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Billboard’s Fan Army Face-Off has officially entered the semifinals, and the remaining four are heating up to take the win. Can Swifties beat A’TIN? Can the Navy win against Hozier’s fans? Vote here now. Tetris Kelly: We’re officially down to our final four in Billboard’s Fan Army Face-Off. You’ve made your voice heard and we’ve […]
NCT 127 stopped by the studio to share more about their sixth studio album, and the lead single from the album, “Walk,” along with the choreography and new energy that this album brings in addition to their growth. They talked about their favorite songs from the new album, their first performance at KCON in seven years, hinted at possible tour plans, and more!
So I’m happy to have you guys back. You got a new album out, new song, all titled “Walk.” So let’s talk about the song first, and how great it’s been to see the fans react in such a big way.
It’s our sixth album, our sixth full-length album, and I think our fans are really, really liking it like we are. It’s been a while since we made a comeback in the summer, think the choreography really enhanced the charms of the song as well, seeing us perform “Walk,” and just hearing the song walk both ways, it’s really it’s bringing some good responses from the fans. So thank you very, very much.
Yeah, I mean, I was talking to some fans at KCON, and I asked them, like, if you could listen to one, NCT 127, song, what would it be? They said, “Walk.” They’re so excited about it.
The energy was crazy.
And tell me a little bit about the music video and creating it. You said, the choreography. I mean, you guys keep topping yourselves. So talk about filming the music video and what that process was like?
We usually have like individual scenes where we, like all have our own role. But this time it was like more with a, like a crew kind of vibe. So we mostly filmed it like all together, like everyone was on one screen throughout the whole music video. So it was like the new part of this one.
Keep watching for more!
Post Malone has always been open about his personal struggles, but in a recent interview with CBS Sunday Morning, the multi-platinum singer revealed just how much fatherhood has changed him.
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Discussing the impact of his daughter, whose name he has kept private, Post shared, “I’ve written a whole lot of songs [about her].” The proud father reflected on how becoming a dad “changes your life in the best way ever.”
He also took a moment to acknowledge the mother of his child, saying, “the most beautiful thing is, she has a beautiful mom.”
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In the candid conversation, Posty credited both his daughter and her mother for saving his life during a dark period.
“Four years ago, I was on a rough path,” he admitted. “It was terrible… Getting up, having a good cry, drinking, and then going on living your life, and then whenever you go lay down, drinking some more and having a good cry.”
Now, with those difficult days behind him, Post expressed gratitude for the journey, noting, “I don’t feel like that anymore, and it’s the most amazing thing.”
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The interview comes as Post gears up to release his latest album, F-1 Trillion, set to drop on Aug. 16. The album marks a new direction for the artist, with a distinct country influence, featuring collaborations with country icons like Chris Stapleton and Dolly Parton.
On July 26, Malone released “Guy for That” with Luke Combs, which was preceded by “I Had Some Help” with Morgan Wallen (the track reached No. 1 on the Billboard Hot 100), and “Pour Me a Drink” with Blake Shelton.
Fans can also look forward to the music video for “Guy for That,” a project Post touched on during his interview.
With fatherhood at the forefront of his life and music, Post Malone’s latest chapter seems to be one filled with newfound clarity and purpose.
Malone has continued to make moves on the Billboard charts. His previous album, Twelve Carat Toothache, debuted at No. 2 on the Billboard 200, featuring hit singles like “One Right Now” with The Weeknd, which peaked at No. 6 on the Billboard Hot 100.
Chase & Status and Stormzy are making a bold move on the U.K. Official Singles Chart this week with their explosive new track “BACKBONE.”
The track, a blend of Chase & Status’s dark drum and bass beats and Stormzy’s commanding flow, has surged to the top of the midweek chart. It marks a major moment for the duo, who could be on the brink of landing their first-ever collaborative U.K. No. 1 single.
For Stormzy, it would add yet another milestone to his impressive career, giving him his fourth No. 1 hit. He first hit No. 1 in 2019 with “Vossi Bop” and later that year with “Own It,” featuring Ed Sheeran and Burna Boy, and “Take Me Back to London” also with Sheeran.
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However, the battle for the top spot is far from over.
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Chappell Roan’s “Good Luck, Babe!” has shown remarkable staying power, jumping back to No. 2. Roan’s track, a catchy pop anthem with an irresistible hook, has been a fan favorite, and its resurgence suggests it still has the potential to challenge for No. 1 by the end of the week.
Meanwhile, Charli XCX and Billie Eilish’s “Guess” has slipped to No. 3, but with its pulsating beats and the star power of both artists, it remains a strong contender in this week’s chart race. The song, which previously held the top spot, still remains a replay among listeners, and it wouldn’t be surprising to see it make a late push back towards No. 1.
Beyond the top three, the charts are bustling with activity.
At No. 4, Billie Eilish continues to hold strong with Birds of a Feather. The track has shown remarkable staying power on the charts, maintaining its position near the top for 13 weeks. Meanwhile, Myles Smith is sitting comfortably at No. 5 with Stargazing, a track that has steadily climbed the charts over the past 14 weeks.
“Kisses,” the breakout summer hit from Bl3SS, CamrinWatsin, and bbyclose, continues its ascent, now perched at No. 6. The track’s smooth, laid-back vibe has made it a summer staple, and it’s edging ever closer to cracking the Top 5.
In a surprise move, Jade’s “Angel Of My Dreams” is set to re-enter the U.K. Top 10 at No. 8. The song, with its ethereal vocals and haunting melody, has been given new life by the release of its S.A.D. (Slow. Angelic. Dramatic.) version.
Further down the chart, Sonny Fodera, Jazzy, and D.O.D.’s “Somedays” is making a significant leap, climbing 19 places to land at No. 12. The track, a club-ready anthem with a driving beat, is vibing with listeners as we head deeper into summer.
This week’s chart battle is shaping up to be one of the most exciting in recent memory. With “BACKBONE” currently leading the charge, the pressure is on for Chase & Status and Stormzy to maintain their momentum and secure that No. 1 spot.
But with strong competition from Chappell Roan, Charli XCX, and Billie Eilish, anything could happen by the time the U.K. Singles Chart is revealed.
There could be a possible Lady Gaga and Bruno Mars collaboration coming soon. Here are all the clues the duo have left for fans to pick up on! Tetris Kelly: Lady Gaga and Bruno Mars? Oh my! Fans are speculating about a collab and wondering if the duo just hinted on socials. What’s going on? […]
Sabrina Carpenter performed with Kacey Musgraves at Outside Lands, and SZA took to TikTok to show her support. We have the details! Tetris Kelly: Sabrina Carpenter and Kacey Musgraves did some walking at Outside Lands as SZA gets shook at some of Sabrina’s vocals. Grab a shot of espresso and let’s dive in. That was […]
FIFTY FIFTY announced that they’re coming back and who their new members are. Meanwhile, their former members signed with a new label, keep watching for the full story! Tetris Kelly: FIFTY FIFTY had one of the most popular songs of 2023, and after a legal battle between its members and their label, the group was […]
Will “Not Like Us” go back to reigning at No. 1? Tetris Kelly: This is the Billboard Hot 100 top 10 for the week dated August 17. Dropping to 10 is “Too Sweet.” Teddy slips to No. 9, as “Please Please Please” moves up to 8 and Billie climbs to a new No. 7 peak. […]
Universal Music Group and Facebook parent Meta have forged an expanded agreement that will “advance social music opportunities” for the music major’s roster of artists and songwriters across the tech giant’s platforms.
The new arrangement, announced Monday, Aug. 12, covers Meta’s platforms including Facebook, Instagram, Messenger, Horizon, Threads and for the first time, WhatsApp.
Financial terms weren’t disclosed, although a joint statement indicates the partnership ensures that “artists and songwriters are compensated fairly.”
Also, Meta and UMG will continue working together to address, among other things, unauthorized AI-generated content that could affect artists and songwriters.
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UMG has been proactive on the issue of AI in music over the past year, and taken stands to protect against what it sees as harmful uses of AI. It was UMG that partnered with YouTube on a series of AI principles and an AI Music Incubator to help artists use AI responsibly, formed a strategic partnership with BandLab to create a set of ethical practices around music creation, and partnered with Endel on functional music, among other initiatives.
The origins of this arrangement can be traced back to 2017, when Facebook and Universal entered into what Billboard described at the time as an unprecedented and global licensing partnership that would shake-up the way people listen to and share music on the popular social platform.
With that deal, Facebook was finally on good terms with its content partners after a years-long relationship that was, for the most part, frosty.
This renewed partnership “builds on the recognition that music can help connect us and bring fans, artists, and songwriters closer together, not only on established platforms such as Instagram and Facebook,” says Tamara Hrivnak, VP music and content business Development at Meta, in a statement, “but also in new ways on WhatsApp, and more. “We’re extremely grateful to the Universal team, and look forward to growing our partnership in the future.”
Adds Michael Nash, chief digital officer & EVP, Universal Music Group: “Since our landmark 2017 agreement, Meta has consistently demonstrated its commitment to artists and songwriters by helping to amplify the importance music holds across its global network of engaged communities and platforms, creating new opportunities and applications where music amplifies and leads engagement and conversations.”
In recent months, both parties have collaborated on “landmark campaign rollouts” across the Meta ecosystem for artists including Billie Eilish, Karol G and Taylor Swift.
Chappell Roan is finally crowned on the U.K. chart. Almost a year since its release, The Rise and Fall of a Midwest Princess (Island) lifts 4-1 on the Official U.K. Albums Chart, for its first stint at the top of the leaderboard. Roan’s ascent can be seen on charts around the globe, including the United States, Australia and now the U.K., where Midwest Princess completes its climb in its 17th week on the chart, published Friday, Aug. 9.Just last week, the Missouri artist broke the daytime attendance record for a performance at Lollapalooza Chicago. Also, her single “Good Luck, Babe” has become the highest-charting song in her career, entering the top 10 on the Billboard Hot 100 and the Official U.K. Singles Chart, where it’s currently at No. 2. Originally dropping in September 2023, Midwest Princess enjoys a lift in the U.K. following its release on vinyl, with over half of its seven-day total made up of physical sales, the Official Charts Company reports.The “Popstar Edition” wax pressing leads this week’s Official Vinyl Albums Chart.Charli xcx’s BRAT summer continues to heat up, as her Mercury Prize-nominated Atlantic album returns to its previous peak, No. 2.Also new to the national tally is Vultures 2 (YZY) from Ye, the artist formerly known as Kanye West, and Ty Dolla $ign. Vultures 2 swoops in at No. 7. It’s the followup to their first collaborative record, Vultures, which peaked at No. 2 in February. Finally, Jack White nabs his seventh solo U.K. top 40 appearance with No Name (Third Man). It’s new at No. 33. No Name enjoyed a conventional release after vinyl versions of the album were handed out at three of White’s Third Man Records outlets.
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