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Billboard has more than 200 different weekly charts, encompassing numerous genres and formats.
While established artists often compete for a spot on the Billboard Hot 100 songs chart and Billboard 200 albums ranking, which track the most popular songs and albums of the week, respectively, up-and-coming talents typically start off on genre-specific lists.
Here’s a look at 10 titles by artists who appear on surveys for the first time on the Dec. 2-dated charts:
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Wyatt Flores
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The singer-songwriter from Stillwater, Okla., arrives on Billboard’s charts for the first time with his breakout single “Please Don’t Go,” and his two sets The Hutson Sessions and Life Lessons. The track, released in July 2022 via OEG Records, debuts at No. 43 on Hot Country Songs with 3.4 million U.S. streams (up 26%) Nov. 17-23, according to Luminate. TikTok has been a significant factor in the song’s growing profile, as a portion has been used in over 40,000 clips on the platform.
Flores’ 2022 debut four-track EP The Hutson Sessions (which includes “Please Don’t Go”) debuts at No. 19 on the Heatseekers Albums chart with 3,000 equivalent album units earned, and his new seven-track set Life Lessons enters at No. 24 (2,000 units). Flores released Life Lessons Nov. 17 on OEG/Island/Republic Records – his first release on a major label.
Flores is currently on the road on his Times Are Getting Hard Tour, which runs through mid-December. On Dec. 7 and 8, he’ll support recent Billboard first-timer Charles Wesley Godwin at Nashville’s Ryman Auditorium.
Ye Vagabonds
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The Irish folk duo, comprising brothers Diarmuid and Brían Mac Gloinn, scores its first Billboard chart appearance, thanks to “The Parting Glass,” with boygenius. Released Nov. 17 on Interscope Records, the collaboration debuts at No. 10 on the Alternative Digital Song Sales chart with 1,000 sold.
“The Parting Glass” is a traditional Scottish folk ballad, also popular in Ireland. It’s often sung at the end of a gathering of friends, similar to “Auld Lang Syne.” On the new version, boygenius’ Phoebe Bridgers, Julien Baker and Lucy Dacus trade vocals, while the Gloinn brothers provide instrumentation. The song was released as a tribute to the late Sinead O’Connor, who also recorded it for her 2002 album, Sean-Nos Nua. The cover art for the new song is a photo of O’Connor, with proceeds going towards the Aisling Project, an after-school initiative to help children growing up in disadvantaged areas of Dublin, Ireland.
Ye Vagabonds have released three LPs: Ye Vagabonds (2017), The Hare’s Lament (2019) and Nine Waves (2022).
Nicotine Dolls
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The New York City-based band lands on Billboard’s charts for the first time, thanks to its cover of Tina Turner’s classic hit “The Best.” The song, released Nov. 17 on Nettwerk Music Group, debuts at No. 9 on Rock Digital Song Sales with 1,000 sold. TikTok has been a key factor in the song’s rise, as the cover went viral on the platform leading up to its official release.
Nicotine Dolls are fronted by lead singer Sam Cieri and also comprises John Hays (guitar), John Merritt (bass) and Abel Tabares (drums). Cieri appeared on NBC’s America’s Got Talent in 2022 and was part of the second national tour of the musical Once (playing one of the leads, Guy) in 2016-17.
Turner’s original recording only reached No. 15 on the Hot 100 in 1989, but has since become one of her seminal songs. The track is her second-most-streamed song in the U.S. in her career (after “What’s Love Got To Do With It”), since Luminate began tracking music data in 1991.
Ocean Alley
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The Australian psychedelic rock band draws its first Billboard chart placement with its single “Confidence.” The song, released in 2018 on the act’s album Chiaroscuro, debuts at No. 27 on the Hot Rock & Alternative Songs chart with 2.6 million U.S. streams (up 35%), boosted by buzz on TikTok. It’s also new at No. 15 on Hot Alternative Songs and No. 21 on Hot Rock Songs.
Ocean Alley, from the Northern Beaches of New South Wales, Australia, has released four LPs: Lost Tropics (2016), Chiaroscuro (2018), Lonely Diamond (2020) and Low Altitude Living (2022). The latter two sets both reached No. 3 on the Australian Albums chart. The band comprises Nic Blom, Baden Donegal, Lach and Mitch Galbraith, Angus Goodwin and Tom O’Brien.
Sistek & Sadie Rose Van
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Both artists score their first Billboard chart entry, as their collaboration “Pull You Closer,” released Sept. 29 on Armada Music, begins at No. 36 on Dance/Mix Show Airplay (up 17% in plays). Sistek, a DJ and producer from Santiago, Chile, has been releasing music since 2017. He has also collaborated with Rosie Darling, Ethan Hodges and Mark Mendy, among others. Sadie Van Rose, from Southern California, has released over a dozen songs, all since 2019, including tracks with Ryan Ennis and Matoma.
Maxine Ashley
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The singer-songwriter reaches Billboard’s charts for the first time with her single “Somebody Else.” Released Oct. 13 on JBR, it debuts at No. 40 on Rhythmic Airplay (up 34% in plays). Ashley has been releasing music since 2014. She dropped her debut four-track EP Intuition in 2019 and collaborated with Black Coffee and Sun-El Musician on “You Need Me” in 2021. The song is from Black Coffee’s Subconsciously, which won for best dance/electronic music album at the Grammy Awards in 2022.
Saxl Rose
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The multi-instrumentalist, producer and touring musician earns his first-ever Billboard chart hit, thanks to his featured appearance on Jacob Webb’s “All In.” The song, released in August on Next Paradigm, debuts at No. 23 on Smooth Jazz Airplay (up 32% in spins).
Saxl Rose (real name: Antonio Hancock; his name is a play on his go-to instrument, the saxophone, and Guns N’ Roses’ Axl Rose) has performed onstage alongside many other artists, including Chris Brown, Paramore, The Used and Wiz Khalifa. Earlier this year, he collaborated with Motionless in White on a “synthwave” version of the group’s viral track “Werewolf.” He is also active on social media, where he posts videos of himself adding his signature saxophone solos to popular songs.
Cody Webb
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The singer lands his first Billboard-charting hit, thanks to “Out of This World.” The track, which he self-released in November 2018, debuts at No. 24 on the Holiday Digital Song Sales chart with 1,000 sold. Webb released his debut self-titled six-track set in 2016. He has served up a string of songs in 2023 alone, including “If Daddy Didn’t Have a Truck,” “Don’t Grow Up Too Fast” and “Peaches.” Outside of his own recorded music, he’s also written songs for other artists, including Luke Combs (“Memories Are Made Of”).
Riordan
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The DJ makes his Billboard chart debut with “Needle on the Record.” The song dropped Nov. 10 on REALM Records and debuts at No. 11 on Dance/Electronic Digital Song Sales. Riordan, from the United Kingdom, has released eight house tracks on streaming services, all since 2020.
Melinda Lindner
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Lindner notches her first Billboard chart hit thanks to her new cover of “White Christmas.” The song, released Oct. 20 on her holiday album Melinda Lindner… At Christmas on Heaven Records, debuts at No. 25 on Adult Contemporary. Lindner has been releasing music, including other covers of popular hits, since 2020. She released her debut eight-track studio album It Only Happens With You in July.
Lindner’s new recording was produced by Michael Lloyd who, notably, hit the Hot 100 in 1975 as a member of the trio Cotton, Lloyd & Christian with its cover of Peter and Gordon’s “I Go to Pieces.” He also produced songs by Shaun Cassidy and the Osmonds in the ‘70s and Belinda Carlise’s No. 3-peaking 1986 hit “Mad About You.”
Irving Berlin wrote “White Christmas” for the 1942 film Holiday Inn, and it has since become a holiday standard. Bing Crosby’s recording, with Ken Darby Singers and John Scott Trotter and His Orchestra, debuted on the Hot 100 in 1958 (the chart’s inaugural year) and peaked at No. 12 in 1962. The song has re-entered the Hot 100 every year since 2018. Last season, it reached No. 16, its highest rank since its 1962 peak. One other version of “White Christmas” has charted on the Hot 100: The Drifters’ 1956 classic, featuring Clyde McPhatter and Bill Pinkney, reached No. 88 in 1962.
“It’s been a forever dream of mine to have my first Billboard hit,” Lindner tells Billboard. “‘White Christmas’ is one of my and my mom’s very favorite holiday songs. It has a very special place in my heart.”
Jharrel Jerome reveals five things you didn’t know about him! Jharrel Jerome: Hey, what’s up? I’m Jharrel Jerome and these are five things you might not know about me. One, I grew up in a house of ten people. So I grew up with my mom, my dad, my sister, my aunt, my uncle, my […]
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ENHYPEN score their sixth top 10 on Billboard’s Top Album Sales chart (dated Dec. 2), as the Korean pop ensemble’s Orange Blood bows at No. 2. The set sold 87,000 copies in the U.S. in the week ending Nov. 23, according to Luminate.
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Also in the top 10 of the new Top Album Sales chart, Dolly Parton notches her first No. 1 on the 32-year-old list with the arrival of Rockstar; Taylor Swift has half of the top 10 thanks to sale pricing and promotions for Black Friday, and Cher’s Christmas vaults 23-10 after its release on vinyl.
Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.
Of the 87,000 copies sold of Orange Blood, physical sales comprise 86,000 (all on CD) and digital download album sales comprise 1,000. Its sales were bolstered by its availability across a dozen collectible CD packages (including exclusive versions sold by Barnes & Noble, Target and Walmart; all with branded merchandise inside, some with randomized elements).
As previously reported, Parton’s Rockstar rules Top Album Sales with her biggest sales week of the modern era (since Luminate began electronically tracking sales in 1991), with 118,500 copies sold. Its sales were enhanced by a variety of iterations available on vinyl and CD.
Swift has half of the top 10 on Top Album Sales for a third time, thanks to sale pricing and promotions previewing the Black Friday shopping holiday on Nov. 24. (Swift previously had five of the top 10 on the Nov. 11-dated list, and six of the top 10 on the July 22-dated chart.) On the latest Top Album Sales ranking, Swift’s 1989 (Taylor’s Version) falls 2-3 (64,000; down 7%), Folklore jumps 14-6 (20,000; up 77%), Midnights rallies 11-7 (19,000; up 57%), Lover leaps 16-8 (18,000; up 80%) and Speak Now (Taylor’s Version) shoots 15-9 (17,000; up 72%). All are former No. 1s on the tally.
Stray Kids’ ROCK-STAR falls 1-4 in its second week on Top Album Sales, selling 46,000 copies (down 78%). Jung Kook’s chart-topping Golden dips 4-5 with 20,000 sold (down 42%).
Rounding out the top 10 is Cher’s Christmas, which returns to the region, zipping 23-10 with 14,000 sold (up 82%) following the set’s release on vinyl on Nov. 17. It sold a little over 6,000 copies on vinyl. Christmas debuted and peaked at No. 5 on the Nov. 4-dated chart.
In the week ending Nov. 23, there were 2.34 million albums sold in the U.S. (up 1.7% compared to the previous week). Of that sum, physical albums (CDs, vinyl LPs, cassettes, etc.) comprised 1.98 million (up 2.6%) and digital albums comprised 361,000 (down 3.1%).
There were 923,000 CD albums sold in the week ending Nov. 23 (down 3.4% week-over-week) and 1.046 million vinyl albums sold (up 8.6%). Year-to-date CD album sales stand at 31.921 million (up 2.9% compared to the same time frame a year ago) and year-to-date vinyl album sales total 41.441 million (up 17.1%).
Overall year-to-date album sales total 90.474 million (up 6.1% compared to the same year-to-date time frame a year ago). Year-to-date physical album sales stand at 73.857 million (up 10.4%) and digital album sales total 16.617 million (down 9.4%).
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Landon Barker reveals his favorite SoCal slang to Billboard. Landon Barker:Hey, it’s Landon Barker, and here’s some of the slang I used growing up. The first one is ‘bet.” I’m sure it’s, like, a lot of people say it, that just means, “OK,” instead of saying, “OK,” you say “bet.” The second one is “for […]
Drake’s For All the Dogs jumps back to No. 1 on the Billboard 200 (dated Dec. 2), for a second week atop the list, rising 4-1 with 145,000 equivalent album units earned in the U.S. in the week ending Nov. 23 (up 102%), according to Luminate. Nearly all of its units were driven by streaming activity. The album’s return to the top is fueled largely by its deluxe reissue on Nov. 17 with six new songs, dubbed For All the Dogs Scary Hours Edition. All versions of the album are combined for tracking and charting purposes.
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For All the Dogs debuted atop the chart dated Oct. 21.
Also in the top 10 of the new Billboard 200, Dolly Parton achieves her highest-charting album ever — and third top 10 — as Rockstar opens at No. 3, while ENHYPEN logs its third top 10 with the No. 4 arrival of Orange Blood.
The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Dec. 2, 2023-dated chart will be posted in full on Billboard‘s website on Tuesday (Nov. 28). For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Of For All the Dogs’ 145,000 equivalent album units earned in the week ending Nov. 23, SEA units comprise 141,500 (up 99%, equaling 190.23 million on-demand official streams of the set’s 29 tracks, inclusive of its six added songs), album sales comprise 2,000 (up 884%) and TEA units comprise 1,500 (up 456%).
Taylor Swift’s chart-topping 1989 (Taylor’s Version) is a non-mover at No. 2 on the Billboard 200, earning 138,000 equivalent album units (down 14%).
Parton’s Rockstar makes a splashy debut at No. 3 on the Billboard 200, scoring the legend her highest-charting album ever and her third top 10. She previously visited the region with Blue Smoke (No. 6 in 2014) and Trio (her collaborative set with Linda Ronstadt and Emmylou Harris; No. 6 in 1987).
Rockstar launches with 128,000 equivalent album units earned in the week ending Nov. 23. Of that sum, album sales comprise 118,500, SEA units comprise 8,000 and TEA units comprise 1,500. The arrival marks Parton’s biggest week, by units earned, since the chart began measuring by units in December 2014. Further, with 118,500 copies sold, Parton achieves her biggest sales week for an album in the modern era, since Luminate began electronically tracking sales in 1991. She more than doubles her previous biggest week, notched in 1993 when Slow Dancing With the Moon sold 50,500 copies in its second week on the chart (rising 54-19 on the March 20, 1993-dated list).
The star-studded Rockstar was promoted as Parton’s first rock album (she’s primarily released country music in her nearly 60-year career), and its recording was sparked by Parton’s induction into the Rock & Roll Hall of Fame in 2022. The 30-song set has a mix of original songs and covers, and boasts a cavalcade of guest stars — 40 in all. Among them are Pat Benatar, Miley Cyrus, Melissa Etheridge, Joan Jett and the Blackhearts, Elton John, Lynyrd Skynyrd, Paul McCartney, Stevie Nicks, Chris Stapleton, Ringo Starr, Sting and Steven Tyler.
Rockstar’s first-week sales were bolstered by its availability across a variety of editions and formats, in addition to some non-traditional music retailers including Cracker Barrel, Dollar General and HSN. The album’s CD edition was available in four editions — a standard version and three variants, each with alternative cover art: for HSN, with three bonus tracks; a Dallas Cowboys version, and a Tennessee Volunteers edition with a bonus track. The latter two were tied to a pair of high-profile live TV performances from Parton: during the Georgia Bulldogs vs. Tennessee Volunteers football game on Nov. 19, and during halftime of the Washington Commanders vs. Dallas Cowboys football game on Thanksgiving Day (Nov. 23).
Rockstar was pressed on more than 10 vinyl variants, including exclusive editions (all in different colors, some with different cover art) for Amazon, Barnes & Noble, independent record stores, Parton’s webstore, the Rock & Roll Hall of Fame store, Target and Walmart. Parton’s webstore also carried a deluxe digital download version of the album with three exclusive bonus tracks. Rockstar was also offered in multiple deluxe boxed sets, sold through Parton’s webstore, containing either a vinyl or CD version of the album with a branded T-shirt of various designs.
ENHYPEN nabs its third top 10-charting effort on the Billboard 200 as Orange Blood bows at No. 4 with 90,000 equivalent album units earned. Of that sum, album sales comprise 87,000, SEA units comprise 3,000 (equaling 4.68 million on-demand official streams of the set’s songs) and TEA units comprise a negligible sum. The Korean pop ensemble previously hit the top 10 with Dark Blood (No. 4, in June) and Manifesto: Day 1 (No. 6, 2022). Nearly all of Orange Blood’s first-week activity was generated by CD sales (86,000), enhanced by the album’s availability across a dozen collectible CD packages (including exclusive versions sold by Barnes & Noble, Target and Walmart; all with branded merchandise inside, some with randomized elements).
The top 10 of the Billboard 200 is rounded out by six former No. 1s, as Morgan Wallen’s One Thing at a Time is steady at No. 5 (68,000 equivalent album units earned; down less than 1%); Swift’s Midnights rises 7-6 (56,000; up 9%); Stray Kids’ ROCK-STAR falls 1-7 in its second week (51,000; down 77%); Swift’s Lover bolts 14-8 (nearly 51,000; up 16%); Swift’s Folklore climbs 18-9 (45,000; up 22%); and SZA’s SOS bumps 12-10 (44,000; up less than 1%). (Many albums on the chart, including Swift’s Midnights, Lover and Folklore, see sizable sales gains owed to holiday shopping promotions and early Black Friday campaigns that kicked in during the tracking week.)
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.