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Odetari first broke through on Billboard’s charts in 2023, and now he’s officially a Billboard Hot 100-charting artist.
The Houston producer scores his first entry on the Hot 100 (dated Oct. 12) with “Keep Up.” The song debuts at No. 96 almost entirely from its streaming sum: 5.7 million official U.S. streams in the Sept. 27-Oct. 3 tracking week, according to Luminate.
TikTok has been a huge factor in the song’s growing profile, largely due to a viral dance trend. A portion of its audio has been used in nearly 1 million clips on the platform to date. That activity pushed the song 14-4 on the Oct. 5-dated TikTok Billboard Top 50 chart.
“Keep Up” also rises two spots to No. 6 on Hot Dance/Electronic Songs. It’s Odetari’s 16th career entry on the chart, and sixth top 10. His first hit, “Narcissistic Personality Disorder,” reached No. 10 in May 2023, followed by “Good Loyal Thots” (No. 8); “Look Don’t Touch,” with Cade Clair (No. 9); “GMFU,” with 6arelyhuman (No. 5); and “I Love You Hoe,” with 9lives (No. 3).
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Odetari’s music style is fast-paced and hectic EDM, a genre that he calls “ODECORE.” Earlier this year, Billboard reported that Odetari has a unique approach to releasing his songs. While the original versions of his songs are posted on his primary Odetari Spotify profile, various other versions and remixes of his songs are released under a separate Spotify profile called ODECORE. “[He] frequently has two to three different versions of records coming out a month,” explained Corey Calder, svp of marketing and creative services at Artist Partner Group, Odetari’s label. “If we were to have that all sit on his page, it would feel cluttered and make it hard for his fanbase to follow and track it all.”
It’s a growing trend that has also been adopted by Odetari’s collaborator and labelmate 6arelyhuman, who releases music under his own name, plus remixes under the name Sassy Scene.
Before Odetari’s music career took flight last year, Billboard reported that in February he was substitute-teaching at a high school in his native Houston. He said that he would even upload his music during school hours. “The students were, like, hitting their dab pens in class, secretly under their sleeves,” he said. “The teachers walked in and smelled it and were like, ‘You should have been supervising the class better.’”
By the end of 2023, Odetari wrapped at No. 7 on Billboard’s Top Dance/Electronic Artists annual recap. He also landed six songs on the year-end Hot Dance/Electronic Songs ranking, including “Good Loyal Thots” and “Look Don’t Touch” at Nos. 16 and 19, respectively.
GloRilla’s debut album Glorious is set to release this Friday, and the rapper sits down to discuss it in detail. She talks about her preparation for the album, the mentorship she received from J. Cole, her friendship with Megan Thee Stallion and possibility of a joint album, her friendship with Damian Lillard and more!
Billboard’s Carl Lamarre: Today is a glorious day.
GloRilla:Yeah!
Because we got big Glo. Miss GloRilla in the building in New York City with us, the way you’ve been wrecking s–t, might as well say that. How you feeling?
I feel great. I feel glorious.
Your album comes out.
I’m super excited. Never been so excited in my life.
I mean, you put out two dope projects, obviously, Ehhthang Ehhthang, talk about how that project specifically had you ready to go for your debut album.
OK, so actually, last year I was supposed to drop my debut album, but I was just still, you know what I’m saying, getting used to stuff and working a lot and trying to figure out, you know what I’m saying. When the top of the year came, I had the project basically done, and I’m like, “OK, I gotta get ‘em a mixtape before I get ‘em the album, because I went a whole year, really, without dropping anything. That’s why I said I’m gonna give ‘em the mixtape first, get ‘em back used to me, give ‘em a feel of me, and then that’s gonna prep me for the album. Mixtape did good, and it did what it’s supposed to do, which prepped me for my album.
I mean, listen, we’re talking about three surefire bangers this year: “TGIF,” “Yeah, Glo!,” “Wanna Be” — did you anticipate this kind of success? That’s three top 10s on the Billboard R&B/Hip-Hop charts.
Keep watching for more!
Across genres, a new crop of producers has broken out in recent years (some as recently as this past one). Some have quickly established themselves as go-to hit-makers; others are talented newbies who’ve just gotten their first tastes of success. But regardless of experience level, these producers — selected based on their histories on the Billboard Hot 100 and Billboard’s Hot 100 producers chart, along with placements on other charts — are helping to define music’s future.
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Young but already established hit-makers, their big Hot 100 breakthroughs occurred within the past five years
Rob Bisel
The primary producer on SZA’s SOS, he’s charted 13 songs on the Hot 100 (12 by SZA, including “Kill Bill”); he’s also engineered big hits by Doja Cat, Harry Styles, Kendrick Lamar and Tyler, The Creator.
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Nik D
Debuted on the Hot 100 in 2019 with Travis Scott’s No. 1 “Highest in the Room”; returned with hits by Drake and Metro Boomin before co-producing Jack Harlow’s No. 1 “Lovin on Me.”
Jacob Durrett
Produced on seven Hot 100-charting songs — six of them by Morgan Wallen, including Durrett’s debut entry, the top 10 hit “Wasted on You” — all since 2021.
Omer Fedi
Has placed 23 songs on the Hot 100 since his chart debut in June 2020, including four No. 1s: 24kGoldn’s “Mood,” Lil Nas X’s “Montero (Call Me by Your Name),” The Kid LAROI and Justin Bieber’s “Stay” and Sam Smith and Kim Petras’ “Unholy.”
The Kid LAROI (left) and Omer Fedi
Presley Ann/Getty Images
Charlie Handsome
Of the 54 Hot 100-charting songs he’s produced or co-produced, 23 are by Post Malone and eight are by Morgan Wallen; seven reached the top 10; and two (Jack Harlow’s “First Class” and Post and Wallen’s “I Had Some Help”) reached No. 1.
Jasper Harris
Since 2019, has charted 17 songs on the Hot 100 as a producer, including his first two top 10s in 2022: Jack Harlow’s “First Class” and Post Malone and Doja Cat’s “I Like You (A Happier Song).”
Jasper Harris (left) and Lil Nas X
David Dickenson
Blake Slatkin
Produced on 12 Hot 100-charting songs since 2020, including four No. 1s: “Mood,” “Stay,” “Unholy” and Lizzo’s “About Damn Time.” 2024 credits include Charli XCX, Omar Apollo and Wallows.
Leon Thomas III
Produced on SZA’s “Snooze,” plus Hot 100-charting hits by Drake, Jack Harlow and Ye/Ty Dolla $ign; he’s also worked on songs with Post Malone, Ariana Grande and Giveon.
Ty Dolla $ign (left) and Leon Thomas III attend Affinity Nightlife presents “Music Is Love | Love is Music” Grammys after party at Academy LA on Feb. 04, 2024 in Los Angeles, California.
Vivien Killilea/Getty Images
After some time in the production world, they recently broke through to the charts’ top tier
Evan Blair
Cracked the Hot 100 with Nessa Barrett’s “I Hope Ur Miserable Until Ur Dead” (2021), then moved up the chart with Dove Cameron’s No. 16-peaking “Boyfriend” (2022); earlier this year, reached No. 2 with Benson Boone’s “Beautiful Things.”
BNYX
Charted 13 songs on the Hot 100 as a producer, all since 2022. Four hit the top 10: Drake’s “Search & Rescue” and “IDGAF” and Travis Scott’s “K-Pop” and “Meltdown”; has also worked with Lil Tecca, Lil Uzi Vert and Yeat.
Yeat and BYNX
Jason Renaud
A.G. Cook
His first Hot 100 production credit was on Beyoncé’s “All Up in Your Mind” in 2022; this year, he returned with four Charli XCX tracks — “360,” “Girl, so confusing,” “Apple” and “Talk talk,” with Troye Sivan — which all hit the top 10 of Hot Dance/Electronic Songs.
Ernesto “Neto” Fernandez
One of the biggest current regional Mexican producers. First charted on the Hot 100 in February 2023 with Peso Pluma & Natanael Cano’s “PRC” and followed that with the No. 4-peaking “Ella Baila Sola” (the highest-charting regional Mexican song ever). He’s charted 19 total songs by Peso Pluma on the Hot 100, plus three by Xavi and one by Junior H.
Teo Halm
Has charted three songs on the Hot 100 as producer, all in 2022: Omar Apollo’s “Evergreen” and SZA’s “Notice Me” and “Open Arms.” Co-wrote Drake’s “Fair Trade,” which reached No. 3.
Sean Momberger
Produced on two recent No. 1s — Jack Harlow’s “Lovin on Me” and Kendrick Lamar’s “Not Like Us” — after making his first Hot 100 appearance in 2018 with Chris Brown’s “Tempo” and returning with Gunna and Future’s “Too Easy” (2021) and Lil Baby’s “Everything” (2022).
Sean Momberger at the Spotify Best New Artist Party held at Paramount Studios on February 1, 2024 in Los Angeles, California.
Gilbert Flores for Billboard
Nova Wav
The veteran female duo produced on Beyoncé’s “Cuff It,” which spent 35 weeks on the Hot 100 (reaching No. 6) and became her longest-charting song as lead artist, as well as on Bey’s “Jolene” from Cowboy Carter, which reached No. 7 earlier this year.
La Paciencia
The close Bad Bunny collaborator has charted 21 songs on the Hot 100 since June 2023, all by the Puerto Rican superstar, including two top 10s: “Where She Goes” (No. 8) and “Monaco” (No. 5).
RIOTUSA
Ice Spice’s right-hand producer charted six songs with her on the Hot 100, all since February 2023, including her two top 10s, “Princess Diana” (No. 4) and “Barbie World” (No. 7).
Austin Shawn
Produced all seven of Bailey Zimmerman’s Hot 100 entries, including the No. 10-peaking “Rock and a Hard Place” in 2023.
Gabe Simon
Rodin Eckenroth/Getty Images
Gabe Simon
First charted on the Hot 100 in 2022 with Jessie Murph’s “Pray” (No. 95) — then followed up with seven Noah Kahan hits, including “Stick Season” (No. 9), “Dial Drunk” and “Northern Attitude.” (The latter two made the top 40 and also topped the Triple A radio chart.) Earned two more Hot 100 top 40 entries this year with Koe Wetzel’s “Sweet Dreams” and Wetzel and Jessie Murph’s “High Road.”
They’re brand-new to the charts, but their achievements already make them worth watching
Grant Boutin
Charted for the first time in September 2023 with Tate McRae’s “Greedy” (which went to No. 3 on the Hot 100 and spent eight weeks atop Pop Airplay) and then with her “Run for the Hills.” He’s also worked with Meghan Trainor and Tomorrow X Together.
Sean Cook
Paul Russell’s inescapable “Lil Boo Thang” (No. 14 on the Hot 100) marked his first producer credit on the charts; he made a strong follow-up co-producing Shaboozey’s Hot 100 No. 1 “A Bar Song (Tipsy).”
Sean Cook
Michael Tran/AFP/Getty Images
Dave Hamelin
Charted for the first time on the Hot 100 this year with five songs from Beyoncé’s Cowboy Carter: “16 Carriages,” “Just for Fun,” “II Hands II Heaven,” “Tyrant” and “Amen.”
Hoskins
Charted for the first time on the Hot 100 with Post Malone and Morgan Wallen’s No. 1 “I Had Some Help” and co-produced Post’s F-1 Trillion single “Guy for That” with Luke Combs (a No. 17 peak); previously had only produced one other charting song, Khalid’s “Present” (which spent a week on Hot R&B/Hip-Hop Songs in 2021).
Gerreaux Katana
Broke onto the charts and reached No. 15 with ascendant rapper Flo Milli’s “Never Lose Me.”
Florian Ongonga
Charted for the first time in July 2023 with three Gunna songs, including the No. 4-peaking “fukumean”; also produced Gunna’s “Prada Dem” featuring Offset, which reached No. 15 on Hot Rap Songs.
Tommy Richman’s Crew (Kavi, Mannyvelli, Jonah Roy, Sparkheem and Max Vossberg)
The breakout star’s creative inner circle all charted for the first time with their work on his Hot 100 topper “Million Dollar Baby;” Kavi, Roy and Vossberg followed that up with “Devil Is a Lie,” which peaked at No. 32.
Frank Rio
The go-to producer for Ivan Cornejo, he has produced on 16 Hot Latin Songs entries (including three top 10s) by the young singer-songwriter.
Frank Rio
NEON16
Jack Rochon
Three songs from Beyoncé’s Cowboy Carter became his Hot 100 entrée: “II Hands II Heaven,” “Protector” and “Jolene.” He’s also worked with 6LACK, H.E.R. and Kehlani.
Nevin Sastry and Shaboozey
Courtesy of Nevin Sastry
Nevin Sastry
Charted for the first time co-producing Shaboozey’s Hot 100 No. 1 “A Bar Song (Tipsy)”; also worked on the artist’s “My Fault” and “Drink Don’t Need No Mix,” which reached Hot Country Songs’ top 50.
This article appears in the Oct. 5 issue of Billboard.
It seems everything Shed Seven touches turns to Liquid Gold, with the rockers scoring their second No. 1 album of 2024 on the U.K. Official Album Charts.
Their latest project, Liquid Gold, follows their first-ever chart-topper A Matter of Time back in January, putting them in some seriously elite company. They now stand shoulder-to-shoulder with legends like The Beatles, Queen, Elton John, Diana Ross, Taylor Swift, Ed Sheeran, and ABBA—artists who’ve managed to land two U.K. No. 1 albums in a single year.
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“Can’t quite really believe that we’re standing here once again this year, but this is our second No. 1 of 2024, which is absolutely mind-blowing,” Shed Seven told the Official Charts Company.
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“We would like to thank our amazing label, Cooking Vinyl, all our crew, and most of all, all the fans who’ve been getting out there this week and getting behind us. We’re immensely proud, and we can’t wait to get out on tour and celebrate what an amazing year we’ve had.”
“We’d like to dedicate this to our departed loved ones; our four Dads and Max’s Mum. Thank you”
Just behind Shed Seven, Bring Me The Horizon jumped to No. 2 with POST HUMAN: NeX GEn, thanks to its physical release. The album previously peaked at No. 5 back in June and has now marked the group’s fifth Top 10 album.
Meanwhile, North-West London rapper Nines hit No. 4 with his sixth and final album Quit While You’re Ahead, while Ed Sheeran’s +–=÷× (Tour Collection) secured the No. 5 spot, making this Ed’s eighth Top 10 album.
In a big moment for jazz, Ezra Collective broke into the Top 10 for the first time with Dance, No One’s Watching, debuting at No. 7. The last time jazz had such a big moment in the U.K. Top 10 was Chris Kamara’s Here’s To Christmas in 2019. Ezra Collective previously earned Top 40 success with their Mercury Prize-winning Where I’m Meant To Be in 2022, but this leap to the Top 10 marks a game-changer for the genre.
Elsewhere, Manchester’s Pale Waves made waves of their own with their fourth studio album Smitten, landing at No. 13, while indie veterans Maximo Park claimed No. 21 with Stream of Life, keeping their streak of Top 40 albums intact.
And in a surprise surge, Benson Boone’s Fireworks & Rollerblades shot back into the Top 40, climbing 20 spots to land at No. 37 in what was a week full of chart shakeups and big wins across the board.
Oasis has extended their highly anticipated Live 25 reunion tour to Australia, marking their first shows in the country since the band’s split in 2009.
As confirmed by Rolling Stone AU/NZ last week, the Britpop legends have announced two stadium dates, with a performance at Melbourne’s Marvel Stadium on Friday, Oct. 31, followed by a show at Sydney’s Accor Stadium on Friday, Nov. 7.
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“People of the land down under. You better run – you better take cover… We are coming. You are most welcome. Oasis will tour Australia in 2025!” a message posted to Oasis’ X (formerly Twitter) account on Oct. 8 read.
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‘People of the land down under.“You better run-you better take cover…”We are coming.You are most welcome.’Oasis will tour Australia in 2025! 🇦🇺Register for the Australian ticket pre-sale private ballot: https://t.co/lms10x64eUThe pre-sale will take place on Monday 14th… pic.twitter.com/WCpRa8pNRF— Oasis (@oasis) October 7, 2024
The band’s return to Australia comes after a string of sold-out dates across Europe and the U.S., reflecting the huge demand for Oasis nearly 25 years after their debut. U.S. dates include a stop at Madison Square Garden in New York on June 14 and a show at SoFi Stadium in Los Angeles on June 21.
As part of the reunion tour, fans can expect to hear hits from the band’s extensive catalog, including tracks like “Wonderwall,” “Champagne Supernova,” and “Don’t Look Back in Anger,” which saw Oasis emerge as one of the most influential rock bands of the ’90s.
Oasis’ impact in Australia has been major. Their second album, (What’s the Story) Morning Glory?, spent four weeks at No. 1 on the ARIA Albums Chart and is certified eight times platinum. The single “Wonderwall” was also voted the No. 1 song in triple j’s “Hottest 100” for 1995.
Pre-sale tickets for the Australian leg of the tour will be available starting Wednesday, Oct. 9, with general sale beginning on Tuesday, Oct. 15.
The Gallaghers will kick off the North American leg of their tour with two shows at Toronto’s Rogers Stadium on Aug. 24 and 25, followed by a performance at Chicago’s Soldier Field on August 28.
They’ll then head to New Jersey for two nights at MetLife Stadium on August 31 and Sept. 1, before wrapping up the U.S. run with two shows at the Rose Bowl in Los Angeles on Sept. 6 and 7. The band will also make a stop in Mexico City on Sept. 12. These are Oasis’ first North American shows in over 16 years.
The last time Oasis played the U.S. in 2008 on the Dig Out Your Soul tour they performed in 10,000-20,000 capacity arenas. The stadiums on their upcoming North American swing will accommodate between 45,000-80,000+ fans.
Oasis 2025 Australia Tour Dates:
Friday, Oct. 31 – Marvel Stadium, Melbourne, VIC
Friday, Nov. 7 – Accor Stadium, Sydney, NSW
Sabrina Carpenter has continued her unstoppable reign on the U.K. Official Singles Chart with her hit “Taste,” which remains at No. 1 for a sixth consecutive week.
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Over the past seven days, the track has garnered 6.2 million streams, keeping it comfortably ahead of Chappell Roan’s “Good Luck Babe” at No. 2. Despite its relentless push for the top spot, “Good Luck Babe” still hasn’t managed to surpass Sabrina’s impressive run.
The Weeknd and Playboi Carti have also made their mark with their collaboration “Timeless,” from The Weeknd’s upcoming sixth album Hurry Up, Tomorrow, debuting at No. 7 on the chart. This marks The Weeknd’s 17th Top 10 hit in the U.K., while for Playboi Carti, it’s his second.
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Meanwhile, Billie Eilish’s “Wildflower” has been steadily climbing the chart and has now broken into the Top 20 for the first time, landing bang on No. 20.
Billie is no stranger to chart-topping success, having previously reached No. 2 with her 2019 smash hit “Bad Guy.” With “Wildflower” continuing to gain momentum, it could mean Billie may be heading for another chart milestone.
In another impressive leap, Linkin Park’s “Heavy Is The Crown” skyrocketed 48 places this week to No. 18, marking the band’s 20th U.K. Top 40 single. It’s clear that even after years in the game and a new vocalist, their fanbase remains as dedicated as ever, proving their staying power in a constantly evolving music landscape.
Addison Rae also continues to rise, as her song “Diet Pepsi” moved up 15 spots to No. 22. This marks her first time breaking into the U.K. Top 40, marking a major achievement for the emerging pop star.
Rounding out the chart’s newcomers is London MC Nines, who enters the Top 40 at No. 39 with “Going Crazy,” following the release of his final album. His latest effort has garnered enough attention to secure his seventh U.K. Top 40 single.
Additionally, Noah Kahan’s “Stick Season,” named the biggest song of the year so far in the U.K., has made a return to the Top 40, landing at No. 40. The track’s ability to rebound into the chart after slipping out showcases its enduring popularity and appeal across various audiences.
Stay tuned to see what tracks make movements on the U.K. Official Charts this week.
Nell Smith, the young Canadian singer-songwriter who captured the hearts of many with her collaboration with The Flaming Lips, has died at just 17 years old.
Her death on Oct. 5 was confirmed by her family in a statement on Instagram, saying, “It pains us so much to say that our feisty, talented, unique, beautiful daughter was cruelly taken from us on Saturday night.”
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“We are reeling from the news and don’t know what to do or say,” they continued. “She had so much more to experience and to give this world but we are grateful that she got to experience so very much in her 17 years. She has left an indelible mark on the word and an unfillable chasm in our hearts.”
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“Hold your kids extra tight tonight and for now please leave us to work through things. We will shout when we need you. Jude, Rachel, Jed and Ike.”
During a Flaming Lips concert on Oct. 6, frontman Wayne Coyne shared the sad news with fans, explaining that Nell had been in a car accident.
Before playing “Everything Has Changed,” Coyne said: “We have a very sad announcement to make tonight. We have a Canadian friend, her name is Nell. We recorded an amazing album with her three years ago, an album full of songs by Nick Cave. We have some very sad messages today – she was killed in a car accident last night.”
“We are reminded once again of the power of music and how encouraging it can be to be around people that you love.”
Nell was preparing for the release of her debut solo album in 2025, which had already garnered support through a successful Kickstarter campaign.
Bella Union’s Simon Raymonde, the head of her label, shared his grief on Instagram: “We are all shocked and devastated to hear of the sudden and tragic passing of our artist and dear friend Nell Smith … While we all try and come to terms with the awful news, and out of respect to Nell’s grieving family, we are unable to make any further comments at this time.”
Nell’s relationship with The Flaming Lips was nothing short of extraordinary. The connection began in 2018 when Nell, then just 12, attended one of their shows dressed in a parrot costume, catching the attention of Coyne.
The moment sparked an ongoing friendship between Nell, Coyne, and her family. Coyne encouraged Nell as she began learning to play guitar, and their collaboration truly took off during the pandemic.
When their plans to record together were derailed by COVID-19, Coyne suggested an ambitious project: Nell would record covers of Nick Cave songs, despite not knowing much about Cave’s work.
The result was Where the Viaduct Looms, a 2021 album featuring Nell’s haunting renditions of Cave’s songs, backed by The Flaming Lips. Coyne remarked at the time, “It is always great to meet excited, young creative people. With Nell, we could see she is on a journey and thought it would be fun to join her for a while and see if we could get things going.”
Nick Cave himself praised Nell’s work, particularly her cover of “Girl in Amber,” writing on The Red Hand Files in 2021, “This version of ‘Girl in Amber’ is just lovely, I was going to say Nell Smith inhabits the song, but that’s wrong, rather she vacates the song, in a way that I could never do.”
“I always found it difficult to step away from this particular song and sing it with its necessary remove, just got so twisted up in the words, I guess.”
“Nell shows a remarkable understanding of the song, a sense of dispassion that is both beautiful and chilling. I just love it. I’m a fan.”
Nell Smith’s journey in music may have been brief, but it was filled with creativity, passion, and a bold spirit. Her collaborations with The Flaming Lips and her unique interpretations of Nick Cave’s work made her a force to be reckoned with in the indie music scene.
Smith’s passing comes during another heartbreaking moment for The Flaming Lips family. The band’s instrumentalist, Steven Drozd, is currently dealing with the disappearance of his 16-year-old daughter, Charlotte “Bowie” Drozd.
Both Drozd himself and frontman Coyne took to their social media pages on Monday (Oct. 7) to share a missing person poster of 16-year-old Charlotte “Bowie” Drozd, who has been missing since around 11:30 a.m. on Saturday. According to the posts, Bowie was last seen on the monorail in Seattle, Washington, near the Space Needle.
Anyone with information is encouraged to contact the Seattle Police Department at 206-625-5011 or call Bowie’s mother, Becky.
Listen to “Into My Arms” by Nell & The Flaming Lips below:
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