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UTA signed Mexican singer-songwriter Jasiel Nuñez. Managed by George Prajin, founder/CEO of Prajin Parlay and co-founder of Double P Records along with global superstar Peso Pluma, with whom he has a longstanding creative partnership. The Guadalajara native contributed to Peso’s 2023 album Génesis on tracks like “Laguna” and “Rosa Pastel,” the latter of which reached No. 24 on Billboard‘s Hot Latin Songs chart. In 2024, Nuñez also joined Peso on his Éxodo tour. Nuñez’s latest album, La Odisea — featuring collaborations with Luis R Conriquez, Tito Double P and Danny Lux — landed at No. 8 on Billboard‘s Top Latin Albums chart and at No. 6 on Regional Mexican Albums. “I’m excited and thankful to become part of the United Talent Agency family,” said Nuñez in a statement. “This marks the beginning of an exciting new chapter, and I’m ready to push música Mexicana to new heights.” — Isabela Raygoza
Americana music luminary Charley Crockett signed with Island Records and will release his upcoming 15th album, The Lonesome Drifter, with the label in March. In 2024, Crockett released the indie albums $10 Cowboy and $10 Cowboy Chapter II: Visions of Dallas. He is nominated for best Americana album at this year’s Grammy Awards. — Jessica Nicholson
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Alternative rock trio The Hunna (“Bonfire,” “She’s Casual”) signed with FLG, the recently launched imprint of Frontiers Label Group. According to a press release, the band has racked up more than 750 million streams since hitting the scene in 2015.
EaJ (“Car Crash”), formerly a member of the Korean rock band Day6, signed a global label deal with Position Music. Born Jae Park, eaJ is managed by Coulter Reynolds and Jerren Devine of Reynolds Management.
Metal/alt-rock singer-songwriter Violent Vira signed with Mom+Pop Music, which released her latest single, “Saccharine,” on Friday (Jan. 24) and will put out her next album later this year. Booked by CAA, Vira recently got off a 34-city tour and also played last year’s Sick New World festival.
Peso Pluma’s Double P Records added Mexican singer-songwriter Julian Mercado and legacy group Reynaldos de la Sierra to its roster. Both artists, plus newcomer Saul Villareal, will be managed by George Prajin, whose roster includes superstar Peso Pluma as well as Tito Double P, Santa Fe Klan and Gabito Ballesteros. “Double P Records is a place where artists can come to grow their careers, but also a place where they can feel at home with their family, their mentor, their manager and their friends all at once,” Peso said in a statement. Prajin added, “We are excited to be welcoming Julian, Reynaldos de la Sierra and Saul to our family. As fans of their music, we have been witnessing their drive to propel their career and are confident that with our team onboard we can help them grow even further than they ever imagined.” — Griselda Flores
Provident Entertainment/Sony Music has signed former American Idol contestant Madison Watkins to the label’s roster. Watkins, who has been making music since 2019, just released a new song, “Spin,” and is readying a new project for release in 2025. — Jessica Nicholson
Monument Records, in a joint venture with Sony Music, inked a deal with six-piece, Denver-formed band Clay Street Unit. Fronted by lead singer/guitarist Sam Walker, the group recently released the EP Introducing Clay Street Unit. — Jessica Nicholson
North Carolina-based Ramseur Management signed Americana singer-songwriter Jack Blocker, who is prepping his upcoming debut LP. The firm is led by Dolph Ramseur, long-time manager for folk band The Avett Brothers, and its roster also includes Amythyst Kiah, Big Richard and Colby T. Helms. Blockers’s day-to-day managers will be Morgan Deese Locklear and Lisette Rodriguez. — Jessica Nicholson
Nashville-based label River House Artists signed twin-brother duo The Kentucky Gentlemen to its roster. The band, composed of Brandon and Derek Campbell, has previously toured with The War and Treaty and been featured on songs by Will Hoge and Fancy Hagood. The duo recently released the song “Country Hymn.” — Jessica Nicholson
Composer Mara Keen signed with ABKCO Music & Records. Keen has contributed to film and TV projects including Netflix’s Princess Power and Scrappack Production’s Just One More Thing.
BLACKPINK member JISOO has signed a global label deal with Warner Records for her solo output, the company announced Tuesday (Jan. 28). Warner will release JISOO’s debut solo mini album, AMORTAGE, on Feb. 14. “I’m excited about this new era and the continuation of my musical journey,” said JISOO in a statement. “I feel like […]
A Detroit rapper is suing Lyft for discrimination over allegations that one of the company’s drivers told her she was too large to fit inside his car.
In a lawsuit filed in Michigan court Monday (Jan. 27), Dank Demoss (Dajua Blanding) says the driver of a black Mercedes sedan told her during the Jan. 18 incident that she was “too big” for the backseat of his car and that “his tires were not capable of supporting plaintiff’s weight.”
“Defendant Lyft … unlawfully discriminated against plaintiff based on her weight,” Blanding’s attorneys write in the lawsuit, which was obtained by Billboard. Blanding, who has described herself as a “Big Beautiful Woman” on social media, says she was embarrassed, humiliated and suffered “mental anguish.”
The lawsuit comes after Blanding posted an alleged video of the incident to TikTok and other platforms, showing her arguing with the driver over his seeming refusal to take her.
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In the video, she can be heard telling the driver, “I can fit in this car,” after which he quickly responds, “Believe me, you can’t.” After telling Blanding that he’s “been in this situation before,” the driver can be heard saying that she needs to order a pricier “Uber XL” to accommodate her size.
Blanding’s post on TikTok has been viewed more than 345,000 times; another clip on Instagram has been liked more than 7,000 times.
In her complaint filed Monday, Blanding says the driver’s refusal violates Michigan’s civil rights laws, which prohibit any discrimination for public accommodations based on a variety of factors, including a person’s weight.
“Plaintiff’s weight was at least one factor that made a difference in defendants’ treatment of plaintiff and subjected her to a hostile environment,” her lawyers write.
In a statement to Billboard, a Lyft spokesperson declined to comment on the specifics of a pending legal action, but stressed that its driver regulations “explicitly prohibit harassment or discrimination.”
“Lyft unequivocally condemns all forms of discrimination — we believe in a community where everyone is treated with equal respect and mutual kindness,” the company said.
This is The Legal Beat, a weekly newsletter about music law from Billboard Pro, offering you a one-stop cheat sheet of big new cases, important rulings and all the fun stuff in between.
This week: Limp Bizkit suffers a setback in its $200 million lawsuit against Universal Music Group; A$AP Rocky’s assault trial kicks off in Los Angeles; a deep-dive into the legal teams representing Drake and UMG in their legal battle over Kendrick Lamar’s diss track; and much more.
THE BIG STORY: Limp Bizkit’s UMG Lawsuit Hits A Snag
A lawsuit from Limp Bizkit says Universal Music Group (UMG) used “systemic” and “fraudulent” policies to deprive the band of millions in royalties. But a judge ruled last week that there was a big legal flaw in the blockbuster case.
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The lawsuit, filed last year and seeking $200 million in damages, claims that frontman Fred Durst and the band have “not seen a dime in royalties” due to “fraudulent” policies by UMG. The lawsuit argued the label’s conduct was so egregious that the band was entitled to “rescission” — a legal term for a ruling that would void its entire decades-long deal with UMG.
Rescission is not Limp Bizkit’s only legal angle, but it’s crucial to the band’s case. Without it, the group can’t pursue its separate allegations of copyright infringement — claims that would carry a huge damages award if proven. Such a claim could only succeed if the band’s contracts are voided and it legally regains its ownership of the copyrights.
It turns out Friday (Jan. 24) was just one of those days. In a ruling on UMG’s motion to dismiss the case, Judge Percy Anderson rejected the rescission claim — noting that, despite the band’s claim to have never been paid, it had in fact been “paid millions in advances” and that UMG had fronted “substantial sums” to produce its albums.
“Plaintiffs seek rescission of contracts that have governed the parties’ relationship beginning in 1996 — nearly 30 years — [but] plaintiffs have not plausibly alleged the type of ‘substantial’ or ‘total failure’ in the performance of the contracts that could support rescission,” the judge wrote.
The ruling isn’t a total defeat. Judge Anderson didn’t reach conclusions on many of the lawsuit’s other legal claims, including fraudulent concealment and intentional misrepresentation, and gave Limp Bizkit’s lawyers a chance to fix the rescission claim. But the judge’s wording suggested he will be skeptical of revoking a contract when “millions in royalties were advanced and paid under decades-old agreements.”
Following Friday’s decision, Limp Bizkit has until early next month to refile an amended version of the lawsuit. We’ll keep you posted at Billboard when they do so.
Other top stories this week…
A$AP SHOOTING TRIAL – A criminal trial in Los Angeles kicked off for rapper A$AP Rocky over accusations that he fired a gun at former friend A$AP Relli on a Hollywood street in 2021. The star (Rakim Meyers), charged with two felony counts of assault with a firearm, faces 24 years in prison if convicted after turning down a plea deal for just 180 days in county jail. In opening statements, prosecutors told jurors Rocky fired a 9mm pistol and revealed that they had recovered a loaded magazine from such a gun during a search of his home. Defense attorneys responded by arguing that Rocky carried only a “prop gun” and had fired it as a warning to “scare” Relli because he was attacking another A$AP crew member. Stay tuned: Rihanna, Rocky’s wife, is expected to appear in court on Wednesday (Jan. 29).
LAWYER UP – With Drake’s lawsuit against UMG over Kendrick Lamar’s diss track “Not Like Us” still in the earliest stages, I wrote a deep-dive on the high-powered legal teams each side has hired. For Drake, that meant turning to a veteran litigator who has made a name for himself representing the alleged victims of conspiracy theories on the internet. For UMG, it meant hiring one of the biggest law firms in the world — and one that the music giant has repeatedly used in major cases over the years.
MICHAEL MOVIE DELAY – An upcoming Michael Jackson biopic has been delayed for months due to a recently revealed, decades-old legal agreement that will require costly re-shoots of key scenes. First reported last week by the news site Puck, the agreement barred any portrayal of the family of Jordan Chandler, a then-13-year-old boy who accused the superstar singer of molestation in the 1990s — but the movie featured the family prominently anyway. A source with knowledge of the film’s production told Billboard that re-shoots are already scheduled and that the movie’s ultimate release — now scheduled for October — is not in jeopardy.
THERE GOES GRAVITY – Eight Mile Style, the publishing company that owns the copyrights to Eminem’s “Lose Yourself,” filed an infringement lawsuit against a Ford dealership near the rapper’s native Detroit, accusing the company of using the iconic track in TikTok videos that warned viewers they “only get one shot” to buy a special edition truck. The case is just the latest over social media videos allegedly featuring uncleared music — a problem that has recently led to litigation against Chili’s, Marriott and a slew of NBA teams.
SPEIDI SUIT – Spencer Pratt and Heidi Montag joined more than 20 other property owners in suing the city of Los Angeles over the recent devastating fires in Southern California. Attorneys for Montag — whose 2010 album recently re-charted after going viral — claim the city’s decision to “drain” a local reservoir left firefighters without enough water to battle the blaze effectively.
CHRIS BROWN SUES – The R&B star filed a defamation case against Warner Bros. Discovery over a 2024 documentary claiming he had a long history of sexually abusing women. Brown’s attorneys say Warner’s ID network released the movie in “their pursuit of likes, clicks, downloads and dollars” even though they knew it contained false and damaging claims about him: “They did so after being provided proof that their information was false.”
ROCK & ROLL FAIR USE – The Rock & Roll Hall of Fame asked a federal judge to dismiss a copyright lawsuit over an image of Eddie Van Halen snapped by Neil Zlozower, a prolific rock photographer who has filed dozens of such cases in recent years. In seeking to toss the case, the Rock Hall argued that it made legal “fair use” of the Van Halen pic, saying it was part of a museum exhibit designed to “educate the public about the history of rock and roll music.”
MANSON NOT CHARGED – Los Angeles prosecutors announced that Marilyn Manson (Brian Warner) won’t face criminal charges following a four-year investigation into allegations of domestic violence and sexual assault. The city’s newly-elected DA praised the “courage and resilience of the women who came forward,” but said that the statute of limitations had expired for any domestic violence charges against the rocker and that his office simply could not prove a sexual assault charge in court.
“BRAZEN THIEVERY” – Independent label and publisher Artist Partner Group (APG) filed a copyright lawsuit against Create Music Group, claiming that the digital distributor uploaded and monetized songs on YouTube that it didn’t actually own. “Create’s ‘business model’ is to steal the intellectual property and contractual rights of innocent rightsholders,” APG’s attorneys wrote.
DIDDY DEFAMATION – Sean “Diddy” Combs lodged a defamation lawsuit over allegations that a man named Courtney Burgess falsely claimed to have videos of the embattled hip-hop mogul committing sexual assault. The lawsuit, which also names Burgess’ attorney Ariel Mitchell as a defendant, claims the fake reports about the videos caused him “profound reputational and economic injury and severe prejudice” ahead of his looming criminal trial on sex trafficking and racketeering charges.
Sony Music Publishing has promoted Katie Welle to president and head of U.S. A&R, effective Feb. 1. Welle will succeed Walter Jones, who is leaving the company after nearly three years in the role. In her new position, which is based in Los Angeles and reports up to SMP chairman and CEO Jon Platt, Welle […]
Universal Music Group chairman and CEO Lucian Grainge delivered an update on the company’s response to the Los Angeles wildfires on Tuesday, writing in a staff memo obtained by Billboard that while many evacuated employees have returned home, others remain displaced, while some have “lost their homes completely.”
Grainge said the Santa Monica-based company is actively supporting affected employees by providing resources to meet both immediate and long-term needs. Over 100 employees have volunteered to help colleagues through various means, such as offering shelter, babysitting and donating clothes, he said.
Beyond internal support, UMG has been involved in community relief efforts, including volunteering, providing meals and donating clothing and hotel rooms for displaced families. Additionally, Grainge said UMG has made financial contributions to several organizations supporting relief efforts, including the American Red Cross, California Community Foundation, The California Fire Foundation, Direct Relief, Entertainment Industry Foundation, L.A. Regional Food Bank, MusiCares, Music Health Alliance, Mutual AID Network L.A., Pasadena Humane Society and World Central Kitchen, among others.
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“What has impressed me the most throughout this tragic event is the fact that collectively we haven’t just made financial contributions, but so many of our colleagues have rolled up their sleeves and gone to work,” he said. “We know that even after every fire is extinguished the road to recovery will be very long. We will be there every step of the way.”
UMG announced earlier this month that it is canceling all of the company’s Grammy-related events, including its artist showcase and after-Grammy party, and will instead “redirect the resources that would have been used for those events to assist those affected by the wildfires.”
Read Grainge’s full memo below:
Dear Colleagues,
I’m writing to update you on our efforts related to the Los Angeles fires. In short, while many of our evacuated employees have fortunately been able to return to their homes, others who are in the most seriously affected areas remain displaced and will be so for some time to come. Some have lost their homes entirely.
We are working closely with those affected employees, providing them a range of resources and support to meet their immediate individual or family needs. Following meetings with the team of UMG leaders that I mentioned in my prior note, we are also determining the best ways to help these employees going forward. And in addition to the company’s support, more than 100 employees have volunteered to help their colleagues—from opening their homes to babysitting, dog walking, donating clothes, and more.
In terms of recovery of the broader community, from Day One we’ve been on the ground helping wherever we can. Whether it’s volunteering at relief organizations, providing meals to first responders and affected community members, donating clothing or providing hotel rooms to displaced families.
And in addition to all this, we’ve made financial contributions to a range of organizations, including the American Red Cross, California Community Foundation, The California Fire Foundation, Direct Relief, Entertainment Industry Foundation, L.A. Regional Food Bank, MusiCares, Music Health Alliance, Mutual AID Network L.A., Pasadena Humane Society, World Central Kitchen, and more.
What has impressed me the most throughout this tragic event is the fact that collectively we haven’t just made financial contributions, but so many of our colleagues have rolled up their sleeves and gone to work.
We know that even after every fire is extinguished the road to recovery will be very long. We will be there every step of the way.
You can read more about these efforts in our latest edition of our All Together Now bi-weekly newsletter.
I’m so enormously proud of the fact that so many of you have shown up to help our community and your colleagues. I’m grateful but not surprised. As a company, this is who we are.
Lucian
Hong Kong-based private equity firm HongShan Capital Group has agreed to acquire a majority stake in Marshall Group, makers of amplifiers that for decades have been a favorite among rock guitarists, in a deal valuing the company at 1.1 billion euros ($1.15 billion).
Under the deal, which needs regulatory approval in Europe, the Marshall family will retain “over 20%” ownership in the Stockholm, Sweden-based company. The investors divesting their stakes in the company include Swedish telecom Telia, private equity firms Altor and Time for Growth, as well as venture capital firm Zenith.
This will be the largest European investment to date for HSG, which also has offices in mainland China and London and lists TikTok owner ByteDance and the Chinese mega-retailer Alibaba in its portfolio.
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Terry Marshall, a board member and co-founder of Marshall along with his dad Jim, expressed optimism about the partnership’s potential to further the legacy of Marshall’s pioneering sound.
“We are now over 60 years into our journey, and the pioneering sound of Marshall continues to resonate across the world,” said Marshall. “Together with HSG and our team, we can further build on our history to amplify the love for music and the Marshall brand for decades to come.”
Established in 1962 in Hanwell, West London by Jim and Terry Marshall, Marshall Amplification swiftly built a loyal following by manufacturing larger-than-life amps for guitarists craving more muscle for their stage sound. Devotees of these high-wattage “Marshall stack” rigs over the years have included such guitar giants as Jimi Hendrix, Jimmy Page, Slash, Eric Clapton, Pete Townshend and Angus Young.
In 2023, Stockholm-based Zound Industries, known for their headphones and wireless speakers, acquired Marshall Amplification and rebranded it as The Marshall Group. The Marshall family retained a 24% stake in the company, with family heirs Terry and Victoria Marshall securing seats on the board of directors.
Today, the company still produces amps in the UK at their factory in Bletchley, Milton Keynes. It’s also about to introduce a new line of guitar pedals at this year’s NAMM tradeshow that it hopes will ” provide the unmistakable Marshall sound, no matter where you are.”
In early 2024, the company disclosed that a quarter of the Marshall Group’s sales come from headphones while 70% is derived from speakers and only 5% from amplifiers.
“Our mission is to support Marshall in unlocking its full potential by leveraging our expertise in digital channels and supply chain optimization,” said Taro Niggemann, managing director for Europe at HSG. “We aim to help bring Marshall’s exceptional products to even more customers globally while embracing and celebrating the spirit that has defined the brand for generations.”
Jeremy de Maillard, CEO of Marshall Group, added: “This deal is a testament to our team’s dedication and exceptional talent in making our vision a reality. Together with HSG and the Marshall family, we have the perfect conditions to continue building on Marshall’s iconic status and unlocking our full potential across the world.”
Alex Cooper is expanding her broadcasting duties even further in 2025, with SiriusXM announcing new exclusive programming as part of a multi-year agreement with the world’s most-listened-to female podcaster.
Beginning on Feb. 11, Cooper – the host and executive producer of the Call Her Daddy podcast – will give SiriusXM subscribers the chance to get closer to her and the Unwell Network with two new channels and live shows.
The first of these, Unwell Music, is curated by Cooper and is presented as a mixtape featuring the songs that have scored her life. Broadcasting contemporary hits alongside nostalgic pop anthems, Unwell Music will feature names such as Miley Cyrus, Tate McRae, Sabrina Carpenter, Beyoncé, Gracie Abrams and more. Alongside its eclectic playlist, the music will also be complemented by personal commentary from Cooper and behind-the-scenes stories.
The second of these channels, Unwell On Air, is designed to deliver a “live and curated pulse on what’s trending now”. In addition to highlights from the Unwell Network’s podcasts, it will also feature live daily programming that puts their Daddy Gang fanbase as the center of the conversation.
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This live programming includes Dialled In, which sees hosts Rachel Friedman and Montaine taking calls from listeners about relationship problems, friendship drama, and more. Dialled In airs from Monday to Friday at 7pm ET (4pm PT).
The programming also features The Daily Dirty, which sees hosts Sequoia Holmes, Fiona Shea and Hannah Kosh providing an hour-long catch-up focusing on pop culture-focused sharp takes, candid conversations, and playful segments. The Daily Dirty airs from Monday to Friday at 6pm ET (3pm PT).
“I’m constantly trying to find new ways to interact with my audience and with Unwell Music and Unwell On Air I’m able to deliver brand new daily live shows and playlists curated specifically by me,” said Cooper in a statement. “I can’t wait for everyone to experience a whole new world of Unwell.”
“Alex Cooper and her Unwell brand continue to be at the vanguard of pop culture with their authentic and unfiltered approach,” said Scott Greenstein, President, and Chief Content Officer at SiriusXM. “With the launch of Unwell Music and Unwell On Air, Alex is creating something that is only possible through the power of SiriusXM: a live 24/7 audio destination for her fans to immerse themselves further into her world. We can’t wait for you to hear what she has in store.”
Cooper first rose to fame with the Call Her Daddy in 2018, which was swiftly acquired by Barstool Sports shortly after its launch. In 2021, Spotify took ownership thanks to a $60M deal before it found a new home with SiriusXM in August 2024. The multi-year agreement provides SiriusXM with exclusive advertising and distribution rights, content, events, and more for both the Call Her Daddy podcast and the other titles on the Unwell Network – the production house Cooper founded in 2023.
Spotify paid $10 billion to music rights holders in 2024, according to a blog post published Tuesday (Jan. 29) from David Kaefer, the streamer’s vp/head of music business.
Last year, Spotify reported that it finished the third quarter of 2024 with 252 million subscribers. “Today, there are more than 500 million paying listeners across all music streaming services,” Kaefer writes. “A world with 1 billion paying listeners is a realistic goal.”
Spotify’s $10 billion payout, a new record for the company, is roughly 10 times as much as it shelled out to the music industry a decade ago. Kaefer says the streaming service has now contributed roughly $60 billion to the music industry since its founding.
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Also notable for Spotify in 2024 was CEO Daniel Ek‘s announcement to financial analysts in November that the company was “on track for our first full year of profitability.”
“We’re not here to merely optimize for today,” he added. “As you think about Spotify in 2025 and beyond, picture a company that operates with the same disciplined management you’ve seen this year, but one that also has the ambition to seize the opportunities presented by what’s happening in technology. In the near term, I see potential for transformative shifts in music discovery and new ways to connect artists and fans like never before.”
On Sunday (Jan. 26), Spotify announced that it had reached a new direct deal with Universal Music Group that will impact the company’s recorded and publishing royalty rates. “Constant innovation is key to making paid music subscriptions even more attractive to a broader audience of fans around the world,” Ek said in a statement regarding the news.
This sentiment was echoed in Kaefer’s blog post on Tuesday. “We offer an ad-supported free tier, while some services don’t,” he writes. “Beyond the ad dollars this generates, more than 60% of Premium subscribers were once free tier users. Bringing in users who don’t expect to pay for music, and deepening their engagement, means they’re more inclined to become subscribers in the future.”
“Onboarding people to paid streaming,” he continues, “is precisely what has increased our payouts — tenfold — over the past decade.”
Spotify will report its fourth-quarter earnings on Feb. 4.
The Vans Warped Tour is making a highly anticipated return in 2025, celebrating its 30th anniversary with three major two-day festivals in Washington, D.C.; Long Beach, California; and Orlando, Florida.
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The first round of artist announcements includes Warped Tour staples Simple Plan, Bowling for Soup, Pennywise, and Miss May I. The Warped Tour will also see the long-awaited reunion of ska-punk favorites Dance Hall Crashers, who are returning to the stage after 20 years, and rising pop-rock artist Chandler Leighton.
The six acts are just the beginning, with organizers planning to reveal additional names daily until Feb. 26 via Warped Tour’s social media platforms.
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Partnering with Insomniac—the production powerhouse behind Electric Daisy Carnival Las Vegas—Warped Tour 2025 aims to merge its punk rock spirit with elevated festival production. Each stop will showcase between 70 and 100 bands, spanning genres such as punk rock, pop punk, emo, alternative, and more.
“The complete lineup will be revealed over the next 30 days, with new artists announced daily until February 26. Each announcement will feature unique, artist-created content shared on the official Warped social channels,” Warped Tour organizers said in a statement, as per Metal Injection.
Vans Warped Tour founder and organizer Kevin Lyman added: “Putting together a lineup is never an easy task, but each act, both new and returning, plays an important role in delivering an unforgettable experience for fans, especially at the price point we’re offer. We collaborated closely with the bands to create some exciting surprises, exclusive content, and more for fans to enjoy. So follow along, soak in the journey, and who knows—you might just discover your next favorite band!”
Since its debut in 1995, the Vans Warped Tour has been a cornerstone of alternative music culture, launching the careers of acts like Paramore, Blink-182, and My Chemical Romance, and providing a stage for countless others.
Warped Tour 2025 Dates
June 14-15: Washington, D.C. – Festival Grounds at RFK Campus
July 26-27: Long Beach, CA – Downtown Long Beach Shoreline Waterfront
Nov. 15-16: Orlando, FL – Camping World Stadium Campus