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Billboard

Page: 152

Jon Batiste reveals his favorite New Orleans slang to Billboard. Jon Batiste:Hello, it’s Jon Batiste and this is my Favorite Slang from New Orleans. “Wuzham, wodie?” “Wuzham?” is “What’s happening?” Was happening … wuz happenin … wuzham. You see the progression? Wuzham. Wuzham, wod. Another one you might hear me say is, “Where y’at?” “Where […]

Tim McGraw reveals five things you didn’t know about him to Billboard. Tim McGraw:Hi! I’m Tim McGraw, and here are five things you may not know about me. I love potting flowers around my house. I spend each spring and each fall with all these terra-cotta pots we have around the house and I go […]

Maluma tells Billboard Latin Chief Content Officer Leila Cobo all about his new album ‘Don Juan,’ how it’s different from his last album, his upcoming tour, his collab with J Balvin, and more! MalumaI’m gonna let it grow a little bit more. Leila CoboIt looks cool. MalumaYou approve it? Leila CoboI think you look cute. […]

“DNA,” No. 67, Oct. 14, 2017“Mic Drop,” featuring Desiigner, No. 28, Dec. 16, 2017“Fake Love,” No. 10, June 2, 2018“Idol,” featuring Nicki Minaj, No. 11, Sept. 8, 2018“Waste It on Me” (Steve Aoki featuring BTS), No. 89, Nov. 10, 2018“Make It Right,” featuring Lauv, No. 76, Nov. 2, 2019“Boy With Luv,” featuring Halsey, No. 8, April 27, 2019“Black Swan,” No. 57, Feb. 1, 2020“On,” No. 4, March 7, 2020“Filter,” No. 87, March 7, 2020“My Time,” No. 84, March 7, 2020“Dynamite,” No. 1, Sept. 5, 2020“Savage Love (Laxed – Siren Beat),” with Jawsh 685 & Jason Derulo, No. 1, Oct. 17, 2020“Life Goes On,” No. 1, Dec. 5, 2020“Fly to My Room,” No. 69, Dec. 5, 2020“Blue & Grey,” No. 13, Dec. 5, 2020“Telepathy,” No. 70, Dec. 5, 2020“Dis-ease,” No. 72, Dec. 5, 2020“Stay,” No. 22, Dec. 5, 2020“Film Out,” No. 81, April 17, 2021“Butter,” No. 1, June 5, 2021“Permission To Dance,” No. 1, July 25, 2021“My Universe,” with Coldplay, No. 1, Oct. 9, 2021“Yet To Come,” No. 13, June 25, 2022“Run BTS,” No. 73, June 25, 2022“Bad Decisions,” with Benny Blanco & Snoop Dogg, No. 10, Aug. 20, 2022“Take Two,” No. 48, June 24, 2023

Karol G and Trippie Redd see their latest projects debut in the top 10 on Billboard’s Top Album Sales chart (dated Aug. 26), while Travis Scott’s Utopia continues atop the list with a big gain owed to bargain-basement sale pricing.
Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.

Utopia sold 99,000 copies in the U.S. in the week ending Aug. 17 (up 169%), according to Luminate. Utopia’s album sales grew in the set’s third week on the chart thanks in part to a promotional offer in Scott’s official webstore, which discounted the Utopia vinyl LP from $50 to only $5 for a limited time. Of Utopia’s 99,000 sales for the week, vinyl accounted for 93,000. That sum marks Utopia’s best week on vinyl yet, the seventh-largest sales week on vinyl for any album since Luminate began tracking sales in 1991, and the biggest week for an R&B/hip-hop or rap album on vinyl in that same period.

Taylor Swift’s chart-topping Speak Now (Taylor’s Version) rises 5-2 on Top Album Sales with 23,000 (up 14%) while NewJeans’ former leader 2nd EP ‘Get Up’ falls 2-4 with 20,000 (down 24%).

Karol G logs her highest-charting set ever on Top Album Sales (and second top 10) – with her largest sales week yet – as Mañana Será Bonito (Bichota Season) starts at No. 4 with 17,000 sold. The new collection was available as a digital download album, CD and vinyl LP. The latter sold about 3,500 copies and arrives at No. 14 on the Vinyl Albums chart.

Swift’s former No. 1 Midnights bumps 9-5 with 13,000 (up 26%), the Barbie soundtrack is a non-mover at No. 6 with nearly 13,000 (down 10%) and Swift’s former leader Folklore climbs 8-7 with 12,000 (up 12%).

Trippie Redd scores his fifth top 10-charting effort on Top Album Sales as A Love Letter to You 5 debuts at No. 8 with 11,000 sold. He notched his first top 10 five years ago with the No. 5-peaking Life’s a Trip.

Rounding out the top 10 on the new Top Album Sales chart are a pair former No. 1s: Swift’s Lover (rising 12-9 with 11,000; up 28%) and Stray Kids’ 5-Star: The 3rd Album (11-10 with 9,000; down 5%).

In the week ending Aug. 17, there were 1.869 million albums sold in the U.S. (up 4.5% compared to the previous week). Of that sum, physical albums (CDs, vinyl LPs, cassettes, etc.) comprised 1.540 million (up 6.4%) and digital albums comprised 329,000 (down 3.6%).

There were 646,000 CD albums sold in the week ending Aug. 17 (down 1.4% week-over-week) and 885,000 vinyl albums sold (up 13.1%). Year-to-date CD album sales stand at 22.236 million (up 3.1% compared to the same time frame a year ago) and year-to-date vinyl album sales total 29.613 million (up 21%).

Overall year-to-date album sales total 63.938 million (up 7.7% compared to the same year-to-date time frame a year ago). Year-to-date physical album sales stand at 52.191 million (up 12.6%) and digital album sales total 11.747 million (down 9.9%).

Echosmith siblings Sydney and Noah Sierota play Never Have I Ever with Billboard.

Sydney Sierota:Hey, we’re Echosmith, and we are going to play Never Have I Ever.

Producer:Never have I ever made a fake social media account…

Noah Sierota:Definitely have.

Sydney Sierota:I have.

Noah Sierota:You have too?

Sydney Sierota:Yeah. What do they call it? Like a Finsta? Where you make, like, a private Instagram for your friends and stuff. I don’t know if you’re invited to it, though.

Producer:Never have I ever lied to get out of a speeding ticket…

Sydney Sierota:Well, I have sort of a funny joke or story. It’s not a joke. I just got my license and I just wasn’t the best driver, so I think the officer thought that I was, like, drinking and driving because I was just swerving because I just wasn’t a great driver. I legit had never even tried alcohol at this point for real, anyway. And he was like, “Ma’am, have you been drinking?” And I was like, “No, I’m only 17.” He’s like, “That’s not what I asked you.” I did get a ticket. I thought they would send it to you in the mail. Apparently, you needed to, like, you know initiate it to pay it yourself, and it became a very expensive ticket because I didn’t pay it for too long.

Producer:Never have I ever fallen on stage…

Sydney Sierota:Oh, I have.

Noah Sierota:Oh yeah. I fell on Warped Tour.

Sydney Sierota:Never I have!

Noah Sierota:I rolled on the stage.

Watch the full video above!

Debuting a song on the Billboard Hot 100 is a highlight of any musician’s career. It’s Billboard’s premier songs chart, after all, and the stars often must align in order to stand with the best of the best.

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations.

In total, over 8,000 artists have landed a song on the survey, which launched on Aug. 4, 1958. Of those artists, only 15 have charted at least 100 total songs.

Elvis Presley, whose career predates the Hot 100’s launch, became the first artist to tally 100 total hits. He scored his 100th (of an eventual 109 total) in May 1975 with “T-R-O-U-B-L-E.” He held the record for the most overall chart entries until 2011, when the Glee Cast surpassed him, and then nearly doubled his total — reaching 207 entries. That record stood until 2020, when Drake stormed past the TV troupe following his song “Oprah’s Bank Account” reaching the listing.

Drake now leads all artists with a whopping 298 total entries on the chart in his career (through the Hot 100 dated Aug. 26, 2023). He’s one of just three artists to top 200 total songs, along with Taylor Swift (212) and the Glee Cast (207).

Three artists have joined the 100-hits club in 2023 alone, so far. YoungBoy Never Broke Again achieved the milestone in May, and, fittingly, became the youngest artist to ever reach the feat, at age 23. Lil Uzi Vert became the 14th act to join in July, after releasing Pink Tape. Travis Scott then became the most-recent artist to gain entry on Aug. 12, thanks to the release of his new LP Utopia.

As for who might be next in line to join the elite group, The Weeknd is currently at 96 Hot 100-charted songs, followed by Eminem (95), Young Thug (92), James Brown (91), Lil Durk (87), 21 Savage (85), Beyoncé (82), Juice WRLD (79) and Gunna (77).

While it’s rare for artists to chart triple-digit entries on the Hot 100, it’s become a more regular occurrence since the ranking began including streaming figures in 2007. As such, certain artists have been able to chart a high number of songs on the Hot 100 in recent years after releasing high-profile albums. The model contrasts with prior decades, when acts generally promoted one single at a time in the physical-only marketplace and on radio. That shift in consumption helps explain why artists have been able to chart many songs over short spans in recent years.

Here’s an updated look at every act in history to chart 100 or more songs on the Hot 100, as of the Aug. 26, 2023-dated chart.

Singer-songwriter Warren Zeiders notches his first Billboard Hot 100 chart hit, as “Pretty Little Poison” debuts at No. 86.
The song, released in March through 717/Warner/WEA, arrives with 5.8 million U.S. streams (up 17%), 3.3 million radio airplay audience impressions (up 10%) and 1,000 downloads sold (up 1%) in the Aug. 11-17 tracking week, according to Luminate. It also rises 38-37 on Country Airplay, having become Zeider’s first entry on the survey.

The song’s recent gains can partly be attributed to hype leading up to the release of Zeiders’ debut studio album, Pretty Little Poison, which includes “Poison,” on Aug. 18.

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TikTok has been a factor in the song’s growing profile, as a portion of the track has been used in over 65,000 clips to date. (TikTok does not presently contribute directly to Billboard‘s charts.)

“Poison” concurrently pushes 24-22 on Hot Country Songs, marking Zeider’s highest-charting entry. He previously charted five songs on the list: “Ride the Lightning (717 Tapes)” (No. 30 peak in 2021); “Outskirts of Heaven,” featuring Craig Campbell (No. 49, 2021); “Dark Night (717 Tapes)” (No. 40, 2022); “Wild Horse (717 Tapes)” (No. 35, 2022); and “Up to No Good” (No. 50, 2022).

Zeiders (real name: Brady Zeiders), from Hershey, Pennsylvania, scored his first Billboard chart appearance with “Ride the Lightning (717 Tapes)” in July 2021. The song went viral on TikTok, ahead of its Hot Country Songs debut, and led to a record deal with Warner.

“Warren is a gifted songwriter and storyteller, has the confidence and drive to work harder than anyone, understands all the modern tools at an artist’s fingertips to market and promote themselves, and is just a great human being,” Aaron Bay-Schuck, co-chairman and CEO of Warner Records, said upon Zeiders’ signing. “We just had the best time getting to know one another and both [co-chairman/COO] Tom [Corson] and I felt that Warner Records was a natural fit for Warren.”

Legendary singer-songwriter and producer Babyface scores his first top 10 hit on the Billboard Hot 100 as a producer in 23 years, thanks to his work on SZA’s “Snooze.”

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The song, released in December on SZA’s 10-week Billboard 200 No. 1 album SOS, jumps 15-10 on the Hot 100 (dated Aug. 19). Babyface, who co-produced the track with BLK (real name: Blair Ferguson) and The Rascals (the production duo comprising Khristopher Riddick-Tynes and Leon Thomas III), last appeared in the top 10 as a producer in December 2000, with P!nk’s “Most Girls.” The song climbed to No. 4 the prior month, becoming P!nk’s first career top five hit (of an eventual eight to date).

Babyface is also one of five credited co-writers on “Snooze” (however SZA solely wrote the lyrics).

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While “Snooze” marks Babyface’s return to the Hot 100’s top 10 as a producer, he’s tallied three additional top 10s on the Hot 100 this century as a writer, thanks to samples and interpolations of his older hits. (When a song is sampled on another track, credited writers of the original typically receive writing credits on the new song.)

Babyface is credited as a co-writer of Mariah Carey’s 2005 14-week No. 1 “We Belong Together,” thanks to its interpolation of “Two Occasions” by The Deele, in which he was a member; the latter song hit No. 10 on the Hot 100 in 1988. He even gets a shoutout in the lyrics of Carey’s lost-love song: “I gotta change the station / So I turn the dial, tryin’ to catch a break / And then I hear Babyface, ‘I only think of you’ / And it’s breaking my heart.”

In 2020, Babyface notched another top 10 as a writer, via Lil Mosey’s “Blueberry Faygo” (No. 8 peak). The track samples Johnny Gill’s 1990 No. 10 hit “My, My, My,” which he co-wrote with Daryl Simmons. In 2021, Babyface tallied another top 10, thanks to a writing credit on Drake’s “Fair Trade,” featuring Travis Scott (No. 3). The collab samples Charlotte Day Wilson’s 2019 song “Mountains.”

Of Babyface’s top 10 Hot 100 hits in any role (producer, writer or recording artist), seven have hit No. 1. They’ve combined to spend just shy of a year at the summit: 51 weeks.

Here’s a recap:

Artist Billing, Title (Peak Year; Role)Whitney Houston, “I’m Your Baby Tonight” (1990, one week at No. 1; producer, songwriter)Boyz II Men, “End of the Road” (1992, 13 weeks; producer, songwriter)Boyz II Men, “I’ll Make Love to You” (1994, 14 weeks; producer, songwriter)Madonna, “Take a Bow” (1995, seven weeks; producer, songwriter)Whitney Houston, “Exhale (Shoop Shoop)” (1995, one week; producer, songwriter)Toni Braxton, “You’re Makin’ Me High”/”Let It Flow” (1996, one week; producer, songwriter)Mariah Carey, “We Belong Together” (2005, 14 weeks; songwriter)

Babyface praised SZA in an interview on Billboard’s Pop Shop Podcast in January. ““I think SZA is amazing,” he said. “She’s so unique and I’m amazed by her talent, to be honest, and very happy for her success. I think it’s very well-deserved.”

Of his own versatility, and longevity, he said, “I think as a musician, I’ve always tried to not be one particular thing and be able to cross different genres. I always kind of look at it [as], if you’re a full musician, then you should be able to do more than one thing. And what allows you to do that is to not have an ego, to the point to where you think what you do is the best thing and always the best. So, it’s always great to collaborate and get into a room and learn.”

ITZY, Mammoth WVH and TOMORROW X TOGETHER all debut in the top 10 on Billboard’s Top Album Sales chart (dated Aug. 19) with their latest efforts, while Mac Miller’s Swimming surges 77-10 after the release of its fifth anniversary vinyl reissue.

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At No. 1 on Top Album Sales, Travis Scott’s Utopia holds for a second week (37,000; down 85%) after bowing atop the list a week ago. NewJeans’ 2nd EP ‘Get Up’ is a non-mover at No. 2 with 27,000 (down 31%).

ITZY’s Kill My Doubt bows at No. 3 with 23,000 copies sold, marking the Korean pop act’s fourth top 10-charting set. As is typical with many K-pop projects, the set was issued in collectible CD packages (14 different versions in all) that contain branded merchandise (including randomized elements).

Rock act Mammoth WVH scores a No. 4 debut with its second album, Mammoth II. It launches with just over 20,000 copies sold and follows the act’s self-titled set, which debuted and peaked at No. 2 in 2021.

Taylor Swift’s chart-topping Speak Now (Taylor’s Version) rises 4-5 with 20,000 sold (down 14%) and the Barbie soundtrack is a non-mover at No. 6 with 14,000 (down 30%).

TOMORROW X TOGETHER’s Sweet starts at No. 7 with 14,000 sold. The Japanese-language project was issued in four collectible CD iterations and grants the Korean act its sixth top 10-charting title on Top Album Sales.  

Rounding out the top 10 on the new Top Album Sales chart are two former No. 1s from Swift (Folklore moves 9-8 with 11,000; up 5% and Midnights rises 10-9 with 10,000; up 11%) and Mac Miller’s Swimming. The latter flies 77-10 with 10,000 sold (up 409%) after the release of a fifth anniversary vinyl edition of the album. The set debuted and peaked at No. 2 in 2018.

In the week ending Aug. 10, there were 1.788 million albums sold in the U.S. (down 13% compared to the previous week). Of that sum, physical albums (CDs, vinyl LPs, cassettes, etc.) comprised 1.447 million (down 9.8%) and digital albums comprised 341,000 (down 24.2%).

There were 655,000 CD albums sold in the week ending Aug. 10 (down 9.7% week-over-week) and 782,000 vinyl albums sold (down 9.9%). Year-to-date CD album sales stand at 21.59 million (up 3.1% compared to the same time frame a year ago) and year-to-date vinyl album sales total 28.728 million (up 20.9%).

Overall year-to-date album sales total 62.069 million (up 7.6% compared to the same year-to-date time frame a year ago). Year-to-date physical album sales stand at 50.651 million (up 12.5%) and digital album sales total 11.418 million (down 9.8%).

Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.