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TINI is more honest and vulnerable than ever with the release of her fourth studio album (and debut with Sony Music), Cupido.
“I think that at some point in my life, ‘Cupido’ as an album represents a moment in my life,” the Argentinian singer-songwriter and actress tells Billboard. “The closing of a great stage, of great moments that I lived, and it’s also a new beginning to my career.”
The 14-track set is packed with emotional and relatable lyrics penned by the artist alongside her team of songwriters and includes her signature urban pop rhythms fused with cumbia and electronic beats. It’s also home to a handful of previously-released tracks such as “Muñecas” (Dolls) with La Joaqui and Steve Aoki; “Mienteme” (Lie to me) with María Becerra; “La Loto” (The Lotto) with Anitta and Becky G; “Maldita Foto” (Damn Photo) with Manuel Turizo; and her viral hit “La Triple T,” to name a few.
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Beyond its musical component, Cupido serves as a personal introspection and encompasses the most profound feelings that TINI has gone through in recent years.
“Musically and personally, I would describe ‘Cupido,’ and the growth I’ve had over these past two years, as freedom,” she elaborates. When it came to choosing the songs for the album and the lyrics too, TINI notes she had a lot of creative freedom and could express herself however she pleased.
Below, TINI shares the significance of five essential tracks on Cuipido:
“CUPIDO”
“This song is the drop that spilled the cup. There’s a crash with my own self. It was very interesting to experience this at the time of writing my songs.”
“Muñecas”
“This song represents the importance that all my friends are to me, and it’s a way of motivating myself to love again.”
“Carne y Hueso”
“This is the only ballad on the album and a very special song. Although you may feel a lot of darkness and can’t find the way out, a new opportunity always appears, and that opportunity is to put yourself first again.”
“Miénteme”
“This song is very significant to the album. It’s about living in the present, something I was learning during these past years. Sometimes one generates a lot of expectations in love.”
“La Triple T”
“It’s about self-love and I wanted to close the album with a song that had my name. This song is for the people. They sing it as it if was their own. It’s very representative of my career and everything that’s been happening with the song is incredible.”
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Mexican superstar Alejandro Fernández announced Tuesday (Feb. 14) his 21-date Amor Y Patria Tour, which is set to kick off Sept. 8 in Sacramento, Calif. The 2023 stint will follow the prolific touring act’s 2021 Hecho En México trek, which marked his grand return to live shows after the pandemic.
Fernández will be joined by his son Alex Fernández and the Live Nation-produced tour will be an “all new show celebrating” Fernández’s love of music, family and Mexico. “I feel a real sense of pride to see how people are receiving [my son],” Fernández tells Billboard during a phone interview. “It makes me excited because it brings back a lot of memories and brings me a lot of nostalgia.” Fernández also reveals that he will dedicate his shows to God and his father, the legendary Vicente Fernández, who died in December 2021.
For Amor Y Patria, the “Inexperto en Olvidarte” singer will visit major cities such as Chicago, Las Vegas, New York and Atlanta before wrapping up the tour in Miami on Oct. 22. Fernández is also set to perform at Chile’s Viña del Mar Festival on Feb. 21.
“Each show is different, each audience is different, and the reactions are different,” Fernández says about his love for touring. “I always do my job and homework whenever I visit a new city or country. I want to know which songs they are listening to the most in that specific area. I also really like to know the culture and the food. Normally, if I have time and if I go with my girlfriend, I give myself time to get to see the country, to go out to eat at different places,” he adds.
The ranchera singer is also set to release new music and will focus more on releasing singles instead of albums. “We’re going to work a little differently,” he explains. “Physical albums are challenging to sell, and more and more people consume digital. Everyone is adjusting to do more of that format.”
Fernández shares in his own words the five essential romantic songs that are a must on his set list, including his shows for Amor Y Patria. “In other words, none of these songs can be missing from the list because [the crowd] would hang me or throw rocks at me if I don’t sing them,” he explains. “My fans enjoy love [songs] more, but the songs they feel the most are those of heartbreak. The love songs I sing must be excellent songs because some can sound very cheesy.”
“Como Quien Pierde Una Estrella”
In ranchera music, this song was my first hit that I had internationally and proudly, it was with Mexican music.
“Caballero”
This is the song we were opening with for our “Hecho En Mexico” tour and still, it is one of the most popular songs on streaming platforms.
“Me Dediqué a Perderte”
This song is one that fans always sing along to at the top of their lungs at my concerts.
“Inexperto en Olvidarte”
This is my most recent single and it’s had an incredible response so it’ll be a must on the set list.
“Te Olvidé”
This one is not a love song, but it is very good. It’s a heartbreak song, and well, those who are not in love can also have something to listen to.
See the complete list of dates for Amor Y Patria below. Tickets go on sale Friday, Feb. 17 at 10am on Ticketmaster.com.
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When Lele Pons posts on Instagram, she does it with a mix of glamour, self-deprecating humor and simplicity that has charmed some 50 million fans into following her. And over the past two years, many of her buzziest posts have showcased the Venezuelan influencer’s love for her fiancé, Puerto Rican singer-songwriter Guaynaa, who counts 6.2 million followers of his own. But Pons, 26, and Guaynaa, 30, are much more than just a captivating couple, and their recent engagement isn’t limited to marriage: They’ll now be also making music together.
Check out the exclusive photos below, and read the full Billboard cover story by Sigal Ratner-Arias here.
Bizarrap and Shakira hold strong atop the Billboard Argentina Hot 100 chart as “Bzrp Music Sessions, Vol. 53” leads for a third consecutive week on the Feb. 4-dated ranking.
While Luck Ra’s “Ya No Vuelvas,” featuring La K’Onga and Ke Personajes, remains at No. 2, “Muñecas,” the partnership by TINI, La Joaqui and Steve Aoki, lifts 5-3; the closest La Joaqui and Aoki have been to the top 10 the 100 title-deep chart.
Miley Cyrus’ “Flowers” drops 3-4, while Cris Mj, Duki and Nicki Nicole’s “La Marisola,” featuring Standly, dips 4-5. Plus, Argentinian urban artist BM secures his first top 10 with “M. A. (Mejores amigos)” as the track ascends 13-7 in its ninth week.
The week’s Greatest Gainer honors goes to Lil Cake & Migrantes’ “Mercho,” featuring Nico Valdi, rallies up the chart 64 rankings: from No. 78 to No. 14; the most since Luar La L’s “Calle” also surged 64 positions (90-26) in Aug. 2022.
Elsewhere, Feid’s “Chorrito Pa Las Animas” scores the Hot Shot Debut of the week at No. 78, the Colombian’s 10th entry. Further, Rosalía’s latest single “LLYML” opens at No. 86. Plus, Callejero Fino claims his 11th career entry as “Que Te Vaya Bien” starts at No. 95.
Finally, Ovy On The Drums and Ozuna’s “Chao Bebe” debuts at No. 98.
After over a decade and a half, Yuridia returns to the top 10 on Billboard’s Latin Airplay chart (dated Feb. 11) with “Que Agonía,” with Angela Aguilar. The single, released via Sony Music Latin Oct. 20, rallies 28-10 in its second week to become the Greatest Gainer among the 50-title chart.
“Que Agonía” was written by Pepe Aguilar and daughter Angela. It’s the fifth single from Yuridia’s seventh studio album Pa’ Luego Es Tarde which debuted and peaked at No. 7 on Regional Mexican Albums last November. The set is the Mexican’s first studio album since 6 reached No. 3 on Latin Pop Albums in 2016. Plus, it’s Yuridia’s first ranchera foray after almost two decades as a pop singer.
“Que Agonía” traces its 28-10 surge to a lofty 85% gain in audience impressions, to 7.7 million, earned in the U.S. in the Jan.27-Feb. 2 tracking week, according to Luminate. With the lift, Yuridia secures her second top 10 and first since a featured turn in Victor Manuelle’s “Nuestro Amor Se Ha Vuelto Ayer” reached No. 8 in 2006. “Que Agonia,” thus, is Yuridia’s first top 10 on Latin Airplay as a lead artist.
For Aguilar, “Agonía” provides her third straight top 10 on the all-genre tally which launched with the No. 5 high “Dime Cómo Quieres,” with Christian Nodal, in 2021.
Over on Regional Mexican Airplay, “Agonía” soars 19-5 also in its second week. It nearly doubles its peak from “¿Y Qué Tal Si Funciona?,” with Banda MS, the fourth single from the Eden Muñoz-produced Pa’ Luego Es Tarde. The latter track reached No. 11 in November.
Elsewhere, “Agonía” also makes progress on the multi-metric Hot Latin Songs chart, as its advances to No. 20 in its 12th week, Yuridia’s highest ranked title there since the No. 16-peaking “Ahora Entendí” in 2008.
Exactly three months ago, on Sept. 22, we officially launched Billboard Español with Colombian star Camilo on our first digital cover. We started literally from zero.
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Today, after only 90 days, we publish over 40 original stories per week to the site, boast over a quarter of a million monthly visits to billboardespanol.com and are growing our number of visits and users by 20% month to month.
Thanks to music fans who speak Spanish in every corner of the world, Billboard Español is a hit.
Given what we’ve attained in terms of numbers, it’d be logical to say that launching Billboard Español was a business decision. But this is, first and foremost, an initiative that comes from the heart.
When I came to work at Billboard, 20 years ago (yes, unreal), I felt my mission was to “translate” our music, our culture and our artists to the mainstream, English-speaking world. I looked around me and I couldn’t understand why major media companies ignored what happened musically in Spanish. The lack of interest extended to other areas, like film and television. We were virtually invisible. It felt like language was an unbreachable barrier.
But in Billboard I found a powerful tool: a media brand that was recognized as the “Bible” of the music industry. And within it, a platform where I could constantly generate content about Latin music and its artists. We devoted the last two decades to growing this platform and opening the eyes and ears of our readers to the sounds of our artists.
From one a column a week, we went to a page, several pages, a Latin department and a wide array of coverage that includes a vast menu of videos, social media and reporters in the Latin world, in addition to the Billboard Latin Music Awards and, of course, our unparalleled Billboard Latin Music Week.
We’ve had more than 40 Latin artists on the cover of Billboard and we’ve made history. We were the first English-language media brand to have a reggaeton star on its cover (Daddy Yankee in 2005), the first and only to have J Balvin and Nicky Jam together on a cover, and the first to join Jennifer Lopez with Maluma. The list goes on and on. This year alone, Romeo Santos, Maluma, Grupo Firme and Sebastian Yatra — four artists representing four different Latin music genres — were on our cover, in addition to Camilo.
The final flourish, of course, was Bad Bunny on the cover of our No. 1s issue. Not only was he the first Latin artist to ever grace our No. 1 cover issue, but he was also the first artist to be featured on simultaneous Billboard covers in English and Spanish.
Billboard Español is the latest link in this long chain of achievements, and it’s perhaps the most significant, for we are covering Latin music in two languages. In addition to our extraordinary Latin music team, we’ve built an excellent editorial team for Billboard Español, with Sigal Ratner-Arias, a respected veteran of entertainment and music reporting, as deputy editor.
We are literally creating a new way of covering music, in our language.
Today, Spanish is the second most-spoken language in the United States; according to the U.S. Census, more than 41 million people speak it at home. And music in Spanish is the second most listened to music in the world, only after music in English.
That means that for 2023, there is only room for us to grow, expanding our coverage of Latin music on all our Billboard platforms, including Billboard Español.
The best is yet to come!
Leila Cobo
Chief Content Officer, Billboard Latin/Español
Bad Bunny talks to our Chief Content Officer of Latin Leila Cobo about his current tour, World’s Hottest Tour, his favorite places to tour, how he approaches collaborations, when he wants to take a break from his career, reflects on his journey to the top and more!
