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Blessd and Feid combine forces atop Billboard’s Latin Airplay chart, as the singer-songwriters’ first collaboration climbs from No. 7 to lead the list dated June 1. The new champ is the second team-up by two Colombian artists to rule the overall Latin radio tally in less than a year, after Shakira and Manuel Turizo united at No. 1 through “Copa Vacía” (one week in charge) in Oct. 2023.
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“Si Sabe Ferxxo” is one of eight collaborative cuts from Blessd’s 14-track album, Si Sabe, which earned the 24-year-old his first entry on any Billboard albums chart, debuting and reaching No. 29 and No. 15 high on the Top Latin Albums and Latin Rhythm Albums charts (dated Feb. 10), respectively.
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The song advances to the chart’s summit with a 28% gain in audience impressions, up to 8.5 million, earned in the U.S. during the May 17-23 tracking week, according to Luminate.
With “Si Sabe,” Blessd achieves his second No. 1 on Latin Airplay, following his three-way collab “Medallo,” with Justin Quiles and Lenny Tavarez, in May 2022.
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For Feid, “Si Sabe” becomes the hitmaker’s eighth No. 1 on the overall radio ranking, which began with “Porfa,” featuring J Balvin, Maluma, Nicky Jam, Sech and Justin Quiles, climbing to No. 1 in Aug. 2020. Here’s his collection of champs:
Peak, Title, Artist, Weeks at No. 1Aug. 29, 2020, “Porfa,” with J Balvin, Maluma, Nicky Jam, Sech & Justin Quiles, oneMarch 4, 2023, “Hey Mor,” with Ozuna, oneApril 15, 2023, “Yandel 150,” Yandel, fourAug. 19, 2023, “Niña Bonita,” with Sean Paul, oneJan. 13, 2024, “Bubalu,” with Rema, twoApril 20, 2024, “Perro Negro,” with Bad Bunny, oneMay 4, 2024, “Luna,” with Atl Jacob, twoJune 1, 2024, “Si Sabe Ferxxo,” with Blessd, one
As “Si Sabe Ferxxo” rises to No. 1, it unseats another Warner Latina song from the summit: Myke Towers’ “La Capi” dips 1-5 with a 25% decrease in audience impressions, to 7.71 million.
Elsewhere, thanks to its radio haul, “Si Sabe” rises 36-31 with the Greatest Gainer/Airplay honors of the week on the multi-metric Hot Latin Songs chart, which combines airplay, digital sales and streaming data.
All charts (dated June 1, 2024) will update on Billboard.com Wednesday, May 29, a day later than usual due to the Memorial Day holiday in the U.S. on Monday, May 27. For all chart news, you can follow @billboard and @billboardcharts on both X and Instagram.
Shakira and Grupo Frontera celebrate a dual win on Billboard’s Latin Airplay and Regional Mexican Airplay charts as “(Entre Paréntesis),” their first collaborative single, crowns both lists dated May 18. The track is Shakira’s second regional Mexican pair-up, and her first to rule both charts simultaneously.
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On Latin Airplay, “(Entre Paréntesis)” jumps 2-1 to top the overall Latin radio list despite a 3% dip in audience impressions, to 9.63 million, on U.S. reporting radio stations during the May 3-9 tracking week, according to Luminate.
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With the ascension, Shakira adds her record-extending 23rd No. 1 on Latin Airplay among women in the chart’s almost 30-year history. Here’s an updated list of the female artists with the most No. 1s on Latin Airplay which launched in 1994 (overall, J Balvin continues at the lead overall, with 36 No. 1s):
23, Shakira17, Karol G11, Gloria10, Jennifer López10, Natti Natasha7, Rosalía6, Becky G
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Grupo Frontera, meanwhile, captures its third champ, after “Bebe Dame,” with Fuerza Regida, for one week atop in 2023 and “Un X100to,” with Bad Bunny, with a six-week domination in 2023.
“(Entre Paréntesis)” is the ninth single off Shakira’s 12th studio album Las Mujeres Ya No Lloran, released March 22. The set made a splash across Billboard’s charts, including a No. 1 start on Top Latin Albums and Latin Pop Albums, and a top 10 debut on Top Album Sales and Vinyl Albums charts (dated April 6).
“(Entre Paréntesis)” is the second regional Mexican song to concurrently top Latin Airplay and Regional Mexican Airplay. Previous “Por El Contrario,” by Becky G with siblings Leonardo and Angela Aguilar, topped both rankings for one week on the chart dated March 9.
Over on Regional Mexican Airplay, “(Paréntesis)” takes the lead (rising 2-1) with 7.32 million audience impressions, down 4% across regional Mexican stations. The move earns Shakira a first No. 1 on the tally, after “El Jefe,” with Fuerza Regida, took her to a No. 9 high in Nov. 2023. The Edinburg, Texas band picks up its ninth No. 1, and enters a tie with Banda MS de Sergio Lizarraga and Grupo Firme for the third-most No. 1s this decade.
All charts (dated May 18, 2024) will update on Billboard.com tomorrow, May 14. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
For the first time in over four years, two albums debut in the top 10 at the same time on Billboard’s Latin Pop Albums chart.
On the May 11-dated list, Jay Wheeler’s Música Buena Para Días Malos opens at No. 4, while Kany García’s García, arrives at No. 8. The pair marks the first time the Latin Pop Albums chart has dual titles launch in the upper region since Oct. 12, 2019, when José José bowed at Nos. 1, 6 and 7, following his death that September, with Serie Platino – 20 Exitos Vol. 2, El Principe de La Canción and Secreto, respectively.
Wheeler’s Música Buena Para Días Malos starts with 5,000 equivalent units earned in the U.S. in the week ending May 2, according to Luminate. Out of those, a little over 4,000 derive from streams, which equates to 6.3 million official on-demand streams of the album’s songs. Traditional album and track sales comprise the remaining sum of the album’s first week.
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Música Buena Para Días Malos was preceded by one song on the overall Latin Airplay chart: “Historia,” which peaked at No. 35 (chart dated April 27).
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Further, with the simultaneous top 10 debuts on Latin Pop Albums by two different artists, Wheeler and García also repeat a feat last achieved five years ago, when Miguel and Anitta debuted at Nos. 3 and No. 4, with Te Lo Dije (EP) and Kisses on the April 20, 2019-dated list.
Both sets add to the list of few albums that have debuted on Latin Pop Albums in 2024. Here are those five top 10 debuts, including two No. 1 albums:
Debut Date, Debut Pos., Title, ArtistJan. 27, No. 1, Orquídeas, Kali UchisApril 6, No. 1, Las Mujeres Ya No Lloran, ShakiraApril 13, No. 6, Final, Vol. 2, Enrique IglesiasMay 11, No 4, Música Buena Para Días Malos, Jay WheelerMay 11, No. 8, García, Kany Garcia
García’s eponymous album arrives on Latin Pop Albums with 2,000 equivalent units earned in the U.S. during the same period. García’s opening frame was almost entirely driven by the streaming activity of its 12 songs. That figure equals to 3.4 million official on-demand streams of the set’s songs.
García, who has history on the tally, returns to the top 10 after almost five years, when the Puerto Rican singer-songwriter’s Contra El Viento debuted and peaked at No. 3 in June 2019.
García has landed 10 titles on the chart altogether, with eight of them reaching the top 10, spanning three decades since the album Cualquier Día, her chart debut, rose to No. 10 in September 2007.
García was preceded by three songs on Latin Pop Airplay. The No. 15-peaking “Una Vida Buena” led the new recruits (Feb. 3). Meanwhile, “Que Vuelva,” with Carla Morrison, and “En Esta Boca,” with Young Miko, reached No. 12 on the March 16- and March 30-dated rankings, respectively. Lastly, “Te Lo Agradezco,” with Carin León, re-enters at No. 43 on the current multi-metric Hot Latin Songs chart, which combines airplay, digital sales, and streaming activity.
Bhavi, Seven Kayne, Milo J, Tiago PZK, Khea and Neo Pistea lead this week’s Billboard Argentina Hot 100 chart (dated May 4), as “Bésame (Remix)” lands at No. 1 in its second week. It’s the first win for Bhavi, Seven Kayne and Neo Pistea.
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“Bésame (Remix)” climbs seven rankings, from No. 8 to No. 1 in its second week, the second-largest trek in 2024, following “Una Foto” by Mesita, Nicki Nicole, Tiago PZK and Emilia, which journeyed from No. 30 to No. 1 (list dated Jan. 30) in its 18th week. The latter holds at No. 2 for a sixth non-consecutive week.. Further, “Bésame” unseats Tini’s “Pa” from the summit, and sends it to No. 11, after one week in charge.
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While the top 10 remains nearly the same as the week prior, Taylor Swift’s new No. 1 album, The Tortured Poets Department, contributes significant activity below the top 20, with 10 simultaneous songs on the tally. “Fortnight,” featuring Post Malone, leads the new recruits, joining at No. 22 as the Hot Shot Debut of the week.
Here’s a recap of Swift’s 10 concurrent entries on the Billboard Argentina Hot 100:
No. 22: “Fortnight,” featuring Post MaloneNo. 52: “So Long, London”No. 56: “Down Bad”No. 58: “My Boy Only Breaks His Favorite Toys”No. 60: “The Tortured Poets Department”No. 64: “I Can Do It With A Broken Heart”No. 80: “But Daddy I Love Him”No. 85: “Who’s Afraid Of Little Old Me?”No. 91: “Florida!!!,” featuring Florence + The MachineNo. 96: “Guilty As Sin?”
The Greatest Gainer of the week goes to Young Miko and Feid’s “Offline,” which climbs 56 spots, from No. 91 to No. 35.
Elsewhere, Nigerian singer-songwriter, Oyinkansola Sarah Aderibigbe, better known for her stage name Ayra Starr, claims her first entry on the tally with her Rvssian and Rauw Alejandro collab “Santa” which opens at No. 81.
Two other collabs debut this week: Camilo and Carin Leon’s “Una Vida Pasada” at No. 90, while “Quítenme el Teléfono” by The Academy: Segunda Misión, Sech, Lenny Tavarez, Justin Quiles, Dalex, Dimelo Flow, featuring Yandel and Jay Wheeler, starts at No. 100.
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Newcomers Oscar Ortiz and Edgardo Nuñez combine efforts for their first No. 1 on any Billboard chart as “First Love” ascends 3-1 on the April 27-dated Regional Mexican Airplay ranking. The song was released Dec. 23 via BadSin Records, the music management company co-owned by Ortiz and his brothers Kevin and Gerardo, both frequent Billboard charts visitors.
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“I feel grateful and honored that Edgardo Nuñez believed in my composition and I cannot say ‘thank you’ enough to my fans for supporting me in this dream,” 21-year-old Ortiz tells Billboard.
“First Love” accrued 7.95 million audience impressions in the U.S. toward the April 27 Billboard ranking (April 12-18 tracking week), according to Luminate; that’s a 16% gain from the week prior. The song ejects Banda MS’ “Tu Perfume” from the penthouse, which falls to No. 2 with a 6% dip, to 7.1 million impressions.
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Notably, “First Love” becomes just the fifth song by two co-billed soloists to lead Regional Mexican Airplay this decade. Here’s the list of those equal-billed collabs since 2020:
Title, Artist, Peak Date, Weeks at No. 1“Dime Cómo Quieres,” Christian Nodal & Angela Aguilar, Jan. 30, 2021, five“Duele,” Alejandro Fernéndez & Christian Nodal, April 24, 2021, one“Tus Desprecios,” Pepe Aguilar & El Fantasma, Sept. 25, 2021, one“Si Ya Hiciste El Mal,” Luis R Conriquez & Jessi Uribe, Nov. 19, 2022, one“Según Quién,” Maluma & Carin León, Dec. 16, 2023, one“La Intención,” Christian Nodal & Peso Pluma, March 30, two“First Love,” Oscar Ortiz & Edgardo Nuñez, April 27, 2024,
“First Love” caught immediate viral attention through TikTok, where Ortiz was named #Rompiendo Artist of the month in March by TikTok. To date, the song has sparked nearly 600,000 videos. Streams, however, experience a 4% dip during the tracking week, to 3.5 million official U.S. clicks.
As “First Love” rises to No. 1 on Regional Mexican Airplay, it takes BadSin to its second champ in 2024 and 13th overall. Earlier in this year, the indie label topped the ranking through Ortiz’s brother Gerardo Ortiz’s “Ahí No Era,” for one week in charge in February.
Unlike Oscar Ortiz, whose first and only Billboard entry arrived through “First Love,” Nuñez has placed four other tracks on the charts, including “El Humo De Gallo,” with Banda Los Sebastianes de Saul Plata, which debuts at No. 34 on Regional Mexican Airplay on the current list.
Beyond its Regional Mexican Airplay coronation, ‘First Love” climbs 9-5 on the overall Latin Airplay chart, for its new peak, with an 18% gain in overall impressions, to 8.32 million.
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Ten weeks after Prince Royce and Gabito Ballesteros monopolized Billboard’s Tropical Airplay chart with “Cosas De La Peda,” the song slides to the top of the overall Latin Airplay chart (dated April 27), up from No. 3 a week ago. The hit is the seventh single from Royce’s album, Llamada Perdida, the 23-track set that placed the bachata singer back in the top five on Tropical Albums after a four-year pause (No. 2 debut in March).
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“Cosas De La Peda,” (loosely translating to ‘drunken matters’), shoots to No. 1 on the overall Latin Airplay chart thanks to a 27% boost in audience impressions, to 10.9 million, logged in the U.S. in the week ending April 18, according to Luminate. With to the almost 2 million additional impressions, the song wins the weekly Greatest Gainer award on the Latin radio ranking for the largest increase in audience among its 50 titles.
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Further, thanks to its radio surge, “Cosas De La Peda” debuts at No. 46 on the multi-metric Hot Latin Songs, which ranks the most popular Latin songs of the week by blending streaming, airplay, and sales activity.
Royce and Ballesteros’ first team-up gives the regional Mexican soloist his maiden No. 1 on Latin Airplay. The new achievement arrives 10 weeks after he picked up his first champ on any Billboard radio ranking, as “Cosas De La Peda” rose to the top of Tropical Airplay on the Feb. 24-dated list, where it has held strong since.
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“Cosas” is a cause for celebration for Ballesteros, who joins a select group of regional Mexican artists who likewise achieved their premiere No. 1 on Latin Airplay in 2024 among the seven rulers this year including a regional Mexican act (whether through a regional Mexican song or a collab outside the genre). Those new highfliers comprise Xavi, whose “La Diabla” led for two weeks (starting the Feb. 10-dated list) and siblings Leonardo and Angela Aguilar through their Becky G collab, “Por El Contrario,” for one week atop (March 9).
Prince Royce moves ahead with 17 No. 1s on Latin Airplay and breaks from a tie with Carlos Vives for the second-most champs among tropical artists in the survey’s almost 30-year history, where Romeo Santos continues at the lead with 21 No. 1 hits. Here are those chart toppers:
21, Romeo Santos17, Prince Royce16, Carlos Vives14, Marc Anthony11, Gloria Estefan6, Juan Luis Guerra
In its 10th consecutive week atop Tropical Airplay, “Cosas” continues to hold the record for the longest-leading song in 2024 thus far.
Just three months after he last commanded Billboard’s Latin Airplay chart, Bad Bunny is back in charge as his single “Perro Negro,” with Feid, jumps 2-1 to rule the April 20-dated ranking. It’s Bad Bunny’s 25th No. 1 and Feid’s sixth.
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On the overall Latin Airplay ranking, “Perro Negro” moves ahead of Eladio Carrión’s “TQMQA,” after accruing 9 million audience impressions in the U.S., a 5% gain, in the week ending April 11, according to Luminate. As “Perro Negro” trades places with “TQMQA,” the latter falls to No. 2, after one week in charge, with 8.8 million impressions, that’s an 8% dip from the previous week.
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“Perro Negro” earns the gold medal for its first week and joins 13 other songs that hit No. 1 in 2024. Notably, only three out of those rulers secured two weeks or more atop (including Maluma and Carin León’s “Según Quién” which ruled for four weeks between 2023-24) while the other 10 rulers passed on the crown after only one week in charge. Here’s the updated look at those 2024 champs:
Title, Artist, Weeks at No. 1“Según Quién,” Maluma & Carin León, four“Bubalu,” Feid & Rema, two“Monaco,” Bad Bunny, one“Harley Quinn,” Fuerza Regida & Marshmello, one“La Diabla,” Xavi, two“Borracho y Loco,” Yandel & Myke Towers, one“La Falda,” Myke Towers, one“Qlona,” Karol G & Peso Pluma, one“Por El Contrario,” Becky G with Leonardo Aguilar & Angela Aguilar, one“No Es Normal,” Venesti, Nacho & Maffio, one“Baccarat,” Ozuna, one“Puntería,” Shakira & Cardi B, one“TQMQA,” Eladio Carrión, one“Perro Negro,” Bad Bunny & Feid
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“Perro Negro” becomes the fourth song from Bad Bunny’s Nadie Sabe Lo Que Va a Pasar Mañana to hit No. 1 on Latin Airplay, following one-week rulers “Where She Goes” (August 2023), “Un Preview” (Dec. 2023) and “Monaco” (Jan. 27-dated list).
Benito’s Latin Airplay chart run began with the No. 1-peaking “Mayores,” with Becky G, on the Feb. 17, 2018-dated survey. He’s placed at least two No. 1s every year since then, for a total of 25 career rulers out of 47 entries on the ranking. Bad Bunny has the fifth-most No. 1s on Latin Airplay, with J Balvin in the lead with 36 leaders.
Notably, Bad Bunny boasts his longest-leading No. 1s on Latin Airplay through two collabs with acts outside of his core Latin rhythm genre: “Mia,” featuring rapper Drake, and “Un X100to,” with regional Mexican Grupo Frontera, both for six weeks in charge in 2018-19 and 2023, respectively.
Feid, meanwhile, boasts his sixth No. 1 on the radio ranking.
Elsewhere, “Perro Negro” rebounds 6-5 on the multi-metric Hot Latin Songs, which combines airplay, streams, and downloads, following two weeks at its No. 2 high beginning last November. The song dips 10-11 on Latin Streaming Songs despite a 1% gain in streaming, to 4.8 million during the tracking period.
Chileans FloyyMenor and Cris Mj achieve a significant breakthrough as “Gata Only,” their first collab, earns both artists their maiden No. 1 on Billboard’s Hot Latin Songs chart (dated April 20). The song climbs 2-1, four weeks after it hit the top 10 on the multi-metric tally and its subsequent entry on the all-genre Billboard Hot 100 in March.
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“Super happy with this achievement,” 18-year-old FloyyMenor tells Billboard. “I’m grateful to the people who have supported me since my beginnings. It was difficult for me to get where I am, but we’ve reached one of the goals I had.”
“Gata Only” pushes to No. 1 on Hot Latin Songs, which combines radio airplay, streaming and sales, assisted by a robust streaming activity during the April 5-11 tracking week. According to Luminate, the reggaetón tune, released Feb. 2 via FloyyMenor/UnitedMasters, registered 11.11 million official U.S. streams, that’s a 33% gain from the previous week.
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“Gata Only” is the first entry for FloyyMenor on Hot Latin Songs, and the third for Cris Mj. For the latter, it’s also his first top 10-charting hit.
That streaming sum yields a No. 34 debut on the overall Streaming Songs chart, a premiere visit for both artists, plus a second week atop the Latin Streaming Songs chart with the Greatest Gainer honors of the week.
First No. 1 on First Try: “Gata Only” becomes the 413th No. 1 in the Hot Latin Songs’ 38-year history. The list boasts 47 artists, including FloyyMenor, who have secured their first No. 1 on their first chart visit, dating back to Kaoma’s “Lambada” which dominated for seven weeks in 1990. Notably, FloyyMenors joins two other acts who have achieved the feat this decade: The Weeknd, through his Maluma collab, “Hawai,” which ruled for nine weeks in 2020, and Yahritza y Su Esencia’s “Soy El Único” for one week in charge in 2022.
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TikTok Activity: Steady viral support on TikTok has also raised awareness of the song, concurrent with its rise to No. 1 on Hot Latin Songs. The track has generated over 3 million user videos to date on TikTok. Activity on TikTok is not included on the Billboard charts except for the TikTok Billboard Top 50, where the song rises 10-7 on the current chart. While TikTok is not part of the chart, the popularity of the song on the platform has helped increase activity of the track on those platforms that contribute to the ranking (such as traditional streaming services like Apple Music, Spotify, and YouTube, as well as radio airplay).
Global Presence: In the global realm, “Gata Only” reaches new heights. On the all-genre Billboard Global 200, it climbs 15-10, supported largely by 59.5 million streams (up 31%) accumulated worldwide in the tracking week. It’s the first top 10 for both acts. Plus, Cris Mj bests his No. 29-peaking “Una Noche En Medellín” (April 2022).
“Just as my colleague Cris Mj, I am super happy because we were able to take ‘Gata Only’ to a global level, raise our country Chile’s name and break records,” FloyyMenor adds. “Thank you to all the people who are listening to the song and dropping their videos on socials!”
Meanwhile, “Gata” advances 9-6 on Global Excl. U.S. chart with 48.4 million streams outside the U.S.
Back in the U.S., while “Gata Only” grants both Chilean artists their first No. 1 on Hot Latin Songs, Christopher Andrés Álvarez García, better known as Cris Mj, came close to the top 10 when the remix of “Una Noche En Medellín” (Remix), with Karol G and Ryan Castro, reached No. 12 high in Aug. 2023. Cris Mj also charted with the original version of “Una Noche En Medellín,” peaking at No. 24 in 2022.
Further, “Gata Only” makes substantial progress on the Billboard Hot 100, where it enters the top 50, rallying 74-48 in its fourth week. Plus, it re-enters Latin Digital Song Sales at No. 4 following its No. 14 debut (April 6-dated list).
“La Cumbia Triste” is a cause for celebration for Los Ángeles Azules and Alejandro Fernández, who each bank a new No. 1 on Billboard’s Regional Mexican Airplay chart, as their first collaboration ascends 3-1 to rule the April 13-dated list.
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“La Cumbia Triste” rolls to No. 1 on Regional Mexican Airplay boosted by a 13% gain in audience impressions, to 7 million, earned in the U.S. in the week ending April 4, according to Luminate. The song sends Christian Nodal and Peso Pluma’s “La Intención” to No. 5, after two weeks in charge, with a 41% decrease in impressions, to 4.6 million.
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As “La Cumbia Triste” seizes the throne on Regional Mexican Airplay, Los Ángeles Azules adds their fourth career No. 1. Further, they extend its span of hits to 24 years, dating to the the cumbia sonidera group’s first week at No. 1 on Feb. 3, 2004, when “El Listón De Tu Pelo” commenced a seven-week reign. As Los Ángeles Azules collection of champs grows, here are their Regional Mexican Airplay chart-toppers:
Peak Date, Title, Artist, Weeks at No. 1Feb. 5, 2000, “El Listón De Tu Pelo,” sevenJan. 26, 2019, “Nunca Es Suficiente,” featuring Natalia Lafourcade, threeMay 20, 2023, “Tú Y Tú,”with Cazzu & Santa Fe Klan, oneApril 13, 2024, “La Cumbia Triste,” with Alejandro Fernández, one
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Fernández, meanwhile, collects his eighth No. 1, and first through a collaboration in almost two years, since “Nunca Dudes en Llamarme,” with La Arrolladora Banda El Limón de René Camacho, ruled for one week in Sept. 2022. In between, “No Es Que Me Quiera Ir” and “Difícil Tu Caso” led for one week each last August and November, respectively.
In total, two other co-billed songs from Fernández have topped Regional Mexican Airplay: “Decepciones,” with Calibre 50 (one week, Oct. 2020) and “Duele,” with Christian Nodal (one week, April 2021).
“La Cumbia Triste” will appear on Los Ángeles Azules’ forthcoming 30th studio album, Se Agradece, to be released April 12. Two other top 10-charting songs previewed the project: “Tú y Tú,” with Cazzu and Sant Fe Klan, an equal Regional Mexican Airplay winner, for one week in charge (May 2023) and “El Amor de Mi Vida,” with Maria Becerra, which nearly missed the penthouse, reaching No. 2 last October.
The news arrives in midst of Los Ángeles Azules’ 31-date El Amor De Mi Vida tour which kicked off in Nashville, TN. on Feb. 13 and will take the Mejía Avante family to a double booking on Napa County, CA on June 1-2.
Beyond its Regional Mexican Airplay coronation, “La Cumbia Triste” rebounds to its No. 5 high on the overall Latin Airplay chart (lifts 9-5) thanks to a 12% gain, to 8 million.
Shakira soars in at No. 1 on Billboard’s Top Latin Albums chart (dated April 6) while the set’s “Puntería,” with Cardi B, bounds in at No. 3 on Hot Latin Songs. Plus, two other tracks launch in the latter list’s top 10.
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First up is “La People II” by Peso Pluma, Tito Double P and Joel De La P, new at No. 2 on the multi-metric chart. The tripartite collab, released March 21 through Double P Records, traces its high entrance to strong streaming activity. During the March 22-28 tracking week, it generated 9.1 million official streams in the U.S., according to Luminate. The sum yields a No. 2 debut on Latin Streaming Songs, notably becoming Peso Pluma’s 18th top 10, the most for any core regional Mexican music act.
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Tito Double P and Joel De La P each score their first Hot Latin Songs top 10. Both regional Mexican newcomers notched their first entry on the tally with the No. 35-peaking “Dembow Bélico,” with Luis R Conriquez, in July 2023. Tito Double P previously came closest to the top 10 through the new single’s prequel — likewise with Peso Pluma, as “La People” reached a No. 12 high last December.
Further, “La People II” captures the highest Hot Latin Songs debut in 2024 for a regional Mexican song by artists who primarily record in the genre, and the topmost such start since Eslabon Armado and Peso Pluma’s “Ella Baila Sola” also premiered at No. 2 in April 2023. In between, last August, Karol G’s “Mi Ex Tenía Razón” became her first regional Mexican-focused No. 1, among eight total.
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At No. 4 on Hot Latin Songs, Xavi snags his third top 10 with “Corazón de Piedra.” The romantic sierreño, released March 22, also arrives at No. 3 on Latin Streaming Songs with 8.3 million official U.S. streams. Xavi totals three installments in the Hot Latin Songs top 10, as “La Diabla” holds strong for a 13th week No. 1 – the most this year and the seventh-most this decade – and “La Víctima” dips 3-7, after reaching No. 2.
All three debuts in the Hot Latin Songs top 10 also enter the all-genre Billboard Hot 100: “La People II” at No. 69, becoming the first entry on the chart for Tito Double P and Joel De La P; “Puntería,” at No. 72, as Shakira has now debuted songs on the Hot 100 in four consecutive years (eight tracks since 2021) for the first time, dating to her first appearance in 2001; and “Corazón de Piedra” at No. 73, giving Xavi his third and highest start.
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