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Karol G’s Mañana Será Bonito makes an unprecedented splash on the Billboard 200 albums chart (dated March 11), as the set debuts atop the tally. It’s both the first No. 1 for the artist and the chart’s first No. 1 all-Spanish-language album by a female artist.
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Previously, only two all-Spanish albums led the list, both by Bad Bunny (Un Verano Sin Ti in 2022 and El Ultimo Tour del Mundo in 2020).
(Mañana is effectively an all-Spanish-language effort, save for a handful of English lyrics by guest artist Sean Paul on one track.)
Mañana earned 94,000 equivalent album units in the U.S. in the week ending March 2, according to Luminate. Its starting sum was largely powered by streaming activity.
Also in the top 10 of the new Billboard 200, Gorillaz collect their sixth top 10-charting set with the No. 3 debut of Cracker Island, Yeat achieves his third top 10 with the No. 4 bow of AfterLyfe and Don Toliver nabs his third top 10, as well, with the No. 8 arrival of Love Sick. Plus, The Weeknd’s former No. 1 Starboy returns to the top 10 for the first time since 2017 (climbing 14-9), following the release of a new remix for the set’s resurgent “Die for You.”
The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new March 11, 2023-dated chart will be posted in full on Billboard‘s website on March 7. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.
Of Mañana’s 94,000 equivalent album units earned, SEA units comprise 83,000 (equaling 118.73 million on-demand official streams of the set’s 17 tracks), album sales comprise 10,000 and TEA units comprise 1,000. The album’s sales were largely powered by its digital download album (8,500), though there was a CD available in limited quantities, selling about 1,500 copies. The digital album was also offered in two alternative cover variants on Karol G’s official webstore.
Mañana logs the largest week, by equivalent album units earned, for a Latin album by a woman since the chart began measuring by units in December of 2014. (Latin albums are defined as those that have hit or are eligible for Billboard’s Top Latin Albums chart.) Further, as Mañana generated 118.73 million official on-demand streams for its songs, the set registers the biggest streaming week ever for a Latin album by a woman.
Mañana is also the first Latin album by a woman to reach No. 1 on the Billboard 200 since 1995, when Selena’s posthumously-released, mostly-Spanish effort Dreaming of You topped the list for one week. (The 13-song Dreaming album has six tracks in Spanish, five in English and two duets that blend English and Spanish.)
Only three mostly-non-English-language albums by women have reached No. 1 on the Billboard 200 – the all-Spanish Mañana, Dreaming of You and The Singing Nun’s all-French-language self-titled album in 1963.
Karol G made her Billboard chart debut in 2016 and has been a force on Billboard’s Latin genre charts ever since, notching 17 top 10 hits on the Hot Latin Songs chart – including five No. 1s (through the most recently published chart, dated March 4). On the Top Latin Albums list, she’s previously logged a trio of top two-charting sets, including one No. 1, her previous release, KG0516, in 2021.
Mañana is the fourth charting album for Karol G on the all-genre Billboard 200, but first to reach the top 10. She previously visited the list with KG0516 (No. 20 in 2021), Ocean (No. 54 in 2019) and Unstoppable (No. 192 in 2017). Preceding the release of the new album, Karol had logged five top 40-charting hit songs on the all-genre Billboard Hot 100, but with three of them coming in 2022: “Mamiii,” with Becky G (No. 15), “Provenza” (No. 25) and “Gatubela,” with Maldy (No. 37). Both “Mamiii” and “Provenza” became Karol’s first top 10-charting hits on the all-genre Streaming Songs chart, reaching Nos. 5 and 10, respectively. (Both “Provenza” and “Gatubela” are included on Mañana.)
SZA’s SOS falls to No. 2 after 10 nonconsecutive weeks atop the Billboard 200, earning nearly 87,000 equivalent album units (down less than 1%).
With Karol G’s Mañana replacing SZA’s SOS at No. 1, it’s the first time a woman has replaced another woman atop the list in over a year. It last happened when a trio of leading ladies traded off the top spot from Nov. 20, 2021-Dec. 4, 2021. Summer Walker’s Still Over It debuted at No. 1 on the on Nov. 20 chart, Taylor Swift’s Red (Taylor’s Version) then opened atop the list on Nov. 27, and Adele’s 30 bowed at No. 1 on the Dec. 4 chart.
Gorillaz score their sixth top 10-charting effort on the Billboard 200 as Cracker Island arrives at No. 3 with 64,500 equivalent album units earned. Of that sum, album sales comprise 48,500 (the top-selling album of the week, debuting at No. 1 on Top Album Sales), SEA units comprise 15,500 (equaling 20.39 million on-demand official streams of the set’s tracks) and TEA units comprise 500. The star-studded Cracker Island features guest turns from Bad Bunny, Beck, Bootie Brown, Stevie Nicks, Tame Impala and Thundercat, among others. The album was initially released on Feb. 24 as a 10-track standard edition across physical and streaming formats, along with an 11-track digital retail and streaming edition. On Feb. 27, a 15-track digital and streaming deluxe version was released, including bonus tunes with De La Soul and Del the Funky Homosapien.
Cracker Island was preceded by a pair of top 20-charting hits on the Alternative Airplay chart – the title track, featuring Thundercat (No. 2), and “New Gold,” featuring Tame Impala and Bootie Brown (with the latter rising to a new high of No. 16 on the most recently published chart, dated March 11).
Rapper Yeat logs his third top 10 on the Billboard 200 as AfterLyfe debuts at No. 4 with nearly 55,000 equivalent album units earned. Of that sum, SEA units comprise the vast majority – about 54,500 (equaling 78.42 million on-demand official streams of the set’s tracks).
Swift’s former No. 1 Midnights falls 3-5 with just over 48,000 equivalent album units (down 10%), Morgan Wallen’s chart-topping Dangerous: The Double Album dips 5-6 with nearly 46,000 units (up 5%) and Metro Boomin’s former leader Heroes & Villains falls 4-7 with 42,000 units (down 10%).
Don Toliver notches his third top 10 on the Billboard 200 as Love Sick starts at No. 8 with 40,500 equivalent album units earned. Of that sum, SEA units comprise 39,500 (equaling 51.23 million on-demand official streams of the set’s tracks), album sales comprise nearly 1,000 and TEA units comprise a negligible sum. The album was initially released as a 16-track standard set on Feb. 24. On Feb. 28, a deluxe edition of the album with four additional tracks (including one featuring Travis Scott) was released.
The Weeknd’s former No. 1 Starboy climbs back to the top 10 for the first time since 2017 (its release year), as the set steps 14-9 with just over 40,000 equivalent album units earned (up 73%). The album’s rise comes following the Feb. 24 release of a new Ariana Grande-assisted remix of the set’s revived hit single “Die for You.”
Bad Bunny’s chart-topping Un Verano Sin Ti rounds out the new top 10, falling 6-10 with 38,000 equivalent album units earned (down 5%).
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
Morgan Wallen’s new album One Thing at a Time is off to a robust start in the United States. The country set’s 36 songs generated 101 million on-demand official audio streams in the U.S. on the album’s release day of March 3, according to initial reports to data tracking firm Luminate, whose information powers Billboard’s weekly charts.
For context, the largest U.S. streaming week for a country album is the first week of Taylor Swift’s Red (Taylor’s Version), which collected 303.23 million on-demand audio and video official streams for its 30 tracks (in its first week, ending Nov. 18, 2021). The second-largest streaming week for a country set is the debut frame of Wallen’s last album, Dangerous: The Double Album, which logged 240.18 million clicks for its 30 songs in its debut week, ending Jan. 14, 2021.
In addition, One Thing at a Time sold over 60,000 copies on its first day, mostly through digital album purchases. The set was issued only in three retail-available editions: a digital album (both clean and explicit) and a double-CD (explicit only). One Thing at a Time has yet to be released on vinyl, unlike Dangerous in its first week, when it sold 6,000 copies.
News of further initial sales and streaming-and-track-equivalent activity for One Thing at a Time, as provided by Luminate, will be reported in the coming days.
One Thing at a Time was preceded by the release of nine songs from the album, going back as far as April of 2022. Four of those tunes topped Billboard’s Hot Country Songs chart: “Don’t Think Jesus,” “Thought You Should Know,” “You Proof” and “Last Night,” the lattermost of which has reigned for three weeks running (through the most recently published March 4-dated ranking).
One Thing at a Time is Wallen’s first album since Dangerous: The Double Album, which debuted atop both the Top Country Albums chart and the all-genre Billboard 200. On the former, it has spent a record-breaking 96 weeks at No. 1, while on the latter, it racked up 10 weeks (all consecutive) on top. It also has notched 108 nonconsecutive weeks in the top 10 on the Billboard 200 (through the most recently published list, dated March 4) – the most weeks in the region among any album by a single artist in the chart’s history.
Dangerous closed 2021 as the year-end No. 1 album on the Billboard 200, and the most popular album of the year in the U.S., as measured by equivalent album units by Luminate.
Luminate’s current tracking week ends at the close of business on Thursday, March 9. One Thing at a Time’s final first-week numbers are expected to be announced on Sunday, March 12, along with its debut position on the multimetric Billboard 200 albums chart (dated March 18). If One Thing at a Time debuts at No. 1 on the Billboard 200, it will mark Wallen’s second chart-topping set, following Dangerous.
The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.
Billboard‘s 2023 Women in Music Awards kicked off Women’s History Month on Wednesday evening (March 1) by bringing the best, brightest and baddest bosses in the music industry together.
This year’s extravaganza spread girl power and upbeat energy to every corner of the YouTube Theater at SoFi Stadium, from last year’s Woman of the Year recipient Olivia Rodrigo and this year’s Chartbreaker Award winner Kim Petras uniting with this year’s Breakthrough Award-winning act TWICE backstage to executives like Dina LaPolt, Mary Harrington and Angelique Jones showing off their fabulous pink suits at the cocktail reception.
SZA‘s mother and father watched their daughter and recent Billboard cover star receive the 2023 Woman of the Year honor, and they weren’t the only proud parents in the building. Doechii‘s mother introduced her daughter before giving her the Rising Star Award presented by Honda. Bad Bunny made a surprise appearance to present Ivy Queen with the Icon Award. Other honorees included Impact Award winner Becky G, Rulebreaker Award winner Lainey Wilson, Powerhouse Award Latto, Visionary Award winner Lana Del Rey and Rosalía, who received our inaugural Producer of the Year Award presented by Bose. Epic Records CEO/chairwoman Sylvia Rhone received the 2023 Executive of the Year Award. Meanwhile, Sabrina Carpenter, Dove Cameron, Chloe Bailey, Coi Leray and Wondagurl were on hand as presenters.
Petras, Wilson, Becky G, Doechii, TWICE and Latto with “Lottery” collaborator LU KALA also took to the stage to perform during this year’s ceremony, which was hosted by Emmy-winning Abbott Elementary actress and writer Quinta Brunson. Check out what was happening inside the 2023 Billboard Women in Music event below.
Olivia Rodrigo & TWICE
Image Credit: Flo Ngala
Olivia Rodrigo and TWICE backstage at the 2023 Billboard Women in Music Awards at So-Fi Stadium in Los Angeles on March 1, 2023.
Doechii & Chloe Bailey
Image Credit: Flo Ngala
Doechii and Chloe Bailey backstage at the 2023 Billboard Women in Music Awards at So-Fi Stadium in Los Angeles on March 1, 2023.
Olivia Rodrigo
Image Credit: Flo Ngala
Olivia Rodrigo backstage at the 2023 Billboard Women in Music Awards at So-Fi Stadium in Los Angeles on March 1, 2023.
Bad Bunny
Image Credit: Flo Ngala
Bad Bunny backstage at the 2023 Billboard Women in Music Awards at So-Fi Stadium in Los Angeles on March 1, 2023.
Lana Del Rey & Olivia Rodrigo
Image Credit: Flo Ngala
Lana Del Rey and Olivia Rodrigo backstage at the 2023 Billboard Women in Music Awards at So-Fi Stadium in Los Angeles on March 1, 2023.
Erika Jayne & Dina LaPolt
Image Credit: Flo Ngala
Erika Jayne and Dina LaPolt attend the 2023 Billboard Women in Music Awards at So-Fi Stadium in Los Angeles on March 1, 2023.
Sylvia Rhone
Image Credit: Flo Ngala
Sylvia Rhone attends the 2023 Billboard Women in Music Awards at So-Fi Stadium in Los Angeles on March 1, 2023.
Heidi Klum
Image Credit: Flo Ngala
Heidi Klum attends the 2023 Billboard Women in Music Awards at So-Fi Stadium in Los Angeles on March 1, 2023.
Image Credit: Flo Ngala
Coi Leray attends the 2023 Billboard Women in Music Awards at So-Fi Stadium in Los Angeles on March 1, 2023.
Lana Del Rey & Olivia Rodrigo
Image Credit: Flo Ngala
Lana Del Rey and Olivia Rodrigo backstage at the 2023 Billboard Women in Music Awards at So-Fi Stadium in Los Angeles on March 1, 2023.
Sabrina Carpenter
Image Credit: Flo Ngala
Sabrina Carpenter attends the 2023 Billboard Women in Music Awards at So-Fi Stadium in Los Angeles on March 1, 2023.
Kakul Srivastava & Christina Coleman
Image Credit: Flo Ngala
Kakul Srivastava and Christina Coleman attend the 2023 Billboard Women in Music Awards at So-Fi Stadium in Los Angeles on March 1, 2023.
Sonia Clavell
Image Credit: Flo Ngala
Sonia Clavell attends the 2023 Billboard Women in Music Awards at So-Fi Stadium in Los Angeles on March 1, 2023.
Lu Kala
Image Credit: Flo Ngala
Lu Kala attends the 2023 Billboard Women in Music Awards at So-Fi Stadium in Los Angeles on March 1, 2023.
Sonia Clavell, Ivy Queen & Leila Cobo
Image Credit: Flo Ngala
Sonia Clavell, Ivy Queen and Leila Cobo backstage at the 2023 Billboard Women in Music Awards at So-Fi Stadium in Los Angeles on March 1, 2023.
Madison McFerrin & Jasmin Penelope Charles
Image Credit: Flo Ngala
Madison McFerrin and Jasmin Penelope Charles attend the 2023 Billboard Women in Music Awards at So-Fi Stadium in Los Angeles on March 1, 2023.
Dove Cameron
Image Credit: Flo Ngala
Dove Cameron attends the 2023 Billboard Women in Music Awards at So-Fi Stadium in Los Angeles on March 1, 2023.
Latto & Lu Kala
Image Credit: Flo Ngala
Latto and Lu Kala backstage at the 2023 Billboard Women in Music Awards at So-Fi Stadium in Los Angeles on March 1, 2023.
Samantha Kirby Yoh & United Talent Agency Staff
Image Credit: Flo Ngala
Samantha Kirby Yoh (center) and United Talent Agency staff members attend the 2023 Billboard Women in Music Awards at So-Fi Stadium in Los Angeles on March 1, 2023.
Chloe Bailey
Image Credit: Flo Ngala
Chloe Bailey backstage at the 2023 Billboard Women in Music Awards at So-Fi Stadium in Los Angeles on March 1, 2023.
Jacqueline Saturn & Sylvia Rhone
Image Credit: Flo Ngala
Jacqueline Saturn and Sylvia Rhone attend the 2023 Billboard Women in Music Awards at So-Fi Stadium in Los Angeles on March 1, 2023.
Chantel Jeffries
Image Credit: Flo Ngala
Chantel Jeffries attends the 2023 Billboard Women in Music Awards at So-Fi Stadium in Los Angeles on March 1, 2023.
Kim Petras & TWICE
Image Credit: Flo Ngala
Kim Petras and TWICE backstage at the 2023 Billboard Women in Music Awards at So-Fi Stadium in Los Angeles on March 1, 2023.
Mary Harrington, Kerri Edwards, Cris Lacy, Katie McCartney & Guests
Image Credit: Flo Ngala
Mary Harrington (left), Kerri Edwards (third from left), Cris Lacy (third from right), Katie McCartney (second from right) and guests attend the 2023 Billboard Women in Music Awards at So-Fi Stadium in Los Angeles on March 1, 2023.
Helen Yu & Monika Tashman
Image Credit: Flo Ngala
Helen Yu and Monika Tashman attend the 2023 Billboard Women in Music Awards at So-Fi Stadium in Los Angeles on March 1, 2023.
Ashlee Keating & Guest
Image Credit: Flo Ngala
Ashlee Keating and guest attend the 2023 Billboard Women in Music Awards at So-Fi Stadium in Los Angeles on March 1, 2023.
Shenseea
Image Credit: Flo Ngala
Shenseea attends the 2023 Billboard Women in Music Awards at So-Fi Stadium in Los Angeles on March 1, 2023.
Angelique Jones & Tiara Lewis
Image Credit: Flo Ngala
Angelique Jones and Tiara Lewis attend the 2023 Billboard Women in Music Awards at So-Fi Stadium in Los Angeles on March 1, 2023.
Britney Davis
Image Credit: Flo Ngala
Britney Davis attends the 2023 Billboard Women in Music Awards at So-Fi Stadium in Los Angeles on March 1, 2023.
Bozoma Saint John & Lael Saint John
Image Credit: Flo Ngala
Bozoma Saint John and Lael Saint John attend the 2023 Billboard Women in Music Awards at So-Fi Stadium in Los Angeles on March 1, 2023.
Amber Grimes & Äyanna
Image Credit: Flo Ngala
Amber Grimes and Äyanna attend the 2023 Billboard Women in Music Awards at So-Fi Stadium in Los Angeles on March 1, 2023.
Em Beihold
Image Credit: Flo Ngala
Em Beihold attends the 2023 Billboard Women in Music Awards at So-Fi Stadium in Los Angeles on March 1, 2023.
Larsen Thompson
Image Credit: Flo Ngala
Larsen Thompson attends the 2023 Billboard Women in Music Awards at So-Fi Stadium in Los Angeles on March 1, 2023.
Chloe Bailey
Image Credit: Flo Ngala
Chloe Bailey backstage at the 2023 Billboard Women in Music Awards at So-Fi Stadium in Los Angeles on March 1, 2023.
Lana Del Rey
Image Credit: Flo Ngala
Lana Del Rey greets fans at the 2023 Billboard Women in Music Awards at So-Fi Stadium in Los Angeles on March 1, 2023.
Israel Houghton & Adrienne Bailon
Image Credit: Flo Ngala
Israel Houghton and Adrienne Bailon attend the 2023 Billboard Women in Music Awards at So-Fi Stadium in Los Angeles on March 1, 2023.
Piper Perabo
Image Credit: Flo Ngala
Piper Perabo backstage at the 2023 Billboard Women in Music Awards at So-Fi Stadium in Los Angeles on March 1, 2023.
SZA’s parents
Image Credit: Flo Ngala
SZA’s parents attend the 2023 Billboard Women in Music Awards at So-Fi Stadium in Los Angeles on March 1, 2023.
Each year Billboard’s Women in Music event recognizes music’s rising artists, creators, producers and executives for their contributions to the industry and community. Hosted by Quinta Brunson, the 2023 Billboard Women in Music Awards will honor powerhouses who are shaping the music landscape at the ceremony including SZA as Woman of the Year, Becky G, Doechii, Ivy Queen, Kim Petras, Lainey Wilson, Lana Del Rey, Rosalía and TWICE.
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P!nk scores her third No. 1 on Billboard’s Top Album Sales chart (dated March 4) as her latest studio effort, Trustfall, bows atop the list. The set sold 59,000 copies in the U.S. in the week ending Feb. 23, according to Luminate.
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Overall, Trustfall marks P!nk’s 10th consecutive, and total, top 10-charting effort on the tally. She first visited the top 10 with her second studio album M!ssundaztood in 2001 and has reached the top 10 with every charting release on through Trustfall.
Also in the top 10 of the new Top Album Sales chart: ATEEZ’s Spin Off: From the Witness re-enters the chart at No. 3 after a new Target-exclusive edition of the album was released, Taylor Swift’s official webstore-exclusive vinyl album Lover: Live From Paris opens at No. 5 and Twenty One Pilots’ Vessel re-enters at No. 8 – its first time in the top 10 – after its release in a 10th anniversary vinyl boxed set.
Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units. The new March 4-dated chart will be posted in full on Billboard‘s website on Feb. 28. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.
Of Trustfall’s 59,000 sold, physical sales comprise 28,000 (22,000 CDs and 6,000 vinyl LPs) and digital album sales comprise 31,000. The arrival marks the largest sales week for a digital album since Taylor Swift’s Midnights sold 161,000 digital albums in its first week (on the chart dated Nov. 2, 2022).
At No. 2 on the new Billboard 200, TOMORROW X TOGETHER’s former leader The Name Chapter: TEMPTATION is a non-mover with 22,000 (down 22%). ATEEZ’s Spin Off: From the Witness re-enters the chart at No. 3 with 21,000 (up 1,232%) after a new Target-exclusive edition of the album was released on Feb. 17. The Name Chapter debuted at No. 2 on the Jan. 14 chart, spent six weeks on the list, and then left the tally after the Feb. 18 chart.
Swift’s former No. 1 Midnights is stationary at No. 4 with 14,000 (down 18%) while her new Lover: Live From Paris debuts at No. 5 with 13,500 sold. The set was sold exclusively through Swift’s official webstore and only available on vinyl. It also starts at No. 1 on the Vinyl Albums chart – marking Swift’s ninth leader on the tally. She continues to have the most No. 1s among all artists on the 12-year old chart.
Paramore’s chart-topping This Is Why falls 1-6 on Top Album Sales in its second week, selling 12,000 copies (down 74%). Tyler, the Creator’s former leader IGOR rises 9-7 with nearly 9,000 (up 38%) as it continues to profit from newly released physical format variants.
Twenty One Pilots’ Vessel visits the top 10 of Top Album Sales for the first time as the album re-enters at No. 8 with 7,000 sold (up 1,031%). The album was issued for its 10th anniversary in a limited edition vinyl boxed set sold exclusively through the band’s official webstore. Nearly all of the album’s sales for the week were on vinyl, and Vessel re-enters the Vinyl Albums chart at No. 5.
Rounding out the top 10 of the new Top Album Sales chart are Rihanna’s former No. 1 ANTI, climbing 18-9 with 6,000 (up 26%, following a Target-exclusive red-colored vinyl release) and Harry Styles’ chart-topping Harry’s House, dipping 5-10 with 6,000 (down 36%).
In the week ending Feb. 23, there were 1.897 million albums sold in the U.S. (up 0.7% compared to the previous week). Of that sum, physical albums (CDs, vinyl LPs, cassettes, etc.) comprised 1.542 million (down 0.6%) and digital albums comprised 355,000 (up 6.8%).
There were 638,000 CD albums sold in the week ending Feb. 23 (up 2.6% week-over-week) and 894,000 vinyl albums sold (down 2.7%). Year-to-date CD album sales stand at 4.919 million (up 1.2% compared to the same time frame a year ago) and year-to-date vinyl album sales total 7.112 million (up 25.6%).
Overall year-to-date album sales total 14.818 million (up 7.3% compared to the same year-to-date time frame a year ago). Year-to-date physical album sales stand at 12.102 million (up 14.7%) and digital album sales total 2.716 million (down 16.6%).
Taylor Swift lands a rare feat on the Billboard 200 albums chart, as the superstar has 10 concurrently charting albums on the March 4-dated list.
Since the Billboard 200 was combined from its previously separate mono and stereo LP charts into one all-encompassing list in August 1963, Swift is just the fifth artist to earn the achievement. The March 4-dated chart will be posted in full on Billboard’s website on Feb. 28.
On the March 4 chart, Swift holds the following titles:
No. 3 – MidnightsNo. 28 – FolkloreNo. 41 – LoverNo. 50 – 1989No. 56 – Red (Taylor’s Version)No. 58 – Lover: Live From ParisNo. 100 – reputationNo. 103 – EvermoreNo. 172 – Fearless (Taylor’s Version)No. 192 – Speak Now
Lover: Live From Paris debuts on the March 4 chart as a vinyl-only release sold exclusively through Swift’s official webstore. Lover: Live From Paris was recorded at Olympia in Paris on Sept. 9, 2019, in support of her Lover studio album. Lover: Live From Paris arrives on the tally with 13,500 equivalent album units earned – all from album sales. All nine of the other albums Swift has on the chart are former No. 1s.
Here are the acts who have placed at least 10 albums on the Billboard 200 chart at the same time (since August 1963):
Taylor Swift – March 4, 2023 (10 albums)Prince – May 28, 2016 (13)Prince – May 21, 2016 (10)Prince – May 14, 2016 (19)David Bowie – Jan. 30, 2016 (10)The Beatles – March 1, 2014 (13)Whitney Houston – March 10, 2012 (10)The Beatles – Dec. 4, 2010 (14)The Beatles – Jan. 9, 2010 (11)
Prince, Bowie and Houston’s achievements came shortly after they died, following a surge of interest in their respective catalogs from music fans.
The Beatles placed 13 titles on the March 1, 2014, chart thanks in large part to gains reaped from the CBS-TV concert special The Night That Changed America: A Grammy Salute to The Beatles, which aired Feb. 9 (and repeated Feb. 12). The special celebrated 50 years of The Beatles’ success in the United States, specifically commemorating the 50th anniversary of the Fab Four’s first live American TV performance on The Ed Sullivan Show (Feb. 9, 1964).
The Beatles also logged 14 and 11 titles, respectively, on the Dec. 4 and Jan. 9, 2010-dated charts.
On the Dec. 4, 2010 list, The Beatles logged 12 re-entries and two debuts, following the band’s belated bow in the iTunes Store. (The group had been a hold out to selling digital downloads of its albums and songs on the service until Nov. 16, 2010.)
As for The Beatles’ feat on the Jan. 9, 2010, chart, that week came shortly after the Billboard 200 began allowing older (catalog) albums to appear, beginning with the Dec. 5, 2009-dated chart. It was also not long after the band’s catalog was digitally remastered for CD reissues in September 2009.
Some history on the Billboard 200 chart: The list began publishing as a regular, weekly fixture with the March 24, 1956-dated chart, where Harry Belafonte’s Belafonte was the No. 1 album in the U.S. At the time, the chart was only 10 positions and was named Best Selling Pop Albums. (Its name would change only a week later, to Best Selling Popular Albums.)
Prior to March 24, 1956, Billboard had tracked album popularity, but not consistently. The first overall album chart appeared 11 years earlier, on March 24, 1945. That chart was published on an irregular basis until it became a weekly fixture starting with the March 24, 1956 issue of Billboard magazine.
Notably, for a little over four years (between May 25, 1959-Aug. 10, 1963), the album chart was split into two separate lists, each tracking the sales of mono or stereo-recorded albums. These two charts were named Best Selling Monophonic LPs and Best Selling Stereophonic LPs. The names of the charts would change slightly over time, but Billboard would publish two charts for mono and stereo albums until Aug. 10, 1963. The following week, Aug. 17, 1963, the mono and stereo charts folded back into one overall chart.
The chart would grow to 200 positions in 1967. In 1992, and after a number of name changes, the chart would settle on its current name, Billboard 200.
As for how the Billboard 200 chart is compiled… through the May 18, 1991-dated chart, the chart ranked the week’s top-selling albums in the U.S., based on reports obtained from record stores. On the May 25, 1991-dated chart, the list began using electronically monitored point-of-sale purchase information courtesy of SoundScan, Inc. (now known as Luminate).
The chart would continue to rank the week’s top-selling albums by traditional album sales through the Dec. 6, 2014-dated chart. The following week (Dec. 13, 2014), the list transformed again, becoming a multi-metric popularity chart, ranking overall consumption, as measured in equivalent album units. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album.
Older albums (known as catalog albums; generally defined today as titles 18 months old or older), were mostly restricted from charting on the Billboard 200 from May 25, 1991-Nov. 28, 2009. From Dec. 5, 2009-onwards, catalog and current (new/recently released) albums chart together on the Billboard 200. Today, older albums regularly spend hundreds of weeks on the chart – such as Journey’s Greatest Hits (more than 700 weeks) and Eminem’s Curtain Call: The Hits (nearly 600).
Because of the chart’s methodology (primarily the inclusion of streaming activity in 2014) and the ability for catalog albums to chart (since 2009), some albums now continue to rank on the list for a much longer time than albums in previous eras, when the chart was effectively a sales-only tally for current releases.
The September day that Becky G learned she had scored her first No. 1 as a solo artist on Billboard’s Latin Airplay chart, with “Bailé Con Mi Ex,” she woke up her fiancé, the soccer star Sebastian Lletget, with tears in her eyes. “He was like, ‘Is everything OK? Why are you crying?’ ” she remembers. “A lot of people like to say I’m only successful because of my collaborations. To be able to prove myself as an artist and carry my own weight was important for me. To show the world that whichever way, collaborations or alone, I’m good.”
That solo feat is just one of many points of pride for the 25-year-old Mexican American artist and businesswoman, born Rebbeca Marie Gomez, these days. In 2022, she earned her first No. 1 on the Latin Pop Albums chart with the 14-track Esquemas, and another album — her first regional Mexican set — is due to arrive later this year. Come April, she’ll have “a huge opportunity to reintroduce myself to the world” when she plays Coachella under her own name for the first time.
All the while, Becky G has used her platform to help elevate the women around her. “This industry has really tried to condition women to see each other as competition. We’ve had to survive these very male-dominated spaces because of that ‘there’s only one seat at the table’ mentality. So we’re looking at each other like, ‘Who’s going to get it?’ [But] at my table, everyone is welcome,” she says firmly. “When I open the door, I’m going to leave it open and make sure everyone gets in.”
Read Becky G’s full Billboard Women in Music profile here.
By the time Lainey Wilson showcased for BMG Nashville staff in 2018, she was at a crossroads. She had already been in Nashville for over five years after leaving her small Louisiana hometown of Baskin and was struggling to fit in. Her heavily accented, twangy country vocals and Southern swagger weren’t in fashion as the genre leaned more toward pop, but her attempts to accommodate that style weren’t working either. So she doubled down on her tough-but-vulnerable authenticity. With that attitude, she sang, “She’s a soldier/When I hold her/Up in the air” in her defiant “Middle Finger.” “Take that, Nashville,” she thought.
Wilson, now 30, laughs when she remembers that time. “I just got to a certain point where I’d been in Nashville for so long [and] my give-a-damn was a little busted. I felt like, ‘Why not just say what I want to say how I want to say it?’ That’s one of the thoughts that really set me free.”
That fearlessness — and her robust, honest voice — captivated BMG Nashville president Jon Loba, who had been turned on to Wilson by another artist on his roster, Jimmie Allen.
“[She had] this absolute confidence. And it was an amazing vocal and, even at that time, amazing songs,” says Loba, who immediately signed her to Broken Bow Records. “But it was her narrative in between the music [where] you really got a sense of who she was: this strong woman from a small town in Louisiana who did not want to compromise who she was.”
Read Lainey Wilson’s full Billboard Women in Music story here.