job, on the spot, at Liberty Records.
Fead thrived at Liberty and helped drive radio airplay for such artists as Bobby Vee, Gene Pitney, Willie Nelson, Jan and Dean, Del Shannon and Vikki Carr. He worked alongside famed producer (and longtime friend) Snuff Garrett.
After five years at Liberty, Fead was recruited by Herb Alpert and Jerry Moss to join them at their fledgling A&M Records, where he eventually rose to senior vp of sales and marketing. While there, Fead worked with such legendary acts as Herb Alpert & The Tijuana Brass, Sergio Mendes & Brasil ’66, Quincy Jones, the Carpenters, Cat Stevens and Peter Frampton. As part of a deal that moved manufacturing and distribution to RCA, Fead shifted to RCA to oversee all aspects of sales and distribution for A&M and associated labels.
Fead later launched Alfa Records, a U.S.-based division of Japan’s Alfa Music, and found immediate success with 1960s singing star Lulu, whose “I Could Never Miss You (More Than I Do)” made the top 20 on the Billboard Hot 100 in October 1981. Alfa also put Billy Vera and the Beaters on the map with a pair of Hot 100 hits that same year: “I Can Take Care of Myself” and “At This Moment.” The latter song belatedly reached No. 1 in January 1987 (on Rhino Records) after it was featured on the hit TV series Family Ties.
Fead also served as president of both Monument Records and Michael Nesmith’s Pacific Arts Video. In February 1982, A Pacific Arts Video release, Michael Nesmith in Elephant Parts, won a Grammy for video of the year — making it the first Grammy ever awarded for a video.
Fead was next tapped to be president of Famous Music, a division of Paramount Pictures, where he managed music rights related to such classic films as Breakfast at Tiffany’s, The Godfather and Footloose.
Fead next landed at Warner/Chappell Music, where he managed publishing rights for his old friend, Quincy Jones, and developed a longtime publishing relationship with Burt Bacharach, serving as president of Bacharach’s publishing company.
Bacharach died last February. A&M co-founder Moss died last August, as did Harold Childs, the label’s senior vice president of promotion and sales.
Fead gave his personal time to various philanthropic ventures, including serving as president of the music chapter of City of Hope. He also served as a board member and later became president of Society of Singers, a philanthropic organization that helped singers experiencing financial problems. He would often invite friends to entertain at a small venue in L.A. and donate all the money from ticket sales to the organization. Some of the artists who performed, at Fead’s request, included Mac Davis, Jeff Barry, Jerry Fuller and the long-married Jackie DeShannon and Randy Edelman.
Fead additionally served on the board of ASCAP and The Johnny Mercer Foundation.
Fead was introduced to his future wife, Beverlye, 40 years ago by music agent John Doumanian. The Feads were longtime residents of Montecito, Calif. In 2018, Beverlye wrote a warm recap of her husband’s life and career for The Montecito Journal. In the piece, she told the story of his fortuitous hiring at Liberty Records.
“After college, he came to California to work for a shirt company,” she wrote. “The first night he arrived in Los Angeles, he went to a party, and it changed the course of his life forever. He met a man who said Bob would make a good promotion man in the music business. He was willing to pay $85 a week, which was a lot of money in those days; Bob accepted the offer on the spot. He had no idea what to do, or what a promotion man was. His new employer gave him a record, told him to take it to radio stations to promote. He did. That was how he came to Liberty Records and to a business he has loved to this day.”
Until his retirement at age 81, Fead commuted between his home in Montecito and L.A. for work. More recently, the Feads returned to L.A. to be closer to family.
Songwriter and current ASCAP president Paul Williams issued a statement on the passing of his longtime friend (and fellow Omaha native): “Bob was an important piece of so many success stories, including mine…his passion was wrapped in a camouflage that made people comfortable and accepting of his opinion of a new artist. Both [his] opinion and advocacy changed lives! To those who were blessed to know him, may your sweetest of memories grow stronger with every mention of his name. God bless you, Bob Fead.”
Fead is survived by his wife, Beverlye; children Michael (and his wife, Tera) and Laurella Fead (from a marriage to Marilyn Fead); brother Bill Fead; grandchildren Max Clark and Jackson Fead; and relatives from his wife’s side of the family, including Jim and Leslie Hyman, Terry Hamermesh, Tessa Hamermesh, Alex Hyman and Gideon Hyman.
In lieu of flowers, the family requests tribute donations be made to the Motion Picture Television Fund (Compassionate Care Fund) at https://mptf.com/ways-to-give/.
Universal Music Group (UMG) has acquired the catalog of Oriental Star Agencies (OSA). Founded in 1966 in London by Pakistani immigrants Muhammad Ayyub and his brothers, OSA is known as one of the United Kingdom’s top labels for South Asian talent.
The OSA catalog consists primarily of recorded music, but the new UMG deal encompasses all of its master recording holdings and its publishing. This includes 18,000 songs and video recordings, including from Malkit Singh, a well-known Bhangra artist; Bally Sagoo; and Attaullah Khan. It also includes works from Nusrat Fateh Ali Khan, a prolific, Grammy-nominated artist and film composer who is known for popularizing a form of Sufi devotional music, called “qawwali,” outside of his native Pakistan.
The sounds of OSA artists were able to permeate the United Kingdom’s musical consciousness even further at the turn of the 21st century, when several older OSA tracks were placed on the soundtrack of the hit soccer movie, Bend It Like Beckham, released in 2002. The label continued to operate independently until 2017 when it sold to Hi-Tech Music, another British record label.
According to IFPI’s Global Music Report, the Asian recorded music market grew 15.4% in 2023, marking the third consecutive year the continent has experienced double-digit revenue growth. Now, Asia accounts for just under 23% of the global market and is expected to continue to expand. Japan, South Korea and China account for the majority of Asia’s global music exports, but South Asian countries overall continue to grow year after year.
In recent years, as the music catalog market grew red hot and competition among buyers became greater than ever, some investors showedincreased interest in acquiring music from typically underrepresented genres and nationalities in the catalog market. Reservoir, for example, invested in new relationships and catalogs in Saudi Arabia and Egypt; Wahoo Music Fund One focused solely on Latin music purchases; Singapore-based blackx tried to corner the Asian music market; and Armada Music’s BEAT started buying up dance catalogs.
According to a press release about the OSA deal, the catalog acquisition “complements UMG’s current service offering and will help drive momentum for the South Asian music market, enabling local artists to reach the largest possible audience in the global community.”
“This acquisition of a hugely successful and iconic British-Asian label specializing in South Asian music will further increase Universal Music Group’s exposure to, and participation in, a fast growing and rapidly changing market,” said Adam Granite, executive vp of market development at UMG, in a statement. “I am particularly pleased that Universal Music Group will become the next custodian of Oriental Star Agencies, a label that has played an unparalleled role in bridging the musical identities of the UK and South Asia, taking the unique sounds of its artists to a broad audience. We believe this catalog has huge potential, and look forward to taking it to the next generation of music fans globally.”
“This is a momentous day for OSA and all our artists,” added Mohammed Twassen of OSA. “Becoming part of the UMG family will turbo-charge our South Asian music, helping it to get in front of more music fans across the world. The past decade has seen a true global explosion of music from the region, and now, under UMG’s stewardship, the next decade promises to be even more exciting.”
Christina Aguilera has signed with UTA for worldwide representation, the company tells Billboard. The pop icon joins a roster that includes some of music’s biggest players and hitmakers, including Lil Wayne, Post Malone, Karol G, Jonas Brothers and Guns N’ Roses. The news comes on the heels of a major night for Aguilera: On Saturday […]
More than six months after Jimmie Allen was first sued for sexual assault, the country star is splitting with his lawyers — and one of his accusers claims he’s delaying the case by doing so.
In a court filing last month obtained by Billboard, Allen’s lawyers, Jonathan Cole and Katelyn R. Dwyer from the prominent Tennessee law firm Baker Donelson, asked to withdraw from the case, saying the singer had been “unable to comply” with the terms of his representation agreement.
The filings (first reported by The Tennessean) contained no other details about the reason for Allen’s split with his lawyers. But they quickly prompted a response from his accuser’s attorney, who argued last week in her own filing that Allen had already cycled through three different law firms over the past year — and that he was stalling the case in the process.
“Allen has a track record of moving through attorneys,” wrote Elizabeth A. Fegan, counsel for Allen’s Jane Doe accusers. “These tactics are part of Allen’s continuing pattern of conduct to forestall plaintiff’s right to gather discovery to pursue her claims.”
After nearly eight months of litigation, Fegan argued that Allen had thus far “failed to produce the most basic information” during “discovery” — referring to the legal process in which key evidence is exchanged during a lawsuit. She claimed that Allen’s current attorneys at Baker Donelson are in possession of some materials, but that they “do not intend to produce it” before they withdraw from the case.
A rep for Allen did not immediately return a request for comment on the new dispute.
Allen, a once-rising country music star, was sued twice last year for sexual assault — first by a member of his management team who claims he harassed and assaulted her, then again by a woman who says he assaulted her in a Las Vegas hotel room and secretly recorded it. Both women sued as anonymous Jane Does.
The current filings only apply to the first case filed by the Jane Doe who served on Allen’s management team. Fegan did not oppose Cole and Dwyer’s similar motion to withdraw from the second case over the alleged Las Vegas incident, and that request was granted last week.
Allen has strongly denied all the accusations, saying he would “mount a vigorous defense.” He later counter-sued both women, accusing the management employee of defaming him and claiming that the other woman had stolen the phone he allegedly used to record her.
According to the new filings by Fegan (who represents both Doe accusers), when she first contacted Allen regarding her clients’ accusations, he was represented by Frost Brown Todd LLP, another well-known regional law firm. She said she later corresponded with another lawyer (Andrew Brettler of the firm Berk Brettler LLP) before Cole and Dwyer, the attorneys from Baker Donelson, appeared as Allen’s formal counsel when the lawsuit was filed in court.
Since then, she claimed Allen has “not responded to or provided any information pursuant to any of plaintiff’s discovery requests.” Given that there are “impending deadlines” — including a February cut-off for discovery — Fegan argued that allowing Cole and Dwyer to withdraw from the case would result in “severe prejudice.” Instead, she asked for a court order forcing them to turn over key information about the current status of the discovery process before they leave the case.
“Without this information, Plaintiff is unable to diligently prosecute her claims, meet the Court’s current deadlines, or adequately prepare for depositions,” Fegan wrote.
Sphere Entertainment Co. has promoted Ed Lunger to senior vp/GM of Sphere, the groundbreaking venue that opened in Las Vegas last September.
After previously serving as Sphere’s vp/assistant BM of back of house operations, Lunger will now oversee building operations, event production, technical operations, guest services, food and beverage, merchandise operations and ticket operations. He will also work across the Sphere organization to develop, execute and support strategic plans aligned with the venue’s overall business objectives.
“Being part of the Sphere team opening this next-generation venue has been an honor, and I’m grateful for the opportunity to now lead our venue operations team in this new role,” Lunger said in a statement. “Sphere is setting a new standard for the in-venue guest experience, and I look forward to working with my colleagues across the organization as we continue to deliver unforgettable moments for our guests right here in Las Vegas.”
“I am pleased that Ed has taken on a new leadership role with Sphere,” added Rich Claffey, Sphere’s executive vp/COO. “Since its opening, Sphere has been delivering a first-of-its-kind experience to guests. With his deep expertise in venue management and operations, including at other venues in the MSG Family of Companies, Ed will ensure that Sphere is well positioned to continue building on our world-class experience.”
Lunger is based in Las Vegas and has been on Sphere’s venue leadership team since 2020. He previously spent seven years on the venue operation team at the Forum in Inglewood, Calif., and also worked in various venue operations and engineering roles at Madison Square Garden.
Sphere opened to much fanfare in September with a residency from U2. In December, Billboard Boxscore reported that the band’s 17-show run at Sphere generated nearly $110 million in ticket sales; a Securities and Exchange Commission filing from Dec. 5 notes that those shows generated a total of $30.7 million in revenue for Sphere Entertainment through Nov. 30. Meanwhile, Sphere Entertainment’s own content offering, Darren Aronofsky’s Postcard from Earth, generated approximately $44.5 million in total revenue from ticket sales from 111 showings.
U2‘s residency has been extended multiple times, with the final shows slated for May. Phish will play its own four-show Sphere residency this April.