Billboard
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U.S. vinyl album sales surged in the week ending Dec. 21, with 2.054 million copies sold, according to Luminate. That marks the largest week of 2023 for vinyl albums, and the third-largest week in the modern era — since Luminate began electronically tracking sales in 1991. The only two larger weeks registered since 1991 both […]
Xavi is officially a Billboard Hot 100-charting artist, thanks to the arrival of his two breakthrough singles, “La Diabla” and “La Victima.” Both songs debut on the Dec. 30-dated Hot 100, at Nos. 76 and 91, respectively. The former enters with 8.9 million official U.S. streams and latter with 6.9 million in the Dec. 15-21 […]
Flo Milli has been churning out chart entries for over three years, and now she’s officially a Billboard Hot 100-charting artist.
The rapper, from Mobile, Ala., debuts on the chart (dated Dec. 30) for the first time with “Never Lose Me,” released Nov. 30 via RCA Records. The song opens at No. 84 with 7 million official U.S. streams (up 21%) Dec. 15-21, according to Luminate. The gains can be partly attributed to a remix of the song featuring Lil Yachty, released Dec. 1. The song, which is slated to appear on Flo Milli’s forthcoming album, Fine Ho, Stay, samples Babyface Ray and 42 Dugg’s track “Ron Artest.”
TikTok has also been a contributing factor to the song’s growing popularity. A portion of the track’s original version has soundtracked over 135,000 clips on the platform to date. On the TikTok Billboard Top 50 chart, the track ranks at No. 13.
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“Never Lose Me” concurrently jumps 22-17 on Rap Airplay and 26-21 on Hot R&B/Hip-Hop Songs.
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Flo Milli appeared on her first Billboard chart dated Aug. 8, 2020, when Ho, Why Is You Here? debuted and peaked at No. 46 on the Top R&B/Hip-Hop Albums chart and No. 78 on the Billboard 200.
She told Billboard that year, “I just always went after my heart and my passion, and I think that’s why a lot of people feel me, because I’m not afraid of anything.”
Earlier this year, Lah Pat’s “Rodeo,” featuring Flo Milli, reached No. 9 on Mainstream R&B/Hip-Hop Airplay, No. 11 on Rap Airplay, No. 14 on R&B/Hip-Hop Airplay, and No. 25 on Rhythmic Airplay. It also peaked at No. 39 on Hot R&B/Hip-Hop Songs – her first entry on the chart.
In March, Flo Milli released her second LP, You Still Here, Ho?, which features cuts with Babyface Ray, Lola Brooke and Rico Nasty, among others. She has also served as a go-to collaborator for numerous artists, including $NOT, Baby Tate, BENEE, Big Boss Vette, GoldLink, Tay Money and Yung Bleu.
In 2022, Flo Milli performed at Billboard’s R&B/Hip-Hop Power Players celebration.
Taylor Swift once again crowds the top 10 of Billboard’s Top Album Sales chart, as the superstar has five titles lodged in the top 10 of the Dec. 23-dated tally. It’s the fifth time she’s held at least half of the top 10, with three of those weeks happening this month.
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Her most recent release, 1989 (Taylor’s Version), is a non-mover at No. 2 with 65,000 copies sold (up 21%) in the tracking week ending Dec. 14, according to Luminate. Folklore rises 5-4 (24,000; up 17%), Midnights climbs 8-5 (24,000; up 29%), Speak Now (Taylor’s Version) steps 7-6 (22,000; up 15%) and Lover returns to the top 10, ascending 12-8 (20,000; up 50%). The five former No. 1s all experience gains largely due to sales of their vinyl configurations, as retailers continue to promote music on vinyl during the holiday shopping season.
Swift isn’t the only big news in the top 10 of the new Top Album Sales chart, as Nicki Minaj’s Pink Friday 2 debuts at No. 1 with 92,000 copies sold. As earlier reported, that marks the biggest sales week for any rap album by a woman in the 2020s decade and the largest sales week for an R&B/hip-hop album by a woman in 2023. In total, Pink Friday 2 is Minaj’s third No. 1 on Top Album Sales, following Pink Friday: Roman Reloaded in 2012 and Pink Friday in 2011.
Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.
As for the rest of the top 10 on the new Top Album Sales chart, ATEEZ’s The World EP. Fin: Will moves to No. 3 (30,000; down 79%) after debuting on top a week ago, Stray Kids’ former leader ROCK-STAR falls 4-7 (20,000; down 8%), Olivia Rodrigo’s chart-topping Guts rises 11-9 (19,000; up 40%, mostly from vinyl sales) and Dolly Parton’s former No. 1 Rockstar is a non-mover at No. 10 (18,000; down 4%).
In the week ending Dec. 14, there were 3.075 million albums sold in the U.S. (up 13.6% compared to the previous week). Of that sum, physical albums (CDs, vinyl LPs, cassettes, etc.) comprised 2.713 million (up 15.8%) and digital albums comprised 362,000 (up 1.1%).
There were 1.058 million CD albums sold in the week ending Dec. 14 (up 4.7% week-over-week) and 1.640 million vinyl albums sold (up 24.3%). Year-to-date CD album sales stand at 34.921 million (up 3.3% compared to the same time frame a year ago) and year-to-date vinyl album sales total 46.149 million (up 16.4%).
Overall year-to-date album sales total 99.256 million (up 6.2% compared to the same year-to-date time frame a year ago). Year-to-date physical album sales stand at 81.604 million (up 10.3%) and digital album sales total 17.652 million (down 9.2%).
Stand-up comedian, actor and author Jo Koy will host the 2024 Golden Globe Awards, airing live on CBS and streaming on Paramount+ on Sunday, Jan. 7 at 8 p.m. ET/5 p.m. PT. Koy will host the three-hour broadcast for the first time. Comedian Jerrod Carmichael hosted the show last year, when it aired on NBC and streamed on Peacock.
“We are thrilled to have Jo host the 81st Annual Golden Globe Awards and bring his infectious energy and relatable humor to kick off Hollywood’s award season,” Helen Hoehne, Golden Globes president said in a statement. “We can’t wait to see what he has in store for the stars in the room and a global audience.”
“Jo’s genuine brand of comedy is sure to entertain our honorees in the room at the Beverly Hilton and viewers at home,” said executive producing showrunners Glenn Weiss and Ricky Kirshner. “We are excited to work with him to make this year’s show laugh-out-loud from beginning to end.”
“I’ve stepped onto a lot of stages around the world in my career, but this one is going to be extra special,” said Koy. “I’m so excited to be hosting the Golden Globes this year. This is that moment where I get to make my Filipino family proud.”
Koy’s recent Funny Is Funny World Tour was a hit. Previously, he released five highly-rated stand-up specials on Comedy Central and Netflix, including his most recent Netflix special, Live From The Los Angeles Forum.
Koy starred in the Universal Picture film Easter Sunday, based on his own experiences and stand-up comedy. He has also appeared in Disney’s Haunted Mansion and voiced the character Bendo in Netflix’s animated film Monkey King. He’ll next be voicing the character of The Monkey King in the animated feature film, Tiger’s Apprentice premiering on Paramount+ Feb. 2. Koy released his first autobiography, Mixed Plate: Chronicles of an All-American Combo, in 2021 with Harper Collins Publishers.
The Golden Globes is the largest award show in the world to celebrate the best of both film and television. This year’s show boasts two newly-added awards – best stand-up comedian on television and cinematic and box office achievement.
Weiss and Kirshner of White Cherry Entertainment (WCE) will serve as executive-producing showrunners for the 81st Annual Golden Globe Awards, with Weiss also set to direct. Barry Adelman and Helen Hoehne are also executive producers. Dick Clark Productions will plan, host and produce the Golden Globe Awards.
2023 is coming to a close, and what better way to celebrate the year than with Billboard‘s year-end charts? But what are the year-end charts? When did they start and how are they created? Billboard sits down with Managing Director of Charts Keith Caulfield to explain how we create these year-end tallies. Alyssa Caverley:This is […]
Dodge has been a driving force in hip-hop since the genre’s inception. To celebrate hip-hop’s 50th birthday, Billboard’s Deputy Editorial Director Damien Scott sat down with Grammy-nominated rapper Killer Mike, DJ Funkmaster Flex and legendary Dodge Dealer Chop Towbin to watch and review music videos featuring the brand’s signature models. Damien Scott:What up? My name […]
In celebration of hip-hop’s 50th anniversary, Billboard Deputy Editorial Director Damien Scott sat down with Grammy-nominated rapper Killer Mike, Funkmaster Flex and legendary Dodge dealer Chop Towbin to discuss all things Hellcat, hip-hop and how Dodge made its mark in music history. Killer MikeWhat’s up, I’m Damien Scott from Billboard magazine. I got three of […]
Billboard has been publishing weekly rankings in one form or another for over a century.
Early in the 1900s, Billboard published charts detailing the popularity of sheet music in the U.S. In July 1940, Billboard unveiled its first chart ranking the sales of recorded songs, the 10-position “National List of Best Selling Retail Records,” with Bing Crosby, Jimmy Dorsey and Glenn Miller among its ranks.
Billboard expanded its number of weekly charts over the next few years, starting recaps for R&B in 1942 and country in 1944. In March 1956, the weekly Billboard 200 albums chart premiered (at just 10 positions deep). Two years later, in August 1958, the Billboard Hot 100 songs chart began.
At the end of 1958, Billboard printed a recap of the year’s biggest songs for the first time (that year also encompassed songs’ performance on pre-Hot 100 charts leading up to the list’s August launch). Domenico Modugno’s “Volare (Nel Blu Dipinto Di Blu)” finished as Billboard‘s first year-end No. 1 Hot 100 song. The track, which spent five total weeks at No. 1, became the second song to top the weekly Hot 100, after Ricky Nelson’s “Poor Little Fool.”
Also in the 1958 year-end issue, Billboard continued its tradition of surveying the music industry via “The Billboard Eleventh Annual Disc Jockey Poll,” which “Volare” also crowned. “[The song] was really a left-field hit … one of the few disks in recent years with a non-English lyric to reach the top,” Billboard wrote at the time. In 2023, such hits are plentiful, as seven non-English language songs reached the top 10 alone during the year — the most ever in a calendar year. Thus, this line from that 1958 issue proved prophetic, given the sonic, and geographic, scope of that year’s, and this year’s, biggest titles: “The preference in tunes indicates that no one type of song or artist reigns supreme among jockeys. The list also includes several types of songs with many extremes, ranging from an old folk song to European, Latin American and tunes by American cleffers.”
Jumping to the latest year-end Hot 100 Songs ranking — with the weekly chart now blending streaming, radio airplay and sales data — Morgan Wallen’s 16-week No. 1 “Last Night” finished as 2023’s top track. It’s the first single that topped the Hot Country Songs chart to wrap at No. 1 since Faith Hill’s “Breathe” in 2000, and the first by a male artist since Johnny Horton’s “The Battle of New Orleans” in 1959.
Today, Billboard not only has the year-end Hot 100 Songs ranking, but also annual recaps for all 200-plus weekly charts, reflecting chart performance of songs, albums, artists and more over a 12-month tracking period.
From “Volare” to “Last Night” and every top title in between, here’s a look at every year-end No. 1 Hot 100 single since 1958, as published in each year-end Billboard issue.
Additional research by Gary Trust, Paul Grein and Alex Vitoulis
2023
UBS partnered with Billboard to help increase awareness about the financial resources available to all entertainers. In the fourth episode, Wale Ogunleye sits down with Primary Wave CEO/Founder Larry Mestel and Billboard Deputy Editorial Director Rob Levine to talk about new technology in the market and how the music licensing market is changing. Wale Ogunleye:Welcome […]