Billboard
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PinkPantheress:I have two singing voices, double sided, I’ve got I’ve got layers to me. Narrator:She’s a hot artist and celebrated producer — that’s why PinkPantheress is Billboard‘s Producer of the Year honoree, and her chart history proves she is well deserving of the title. This is Billboard Explains PinkPantheress’ impressive chart record. PinkPantheress is a […]
Young MikoWe can do whatever we want to do and there is no limit. Narrator Young Miko is having a huge impact on the charts and that’s why she’s the Billboard Women in Music Impact Award honoree this year. The Puerto Rican rapper already has two songs on the Billboard Hot 100 in her short […]
On Thursday (Mar. 7), Pop Conference 2024 will kick off three days of programming that includes a keynote session with funk legend George Clinton, as well as with musical duo and Prince & the Revolution members Wendy & Lisa.
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This year’s PopCan, titled “Legacy! Legacy! Music Collections and Archives,” will be held Mar. 7-9 on the USC University Park campus. For the first time in the annual summit’s 22-year history, Pop Conference will be hosted by the USC Thornton School of Music, in collaboration with the USC Annenberg School for Communication and Journalism.
“For 22 years the Pop Conference has been an incredible gathering of pop music writers, journalists, critics, scholars and musicians,” says dean of the USC Thornton School of Music Jason King, who serves as the USC conference producer and keynote curator for PopCon. “It’s an unparalleled opportunity to engage in sustained, thoughtful discussion on pop music over the course of a weekend.
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“This year’s theme—all about music legacies, archives and collections—is a topical one, given that we’re living in a moment where we are witnessing polarizing cultural debates around the value of history, memory and the past,” King continues. “I’m so happy to bring this conference to USC and Los Angeles.”
The first day of PopCan will be highlighted by A Little Light Under the Sun: The Unstoppable Funky Genius and Cosmic Legacy of George Clinton, in which the icon will discuss “history, legacy and impact in relationship to his personal archives and history,” per programming. On Friday night (Mar. 8), Wendy & Lisa will be in conversation with Timothy Anne Burnside, museum curatorial specialist at the Smithsonian National African American Museum of History and Culture.
In addition, a roundtable discussion “A Seat at the (Mother)Ship: The Reclamation of Women’s Stories in Parliament-Funkadelic” will center and recognize the women who became fundamental in building the legacy of P-Funk. PopCon programming will be rounded out by more panels and discussions, mentorship sessions and performances.
Pop Conference 2024 is free and open to the public, with advance registration here.
Victoria Monét:I’ve been writing for so long and I’ve seen glimpses of it for my pen, but not for me as an artist. Narrator:Her star is definitely on the rise, and Victoria Monét is Billboard‘s Women in Music’s Rising Star honoree. The singer-songwriter made a name for herself behind the scenes, but now, it’s Victoria’s […]
Tems:I am all about giving back. I’m all about being there for the people that need me and being a part of something that is bigger than myself. Alyssa Caverley:Nigerian singer Tems has truly broken through to become a huge sensation, and Billboard‘s Women In Music is honoring the talented singer. She first charted on […]
Charli XCXThis time I think it’s like fully 100% Charli XCX. NarratorBillboard’s Women In Music is honoring 2022 powerhouse Charli XCX. The singer first rose to fame in 2012 with some massive hits, and she’s continued her rise throughout the years. This is Billboard Explains the steady success of Charli XCX. Charli XCX has enjoyed […]
In the 15 years since K-pop’s early international pioneers BoA and the Wonder Girls made their respective marks on the Billboard 200 and Billboard Hot 100 charts back in 2009, the Korean pop industry has made significant strides on the Billboard charts — and never has its crossover success been more apparent than now.
In 2023 alone, 35 different K-pop albums entered the Billboard 200, and five took the No. 1 spot. TOMORROW X TOGETHER’s The Name Chapter: TEMPTATION hit the top spot in February, Stray Kids’ 5-STAR reigned for a week in June, NewJeans’ Get Up took over in August, Stray Kids scored a second No. 1 this year with ROCK-STAR in November, before ATEEZ snagged their first chart-topper with The World EP.Fin: Will in December.
Over on the Hot 100, Jimin of BTS opened a new chapter of K-pop history when he became the first South Korean solo artist to hit No. 1 on the chart with his solo single “Like Crazy.” His bandmate Jung Kook followed soon after when “Seven” (featuring Latto) debuted atop the Hot 100 and set the stage for the star to set a new record with three top five solo hits so far. Elsewhere, artists like BIGBANG’s Taeyang, NewJeans, FIFTY FIFTY, Stray Kids and Jennie of BLACKPINK all earned their first Hot 100 entries, while TWICE and BTS members J-Hope, Agust D and V all added additional entries to their Hot 100 collections.
Of course, many artists also spent time connecting with their global fans, thanks to massive tours across the globe. Acts like SEVENTEEN, ENHYPEN, NCT, TWICE, aespa, LE SSERAFIM, (G)I-DLE, ITZY, Agust D and more played the largest venues of their career, further displaying K-pop’s impact on the live market.
Ahead of the launch of Billboard Korea — with a kick-off event in Seoul set for May, where the artists on this list will be invited as the guests of honor, and the first issue, Billboard K Vol.1, scheduled for release in June — we’ve compiled the inaugural Billboard K-Pop Artist 100 list, with rankings based on activity on the Billboard 200 albums chart, Billboard Hot 100 songs chart and Billboard Boxscore (touring) data for the charts dated Jan. 7, 2023, through Dec. 30, 2023. (In most cases, group members are listed together, except for where notable solo activity separates the artists.)
Find our full 2024 list below:
Yuna (ITZY)
Image Credit: JYP Entertainment
Joe Keery has already solidified himself as a breakthrough actor during his run as heartthrob Steve Harrington in Netflix’s Stranger Things. Now, he’s officially a Billboard Hot 100-charting artist.
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Keery debuts on the March 2-dated chart under his musical pseudonym Djo, his synth-pop solo project, with his breakout viral hit “End of Beginning.” The song starts at No. 51 entirely from its official U.S. streaming sum: 8.4 million in the Feb. 16-22 tracking week, according to Luminate. That’s a 194% increase from the week before.
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Keery initially released the song in 2022 on his sophomore solo album Decide, but it recently began surging on TikTok. Billboard reported that over Feb. 16-19, the track earned 5.3 million streams, up more than 200% from Feb. 9-12 (1.7 million). The uptick was sparked by a trend in which TikTok users have taken the chorus lyric, “And when I’m back in Chicago, I feel it / Another version of me, I was in it / I wave goodbye to the end of beginning,” to soundtrack clips of Chicago or their own hometown. “End of Beginning” has been used in over 18,000 TikToks to date.
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On Feb. 9, Keery uploaded a video on his TikTok page of him riding the subway, saying he’s been “tokked,” referencing the song’s sudden popularity.
Keery has been releasing music for nearly a decade. He was a member of the Chicago psych-rock band Post Animal from 2015-18 and launched his solo career as Djo in 2019. He has self-released two solo full-lengths under exclusive license to AWAL: Twenty Twenty (in 2019) and Decide (2022). He has also performed at festivals including Boston Calling, BottleRock, Lollapalooza and Shaky Knees.
In a 2022 Billboard feature, Keery explained his philosophy about making music. “I say that [music] is a hobby because it’s a freeing way to think about it,” he said. “The second I start to get too precious with something, I inhibit myself. If you’re less worried about making mistakes, you might make something crazy or exciting. That’s what I’m focused on doing.”
Along with Stranger Things, Keery has starred in the latest season of FX’s Fargo, as well as the films Free Guy and Spree. In December, he made headlines when he crossed paths with Taylor Swift at Electric Lady Studios in New York City.
NarratorMaren Morris is always pushing the boundaries in music and in life. That’s why she’s Billboard’s Women In Music Visionary honoree. With 12 songs on the Hot 100, Maren shows no signs of slowing down. This is Billboard Explains Marin Morris’ crossover chart success. Marin Morris is a cross-genre country artist with 12 songs on […]
Jennifer Lopez achieves her third No. 1 on Billboard’s Top Album Sales chart (dated March 2), as her new studio album This Is Me… Now opens atop the tally. Lopez was last at No. 1 more than 20 years ago, when J to Tha L-O! The Remixes spent two weeks atop the chart in February and March of 2002. She scored her first No. 1 on the list with J.Lo in 2001.
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In total, This Is Me… Now marks Lopez’s ninth top 10 on Top Album Sales and 13th chart entry overall. The new release is a sister project to Lopez’s third album, This Is Me… Then, which was released 2002 and peaked at No. 2 on the chart.
Also debuting in the top 10 of the new Top Album Sales chart, Yeat’s 2093, Blackberry Smoke’s Be Right Here and IDLES’ TANGK.
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Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units. The new March 2-dated chart will be posted in full on Billboard‘s website on Feb. 27. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.
In the tracking week ending Feb. 22, This Is Me… Now sold 14,000 copies in the U.S. Of that sum, physical sales comprise 11,000 (6,000 on CD and 5,000 on vinyl) and digital download sales comprise 3,000. The album was available in four CD variants (including one that had a signed insert), nine vinyl editions (all were color variants, including one with a signed insert) and three digital album variations (a standard version, a deluxe edition with two bonus tracks and a commentary edition sold via Lopez’s official webstore).
This Is Me… Now also debuts at No. 1 on Top Current Album Sales, No. 1 on Tastemaker Albums, No. 7 on Vinyl Albums, No. 7 on Independent Albums and No. 38 on the Billboard 200. Top Current Album Sales ranks the week’s top-selling new/current albums (non-catalog/older titles). Vinyl Album tallies the week’s top-selling vinyl releases. Tastemaker Albums measures the top-selling titles at independent and small chain record stores. Independent Albums ranks the most popular independently released albums of the week, by units.
On the Billboard 200, This Is Me… Now marks Lopez’s 13th total chart entry and 11th top 40-charting effort. It’s her first studio album in nearly a decade, and her first release outside the major label system, as the new set was issued via Nuyorican/BMG.
“This is the first step of an immediate strategy with a long-term goal as the incredible content to support the album continues to roll out,” says Cyndi Lynott, SVP marketing at BMG, “including the This Is Me…Now: A Love Story Amazon Original, a documentary entitled The Greatest Love Story Never Told, and of course her massive summer tour.”
Meanwhile, Yeat debuts at No. 2 with 2093 – his second entry on Top Album Sales and first to reach the top 40. The set sold 12,000 copies, all from digital downloads, as the album was not available to purchase in any physical configurations. The set’s digital sales were boosted by its availability across three variations. 2093 was released initially as a 22-song standard album on Feb. 16, boasting features from Future and Lil Wayne. A day later, the album was reissued in a deluxe edition, dubbed 2093 P2, with two bonus tracks, including one featuring Drake. Then, on Feb. 21, the album saw another reissue, termed 2093 P3, with four bonus tracks. This version of the album was only available as a digital download via the artist’s official webstore (and the four bonus tracks were only available as part of the full album purchase).
Taylor Swift’s chart-topping 1989 (Taylor’s Version) rises 4-3 with 11,000 sold (though down 25%) and Swift’s former leader Lover climbs 6-4 with 9,000 (down 24%). Toby Keith’s chart-topper 35 Biggest Hits rises 9-5 with nearly 9,000 sold (up 28%).
Blackberry Smoke clocks its fourth top 10-charting set on Top Album Sales as Be Right Here arrives at No. 6 with 8,500 sold.
Taylor Swift’s former No. 1s Midnights and Folklore are up next, non-movers at Nos. 7 and 8, with nearly 7,500 (down 32%) and 7,000 (down 17%), respectively.
P1Harmony’s Killin’ It falls 2-9 in its second week with 7,000 sold (down 60%).
IDLES’ TANGK starts at No. 10, marking the second top 10 for the act. The set starts with 7,000 sold.
In the week ending Feb. 22, there were 1.166 million albums sold in the U.S. (down 7.3% compared to the previous week). Of that sum, physical albums (CDs, vinyl LPs, cassettes, etc.) comprised 858,000 (down 5.3%) and digital albums comprised 308,000 (down 12.6%).
There were 408,000 CD albums sold in the week ending Feb. 22 (down 6.1% week-over-week) and 446,000 vinyl albums sold (down 4.6%). Year-to-date CD album sales stand at 3.342 million (down 32.1% compared to the same time frame a year ago) and year-to-date vinyl album sales total 3.759 million (down 47.1%).
Overall year-to-date album sales total 9.507 million (down 35.8% compared to the same year-to-date time frame a year ago). Year-to-date physical album sales stand at 7.137 million (down 41%) and digital album sales total 2.37 million (down 12.7%).