State Champ Radio Billboard 200
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Taylor Swift towers over the top 10 on the Billboard 200 albums chart (dated Dec. 9), as she holds a whopping five titles in the region. She is the first living act to have five albums concurrently in the top 10 since the Billboard 200 was combined from its previously separate mono and stereo album charts into one all-encompassing list in August of 1963.
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Swift stands tall in the top 10 with her most recent release, 1989 (Taylor’s Version) (returning to the top rising 2-1), and four former chart-toppers: Midnights (6-3), Folklore (9-5), Lover (8-6) and Speak Now (Taylor’s Version) (17-10).
1989 (Taylor’s Version) was released in October; Midnights, in 2022; Folklore, in 2020; Lover in 2019, and Speak Now (Taylor’s Version) in July 2023.
The only other act to hold at least five of the top 10 at the same time was Prince, on the May 14, 2016-dated list, following his death. That week in the top 10, he had The Very Best of Prince (falling 1-2), the Purple Rain soundtrack (with The Revolution, 2-3), The Hits/The B-Sides (6-4), Ultimate (61-6) and 1999 (31-7).
The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Dec. 9, 2023-dated chart will be posted in full on Billboard‘s website on Dec. 5. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Taylor Swift’s 1989 (Taylor’s Version) returns to No. 1 on the Billboard 200 albums chart (dated Dec. 9), as the set rises 2-1 for its third total week atop the tally. The album debuted at No. 1 on the Nov. 11-dated chart and spent its second week in the lead, before dipping to No. 2 for the next two weeks and bouncing back to the top on the new chart. The set earned 141,000 equivalent album units in the U.S. in the week ending Nov. 30 (up 3%), according to Luminate.
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Swift has a stranglehold on the new Billboard 200’s top 10, as she has five titles concurrently in the region. After 1989 (Taylor’s Version), four more former No. 1s follow: Midnights (rising 6-3), Folklore (9-5), Lover (8-6) and Speak Now (Taylor’s Version) (17-10). Swift’s titles, like many on the entire chart, see sales gains gleaned partially from retail promotions associated with Black Friday and holiday campaigns.
With five titles in the top 10, Swift is the first living act to have five albums concurrently in the top 10 since the Billboard 200 was combined from its previously separate mono and stereo album charts into one all-encompassing list in August of 1963. The only other act to hold at least five of the top 10 at the same time was Prince, on the May 14, 2016-dated list, following his death. That week in the top 10, he had The Very Best of Prince (falling 1-2), the Purple Rain soundtrack (with The Revolution; 2-3), The Hits/The B-Sides (6-4), Ultimate (61-6) and 1999 (31-7).
Also in the top 10 of the new Billboard 200, Michael Bublé’s chart-topping Christmas returns, vaulting 24-9. The set, first released in 2011, spent five weeks at No. 1 in December 2011 and early January 2012 and has returned to the top 10 in every following holiday season.
The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Dec. 9, 2023-dated chart will be posted in full on Billboard‘s website on Dec. 5. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
With three weeks at No. 1, 1989 (Taylor’s Version) has the most weeks atop the chart of Swift’s four re-recorded projects. The Taylor’s Version releases of Fearless, Red and Speak Now ruled for two, one and two weeks, respectively. Further, Swift’s total weeks at No. 1 – across all 13 of her chart-topping releases – climbs to 66 weeks, just one week from the most for a soloist. Elvis Presley has the most weeks at No. 1 among soloists, with 67, while only The Beatles have more than Swift and Presley, with 132 weeks.
Drake’s chart-topping For All the Dogs falls to No. 2 on the new Billboard 200 with 85,000 equivalent album units earned (down 42%), after its rush back to No. 1 a week ago in the wake of its deluxe reissue with six bonus tracks. Swift’s Midnights rises 6-3 with 65,000 units (up 16%), Morgan Wallen’s former leader One Thing at a Time climbs 5-4 with 63,000 units (down 7%) and Swift’s Folklore flies 9-5 with 60,000 units (up 33%).
Swift’s Lover bumps 8-6 with 53,000 equivalent album units earned (up 4%), SZA’s chart-topping SOS ascends 10-7 with 48,000 units (up 8%), Olivia Rodrigo’s former No. 1 Guts bolts 14-8 with 47,000 units (up 20%), Bublé’s Christmas climbs 24-9 with 46,000 units (up 56%) and Swift’s Speak Now (Taylor’s Version) flies 17-10 with nearly 46,000 units (up 23%).
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
Drake’s For All the Dogs jumps back to No. 1 on the Billboard 200 (dated Dec. 2), for a second week atop the list, rising 4-1 with 145,000 equivalent album units earned in the U.S. in the week ending Nov. 23 (up 102%), according to Luminate. Nearly all of its units were driven by streaming activity. The album’s return to the top is fueled largely by its deluxe reissue on Nov. 17 with six new songs, dubbed For All the Dogs Scary Hours Edition. All versions of the album are combined for tracking and charting purposes.
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For All the Dogs debuted atop the chart dated Oct. 21.
Also in the top 10 of the new Billboard 200, Dolly Parton achieves her highest-charting album ever — and third top 10 — as Rockstar opens at No. 3, while ENHYPEN logs its third top 10 with the No. 4 arrival of Orange Blood.
The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Dec. 2, 2023-dated chart will be posted in full on Billboard‘s website on Tuesday (Nov. 28). For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Of For All the Dogs’ 145,000 equivalent album units earned in the week ending Nov. 23, SEA units comprise 141,500 (up 99%, equaling 190.23 million on-demand official streams of the set’s 29 tracks, inclusive of its six added songs), album sales comprise 2,000 (up 884%) and TEA units comprise 1,500 (up 456%).
Taylor Swift’s chart-topping 1989 (Taylor’s Version) is a non-mover at No. 2 on the Billboard 200, earning 138,000 equivalent album units (down 14%).
Parton’s Rockstar makes a splashy debut at No. 3 on the Billboard 200, scoring the legend her highest-charting album ever and her third top 10. She previously visited the region with Blue Smoke (No. 6 in 2014) and Trio (her collaborative set with Linda Ronstadt and Emmylou Harris; No. 6 in 1987).
Rockstar launches with 128,000 equivalent album units earned in the week ending Nov. 23. Of that sum, album sales comprise 118,500, SEA units comprise 8,000 and TEA units comprise 1,500. The arrival marks Parton’s biggest week, by units earned, since the chart began measuring by units in December 2014. Further, with 118,500 copies sold, Parton achieves her biggest sales week for an album in the modern era, since Luminate began electronically tracking sales in 1991. She more than doubles her previous biggest week, notched in 1993 when Slow Dancing With the Moon sold 50,500 copies in its second week on the chart (rising 54-19 on the March 20, 1993-dated list).
The star-studded Rockstar was promoted as Parton’s first rock album (she’s primarily released country music in her nearly 60-year career), and its recording was sparked by Parton’s induction into the Rock & Roll Hall of Fame in 2022. The 30-song set has a mix of original songs and covers, and boasts a cavalcade of guest stars — 40 in all. Among them are Pat Benatar, Miley Cyrus, Melissa Etheridge, Joan Jett and the Blackhearts, Elton John, Lynyrd Skynyrd, Paul McCartney, Stevie Nicks, Chris Stapleton, Ringo Starr, Sting and Steven Tyler.
Rockstar’s first-week sales were bolstered by its availability across a variety of editions and formats, in addition to some non-traditional music retailers including Cracker Barrel, Dollar General and HSN. The album’s CD edition was available in four editions — a standard version and three variants, each with alternative cover art: for HSN, with three bonus tracks; a Dallas Cowboys version, and a Tennessee Volunteers edition with a bonus track. The latter two were tied to a pair of high-profile live TV performances from Parton: during the Georgia Bulldogs vs. Tennessee Volunteers football game on Nov. 19, and during halftime of the Washington Commanders vs. Dallas Cowboys football game on Thanksgiving Day (Nov. 23).
Rockstar was pressed on more than 10 vinyl variants, including exclusive editions (all in different colors, some with different cover art) for Amazon, Barnes & Noble, independent record stores, Parton’s webstore, the Rock & Roll Hall of Fame store, Target and Walmart. Parton’s webstore also carried a deluxe digital download version of the album with three exclusive bonus tracks. Rockstar was also offered in multiple deluxe boxed sets, sold through Parton’s webstore, containing either a vinyl or CD version of the album with a branded T-shirt of various designs.
ENHYPEN nabs its third top 10-charting effort on the Billboard 200 as Orange Blood bows at No. 4 with 90,000 equivalent album units earned. Of that sum, album sales comprise 87,000, SEA units comprise 3,000 (equaling 4.68 million on-demand official streams of the set’s songs) and TEA units comprise a negligible sum. The Korean pop ensemble previously hit the top 10 with Dark Blood (No. 4, in June) and Manifesto: Day 1 (No. 6, 2022). Nearly all of Orange Blood’s first-week activity was generated by CD sales (86,000), enhanced by the album’s availability across a dozen collectible CD packages (including exclusive versions sold by Barnes & Noble, Target and Walmart; all with branded merchandise inside, some with randomized elements).
The top 10 of the Billboard 200 is rounded out by six former No. 1s, as Morgan Wallen’s One Thing at a Time is steady at No. 5 (68,000 equivalent album units earned; down less than 1%); Swift’s Midnights rises 7-6 (56,000; up 9%); Stray Kids’ ROCK-STAR falls 1-7 in its second week (51,000; down 77%); Swift’s Lover bolts 14-8 (nearly 51,000; up 16%); Swift’s Folklore climbs 18-9 (45,000; up 22%); and SZA’s SOS bumps 12-10 (44,000; up less than 1%). (Many albums on the chart, including Swift’s Midnights, Lover and Folklore, see sizable sales gains owed to holiday shopping promotions and early Black Friday campaigns that kicked in during the tracking week.)
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
Stray Kids’ ROCK-STAR debuts at No. 1 on the Billboard 200 albums chart (dated Nov. 25), scoring the Korean pop ensemble its fourth chart-topper. The set launches with 224,000 equivalent album units earned in the U.S. in the week ending Nov. 16, according to Luminate, largely powered by traditional album sales.
The act — who is performing on the 2023 Billboard Music Awards Nov. 19, and is a finalist in two categories — previously opened at No. 1 with 5-STAR (earlier in 2023), MAXIDENT and ODDINARY (both in 2022).
Also in the top 10 of the new Billboard 200, the latest releases from Chris Stapleton and Chris Brown debut.
The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Nov. 25, 2023-dated chart will be posted in full on Billboard‘s website on Nov. 21. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Of ROCK-STAR’s 224,000 equivalent album units earned in the week ending Nov. 16, album sales comprise 213,000 (with 98% of that sum driven by CD sales and 2% via digital downloads), SEA units comprise 11,000 (equaling 15.68 million on-demand official streams of the set’s eight tracks) and TEA units comprise a negligible sum.
ROCK-STAR was issued in 11 collectible CD editions, all with the same tracklist but alternative packaging, with different merchandise (some randomized) contained inside. Among the variants were retail-exclusives sold through Barnes & Noble, Target and Walmart. ROCK-STAR was also available to purchase across four different digital download editions: a standard version and three alternative cover versions (with the latter titles sold exclusively in the act’s webstore).
All four of Stray Kids’ chart entries have debuted at No. 1 on the Billboard 200, making them the first act to see their first four chart entries debut at No. 1 since Alicia Keys in 2001-07. She bowed at No. 1 with Songs in A Minor (2001), The Diary of Alicia Keys (2003), the live set Unplugged (2005) and As I Am (2007). Honorable mention (and looking at groups) goes to One Direction, who debuted at No. 1 with its first chart entry, the studio album Up All Night in 2012. Later that year, in October 2012, the iTunes Store-exclusive six-song live set iTunes Festival: London 2012 debuted and peaked at No. 140. And then the act logged three No. 1s in a row with Take Me Home in December 2012, Midnight Memories in December 2013 and Four in December 2014.)
Stray Kids logged its first No. 1 on the Billboard 200 on the April 2, 2022-dated chart, with ODDINARY debuting atop the list. They followed it with MAXIDENT (Oct. 22, 2022), 5-STAR (June 17, 2023) and now ROCK-STAR.
With nearly 20 months separating Stray Kids’ four No. 1 albums, the act has the fastest accumulation of four No. 1s since Taylor Swift notched four leaders in just under 16 months with Folklore, Evermore, Fearless (Taylor’s Version) and Red (Taylor’s Version) between August of 2020 and November of 2021.
As the ROCK-STAR album is mostly in the Korean language, it is the 22nd mostly non-English language album to hit No. 1, and the sixth of 2023. The other five are Bad Bunny’s Nadie Sabe Lo Que Va a Pasar Mañana, NewJeans’ 2nd EP ‘Get Up,’ Stray Kids’ 5-STAR, Karol G’s Mañana Será Bonito and TOMORROW X TOGETHER’s The Name Chapter: Temptation.
Taylor Swift’s 1989 (Taylor’s Version) falls to No. 2 with 159,000 equivalent album units earned (down 35%) after spending its first two weeks at No. 1.
Chris Stapleton notches his fifth consecutive top three-charting album – the entirety of his charting efforts – as Higher bows at No. 3 on the Billboard 200 with 90,500 equivalent album units earned. Of that sum, album sales comprise 57,000 (boosted by its availability across six vinyl variants), SEA units comprise 32,000 (equaling 41.54 million official on-demand streams of the set’s songs) and TEA units comprise 1,500.
Drake’s former No. 1 For All the Dogs falls 3-4 on the new Billboard 200 with 72,000 equivalent album units earned (down 11%). The album should see a gain on next week’s chart, dated Dec. 2, following the release of a deluxe edition of the album on Nov. 17 which added six additional songs. The new iteration is dubbed For All the Dogs: Scary Hours Edition. (All versions of For All the Dogs are combined for tracking and charting purposes.)
Morgan Wallen’s chart-toping One Thing at a Time dips 4-5 on the Billboard 200 with 68,000 equivalent album units earned (up 4%). Jung Kook’s Golden falls 2-6 in its second week with 56,000 units (down 73%). Taylor Swift’s former leader Midnights rises 9-7 with nearly 52,000 (up 19%), while Bad Bunny’s chart-topping Nadie Sabe Lo Que Va a Pasar Mañana falls 5-8 with 49,000 (down 19%).
Chris Brown earns his 12th top 10-charting album on the Billboard 200 as his latest studio effort 11:11 debuts at No. 9 with just over 45,000 equivalent album units earned. Of that sum, SEA units comprise 38,000 (equaling 50.97 million official on-demand streams of the set’s songs), album sales comprise 6,000 and TEA units comprise 1,000.
Rounding out the new top 10 is Zach Bryan’s self-titled chart-topper, which dips 8-10 with 45,000 equivalent album units earned (up 1%).
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
The Rolling Stones become the first act with newly-charted top 10 titles on the Billboard 200 albums chart in the 1960s, ‘70s, ‘80s, ‘90s, 2000s, ‘10s and now the ‘20s. The band’s new studio album, Hackney Diamonds, debuts at No. 3 on the chart dated Nov. 4. It’s the group’s first album of original material since 2005’s A Bigger Bang (which also debuted, and peaked, at No. 3).
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The new Nov. 4-dated chart will be posted in full on Billboard‘s website on Oct. 31.
Additionally, The Rolling Stones extend its record for the most top 10 albums, overall, among all artists in the Billboard 200’s history, which dates back to March 1956 (when the tally began publishing on a regular, weekly basis), as Hackney Diamonds marks the act’s 38th top 10-charting set. Barbra Streisand has the second-most, with 34, while The Beatles and Frank Sinatra are tied with the third-most, each with 32.
Hackney Diamonds is The Rolling Stones’ first album since the death of their drummer, Charlie Watts, in 2021, which left the group a trio comprising Mick Jagger, Keith Richards and Ronnie Wood. Before his passing, Watts worked on the new project, and he appears on two of the album’s songs (“Mess It Up” and “Live by the Sword”). Former bandmember Bill Wyman also appears on “Sword,” playing bass guitar. The 12-song album also features contributions from Elton John, Lady Gaga, Paul McCartney and Stevie Wonder, among others.
The Rolling Stones claimed their first top 10 album on the Billboard 200 with 12 x 5, which reached the top 10 dated Dec. 12, 1964 (climbing 11-3, its peak position). The Stones logged 13 top 10 albums in the 1960s (12 x 5; The Rolling Stones, Now!; Out of Our Heads; December’s Children [And Everybody’s]; Big Hits [High Tide and Green Grass]; Aftermath; Got Live If You Want It!; Between the Buttons; Flowers; Their Satanic Majesties Request; Beggars Banquet; Through the Past, Darkly [Big Hits Vol. 2] and Let It Bleed), 12 in the ‘70s (‘Get Yer Ya-Ya’s Out!,’ Sticky Fingers, Hot Rocks 1964-1971, Exile on Main St., More Hot Rocks [Big Hits & Fazed Cookies], Goats Head Soup, It’s Only Rock ‘N Roll, Made in the Shade, Metamorphosis, Black and Blue, Love You Live and Some Girls), six in the ‘80s (Emotional Rescue, Tattoo You, ‘Still Life’ [American Concert 1981], Undercover, Dirty Work and Steel Wheels), three in the ‘90s (Voodoo Lounge, Stripped and Bridges to Babylon), two in the 2000s (Forty Licks and A Bigger Bang), one in the ‘10s (Blue & Lonesome) and now one, so far, in the ‘20s (Hackney Diamonds).
Of those 38 top 10s, nine have reached No. 1: Out of Our Heads, Sticky Fingers, Exile on Main St., Goats Head Soup, It’s Only Rock ‘N Roll, Black and Blue, Some Girls, Emotional Rescue and Tattoo You.
Notably, one other act has newly-charted Billboard 200 top 10s in each decade from the ‘60s through the ‘10s: Barbra Streisand, who would match The Rolling Stones’ new achievement with a new top 10 of her own this decade.
The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.
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Morgan Wallen’s One Thing at a Time returns to No. 1 on the Billboard 200 albums chart (dated Oct. 14), rising 3-1, notching a 16th nonconsecutive and total week atop the list. It earned 74,500 equivalent album units in the U.S. in the week ending Oct. 5 (up 2%), according to Luminate.
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One Thing at a Time continues to have the most weeks at No. 1 among all albums since Adele’s 21 logged 24 nonconsecutive weeks atop the list in 2011-12.
One Thing at a Time debuted at No. 1 on the Billboard 200 chart dated March 18 and spent it first 12 weeks atop the list. It stepped aside for two weeks, and then returned for another three weeks in a row at No. 1 (June 24-July 8-dated charts). Now in its 31st week on the chart, the album has yet to depart the top four.
Also in the top 10 of the new Billboard 200, Ed Sheeran collects his seventh top 10-charting effort — all of which have reached the top five — as his latest release Autumn Variations debuts at No. 4. It’s his second top five debut of 2023, following – (Subtract) in May.
The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Oct. 14, 2023-dated chart will be posted in full on Billboard‘s website on Oct. 10. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.
Of One Thing at a Time’s 74,500 equivalent album units earned in the week ending Oct. 5, SEA units comprise 71,500 (equaling 97.56 million on-demand official streams of the set’s 36 songs), album sales comprise 2,000, and TEA units comprise 1,000.
One Thing at a Time’s 74,500-unit sum is the smallest total for a No. 1 album in nearly a year-and-a-half, since Pusha T’s It’s Almost Dry debuted atop the chart dated May 7, 2022, with 55,000 units.
Rod Wave’s Nostalgia falls to No. 2 in its third week on the chart (71,000 equivalent album units; down 20%), after spending its first two weeks atop the list. Olivia Rodrigo’s chart-topping Guts dips 2-3 with 67,000 (down 23%).
Sheeran logs his seventh top 10 charting album on the Billboard 200 — all of which have debuted in the top five — as his new studio set Autumn Variations bows at No. 4 with nearly 62,000 equivalent album units earned. Of that sum, album sales comprise 46,500 (making it the top-selling album of the week), SEA units comprise 15,000 (equaling 18.78 million on-demand official streams of the set’s 14 songs) and TEA units comprise 500.
Autumn Variations was announced on Aug. 24, a little over a month before the album was released on Sept. 29. The album’s arrival comes only five months after Sheeran last bowed on the chart, when his previous studio effort, – (Subtract), launched at No. 2 on the May 20-dated tally.
Four former No. 1s follow Sheeran on the new Billboard 200, as Zach Bryan’s self-titled release is a non-mover at No. 5 (59,000 equivalent album units; down 11%), SZA’s SOS is stationary at No. 6 (48,000; down 3%), Travis Scott’s Utopia is steady at No. 7 (46,000; up 4%) and Taylor Swift’s Midnights rises 10-8 (43,000; up 2%).
Rounding out the top 10 of the Billboard 200 is Doja Cat’s Scarlet, falling 2-9 in its second week (41,000 equivalent album units; down 42%), and Peso Pluma’s Génesis, dipping 9-10 (41,000; down 5%).
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
Rod Wave spends a second week atop the Billboard 200 chart (dated Oct. 7) with Nostalgia, after debuting at No. 1 a week ago. The set earned 88,000 equivalent album units in the U.S. in the week ending Sept. 28 (down 36%) according to Luminate. It’s the first of his three No. 1s to have led for multiple weeks.
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Also in the top 10 of the new Billboard 200, Doja Cat’s Scarlet starts at No. 4 while Zach Bryan’s new Boys of Faith bows at No. 8.
The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Oct. 7, 2023-dated chart will be posted in full on Billboard‘s website on Oct. 3. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.
Of Nostalgia’s 88,000 equivalent album units earned in the week ending Sept. 28, SEA units comprise 87,500 (equaling 124.51 million on-demand official streams of the set’s 18 songs), album sales comprise 500, and TEA units comprise a negligible sum.
Nostalgia’s 88,000 sum is the smallest total for a No. 1 album in seven months, since SZA’s SOS led the list dated March 4 with 87,000 units.
Olivia Rodrigo’s chart-topping Guts holds at No. 2 on the new Billboard 200 (87,500 equivalent album units; down 34%) and Morgan Wallen’s former No. 1 One Thing at a Time climbs one rung to No. 3 (73,000; down 3%).
Doja Cat captures her third top 10 album on the Billboard 200, all notched consecutively, as her new studio set Scarlet starts at No. 4 with nearly 72,000 equivalent album units earned. Of that sum, SEA units comprise 65,000 (equaling 88.35 million on-demand official audio and video streams of the set’s 17 songs), album sales comprise 6,000 (the set was only available as a digital download, CD and in a deluxe boxed set with a T-shirt and CD) and TEA units comprise 1,000. The digital and streaming edition of the album was available in a standard 15-song edition and a deluxe 17-track version.
Scarlet was preceded by three charting songs on the Billboard Hot 100: “Demons,” “Paint the Town Red” and “Attention.” “Paint the Town Red” became her second No. 1 on the Hot 100 on the Sept. 16-dated chart (following 2020’s “Say So,” featuring Nicki Minaj).
Doja Cat previously hit the top 10 on the Billboard 200 with Planet Her (No. 2 in 2021) and Hot Pink (No. 9 in 2020).
Zach Bryan’s chart-topping self-titled album falls 3-5 on the new Billboard 200 (66,000 equivalent album units; down 16%), SZA’s SOS dips 5-6 (49,000; down 7%) and Travis Scott’s former leader Utopia descends 6-7 (just over 44,000; down 6%).
A second Bryan album appears in the top 10, as his new five-song Boys of Faith project bows at No. 8 with 43,500 equivalent album units earned. Of that sum, SEA units comprise 39,000 (equaling 50.35 million on-demand official audio and video streams of the set’s songs), album sales comprise 4,000 and TEA units comprise 500. Boys of Faith is the third top 10-charting effort for Bryan, and second in 2023, following his self-titled No. 1, which debuted at the summit just four weeks earlier. He has also hit the top 10 with the No. 5-peaking American Heartbreak in 2022.
Rounding out the top 10 on the new Billboard 200 is Peso Pluma’s Génesis (moving 7-9 with 43,000 equivalent album units earned; down 7%) and Taylor Swift’s former leader Midnights (8-10 with 42,000; up less than 1%).
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
Rod Wave captures his third No. 1 album on the Billboard 200 chart (dated Sept. 30) as his latest release, Nostalgia, opens atop the tally. The set bows with 137,000 equivalent album units earned in the U.S. in the week ending Sept. 21, according to Luminate — the rapper/singer’s biggest week yet by units earned. Nearly all of the album’s first-week sum was driven by streaming activity of the set’s 18 tracks.
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The artist previously led the Billboard 200 with his last two full-length projects, Beautiful Mind (2022) and SoulFly (2021). He’s only the second artist, following Taylor Swift, to have notched a new No. 1 album in each of the last three years. In total, Nostalgia is his sixth top 10-charting effort — the entirety of his entries on the Billboard 200.
The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Sept. 30, 2023-dated chart will be posted in full on Billboard‘s website on Tuesday (Sept. 26). For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.
Of Nostalgia’s 137,000 equivalent album units earned in the week ending Sept. 21, SEA units comprise 135,000 (equaling 187.51 million on-demand official streams of the set’s 18 songs — the third-largest debut streaming week for an R&B/hip-hop album in 2023), album sales comprise 1,500 (it was only available to purchase as a digital download album) and TEA units comprise 500.
Olivia Rodrigo’s Guts falls to No. 2 after debuting atop the tally, as the set earned 134,000 in its second week (down 56%). Four more former No. 1s round out the top six, as Zach Bryan’s self-titled album is a non-mover at No. 3 (79,000; down 17%), Morgan Wallen’s One Thing at a Time is stationary at No. 4 (76,000; down 3%), SZA’s SOS rises 6-5 (53,000; up 17%) and Travis Scott’s Utopia falls 5-6 (47,000; down 16%).
Peso Pluma’s Génesis is steady at No. 7 (46,000 equivalent album units; up 7%), Swift’s chart-topping Midnights stands still at No. 8 (42,000; up 1%) and Wallen’s former leader Dangerous: The Double Album holds at No. 9 (38,000; down 2%). The Barbie film soundtrack closes out the top 10, as it steps 11-10 with 36,000 units (down 4%).
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
Olivia Rodrigo’s sophomore album, Guts, debuts atop the Billboard 200 chart (dated Sept. 23), scoring the singer-songwriter her second No. 1 set, following her 2021 debut Sour. The new album starts with 302,000 equivalent album units earned in the U.S. in the week ending Sept. 14, according to Luminate. That marks the fourth-largest week for any album in 2023 and Rodrigo’s best week yet.
With both Sour and Guts having debuted at No. 1 on the Billboard 200, Rodrigo is the first female artist to start atop the chart with two first chart entries in nine years. Ariana Grande was the last woman to debut at No. 1 with two initial chart entries, with Yours Truly in 2013 and My Everything in 2014.
Also in the top 10 of the new Billboard 200, BTS’ V debuts at No. 2 with Layover, while Tyler Childers’ Rustin’ in the Wind launches at No. 10.
The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Sept. 23, 2023-dated chart will be posted in full on Billboard‘s website on Sept. 19. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.
Of Guts’ 302,000 equivalent album units earned in the week ending Sept. 14, SEA units comprise 151,000 (equaling 199.59 million on-demand official streams of the set’s 12 songs — the sixth-largest debut streaming week of 2023), album sales comprise 150,000 (powered by 94,000 in vinyl sales — the seventh-largest week for a vinyl album since Luminate began electronically tracking sales in 1991) and TEA units comprise 1,000.
Guts was introduced by its first single “Vampire,” which debuted at No. 1 on the Billboard Hot 100 songs chart (dated July 15), marking her third leader. (She previously topped the chart with Sour’s “Drivers License” and “Good 4 U.”) Before Guts’ arrival, it spun off another Hot 100 hit with “Bad Idea Right?,” which debuted and peaked (through the most recently published chart dated June 16) at No. 10 (Aug. 26 chart).
Rodrigo ushered in the album with major promotional appearances, including performances on NBC’s Today (Sept. 8, the day of the album’s release) and the MTV Video Music Awards (Sept. 12). She also did interviews with Today (Sept. 10) and with Zane Lowe on Apple Music 1’s New Music Daily (Sept. 8), and made an appearance at the American Express and Spotify Guts Gallery pop-up activation in New York on Sept. 7. Further, her upcoming Guts World Tour was announced on Sept. 13, with the trek starting on Feb. 23 in Palm Springs, Calif.
Guts’ first-week sales were bolstered by its availability across 13 different vinyl variants (including a signed edition), two deluxe boxed sets containing a vinyl LP and branded merchandise, four CD editions (including a signed version), two deluxe boxed sets containing a CD and branded merchandise, and a cassette tape.
BTS’ V sees his first solo studio album, Layover, launch at No. 2 on the Billboard 200, earning 100,000 equivalent album units in its first week. Of that sum, album sales comprise 88,000, SEA units comprise 9,000 (equaling 12.95 million on-demand official streams of the set’s six tracks) and TEA units comprise 3,000. Layover’s debut was enhanced by its availability in 13 collectible CD iterations, all with randomized branded merch elements contained inside, with exclusive variants sold via Barnes & Noble, Target, Walmart and the Weverse store.
Zach Bryan’s self-titled album falls to No. 3 on the Billboard 200 (95,000 equivalent album units; down 18%) after spending its first two weeks at No. 1. Morgan Wallen’s chart-topping One Thing at a Time slips 2-4 (78,000; down 7%), Travis Scott’s former No. 1 Utopia drops 3-5 (56,000; down 22%), and SZA’s former leader SOS is a non-mover at No. 6 (45,000; up 1%).
Peso Pluma’s Génesis rises one spot to No. 7 (43,000 equivalent album units; up 4%), Taylor Swift’s former No. 1 Midnights falls 5-8 (42,000; down 7%), and Wallen’s first No. 1, Dangerous: The Double Album, ascends 10-9 (39,000; down 4%).
Childers rounds out the top 10, as his latest release, Rustin’ in the Rain, debuts at No. 10 with 38,000 equivalent album units earned — his best week yet by total units. It’s the second top 10-charting effort for the artist, following Can I Take My Hounds To Heaven (No. 8 in 2022). Of Rain’s 38,000 first-week units, album sales comprise 25,000 and SEA units comprise 13,000 (equaling 17.39 million on-demand official streams of the set’s seven songs), rounded out by a negligible amount of TEA units.
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
The late Jimmy Buffett, who died on Sept. 1, returns to the top five of the Billboard 200 albums chart as his best-of collection Songs You Know by Heart: Jimmy Buffett’s Greatest Hit(s) re-enters the Sept. 16-dated list at No. 4. It marks the album’s highest rank ever — and first week in the top 10, or even top 40, dating to its release in 1985 — and Buffett’s 13th top 10-charting album.
The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Sept. 16, 2023-dated chart will be posted in full on Billboard‘s website on Sept. 12. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.
In the tracking week ending Sept. 7, Songs You Know by Heart earned 52,000 equivalent album units (up 2,122%) following the singer-songwriter’s death on Sept. 1 at age 76. It marks the 13th top 10-charting album for Billboard’s most famous alumnus. Buffett was a Nashville-based reporter for Billboard in 1969-70, before the release of his first album.
Of Songs You Know by Heart’s 52,000 equivalent album units earned in the week ending Sept. 7, SEA units comprise 30,000 (up 1,377%, equaling 40.22 million on-demand official streams of the set’s 13 songs), album sales comprise 15,500 (up 6,826% — making it the top-selling album of the week) and TEA units comprise 6,500 (up 8,813%).
Songs You Know by Heart contains Buffett’s only Billboard Hot 100 top 10-charting hit song, “Margaritaville,” which reached No. 8 in 1977. It also houses the top 40-charting tunes “Changes in Latitudes, Changes in Attitudes,” “Cheeseburger in Paradise,” “Come Monday” and “Fins.”
Songs You Know by Heart joins Buffett’s dozen previous top 10s on the Billboard 200: Life On the Flip Side (No. 2 in 2020), Songs From St. Somewhere (No. 4, 2013), Encores (No. 7, 2010), Take the Weather With You (No. 4, 2006), License to Chill (No. 1, 2004), Meet Me in Margaritaville: Jimmy Buffett The Ultimate Collection (No. 9, 2003), Far Side of the World (No. 5, 2002), Beach House On the Moon (No. 8, 1999), Banana Wind (No. 4, 1996), Barometer Soup (No. 6, 1995), Fruitcakes (No. 5, 1994) and Son of a Son of a Sailor (No. 10, 1978).
Though Songs You Know by Heart had a low-profile chart placing in 1985 — peaking at No. 100 on the Billboard 200 and spending 35 weeks on the list until this week’s return — the set was a sturdy seller through the decades. In 1989, the album was certified platinum by the Recording Industry Association of America (RIAA), recognizing 1 million units shipped of the album to retailers in the U.S. And since Luminate started electronically tracking music sales in 1991, the album has earned 8.26 million equivalent album units — of which 7.14 million are in traditional album sales. Thus, if one combines the RIAA certification and the Luminate-era activity, Billboard estimates that through the lifetime of the album in the U.S., it has earned 9.26 million equivalent album units, of which 8.14 million are in pure album sales.
The Billboard 200 may soon welcome another debut from Buffett. Shortly after his passing, it was announced that his final studio album, Equal Strain on All Parts, is due Nov. 3. The album features a notable lineup of collaborators, including Emmylou Harris, Lennie Gallant, Angelique Kidjo, the Preservation Hall Jazz Band and Paul McCartney.
