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Streams and sales of Beyoncé’s 2016 Kendrick Lamar-featuring song “Freedom” have continued to rise throughout the last month following its pick as Vice President Kamala Harris’ campaign theme song for her 2024 U.S. presidential campaign, capturing its biggest streaming day in a month on the day after Harris accepted the Democratic Party’s nomination at the party’s national convention on Aug. 22.
On Aug. 23, streams of “Freedom” ballooned to 159,000 official on-demand U.S. listens, up 43% from 111,000 on Aug. 22, the final day of the Democratic National Convention, according to Luminate. (Incidentally, Aug. 22 was also the day Beyoncé was rumored to be performing at the Chicago convention, the whispers of which did not ultimately ring true.)
A week before on Aug. 16, “Freedom” pulled 49,000 such streams, making that gain far more pronounced: a 224% jump.
Kamala Harris’ Presidential Campaign Effect on Beyoncé’s ‘Freedom’
Billboard
Streams of the song accelerated once the convention began on Aug. 19. It earned 51,000 streams on day one, followed by sums of 87,000, 101,000 and 111,000 prior to the accumulation of 159,000 on Aug. 23.
That being said, the Aug. 23 count for “Freedom” isn’t its largest over the last month or so. On July 23, one day after Harris walked out to “Freedom” while visiting her newly minted campaign headquarters, the song scored 205,000 official on-demand streams, then a 646% boost over July 22’s sum of 27,000. It rebounded again on July 25 and 26 following the premiere of a campaign ad featuring the song on July 25, racking up 179,000 and 184,000 streams those two days, respectively.
32% of “Freedom’s” on-demand official streams in the U.S., year-to-date, have occurred in the span of time between when Harris used the song at her first campaign event (July 22) and the day after she accepted the Democratic party’s nomination (Aug. 23). In those 33 days, the song garnered 2.8 million on-demand official streams – of the song’s total 8.8 million earned since the start of the year.
As for sales, “Freedom” jumped 216% in the week ending Aug. 22 to 2,000 downloads sold, spurring its coronation at No. 1 on Billboard’s R&B Digital Song Sales chart dated Aug. 31. The song had never been No. 1 before; it debuted at No. 15 on the May 14, 2016, survey and had not charted since 2019 until it blasted onto the ranking at No. 2 Aug. 3 due to its initial affiliation with Harris’ campaign.
That 2,000-download count also puts “Freedom” at No. 25 on the all-genre Digital Song Sales list, its first time there since the chart dated May 21, 2016.
“Freedom” was released as part of Lemonade, Beyonce’s sixth studio album, which debuted at No. 1 on the Billboard 200 dated May 14, 2016. It peaked at No. 35 on the Billboard Hot 100 that year.
—Additional reporting by Keith Caulfield
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Ten long years have passed since Kelis last released an album of new material. That drought is nearing its conclusion.
“I’ve been recording my new record for a while now,” the “Milkshake” singer explains on a call from Nairobi, Kenya, a place she has admittedly fallen in love with.
“The issue is when I start, if I don’t continue momentum, then it’s like I’m a new person by the time I start up again and then I’m not interested in what I had already done,” she tells Rolling Stone AU/NZ. Feeling new, improved, “I start again. That happened a few times over the past years.”
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That won’t happen again. The R&B star admits she kept momentum going and she’s now “in a space where I’m the closest to being done that I’ve been, which is very good.”
How close? “The record is almost done. I would say I’m like a good 75-80% there.”
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The followup to 2014’s Food, recorded with Dave Sitek from TV On The Radio, her latest dish was mostly recorded on her farm, a 26-acre spot in Temecula, CA where she lives with her family.
That experience was “just so comfortable and it really made me feel like myself,” she explains. “I didn’t feel like I was having to step out of myself to create, which was really good.”
As a creative, “I’m an extremist,” she says with a laugh. “Either I’m traveling as far away as humanly possible or I don’t want to go absolutely anywhere and I want everything to be on the farm.”
In the days ahead, she’ll tick the first box. Kelis will deliver a keynote presentation at BIGSOUND 2024, the annual music industry conference and showcase extravaganza, presented in Brisbane, Australia.
“It’s a very Kelis record. I don’t know how, but it sounds like me. It’s right in line with who I am, and where I’ve been. I love this record because it feels like the honest progression of who I’ve been this whole time.” She continues, “that’s also sometimes why it takes me so long. I have to step away and live my life. Then I come back and I have something to say.”
Kelis had something to say in 2022 with the release of “Midnight Snacks,” continuing a foodie theme that has woven through her recording career and flourished when the Harlem-born artist completed training as a Le Corden Blue chef.
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Those talents took Kelis into the celebrity chef world, with multiple television cooking specials across Netflix, Cooking Channel, and Food Network, and the cookbook My Life on a Plate, inspired by her travels.
Kelis has landed seven songs on the Billboard Hot 100, with a career-best No. 3 for 2003’s “Milkshake”. Also, five of her albums have landed on the Billboard 200, including a top 10 appearance for 2006’s Kelis Was Here, won Brit, Q, and NME Awards, and been nominated for two Grammys.
A mother to three kids, Kelis, 45, feels “really content,” she tells this reporter. “Even in the midst of all the things that have happened. I’m really grateful. I’ve had a really great career and I’ve enjoyed every second of it and I’m in that next phase of my life right now and it’s fantastic. I feel really good.”
Don’t expect “a bunch of singles” from her next collection. “You’ve gotta put the thing on and let it play. It’s like kind of that vibe.” If it had to be pigeonholed, imagine “if Wu-Tang and Sade had a baby, that’s kind of where we’re at,” she reveals. “It’s not like how things are right now either, right?”
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Oasis are reuniting in 2025 for a tour that promises to make dreams come true for hordes of fans around the globe.
If you lived in the U.K. in the 1990s, a time when rave culture collided with indie and Britpop, Oasis was a force to be reckoned with. Record and ticket sales, newspaper column inches, Oasis hogged all of it.
When Noel and Liam Gallagher, the combative Manchester siblings, called time on their band in 2009, they walked away with an impeccable chart record.
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All seven of Oasis’ studio albums went to No. 1 on the Official U.K. Albums Chart, from their 1994 debut Definitely Maybe through to 2005’s Don’t Believe The Truth. A year after the split, in 2010, the compilation Time Flies – 1994-2009 hit the summit, giving Oasis eight leaders.
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The manner in which the group dominated the national tally is worth exploring.
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Definitely Maybe became the fastest-selling debut album in British history – and has passed 5 million sales in the U.K., where it’s 17-times platinum certified, according to the Official Charts Company.
Their sophomore effort from 1995, (What’s the Story) Morning Glory?, is the fifth best-selling album of all time in the U.K.
And their third record, 1997’s Be Here Now, was a weapon. To this day, it’s the fastest-selling album of all time, shifting 696,000 copies in just three days of its first chart week.
It’s a similar tale on the Official U.K. Singles Chart, on which Oasis landed eight No. 1s.
“Wonderwall,” their signature song, is not one of them. The most-streamed song in Oasis’ catalog in the U.K., with 397,100,000 plays, according to the OCC, “Wonderwall” peaked at No. 2 on the weekly chart back in 1995.
That domination extended to awards ceremonies, as Oasis snagged six BRIT Awards, including the Outstanding Contribution to British Music, two Ivor Novellos, and 17 NME Awards.
The group enjoyed success around the globe, including Australia, where “Wonderwall” came in at No. 1 on triple j’s Hottest 100 songs of the past 20 years, which counted down in 2013, and was voted No. 1 on the “Hottest 100” for 1995.
“Wonderwall” spent 11 consecutive weeks in the ARIA Top 10, and is certified 12-times platinum in these parts, ARIA reports.
(What’s the Story) Morning Glory? is certified eight-times platinum in Australia, having clocked up four consecutive weeks at No. 1 and 24 consecutive weeks in the top 10.Be Here Now is platinum certified, and one of the band’s six top 10 efforts on the ARIA Chart.
Oasis’s blockbuster success didn’t translate in the United States. Just three Oasis songs impacted the Billboard Hot 100, including a single top 10 for “Wonderwall” (peaking at No. 8 in 1996).
On the Billboard 200 albums chart, 11 Oasis titles have made their mark, including three top 10s, with a No. 2 best for Be Here Now in 1997.
Oasis will make their long-overdue comeback in 2025, when the band performs a run of concerts in the U.K. and Ireland, their first dates there in 16 years.
The OASIS LIVE ’25 world tour will stretch out. “Plans are underway for OASIS LIVE ’25 to go to other continents outside of Europe later next year,” reads a statement, issued Tuesday morning.
The news has lit the fuse with Oasis’ long-suffering fans in the U.K., proof of which can be seen on the midweek albums chart.
Oasis will “no doubt see a huge surge in sales this week,” according to the charts compiler, as three records get set to blast into the top 40: Time Flies… (1994-2009) (at No. 14), (What’s the Story) Morning Glory? (at No. 26) and Definitely Maybe (No. 31), which celebrates its 30th anniversary this week.