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State Champ Radio Mix

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Presented by Lexus, proudly celebrating Latin Music, this episode delves into the origins of Latin music, and those who have paved the way including Vicente Fernandez, Celia Cruz, Daddy Yankee and more. We dive into how “La Llorona” impacted music, so much so that it’s being covered across generations and more!

Leila Cobo:Great songs are timeless.

Isabela Raygoza:We have these centuries-old genres. 

Sigal Ratner-Arias:Nobody wanted to record them because it was too risky.

Leila Cobo:But great songs can be redone, and their connection is still the same.

Isabela Raygoza:Latin music is timeless because it has to do with our ancestry and our heritage, and in a way, also our identity, because it really does date back for centuries.

Leila Cobo:You cannot talk about the roots of Latin music without talking about the big ranchera mariachi, names of the golden age of Mexican music and cinema. We have Vicente Fernandez, we have Don Antonio Aguilar.

Sigal Ratner-Arias:Celia Cruz was the queen of salsa, as you may know, la reina de la salsa, she used to say, “¡Azúcar!”

Isabela Raygoza:Later, Don Pedro Infante, María Félix, Chavela Vargas.

Leila Cobo:These trailblazers, in my opinion, paved the way and opened the door for Latin artists.

Alex Torres:I believe that the music of Grupo Niche, the story that Grupo Niche tells with its repertoire, plays a very positive role.

Leila Cobo:Storytelling in Latin music is one of the essential elements. And it all stems from this “I’m going to tell you a story in my song.” The role that folklore in songs like “La Llorona” has played is huge.

Keep watching for more!

Rihanna shares her thoughts on Kendrick Lamar taking the Super Bowl halftime show stage in 2025. Keep watching to see what her thoughts are! Tetris Kelly: Everyone needs a loyal friend like Rihanna. The Fenty mogul lent an emphatic stamp of approval to Kendrick Lamar performing at next year’s Super Bowl halftime show. Entertainment Tonight […]

The “All That Glitters” Diwali Ball made its way to The Pierre Hotel this year, and Billboard is taking you inside the glamorous exclusive event. From Nora Fatehi’s show-stopping performance to Jay Sean’s hot soundtrack, keep watching to see it all! Tetris Kelly:It’s time to celebrate Diwali, the Hindu festival of lights, and this year, […]

Billboard Latin Music Week culminated with its 35th anniversary party, and we have all the highlights from the event, including an appearance from Spicy Tam, the real-life emoji formerly known as the woman dancing.

Isabela Raygoza:Hola, mi gente. It’s Isabela Raygoza at Billboard Latin Music Week, and I’m joined by Spicy Tam, the real-life emoji formerly known as “the woman dancing.” How are you feeling, Spicy Tam?

Spicy Tam:I’m so excited to be celebrating 35 years of Latin music, and I even have some moves to show off.

Isabela Raygoza:Let’s see ’em! To honor more than three decades of our celebration of Latin music, the biggest names in the genre took to Miami for festivities.

Spicy Tam:And the week wrapped with the 35th anniversary party featuring yours truly.

Isabela Raygoza:At the concert event, which took place at the Fillmore, attendees were treated to giveaways, photo ops and, of course, custom cocktails provided by Smirnoff Spicy Tamarind. Cheers, girl! 

Spicy Tam:Ay! And I even got to show off some of my dance moves ahead of the big show. 

Isabela Raygoza:The night saw comedian George Harris kick off the show, which also featured Ana Mena, Belinda, Tito Doble P, Young Miko and more. 

Spicy Tam:What an incredible lineup. 

Isabela Raygoza:So head over to billboard.com for more on Latin Music Week. I’m Isabella Raygoza.

Spicy Tam:And I’m Spicy Tam. See you next time!

The biggest names in Latin music came to Miami for Billboard Latin Music Week 2024. Get an inside look at the backstage lounge where their interviews went down, styled with products from Walmart. Jessica Roiz:The biggest week in Latin music, where the biggest names and rising stars come together to celebrate their culture. This is […]

Hanson is celebrating the 20th anniversary of their independent album ‘Underneath’ with a deluxe re-release and a North American tour featuring two nights in each city, revisiting both acoustic and electric performances. They share how the Grateful Dead influenced their career model, their “MMMBop” hit, connecting with Billie Eillish and Ed Sheeran and more! Rebecca […]

“It’s always interesting to meet your peers that you’ve influenced,” says Zac Hanson.
As the trio Hanson, Zac and his brothers Taylor and Isaac have, after all, been making music together for 30 years — the equivalent of an entire career for many artists. Those peers have included some of today’s biggest hitmakers, who’ve looked to Hanson’s success and stability as a potential model for their own.

“We sat in our studio with Billie Eilish and FINNEAS when they happened to be in town, [with] their parents talking to us saying, ‘We basically decided they should make music ’cause we saw Hanson and you guys seemed like you were OK,’” Taylor recalls. “Like, that’s insane … and here they are, they’ve done incredible, beautiful work.”

Other artists, the brothers reveal, have visited Hanson simply looking to get their take on new music. “In the same studio, Ed Sheeran, when he was opening for Taylor Swift, [was] like, ‘I wanna play you some songs.’ … And you’re just going, ‘This is really fun!’” Isaac says with a laugh.

Hanson is currently celebrating 20 years since going independent and starting their own label, 3CG Records, where they released their third album, Underneath. The band is on a North American tour in support of a deluxe re-release, Underneath: Complete.

“These songs are all richer, layered, we produced a great deal of it,” Taylor says of Underneath. “It’s a record that really works well in a live setting and it’s exciting to go back and really lean into those songs,” which include the radio hit “Penny and Me.”

In a wide-ranging and loose chat with Billboard News, the Hanson brothers also talk about their foray into beer-making with their Mmmhops Pale Ale, also getting a re-release, alongside a new beer, Pink Moonlight Hazy Peach IPA, created in collaboration with noted independent craft brewery Destihl.

Watch the full interview — in which the brothers also discuss their thoughts on how to, as Isaac puts it, “fix the music industry” — above.

Kylie Minogue, the queen of pop, is crowned on Australia’s albums chart with Tension II.
The new collection is Kylie’s ninth leader on the ARIA Chart, fifth in succession, and second in a year; its predecessor, Tension, logged one week at the summit in September 2023.

Tension II (via Mushroom Music) is the Melbourne-raised pop icon’s 17th studio album, and with its fast start on the chart, pushes Kylie to No. 9 on the list of acts with the most No. 1s in Australia, a tally that includes Light Years (from 2000), Fever (2001), X (2007), Kiss Me Once (2014), Golden (2018), Step Back In Time: The Definitive Collection (2019), Disco (2020) and Tension.

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She also has 10 No. 1 singles in Australia, from “Locomotion” in 1987 to “2 Hearts” in 2007, ARIA reports, and she’s on the brink of a 10th No. 1 on the Official U.K. Albums Chart.

Trending on Billboard

“It is so awesome to see Australia’s OG pop queen continuing to dominate globally and at home, bringing joy and disco into our lives,” comments ARIA CEO Annabelle Herd. “Huge congratulations to her and her team for such a phenomenal career, five consecutive No. 1 albums, and continuing to represent Australia on the world stage.”

Also new to the ARIA Chart, published Friday, Oct. 25, is Dean Lewis’ The Epilogue (Island/Universal), at No. 2. It’s a third top 10 for the triple ARIA Award winner, a tally that includes a No. 1in 2019 with A Place We Knew.

Meanwhile, New South Wales indie rock duo Skegss start at No. 4 with Pacific Highway Music (Concord/Universal), their third full-length album. Skegss now have four top 10s under their belts: 2015 EP 50 Push Ups For A Dollar peaked at No. 4; My Own Mess hit No. 2 in 2018, and 2021’s Rehearsal went all the way to No. 1.

ARIA Award winner Thelma Plum’s lands in the top 10 with I’m Sorry, Now Say It Back (Warner Music Australia), new at No. 7. It’s the Brisbane singer and songwriter’s followup to debut Better In Blak, which peaked at No. 4 in 2019.

Confidence Man impact the top 40 with 3AM (La La La) (via I Oh You/Mushroom), on which the Aussie electro-pop act takes a time-machine back to ’90s rave and clubland. 3AM (La La La) is new at No. 40.

It’s a Melbourne double on the ARIA Charts as Rosé opens at No. 1 on the singles tally with her Bruno Mars collaboration, “APT.” (via Atlantic/Warner). That’s a record-breaking feat, making Rosé the first solo female K-pop artist to lead the chart. She’s just the second solo K-pop singer to rule the ARIA Chart after PSY’s “Gangnam Style” spent six weeks at the top back in 2012.

Rosé was born in Auckland and raised in Melbourne, before making the move to South Korea, where she joined Blackpink and smashed records everywhere. In Australia, the foursome owns the highest-debuting single by a K-pop group in ARIA Chart history, when “Pink Venom” went to No. 1 in 2022.

LISA is releasing her new album soon, and she shares that she wants to work with Doja Cat. Keep watching for more!  Tetris Kelly: Lisa and Doja Cat? We’ll take it. The BLACKPINK star wants to work with that woman and fans are lining up. LaLaLisa revealed to Audacy she wants to work with Doja […]

Lil Uzi Vert is back with a new album, ‘Eternal Atake 2,’ and we run through all the details of their announcement. Keep watching for more! Tetris Kelly: Philly rapper Lil Uzi Vert announced a sequel to their 2020 album ‘Eternal Atake.’ They also revealed the artwork and a sci-fi-inspired trailer suggesting they were abducted […]