Billboard Espanol
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At the start of 2022, Yahritza y Su Esencia emerged as the buzzy regional Mexican music act every label wanted to sign. In a matter of months, the Washington state-based Martinez sibling trio went from a local band that sang at family parties to the future of regional Mexican with its sad, catchy sierreño songs, powered by Yahritza’s emotional vocals, Mando’s requinto and Jairo’s bajoloche.
By March 2022, after signing a deal with independent label Lumbre Music, Yahritza y Su Esencia released their official debut single, “Soy el Único.” It entered the Billboard Hot 100 at No. 20 and made Yahritza the youngest Latin performer to debut on the chart at just 15 years old. The act subsequently notched its first No. 1 on Regional Mexican Albums with its Obsessed EP, scored a Latin Grammy Award nod for best new artist and, by November, signed with Columbia Records in a partnership with Lumbre Music and Sony Music Latin. A worldwide deal with SESAC Latina soon followed.
All the while, Yahritza’s 25-year-old big brother, Mando — who had been living stateside as an undocumented person — and his team were working behind the scenes to sort out his immigration status in the United States. In need of an O-1 visa, Mando had to go to Mexico City and follow protocols to prove his eligibility. After spending most of his life living with his parents (who are originally from Michoacán, Mexico) and four siblings in Washington’s agricultural region of Yakima Valley, he was suddenly alone in an unfamiliar city, waiting for approval.
“It was a sacrifice, especially when I’m one of the main components of the band,” says Mando, who returned to the United States in April shortly after getting approved for a special visa reserved for individuals with extraordinary ability and achievement in their field. “We had to learn to record separately, something we had never done. It has always been all of us together in a studio.”
“I would write my music and wouldn’t know who to share it with,” says Yahritza, now 16. “He was a call away, but it wasn’t the same.” Adds 18-year-old Jairo: “We couldn’t do the things we used to do, which was practicing every day. That changed everything for us.”
The band members — managed by their oldest sister, Adriana Martinez — were influenced by their father and uncles’ own musical act, which Mando joined as a kid. Yahritza and Jairo later learned how to play instruments and would upload covers on TikTok, including their viral take on Ivan Cornejo’s “Está Dañada.” Yahritza then began writing her own songs — the first being the emotionally charged heartbreak track “Soy el Único,” which ultimately led to the formation of Yahritza y Su Esencia.
Ramón Ruiz, CEO of Lumbre Music, signed the trio soon after discovering the group last year on TikTok. He says his team’s top priority was to not let Mando’s visa application affect the band. “We were always working on what’s coming next,” he says. “It was hard because Mando is a big part of the production and Yahritza and Jairo depend a lot on Mando. I would try to help however I could, but they needed their big brother. He’s their role model; they look up to him so much.”
From left: Mando, Yahritza and Jario Martinez of Yahritza y Su Esencia
David Cabrera
Mando’s status remained uncertain for nearly seven months. “I would remind [my siblings] that we needed to take things one day at a time,” Adriana says. “We’ve always believed God’s timing is perfect, so it was important to never lose faith and remember nothing can break the bond we have as a family, not even being separated.”
Now, with the O-1 secured, Mando is able to record and promote music in the United States, which Yahritza y Su Esencia have remained consistent with — as Yahritza and Jairo often traveled to Mexico to record. In the past few months alone, the act released “Inseparables” (with Cornejo), “Cambiaste,” “Nuestra Canción,” “No Se Puede Decir Adiós” and “Frágil” — a norteña, cumbia-tinged collaboration with Grupo Frontera produced by hit-maker Edgar Barrera.
“Regardless of the situation, we had to be releasing music for our fans,” says Mando. “We’d jump on FaceTime a lot, and that’s how we would make the song’s arrangements.” Yahritza would write in her room and then send music to Mando for his feedback. But when it came to recording the harmonies, she had to call him directly. “I needed him to show me because I still don’t know how to do that,” she says. “He would help me when he was home.”
“Them being together is what makes this so special,” says Julian Swirsky, senior vp of A&R at Columbia Records. “It was always about getting Mando home first and foremost, but the group was fired up. We had a Zoom call on New Year’s Eve to talk about new music because they wanted to get set up for the new year.”
From left: Yahritza, Mando and Jario Martinez of Yahritza y Su Esencia
David Cabrera
The first thing Mando did once his visa was approved at the end of April was travel home to Washington, where he surprised his parents at a family gathering by popping up behind them as they were taking a photo. “My mom yelled when she saw me and started to touch my face to see if I was real,” Mando says. “That’s when it hit me.”
With a new album in the works and a long-awaited U.S. tour slated for the second half of the year, Yahritza y Su Esencia are finally poised to reach their full potential — just when Mexican music continues to grow exponentially, with the act helping usher in a new era for the legacy genre. In May, “Frágil” cracked the Hot 100. And on the Billboard Global 200, it is among a handful of regional Mexican songs that are surging, as the genre now makes up nearly 10% of the entire chart.
“What happened to us had to happen,” says Jairo, “and it changed us.” Adds Yahritza: “Before, we would fight and disagree on small things. We shouldn’t even be caring about that; all we should care about is that we’re back together.”
This story originally appeared in the June 3, 2023, issue of Billboard.
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TINI is more honest and vulnerable than ever with the release of her fourth studio album (and debut with Sony Music), Cupido.
“I think that at some point in my life, ‘Cupido’ as an album represents a moment in my life,” the Argentinian singer-songwriter and actress tells Billboard. “The closing of a great stage, of great moments that I lived, and it’s also a new beginning to my career.”
The 14-track set is packed with emotional and relatable lyrics penned by the artist alongside her team of songwriters and includes her signature urban pop rhythms fused with cumbia and electronic beats. It’s also home to a handful of previously-released tracks such as “Muñecas” (Dolls) with La Joaqui and Steve Aoki; “Mienteme” (Lie to me) with María Becerra; “La Loto” (The Lotto) with Anitta and Becky G; “Maldita Foto” (Damn Photo) with Manuel Turizo; and her viral hit “La Triple T,” to name a few.
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Beyond its musical component, Cupido serves as a personal introspection and encompasses the most profound feelings that TINI has gone through in recent years.
“Musically and personally, I would describe ‘Cupido,’ and the growth I’ve had over these past two years, as freedom,” she elaborates. When it came to choosing the songs for the album and the lyrics too, TINI notes she had a lot of creative freedom and could express herself however she pleased.
Below, TINI shares the significance of five essential tracks on Cuipido:
“CUPIDO”
“This song is the drop that spilled the cup. There’s a crash with my own self. It was very interesting to experience this at the time of writing my songs.”
“Muñecas”
“This song represents the importance that all my friends are to me, and it’s a way of motivating myself to love again.”
“Carne y Hueso”
“This is the only ballad on the album and a very special song. Although you may feel a lot of darkness and can’t find the way out, a new opportunity always appears, and that opportunity is to put yourself first again.”
“Miénteme”
“This song is very significant to the album. It’s about living in the present, something I was learning during these past years. Sometimes one generates a lot of expectations in love.”
“La Triple T”
“It’s about self-love and I wanted to close the album with a song that had my name. This song is for the people. They sing it as it if was their own. It’s very representative of my career and everything that’s been happening with the song is incredible.”
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Mexican superstar Alejandro Fernández announced Tuesday (Feb. 14) his 21-date Amor Y Patria Tour, which is set to kick off Sept. 8 in Sacramento, Calif. The 2023 stint will follow the prolific touring act’s 2021 Hecho En México trek, which marked his grand return to live shows after the pandemic.
Fernández will be joined by his son Alex Fernández and the Live Nation-produced tour will be an “all new show celebrating” Fernández’s love of music, family and Mexico. “I feel a real sense of pride to see how people are receiving [my son],” Fernández tells Billboard during a phone interview. “It makes me excited because it brings back a lot of memories and brings me a lot of nostalgia.” Fernández also reveals that he will dedicate his shows to God and his father, the legendary Vicente Fernández, who died in December 2021.
For Amor Y Patria, the “Inexperto en Olvidarte” singer will visit major cities such as Chicago, Las Vegas, New York and Atlanta before wrapping up the tour in Miami on Oct. 22. Fernández is also set to perform at Chile’s Viña del Mar Festival on Feb. 21.
“Each show is different, each audience is different, and the reactions are different,” Fernández says about his love for touring. “I always do my job and homework whenever I visit a new city or country. I want to know which songs they are listening to the most in that specific area. I also really like to know the culture and the food. Normally, if I have time and if I go with my girlfriend, I give myself time to get to see the country, to go out to eat at different places,” he adds.
The ranchera singer is also set to release new music and will focus more on releasing singles instead of albums. “We’re going to work a little differently,” he explains. “Physical albums are challenging to sell, and more and more people consume digital. Everyone is adjusting to do more of that format.”
Fernández shares in his own words the five essential romantic songs that are a must on his set list, including his shows for Amor Y Patria. “In other words, none of these songs can be missing from the list because [the crowd] would hang me or throw rocks at me if I don’t sing them,” he explains. “My fans enjoy love [songs] more, but the songs they feel the most are those of heartbreak. The love songs I sing must be excellent songs because some can sound very cheesy.”
“Como Quien Pierde Una Estrella”
In ranchera music, this song was my first hit that I had internationally and proudly, it was with Mexican music.
“Caballero”
This is the song we were opening with for our “Hecho En Mexico” tour and still, it is one of the most popular songs on streaming platforms.
“Me Dediqué a Perderte”
This song is one that fans always sing along to at the top of their lungs at my concerts.
“Inexperto en Olvidarte”
This is my most recent single and it’s had an incredible response so it’ll be a must on the set list.
“Te Olvidé”
This one is not a love song, but it is very good. It’s a heartbreak song, and well, those who are not in love can also have something to listen to.
See the complete list of dates for Amor Y Patria below. Tickets go on sale Friday, Feb. 17 at 10am on Ticketmaster.com.
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When Lele Pons posts on Instagram, she does it with a mix of glamour, self-deprecating humor and simplicity that has charmed some 50 million fans into following her. And over the past two years, many of her buzziest posts have showcased the Venezuelan influencer’s love for her fiancé, Puerto Rican singer-songwriter Guaynaa, who counts 6.2 million followers of his own. But Pons, 26, and Guaynaa, 30, are much more than just a captivating couple, and their recent engagement isn’t limited to marriage: They’ll now be also making music together.
Check out the exclusive photos below, and read the full Billboard cover story by Sigal Ratner-Arias here.
Bizarrap and Shakira hold strong atop the Billboard Argentina Hot 100 chart as “Bzrp Music Sessions, Vol. 53” leads for a third consecutive week on the Feb. 4-dated ranking.
While Luck Ra’s “Ya No Vuelvas,” featuring La K’Onga and Ke Personajes, remains at No. 2, “Muñecas,” the partnership by TINI, La Joaqui and Steve Aoki, lifts 5-3; the closest La Joaqui and Aoki have been to the top 10 the 100 title-deep chart.
Miley Cyrus’ “Flowers” drops 3-4, while Cris Mj, Duki and Nicki Nicole’s “La Marisola,” featuring Standly, dips 4-5. Plus, Argentinian urban artist BM secures his first top 10 with “M. A. (Mejores amigos)” as the track ascends 13-7 in its ninth week.
The week’s Greatest Gainer honors goes to Lil Cake & Migrantes’ “Mercho,” featuring Nico Valdi, rallies up the chart 64 rankings: from No. 78 to No. 14; the most since Luar La L’s “Calle” also surged 64 positions (90-26) in Aug. 2022.
Elsewhere, Feid’s “Chorrito Pa Las Animas” scores the Hot Shot Debut of the week at No. 78, the Colombian’s 10th entry. Further, Rosalía’s latest single “LLYML” opens at No. 86. Plus, Callejero Fino claims his 11th career entry as “Que Te Vaya Bien” starts at No. 95.
Finally, Ovy On The Drums and Ozuna’s “Chao Bebe” debuts at No. 98.
After over a decade and a half, Yuridia returns to the top 10 on Billboard’s Latin Airplay chart (dated Feb. 11) with “Que Agonía,” with Angela Aguilar. The single, released via Sony Music Latin Oct. 20, rallies 28-10 in its second week to become the Greatest Gainer among the 50-title chart.
“Que Agonía” was written by Pepe Aguilar and daughter Angela. It’s the fifth single from Yuridia’s seventh studio album Pa’ Luego Es Tarde which debuted and peaked at No. 7 on Regional Mexican Albums last November. The set is the Mexican’s first studio album since 6 reached No. 3 on Latin Pop Albums in 2016. Plus, it’s Yuridia’s first ranchera foray after almost two decades as a pop singer.
“Que Agonía” traces its 28-10 surge to a lofty 85% gain in audience impressions, to 7.7 million, earned in the U.S. in the Jan.27-Feb. 2 tracking week, according to Luminate. With the lift, Yuridia secures her second top 10 and first since a featured turn in Victor Manuelle’s “Nuestro Amor Se Ha Vuelto Ayer” reached No. 8 in 2006. “Que Agonia,” thus, is Yuridia’s first top 10 on Latin Airplay as a lead artist.
For Aguilar, “Agonía” provides her third straight top 10 on the all-genre tally which launched with the No. 5 high “Dime Cómo Quieres,” with Christian Nodal, in 2021.
Over on Regional Mexican Airplay, “Agonía” soars 19-5 also in its second week. It nearly doubles its peak from “¿Y Qué Tal Si Funciona?,” with Banda MS, the fourth single from the Eden Muñoz-produced Pa’ Luego Es Tarde. The latter track reached No. 11 in November.
Elsewhere, “Agonía” also makes progress on the multi-metric Hot Latin Songs chart, as its advances to No. 20 in its 12th week, Yuridia’s highest ranked title there since the No. 16-peaking “Ahora Entendí” in 2008.