Billboard 200
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On the latest Billboard 200 albums chart (dated Nov. 30), three K-pop (Korean pop) albums are in the top 10 concurrently for the first time. ATEEZ’s GOLDEN HOUR: Part.2 debuts at No. 1, Jin’s Happy debuts at No. 4 and ENHYPEN’s ROMANCE: UNTOLD re-enters the chart at No. 7 following an expanded reissue (after earlier […]
All seven members of BTS have now hit the Billboard 200 album chart’s top 10 as soloists, as Jin’s Happy debuts at No. 4 on the latest ranking (dated Nov. 30). He joins his fellow BTS members J-Hope, Jimin, Jung Kook, RM, Suga and V with individual top 10s. The Billboard 200 chart ranks the […]
ATEEZ add their second No. 1 album on the Billboard 200 chart as GOLDEN HOUR: Part.2 debuts atop the list (dated Nov. 30) with 184,000 equivalent album units earned in the U.S. in the week ending Nov. 21, according to Luminate. With an opening frame driven largely by album sales — 179,000 copies sold — the set marks the best week yet for the pop ensemble by both units earned or traditional album sales.
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The act previously topped the chart with THE WORLD EP.FIN: WILL in 2023. In total, GOLDEN HOUR: Part.2 is the sixth top 10-charting set for the group, all consecutive.
Also in the top 10 of the latest Billboard 200, Linkin Park logs its 12th top 10-charting set with the No. 2 bow of From Zero; Jin’s debut album, Happy, enters at No. 3; Rauw Alejandro achieves his first top 10 with the arrival of Cosa Nuestra at No. 6; and ENHYPEN’s ROMANCE: UNTOLD re-enters the list at No. 7 following its reissue on Nov. 15 (dubbed ROMANCE: UNTOLD -daydream-) with two bonus tracks. The set debuted and peaked at No. 2 in July.
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With K-pop acts ATEEZ, Jin and ENHYPEN at Nos. 1, 4 and 7, respectively, on the Billboard 200, there are three K-pop albums in the top 10 for the first time.
The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Nov. 30, 2024-dated chart will be posted in full on Billboard‘s website on Tuesday (Nov. 26). For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Of GOLDEN HOUR: Part.2’s 184,000 equivalent album units earned, album sales comprise 179,000 (it’s the top-selling album of the week and debuts at No. 1 on Top Album Sales; it’s also the sixth-largest sales debut week of 2024 for any title), SEA units comprise 5,000 (equaling 6.43 million on-demand official streams of the set’s songs) and TEA units comprise a negligible sum. The album’s first-week sales were bolstered by its availability across 29 physical format variants (23 CDs and six vinyl editions; all containing collectible branded paper ephemera, some randomized) and three digital download variants (a standard edition and two versions containing voice notes from the acts as bonus tracks).
As GOLDEN HOUR: Part.2 is mostly in the Korean language, it is the 26th mostly non-English-language album to hit No. 1, and the third of 2024. Two other mostly-Korean-language sets topped the chart earlier this year: on the Aug. 3-dated list, Stray Kids’ ATE become the group’s fifth leader, and on the March 9 ranking, TWICE’s With YOU-th garnered the act its first leader. Of the 26 mostly non-English-language albums to reach No. 1, 17 are mostly Korean, five mostly (or all) Spanish, one mostly Italian, one entirely French, and two mostly a blend of Spanish, Italian and French. Of the 26 mostly non-English-language albums to reach No. 1, 22 have topped the chart since 2018 (the year that K-pop superstars BTS scored their first of six No. 1s, the chart’s first Korean-language leaders).
Linkin Park returns to the Billboard 200 with its first new studio album in seven years, as From Zero enters at No. 2 with 97,000 equivalent album units earned. Of that sum, album sales comprise 72,000 (it debuts at No. 2 on Top Album Sales), SEA units comprise 24,000 (equaling 32.18 million on-demand official streams of the set’s songs; it bows at No. 17 on Top Streaming Albums) and TEA units comprise 1,000. From Zero is the band’s 12th top 10-charting set and the first to feature new members Emily Armstrong (co-lead vocals) and Colin Brittain (drums). The album is the first without vocalist Chester Bennington (who died in 2017) and drummer Rob Bourdon (who departed the group in 2018).
From Zero’s first-week sales were aided by its availability across 11 vinyl editions (multiple color variants, two picture discs and four alternative cover versions), four CD variants (including a deluxe boxed set containing branded merch and a CD, and a Zine/CD package), two cassette editions and two digital download editions. All versions of the album contain the same 11 songs, except for one download album, which boasts three bonus live tracks.
The new album was announced on Sept. 5 during a livestream concert that also announced Armstrong and Brittain joining the band, along with the release of the set’s first single “The Emptiness Machine.” The track debuted and peaked at No. 21 on the Billboard Hot 100, marking the highest charting cut from the band since 2009’s “New Divide” hit No. 6. “Emptiness” also led the Alternative Airplay chart for five weeks, marking the 13th leader for the band on the ranking. Three more songs previewing the album were released before From Zero dropped on Nov. 15: “Heavy Is the Crown,” “Over Each Other” and “Two Faced.”
Tyler, The Creator’s chart-topping CHROMAKOPIA falls 1-3 in its fourth week on the chart, after spending its first three weeks atop the list. It earned 81,000 equivalent album units in its fourth charting frame (down 22%).
BTS’ Jin sees his solo debut project, Happy, bow at No. 4 on the Billboard 200 with 77,000 equivalent album units earned. Of that sum, album sales comprise 66,000 (it debuts at No. 3 on Top Album Sales), SEA units comprise 8,000 (equaling 10.53 million on-demand official streams of the set’s songs) and TEA units comprise 3,000. Happy’s first-week sales were enhanced by its availability across 13 CD variants (containing branded paper ephemera, some editions include randomized items) and seven digital variants (a standard version, two with alternate cover art, and four with assorted bonus tracks ranging from a voice memo to remixes).
Happy is Jin’s first charting album on the Billboard 200, and he becomes the seventh, and final, member of BTS to have achieved a top 10-charting effort. BTS itself has logged seven top 10s, including six No. 1s. BTS is the first K-pop act to see all of its members chart a solo top 10 title on the Billboard 200.
Sabrina Carpenter’s former leader Short n’ Sweet dips 3-5 with 72,000 units (up 6%).
Rauw Alejandro lands his first top 10-charting effort on the Billboard 200 as Cosa Nuestra debuts at No. 6 with 67,000 equivalent album units earned — the artist’s biggest week by units earned. The album’s opening week was overwhelming driven by streaming activity, as SEA units comprise 66,000 of the album’s first week (equaling 87.66 million on-demand official streams of the set’s songs; it debuts at No. 2 on Top Streaming Albums). Album sales comprise 1,000 (from just one digital download edition of the album) and TEA units comprise a negligible sum. Cosa Nuestra boasts guests including Bad Bunny, Laura Pausini, Romeo Santos and Pharrell Williams.
ENHYPEN’s ROMANCE: UNTOLD re-enters the Billboard 200 at No. 7 with 54,000 equivalent album units earned in the latest tracking week (up 960%), following it Nov. 15 repackage and reissue with two bonus tracks. The new iteration of the album is dubbed ROMANCE: UNTOLD -daydream-. All versions of the album, old and new, are combined for tracking and charting purposes. The initial release of the project debuted and peaked at No. 2 in July.
Of the album’s 54,000 units earned in the week ending Nov. 21, album sales comprise 51,000 (up 1,473%, it jumps 26-4 on Top Album Sales), SEA units comprise 3,000 (equaling 4.45 million on-demand official streams of the album’s songs) and TEA units comprise a negligible sum. The set’s album sales were bolstered by its availability across 12 new CD variants and three new download editions, joining its previously available 17 CD editions, two vinyl variants and a standard download album. All physical editions of the album contain branded paper ephemera, some randomized.
Rounding out the top 10 of the latest Billboard 200: Gracie Abrams’ The Secret of Us (4-8 with 50,000 equivalent album units; down 5%), Billie Eilish’s Hit Me Hard and Soft (5-9 with 49,000; up 2%) and Chappell Roan’s The Rise and Fall of a Midwest Princess (6-10 with 43,000; down 8%).
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
Tyler, The Creator’s CHROMAKOPIA spends a third consecutive and total week at No. 1 on the Billboard 200 chart (dated Nov. 23). It’s the artist’s album with the most weeks atop the list, surpassing the two weeks spent at No. 1 by his previous leader, Call Me If You Get Lost in 2021-22.
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CHROMAKOPIA earned 104,000 equivalent album units in the United States in the week ending Nov. 14 (down 35% in its third week), according to Luminate.
Also in the top 10 of the new Billboard 200 chart, TOMORROW X TOGETHER debuts at No. 2 with The Star Chapter: SANCTUARY, marking the sixth top 10-charting set for the group.
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The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Nov. 23, 2024-dated chart will be posted in full on Billboard‘s website on Tuesday (Nov. 19). For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Of CHROMAKOPIA’s 104,000 equivalent album units earned in its second week, SEA units comprise 76,000 (down 34%, equaling 106.87 million on-demand official streams of the album’s songs; it holds at No. 1 on the Top Streaming Albums chart), album sales comprise 28,000 (down 37%; it’s steady at No. 2 on Top Album Sales) and TEA units comprise a negligible sum (down 35%).
The album continues to profit from sales generated by Tyler, The Creator’s official webstore, with the set’s vinyl, CD, and eight previously available deluxe collectible boxed sets continuing to ship to customers. The third week also saw four additional boxed sets shipped to customers. All boxed sets contain a CD, poster and another branded merch item in a branded box. All physical editions of the album are exclusively sold via the artist’s webstore.
TOMORROW X TOGETHER nabs its sixth top 10-charting effort on the Billboard 200 as The Star Chapter: SANCTUARY debuts at No. 2. The set earned 98,000 equivalent album units in its first week. Album sales comprise 95,500 of that sum (it debuts at No. 1 on Top Album Sales), SEA units comprise 2,500 (equaling 3.74 million on-demand official streams of the set’s songs) and TEA units comprise a negligible sum. The album’s first-week sales were bolstered by its availability across 23 CD variants (all containing collectible branded paper ephemera, some randomized), eight digital download variants (seven were exclusive to the act’s official webstore; all included bonus tracks).
The Star Chapter: SANCTUARY is the group’s second top 10-charting effort of 2024, following No. 3-peaking Minisode 3: TOMORROW in April.
Sabrina Carpenter’s chart-topping Short n’ Sweet slips 2-3 on the Billboard 200 (68,000 equivalent album units earned; up 1%), Gracie Abrams’ The Secret of Us climbs 5-4 (52,000; up 5%) and Billie Eilish’s Hit Me Hard and Soft spikes 7-5 (48,000; up 9%) to round out the top five.
Chappell Roan’s The Rise and Fall of a Midwest Princess is a non-mover at No. 6 (47,000; up 3%); Morgan Wallen’s former leader One Thing at a Time rises 10-7 (43,000; up 1%); Taylor Swift’s chart-topping The Tortured Poets Department ascends 9-8 (nearly 43,000; down less than 1%); Rod Wave’s Last Lap falls 8-9 (38,000; down 12%); and Noah Kahan’s Stick Season steps 14-10 (33,000; up 7%).
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
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Tyler, The Creator had outdone himself yet again. His latest album CHROMAKOPIA has debuted number one on the Billboard 200 chart.
As per Billboard, the Odd Future collective founder has secured the top-selling album according to the music industry’s leading trade publication. His newest effort has sold 299,500 equivalent album units over the course of the week ending Oct. 31.
Not only is this Tyler’s best sales performance yet for a new album but the selling window was shorter as the LP was released off-cycle (albums are typically released on Fridays). Additionally, this also marks his strongest performance on online streaming platforms.
Originally announced in October, CHROMAKOPIA is largely inspired by his mother Bonita Smith, and the life lessons she told him as a child. Later on, he would better appreciate this information which prompted him to make this concept work.
During his album listening party, Tyler revealed that his goal was to give the world insight into his life prior to his time in Odd Future.
“But the album now has turned into me taking a bunch of sh*t my mom told me as a kid. Now that I’m 33 all of that stuff is like, ‘Oh, that’s what the f*ck she was talking about. Oh, I’m not the guy that I was at 20.’ Like, oh sh*t, people are getting older. Folks having kids and families and all I got is a new Ferrari.”
Thus far the album has been largely embraced with favorable responses from critics and his fans alike. CHROMAKOPIA is his third album to chart number one on the Billboard 200 chart. Tyler, The Creator also won Grammy Awards for “Best Rap Album” for both IGOR in 2020 and Call Me If You Get Lost in 2022.
You can check out CHROMAKOPIA below.
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Tyler, the Creator scores his third No. 1 album on the Billboard 200 chart as his new studio effort, CHROMAKOPIA, arrives atop the tally (dated Nov. 9). The set launches with 299,500 equivalent album units earned in the U.S. in the week ending Oct. 31 — his best week ever in terms of units. Its starting sum — the sixth-largest debut of 2024 — is also notable because the album arrived on an off-cycle Monday (Oct. 28), and thus only had four days of activity in its first chart tracking week. (Most albums are released on a Friday, giving them a full seven days of activity in their opening chart week.)
The album was announced on Oct. 17, slightly more than 10 days before its release on Oct. 28.
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CHROMAKOPIA also claims Tyler, the Creator’s biggest streaming week ever for an album, and largest sales week ever — again, after only four days of availability. Streams and sales were so strong for the set, it would have been No. 1 off streams alone, or solely on sales.
He previously hit No. 1 on the chart with his last two releases, Call Me If You Get Lost (in 2021) and Igor (in 2019). In total, CHROMAKOPIA marks his seventh top 10-charting set on the Billboard 200 — the entirety of his charting efforts.
Also in the top 10 of the new Billboard 200, Halsey logs her fifth top two-charting set as The Great Impersonator debuts at No. 2, Kelsea Ballerini achieves her highest-charting album ever as Patterns opens at No. 4 and Eminem’s chart-topping The Death of Slim Shady (Coup de Grâce) vaults 44-6 after its vinyl release.
The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Nov. 9, 2024-dated chart will be posted in full on Billboard‘s website on Tuesday, Nov. 5. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Of CHROMAKOPIA’s 299,500 equivalent album units earned, SEA units comprise 157,000 (equaling 212.55 million on-demand official streams of the 14 songs on the streaming edition of the album, his best streaming week ever; it debuts at No. 1 on Top Streaming Albums chart), album sales comprise 142,000 (his best sales week ever; it debuts at No. 1 on the Top Album Sales chart) and TEA units comprise 500 units. Vinyl sales accounted for 66,000 of the album’s first-week number, which is Tyler, the Creator’s best week ever on vinyl, and the third-biggest debut week on vinyl for a rap album since Luminate began tracking sales in 1991.
CHROMAKOPIA was issued as an 11-song standard digital download album, a 14-song album on CD and vinyl, and a 14-song digital deluxe and streaming album. (The two 14-song editions each had three additional songs versus the standard 11-song album. The 14-song CD and vinyl added “Mother,” “Sticky” (featuring Sexyy Red and Lil Wayne) and “Thought I Was Dead” (featuring Santigold). The 14-song digital and streaming edition added “Balloon” (featuring Doechii), “Sticky” (featuring GloRilla, Lil Wayne and Sexyy Red) and “Thought I Was Dead” (featuring ScHoolboy Q and Santigold).
Album sales were bolstered by the set’s availability across six deluxe collectible CD boxed sets (each containing a CD, poster and another branded merch item) and a green-colored vinyl pressing. The boxed sets and vinyl were exclusively sold via the artist’s official webstore. A stand-alone CD was available to pre-order, exclusively, in the same store, but has yet to be shipped to customers. All physical editions of the album are only available via the artist’s webstore.
The standard 11-song digital download album, as well as the 14-song deluxe digital edition, was widely available through the iTunes Store and similar services (but were not sold on the artist’s webstore).
At No. 2 on the Billboard 200, Halsey’s The Great Impersonator debuts with 93,000 equivalent album units earned. Of that sum, album sales comprise 81,000, SEA units comprise 12,000 (equaling 16.05 million on-demand streams of the songs on the streaming edition of the album) and TEA units comprise a negligible sum. The Great Impersonator is the fifth top 10-charting set for Halsey, all of which have debuted in the top two positions of the list.
The album’s first-week sales were aided by its availability across many permutations: a dozen deluxe collectible CD boxed sets (each containing a CD and branded merchandise), a standard CD, a standard signed CD, four alternative cover CDs (each signed) and eight vinyl variants (including one signed edition). Most of the offerings were exclusively sold in Halsey’s official webstore. The album was also released as a standard digital album, and via seven alternative digital download albums (each with one to three exclusive bonus tracks unique to each of the seven editions) — all of which sold for a discounted $4.99.
The vinyl sales added up to just over 26,000 copies — Halsey’s best week on vinyl ever.
Sabrina Carpenter’s former leader Short n’ Sweet falls 2-3 on the new Billboard 200 with 74,000 equivalent album units earned (down 5%).
Kelsea Ballerini’s Patterns bows at No. 4 on the Billboard 200, marking the artist’s highest-charting album ever and second top 10-charting set. It arrives with 54,000 equivalent album units earned — her best week by units. Of that sum, album sales comprise 35,000 (her second-largest sales week), SEA units comprise 19,000 and TEA units comprise a negligible sum.
Ballerini had previously gone as high as No. 7 on the Billboard 200 with Unapologetically in 2017.
The new album was preceded by the song “Cowboys Cry Too,” with Noah Kahan, which reached the top 20 on the Hot Country Songs chart in July.
The set’s first-week sales were encouraged by its availability across eight vinyl variants (including one signed edition), three digital download editions (a standard set, one with bonus commentary tracks and one with two bonus song tracks), and two CDs (including one signed variant). Her vinyl sales totaled 12,000 for the week — Ballerini’s best week ever on vinyl.
Rod Wave’s Last Lap dips 4-5 on the Billboard 200 with 51,000 equivalent album units earned (down 24%), while Eminem’s The Death of Slim Shady (Coup de Grâce) jumps 44-6 with 49,000 units (up 193%) after its release on vinyl and cassette. The latter was issued across five vinyl editions (mostly color variants) which combined to sell 31,000 copies in the tracking week — Eminem’s best week ever on vinyl.
Rounding out the rest of the top 10 on the new Billboard 200: Gracie Abrams’ The Secret of Us rises 8-7 (49,000 equivalent album units earned; down less than 1%), Morgan Wallen’s chart-topping One Thing at a Time falls 6-8 (46,000; down 9%), Billie Eilish’s Hit Me Hard and Soft is steady at No. 9 (nearly 46,000; down 5%) and GloRilla’s Glorious falls 7-10 (45,000; down 11%).
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
Yeat lands his first No. 1 album on the Billboard 200 as Lyfestyle debuts atop the list dated Nov. 2. The set earned 89,000 equivalent album units in the U.S. in the week ending Oct. 24, according to Luminate — his best week ever by units, largely driven by album sales. Lyfestyle is the fifth total and consecutive top 10-charting set for the rapper, who had gone as high as No. 2 in March with 2093.
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Also in the new top 10 of the Billboard 200, SEVENTEEN snares its sixth top 10 effort, all earned consecutively, as SPILL THE FEELS debuts at No. 5. Meanwhile, Gracie Abrams’ The Secret of Us surges 19-8 following a deluxe reissue with added songs, for its first week in the top 10 since it debuted at No. 2 in July.
The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Nov. 2, 2024-dated chart will be posted in full on Billboard‘s website on Tuesday (Oct. 29). For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
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Of Lyfestyle’s 89,000 equivalent album units earned, album sales comprise 60,000 (Yeat’s best sales week ever; it’s No. 2 on the Top Album Sales chart), SEA units comprise 29,000 (equaling 39.67 million on-demand official streams of the songs on the streaming edition of the album; it debuts at No. 17 on the Top Streaming Albums chart) and TEA units comprise a negligible sum.
Lyfestyle’s first-week sales were bolstered by its availability across many variants, exclusively sold through the artist’s webstore. Lyfestyle’s opening-week sales actually exceed the cumulative sales of Yeat’s entire album catalog before this past week. Until Lyfestyle’s release, his catalog of albums had sold a combined 35,000 copies.
The new album, his fifth full-length studio effort, was issued as a widely-available 22-track digital download and streaming set, and in a CD and vinyl edition exclusively sold through his webstore. (It’s the first time Yeat has released an album on CD.) The CDs were only available as part of deluxe boxed sets (exclusive to his webstore), and all CDs and vinyls were signed by the artist. There were six different deluxe CD boxed sets, each containing a T-shirt and a CD inside a branded box. There were also three webstore-exclusive CD variants, signed by the artist, and each contained two additional bonus tracks unique to the CD (one has “Style Lyfe” and “Back Thën,” the second has “5Brazy” and “Barbarian” and the third has “Graveyard” and “Gonë”)
In addition, Yeat’s webstore offered two exclusive digital download album variants — one with the bonus track “Project Lyfestyle” and one with four bonus tracks: “Project Lyfestyle,” “For Lyfe,” “Night Come” and “5Brazy Remix,” featuring Quavo.
All of the bonus tracks on the CD and download album variants were not available to purchase as stand-alone tracks through any retailer, nor available to stream through an official service.
In total, of Lyfestyle’s first-week sales of 60,000, digital downloads comprise 43,500; CD sales comprise 12,000 and vinyl sales comprise 4,500.
Yeat’s last album, 2093, which debuted and peaked at No. 2 earlier this year, was available in its first week across three digital download variants, but only one of them was exclusive to the artist’s webstore. 2093 sold 12,000 copies in its first week — all from downloads.
Sabrina Carpenter’s chart-topping Short n’ Sweet climbs 4-2 on the Billboard 200 with 79,000 equivalent album units earned (down 7%). After debuting at No. 1, Jelly Roll’s Beautifully Broken falls to No. 3 with 68,000 (down 58%). Rod Wave’s Last Lap dips 2-4 in its second week with 67,000 units (down 47%).
SEVENTEEN collects its sixth top 10-charting effort on the Billboard 200 as SPILL THE FEELS debuts at No. 5 with 66,000 equivalent album units earned. Of that sum, album sales comprise 64,000 (it’s No. 1 on Top Album Sales), SEA units comprise 2,000 (equaling 2.61 million on-demand official streams of the set’s songs) and TEA units comprise a negligible sum. The album’s sales were bolstered by its availability across 17 CD variants, each containing collectible branded paper ephemera (such as photocards, posters, lyric books and stickers, some randomized).
Morgan Wallen’s former leader One Thing at a Time rises 9-6 on the Billboard 200 with 50,000 equivalent album units earned (up 5%), GloRilla’s Glorious falls 5-7 in its second week with nearly 50,000 (down 27%), and Gracie Abrams’ The Secret of Us surges 19-8 with 49,000 units (up 78%). The latter vaults up the chart, and back into the top 10 for the first time since its No. 2 debut in July, thanks to its Oct. 18 deluxe reissue on digital download and streaming services with seven additional tracks. Of the 49,000 units The Secret of Us earned in the latest tracking week, SEA units comprise the bulk of the sum — a little over 45,000 (up 89%).
Rounding out the top 10 of the new Billboard 200 are Billie Eilish’s Hit Me Hard and Soft (falling 7-9 with a little over 48,000 equivalent album units earned; down 4%) and BigXthaPlug’s Take Care (8-10 in its second week; with 48,000; up less than 1%).
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
Jelly Roll racks up his first No. 1 album on the Billboard 200 chart as Beautifully Broken bows atop the list dated Oct. 26. The set enters with 161,000 equivalent album units earned in the U.S. in the week ending Oct. 17, according to Luminate – the artist’s best week ever by units. The set’s first week was largely driven by album sales – 114,000 – likewise marking Jelly Roll’s largest sales week yet. The album also opens at No. 1 on the Top Album Sales chart.
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Beautifully Broken marks Jelly Roll’s second top 10-charting effort on the Billboard 200, following the No. 3-peaking Whitsitt Chapel in 2023.
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Beautifully Broken additionally achieves the third-largest week, by units, for any country album in 2024, following the debut frames of Beyoncé and Post Malone’s premiere country sets. In total, Jelly Roll scores the fifth country album to lead the all-genre Billboard 200 in 2024 – the most in a year since 2014, when there were also five. (Country albums are defined as those that are eligible for, or have charted on, Billboard’s Top Country Albums chart.)
Elsewhere in the top 10 of the latest Billboard 200, Rod Wave secures his seventh consecutive top 10 – the entirety of his charting efforts – as Last Lap debuts at No. 2, Charli XCX’s Brat bounds 14-3 (matching its debut and peak rank) after a deluxe reissue, GloRilla lands her first top 10 with the No. 5 bow of Glorious, and BigXthaPlug notches his first top 10 with the No. 8 arrival of Take Care.
The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Oct. 26, 2024-dated chart will be posted in full on Billboard‘s website on Tuesday, Oct. 22. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Of Beautifully Broken’s 161,000 equivalent album units earned in its first week, album sales comprise 114,000; SEA units comprise 44,000 (equaling 58.86 million on-demand official streams of the 28 songs on its streaming edition); and TEA units comprise 3,000. The album was issued as a 14-track standard release (on CD, vinyl and cassette), a 22-track expanded album (as a digital download and streaming set), a 27-track deluxe edition (sold as a download in Jelly Roll’s official webstore) and a 28-track deluxe album (dubbed Beautifully Broken [Pickin’ Up the Pieces], widely available as a digital download and streaming set).
The album’s opening week sales were bolstered by its availability across seven vinyl variants, three CD variants (the CDs sold a combined 65,000, including a signed edition sold through the artist’s webstore), a cassette tape and three download album variants (the downloads sold 32,000). Net profits from pre-orders of the CD and vinyl in his webstore benefitted four charity organizations: Folds of Honor, National Alliance on Mental Illness, Shatterproof and Wounded Warriors.
Beautifully Broken was preceded by a trio of charting songs on the Billboard Hot 100: “I Am Not Okay,” “Lonely Road” (with MGK) and “Liar.” They are three of Jelly Roll’s nine songs to debut on the Hot 100 in 2024 – the others include collaborations with the likes of Eminem, Post Malone and Falling in Reverse.
Rod Wave lands his seventh top 10-charting album on the Billboard 200 – the entirety of his charting efforts – as Last Lap bows at No. 2 with 127,000 equivalent album units earned. Of that sum, SEA units comprise 125,000 (equaling 173.35 million on-demand official streams of the set’s 23 songs; it’s No. 1 on Top Streaming Albums), album sales comprise 2,000 and TEA units comprise a negligible sum.
Last Lap was previewed by a pair of Hot 100-charting songs: “Passport Junkie” and “Fall Fast In Love.”
Wave has logged at least one Billboard 200 top 10 every year since 2019, beginning with his first charting set, Ghetto Gospel (No. 10, 2019) and continuing on with Pray 4 Love (No. 2, 2020), SoulFly (No. 1, 2021), Beautiful Mind (No. 1, 2022), Jupiter’s Diary: 7 Day Theory (No. 9, 2022), Nostalgia (No. 1, 2023) and Last Lap (No. 2, 2024). The only other act with at least one new top 10 in every year over 2019-24 is Taylor Swift.
Charli XCX’s Brat bounds 14-3, matching its debut rank and peak position, following the album’s deluxe reissue on Oct. 11. It earned 105,000 equivalent album units in the week ending Oct. 17 – the set’s biggest week yet. Of that sum, SEA units comprise 57,000 (equaling 73.63 million on-demand official streams of the set’s songs), album sales comprise 48,000 and TEA units comprise less than 1,000.
Brat was originally released on June 7 as a 15-song standard album. It was reissued in a deluxe form on June 10 with three bonus songs, dubbed Brat and it’s the same but there’s three more songs so it’s not. After its first tracking week, Brat (with both versions combined for charting and tracking purposes) debuted at No. 3 on the Billboard 200 (dated June 22).
On Oct. 11, the album was reissued in a 34-track super deluxe form (named Brat and it’s completely different but also still brat), containing the original album’s 15 songs, the three bonus cuts added on June 10, and then 16 remixes of the set’s tracks featuring a star-studded guest list (including The 1975, Bon Iver, Billie Eilish, Ariana Grande, Lorde and many more). Then, on Oct. 14, the completely different album was reissued, adding a remix of “Spring Breakers” with Kesha to its tracklist, bringing the total track count to 35.
The 34-track completely different edition of Brat was released for sale as a digital download, CD, three-LP vinyl and a double-cassette tape, plus as a streaming album. The 35-track edition of the album was available to purchase as a download, and to stream.
All versions of Brat are combined for tracking and charting purposes.
Sabrina Carpenter’s former No. 1 Short n’ Sweet slips 2-4 on the latest Billboard 200 with 85,000 equivalent album units earned (down 8%).
GloRilla grabs her highest charting album, and first top 10, as Glorious bows at No. 5 on the Billboard 200 with 69,000 equivalent album units earned – the rapper’s best week yet. Of its first-week sum, SEA units comprise 56,000 (equaling 77.98 million on-demand official streams of the set’s songs), album sales comprise 12,000 and TEA units comprise 1,000. The album was available in both a standard and bonus track digital download edition, as well as a signed CD edition.
Chappell Roan’s The Rise and Fall of a Midwest Princess falls 3-6 on the Billboard 200 (55,000 equivalent album units; down 2%) and Billie Eilish’s Hit Me Hard and Soft descends 5-7 (50,000; up less than 1%).
Rapper BigXthaPlug visits the top 10 for the first time – and the entire top 40 – as his new album Take Care enters at No. 8 with 48,000 equivalent album units earned, marking their biggest week ever. The artist previously notched two chart entries, reaching No. 97 with Amar and No. 111 with The Biggest (both earlier in 2024). Of the album’s first-week units, SEA units comprise 46,500 (equaling 62.77 million on-demand official streams of the set’s songs), album sales comprise 1,500 and TEA units comprise a negligible sum.
Rounding out the top 10 of the new Billboard 200 are Morgan Wallen’s chart-topping One Thing at a Time (4-9 with 48,000 equivalent album units; down 5%) and Taylor Swift’s former leader The Tortured Poets Department (6-10 with 44,000; down 1%).
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
Coldplay captures its fifth No. 1 album on the Billboard 200 chart, and first in over a decade, as Moon Music debuts atop the list (dated Oct. 19). The set launches with 120,000 equivalent album units earned, of which 106,000 are in traditional album sales. Both figures represent the biggest week, by units and album sales, for the group since 2015.
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Overall, Moon Music marks the 10th top 10-charting effort for the band. The act previously led the list with Ghost Stories (2014), Mylo Xyloto (2011), Viva La Vida or Death and All His Friends (2008) and X&Y (2005).
The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Oct. 19, 2024-dated chart will be posted in full on Billboard‘s website on Tuesday (Oct. 15). For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
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Of Moon Music’s first-week units of 120,000, album sales comprise 106,000 (it’s the top-selling album of the week at No. 1 on Top Album Sales), SEA units comprise 13,000 (equaling 16.71 million on-demand official streams of the set’s songs) and TEA units comprise 1,000. The group last garnered a larger week, in either overall units or album sales, with the debut frame of 2015’s A Head Full of Dreams, which bowed with 210,000 units, of which 195,000 were in traditional album sales.
The new album’s opening-week sales were bolstered by its availability across at least eight vinyl variants (including two signed editions, and a Target edition with three bonus tracks) and in six CD variants (including a signed edition, and a “notebook edition” in collectible packaging with bonus voice notes) — all of which were manufactured with eco-friendly initiatives. The set was also available in at least four digital download variants. Of the digital editions, there were two versions that each included 10 bonus tracks each. Coldplay’s official webstore offered the download editions at a discount during release week.
The album’s vinyl sales total 29,000 for the week — Coldplay’s best sales week on vinyl ever.
The new album was preceded by the single “feelslikeimfallinginlove,” which reached No. 81 on the all-genre Billboard Hot 100 chart in July. It also reached the top 10 on Alternative Airplay and Adult Pop Airplay, the act’s 15th and 12th top 10 on those tallies, respectively.
The new album’s Oct. 4 release was ushered in with a flurry of media looks, including appearances and/or performances by the band or its frontman Chris Martin on CBS’ Sunday Morning (Sept. 29), QVC (Oct. 2), NBC’s The Tonight Show Starring Jimmy Fallon (Oct. 3), NBC’s Saturday Night Live (Oct. 5) and NBC’s Today (Oct. 8).
Notably, among British groups, Coldplay ties for the fourth-most No. 1 albums on the Billboard 200. Leading the pack are The Beatles, with 19 leaders. The Rolling Stones are second, with nine, while Led Zeppelin is third, with seven No. 1s. Coldplay, Pink Floyd and Wings (counting albums billed to either Wings, or Paul McCartney and Wings) are tied with five No. 1s each.
Sabrina Carpenter’s Short n’ Sweet falls a spot to No. 2 (with 93,000 equivalent album units; down 8%) after four nonconsecutive weeks atop the list. It’s No. 1 on the Top Streaming Albums chart for a sixth nonconsecutive week. Chappell Roan’s The Rise and Fall of a Midwest Princess dips 2-3 on the Billboard 200 (56,000; down 12%), Morgan Wallen’s chart-topping One Thing at a Time is a non-mover at No. 4 (50,000; down less than 1%), and Billie Eilish’s Hit Me Hard and Soft is stationary at No. 5 (50,000; up 1%).
Three former leaders are up next, with Taylor Swift’s The Tortured Poets Department rising one spot to No. 6 (45,000 equivalent album units; up 1%), Post Malone’s F-1 Trillion dips 6-7 (43,000; down 8%) and Future’s Mixtape Pluto falls 3-8 (40,000; down 28%).
Rounding out the top 10 are Noah Kahan’s Stick Season, descending 8-9 (37,000 equivalent album units; down 2%), and Wallen’s former No. 1 Dangerous: The Double Album, holding steady at No. 10 (32,000; down 2%).
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
Sabrina Carpenter’s Short n’ Sweet rises 3-1 on the Billboard 200 chart (dated Oct. 12), notching its fourth nonconsecutive week atop the list. It earned 100,000 equivalent album units in the United States in the week ending Oct. 3 (up less than 1%), according to Luminate.
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Short n’ Sweet debuted at No. 1 on the chart dated Sept. 7, spent its first three weeks at No. 1, and then stepped away for two weeks as Travis Scott’s Days Before Rodeo rode to the top (Sept. 28 chart) and Future’s Mixtape Pluto debuted in the penthouse (Oct. 5 chart).
Also in the top 10, Billie Eilish’s Hit Me Hard and Soft returns to the top five for the first time in more than a month, as it ascends 8-5. The No. 2-peaking set was last in the top five on the Aug. 31 chart, when it ranked at No. 5. The album’s ascent — with a 10% unit gain — is concurrent with the launch of Eilish’s tour on Sept. 29 and the premiere of the official music video for the album’s single “Birds of a Feather” on Sept. 27.
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The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Oct. 12, 2024-dated chart will be posted in full on Billboard‘s website on Tuesday (Oct. 8). For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Of Short n’ Sweet’s 100,000 equivalent album units earned in its third week, SEA units comprise 85,000 (up 1%, equaling 114.24 million on-demand official streams of the album’s 12 songs; it holds at No. 1 on the Top Streaming Albums chart), album sales comprise 14,000 (down 3%) and TEA units comprise 1,000 (down 2%).
Chappell Roan’s The Rise and Fall of a Midwest Princess is steady at No. 2 on the Billboard 200 for a fourth nonconsecutive week at its peak (63,000 equivalent album units earned; down 40%). Future’s Mixtape Pluto falls 1-2 in its second week (55,000; down 57%), Morgan Wallen’s chart-topping One Thing at a Time rises 5-4 (50,000; down 5%), and Eilish’s Hit Me Hard and Soft steps 8-5 (nearly 50,000; up 10%).
Post Malone’s former leader F-1 Trillion falls 4-6 (47,000 equivalent album units; down 11%); Taylor Swift’s chart-topping The Tortured Poets Department is a non-mover at No. 7 (44,000; down 5%); Noah Kahan’s Stick Season climbs 10-8 (37,000; down 1%); Zach Bryan’s The Great American Bar Scene moves 11-9 (just over 32,000; down 8%); and Wallen’s former No. 1 Dangerous: The Double Album rises 12-10 (32,000; down 5%).
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.