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Taylor Swift’s “Anti-Hero” (via EMI) is still the boss in the U.K., where it racks-up six consecutive weeks at No. 1.
The Midnights tune accumulated just shy of 4.9 million streams during the latest cycle, the Official Charts Company reports, to hold off Meghan Trainor’s “Made You Look” (Epic), up 3-2; and venbee, goddard and ArrDee’s “messy in heaven” (Columbia), up 5-3. Those are new peak positions for the podium finishers.
British singer and songwriter RAYE enjoys her first taste of the high life as an independent artist, as“Escapism” (Human Re Sources) featuring 070 Shake races 31-6. It’s RAYE’s first appearance in the top 10 as a lead artist, following her assist on Jax Jones’ “You Don’t Know Me” (No. 3 in 2016), “Secrets” with Regard (No. 6 in 2020) and “Bed” with Joel Corry and David Guetta (No. 3 in 2020).
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The Londoner (real name Rachel Keen) was nominated for BBC Music’s Sound of 2017 award and is expected to drop 21st Century Blues, her debut LP, in 2023. Her debut mini-album, Euphoric Sad Songs was released in November 2020.
Stormzy is moving on up with “Firebabe” (0207/Merky), which roars 26-11 following the release of his third LP This Is What I Mean, new at No. 1 on the Official U.K. Albums Chart. Also, the record’s title track starts at No. 32 on the Official U.K. Singles Chart, published Dec. 2, for his 28th Top 40 title.
The Christmas spirit can be measured on the latest singles survey, as a string of holiday classics make their annual return.
Leading the way is Mariah Carey‘s “All I Want For Christmas Is You” (up 18-8 via Columbia), and Wham’s “Last Christmas” (up 23-9 via RCA), both former leaders.
Elsewhere in the U.K. top 40 are Ed Sheeran & Elton John’s “Merry Christmas” (up 40-15 via Atlantic), Brenda Lee’s “Rockin’ Around The Christmas Tree” (up 42-18 via MCA), Michael Buble’s “It’s Beginning To Look A Lot Like Christmas” (up 49-20 via Reprise), Shakin’ Stevens’ “Merry Christmas Everyone” (up 54-26 via RCA), Ariana Grande’s “Santa Tell Me” (up 55-28 via Republic Records), The Pogues featuring Kirsty MacColl’s “Fairytale of New York” (up 57-30 via Warner Bros), Kelly Clarkson’s “Underneath The Tree” (up 62-31 via RCA), Band Aid’s “Do They Know It’s Christmas?” (up 63-34 via Mercury), and Bobby Helms’ “Jingle Bell Rock” (69-36 via MCA).
That’s 11 Christmas-themed songs in the top 40, and there’s still time for the publication of three more weekly charts before Dec. 25.
Ten. That’s the total months fans had waited for the highly-anticipated Bésame Mucho festival, which took place Saturday (Dec. 3) at Los Angeles’ Dodger Stadium. The Live Nation-produced, one-day event — which sold out in just 12 minutes when the 2000s-inspired lineup was announced in February — as promised showcased the best of the ’90s-’00s Latin pop, rock, banda, norteño, cumbia and merengue acts.
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The multigenerational (both in terms of performers and its attendees) event opened its doors at 10 a.m. local time with the first band, Los Cadetes de Linares, kicking it all off at 11:25 a.m. Featuring four stages — Rockero, Las Clásicas, Te Gusta El Pop? and Beso spread across the stadium’s parking lot — fans literally had to sprint across to catch whichever act was on their must-see list.
Some even having to watch an artist for the first 15 minutes to be able to make it to another artist’s set that was on the complete opposite side. The earlier acts, which included Kinky, Raymix, Panteón Rococó Caló and Los Freddy’s, got only around 35-40 minutes. Headliners, which included Juanes, Los Tigres del Norte, Paulina Rubio, Alejandra Guzmán, Bronco, Caifanes, Oro Solido and Elvis Crespo, secured a few more minutes with their sets lasting about 50 minutes to an hour.
Catch up on Bésame Mucho’s seven best moments below.
Short and sweet
Artists acknowledged onstage how short (timewise) their sets were — some embraced the quickness of the process while others wish they would’ve had more time. “Cortito pero seguro (short but you can count on us),” Kinky’s frontman Gil told a sweaty crowd who showed up early for the group’s noon set at the Rockero Stage. Meanwhile, La Oreja de Van Gogh’s lead singer Leire Martínez didn’t seem to want to leave the stage after her time was up. “What a shame that these festivals are like this: everything has to be quick and rushed.”
Turnaround…
With four stages featuring back-to-back sets, initially it wasn’t clear how the transitions would work or how efficiently production would be when it came to changing sets. In hopes of helping speed up the process, they set up revolving stages. When one band or act had wrapped up their set, the next artist was already setting up in the back part of the stage. When ready to perform, the stage would revolve and place the new artist in front of the crowd. “Let’s go, vamos,” you’d hear artists like Julieta Venegas rushing the production team to turn the stage.
Pick your fighter
You could tell by the person’s outfit which stage they were heading to. The typical outfit for Las Clasicas Stage, where mostly all regional Mexican acts performed, included the cowboy hat and the pointy boots. If you were mainly there for pop artists, you were wearing a pop of color, 2000s fashion such as overalls, berets, a polo with the popped collar for men, and sparkly blazers. Those two stages out of the four were most represented in terms of fashion.
Primer Fest Sin Marciano
Hands down the most emotional moment at the festival was when Los Enanitos Verdes took the Rockero Stage. Marking the Argentine band’s first live performance since the untimely passing of their frontman, Marciano Cantero, they dedicated their performance to their member who “left us too soon,” Enanitos’ Felipe Staiti, who took on the role of frontman for the first few songs such as “La Muralla Verde,” told the crowd. “We’re here. Hurt but alive.”
For the second half portion of the set, Staiti welcomed special surprise guests who joined them onstage to help them sing the rest of the songs. The first guest was Hombres G’s lead singer David Summers who sang “Mi Primer Día Sin Ti” and “Lamento Boliviano.” At the end of his performance, he blew a kiss to the sky and said “Marciano, I love you.”
Los Enanitos Verdes’ first performance without Marciano 🫶🏼 The band was joined by David Summers (Hombres G), Ruben Albarran (Café Tacvba) and Noel Schajris (Sin Bandera) at Bésame Mucho to help sing a few songs. pic.twitter.com/2zzmbsbL8n— Griselda Flores (@grissyflrs) December 4, 2022
Then, Café Tacvba’s Ruben Albarran joined the band to sing “Por El Resto.” Following his performance, Albarran said: “We’re honoring Marciano. Sending him all the joy of this festival to wherever he’s at right now.” For the last guest, Staiti introduced Sin Bandera’s Noel Schajris to sing “Luz De Día.”
Staiti ended the set with a special message and a special song. “I was 16 years old when we started this band. I want to dedicate this performance to Marciano and the time we spent together. You all, the fans, are the reason we kept recording songs. I want to honor Marciano’s memory with this song.” And he went on to sing “Mariposas.”
Battle of the bands
The Rockero and Las Clasicas stage were closer to each other. While the Te Gusta El Pop? and Beso Stages were nearby. So, sometimes, you’d hear the other artist’s music cross-pollinate with another artists set. Most times, fans and artists were cool with that. For example, right before Enanitos Verdes hit the stage, fans patiently waited while singing along to Ramon Ayala’s “Tragos Amargos” anthem. At other times, it got a bit awkward. Such was the case when Sin Bandera was about to wrap their set, Oro Solido kicked off their own blasting merengue across the stadium. “The pachanga (party) started next to us. Can you lower down the volume?” the duo’s Noel Schajris asked jokingly.
Technical difficulties
Perhaps in every stage there were technical difficulties with the sound. Safe to say that all artists dealt with some sort issue and at times complained to production while onstage and in front of all their fans. From microphones not working for half of the song to the sound being off or distorted, not everything was perfect at the festival. But, to its credit, it was their first year and they were ambitious. It could have been worse.
OG regional Mexican
Mexican music is going through a renaissance with a new generation of mostly Mexican-American teen kids leading the new era without having to stick to the traditional instruments and outfits, and core sound of the legacy genre. But today at Bésame Mucho, norteño and banda fans showed up for the artists that made them fall with the genre initially. From Banda Machos to Ramon Ayala, Banda El Recodo and Los Tigres del Norte, all artists wore their traditional vaquero outfits and played the OG regional Mexican anthems that opened doors for the new generation of Gen Z artists that are taking the genre to the next level.
After previously postponing his performance at New York City’s Apollo Theatre to mourn the death of Takeoff last month, Drake’s concerts have been pushed back again to January 2023, according to SiriusXM.
Originally slated for next Wednesday and Thursday night (Dec. 6-7), Drake’s forthcoming shows will now arrive Jan. 21 and Jan. 22, Billboard has confirmed.
According to a statement credited to Drake, SiriusXM and Sound 42, production issues derailed Drake’s NYC shows. “We as a team have been working around the clock not just putting together a concert but an experience our fans deserve,” the statement reads. “With that said, we are up against some production delays that are just out of our control.” The statement also said that “these upcoming shows for SiriusXM are so incredibly special for us. If you are going to play the world-famous Apollo Theater, it has to be a world-class production.”
The news comes on the heels of Drake being crowned Billboard‘s Top Dance/Electronic Artist of 2022 on the strength of his chart-topping effort Honestly, Nevermind. The dance-laden album spawned eight Billboard Hot 100 entries, including “Massive,” “Texts Go Green” and his first Hot Dance/Electronic Songs No. 1 “Falling Back.” The album also handed him another Hot 100 No. 1 in “Jimmy Cooks,” alongside his new rap tag-partner 21 Savage.
The record ushered in the twosome’s unexpected collaborative album Her Loss, which debuted atop the Billboard 200 last month.
First Stream Latin is a compilation of the best new Latin songs, albums and videos recommended by the Billboard Latin editors. Check out this week’s picks below.
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Tommy Torres, “Mi Secreto” (Rimas Entertainment)
Tommy Torres is on a hot streak of experimenting with sounds. After releasing El Playlist de Anoche, his 2021 alt-rock album produced by Bad Bunny, the Puerto Rican singer-songwriter — known for his sentimental pop ballads — is now venturing into the bachata world, gifting fans “Mi Secreto.” While the sound may be different, the track is a quintessential Torres song, with mature and poetic lyrics that narrate a love story. “Love me here and now, don’t ask about the past,” he croons.
Moreno IFT, Gangoso World (Interface Music/Gangoso World / Good Partners)
Bursting into the scene with grim ominous beats and an intoxicating flow arrives Moreno ITF, a Bronx-dwelling, Dominican-born rapper who is helping lead the relentless rise of New York’s Latin drill scene. With his hard-hitting debut EP, Gangoso World, the artist takes the drill sound to the next level, infusing the style with an irresistible Afro-Caribbean edge on the clubby “Pull Up.” On “Cobain,” the rapper slows down the vibe for an R&B-tinged reverie. At times, his potent quips and vocal delivery are reminiscent of Brooklyn drill artists like Pop Smoke. Yet, Moreno’s unmistakable approach highlights the teteo life in the hood, and navigating it as a mercurial Latin living in a gangoso world.
MAR, “Más Que Tu Amiga”(Marbella Music)
Emerging singer MAR, daughter of the iconic Marco Antonio Solís, is paying homage to one of her father’s anthems with her new single “Más Que Tu Amiga.” Delivering a new take on the Hot Latin Songs chart-topping track “Más Que Tu Amigo,” MAR makes the song her own with her dulcet vocals but maintains its tropical and rhythmic essence. “My dream is to be, explore and explore,” MAR previously told Billboard. “It’s intimidating to see all that [my father] has accomplished and want to pursue the same line of work, and he noticed I was insecure at one point. He just told me to believe in myself.”
Junior H, Contingente (Warner Music Latina/Rancho Humilde)
Without a doubt, Junior H has become a one-to-watch in the Mexican music space, after delivering back-to-back sad sierreño and corridos tumbados albums packed with emotional gems powered by acoustic guitars. But for his new album, he did an about-face. The Mexican singer-songwriter is showcasing his versatility with his new trap-leaning album Contingente.
Equally emotional and lyrically striking as the rest of his sierreño albums, the 12-track set finds Junior H delivers hard-hitting, brutally honest songs about fame, love and heartbreak. “I’ve been working on this project for two years,” he says in the set’s opening song “Índice.” “While I was working on it, I wondered if I was really going to release it. That’s why it’s called Contingente, because I made it for myself, for you — and it may be the last time,” a reflective Junior H says. A standout track is “Veneno,” where Junior H trades cheeky verses with Chilean artist Paloma Mami over a reggaetón beat. The album includes other collaborations with Snow Tha Product, Aleman and Big Soto, among others — and make sure to stick around till the end of the album for a surprise dance track.
Ryan Castro, “El Plan de Estefania” (Sony Music Colombia)
If after “Mujeriego,” you were hoping to hear more merengue from Ryan Castro, today is your lucky day. The Colombian newcomer, known for his street-style trap anthems, is blessing fans with another “merenguito.” The hip-swiveling “El Plan de Estefania,” produced by SOG (who also produced “Mujeriego”) is part of Castro’s new EP Los Piratas, which marks his second EP this year after Regggaetonea. The remainder of Piratas sticks to Castro’s signature urbano beats with back-to-back reggaeton bops.
Chris Brown moves into a tie for the third-most No. 1s on Billboard’s Rhythmic Airplay chart as “Under the Influence” crowns the list dated Dec. 3. The single climbs from the runner-up spot after a 6% increase in plays made it the most-played song the week at U.S. monitored rhythmic radio formats in the week ending Nov. 27, according to Luminate.
As “Under” tops the chart, Brown logs his 13th career No. 1 on Rhythmic Airplay. With the new leader, he equals Bruno Mars’ total for the bronze medal among all acts since the list began in 1992. The pair trail only Drake, who holds the gold with 36 No. 1s (23 of which bill him as a lead artist) and Rihanna, who is runner-up with 17 champs.
“Influence” returns Brown to the Rhythmic Airplay summit for the first time in almost two-and-a-half years, since his and Young Thug’s “Go Crazy” earned a week in charge in August 2020. Plus, as his first champ, “Run It!,” captured the crown in November 2005, he extends his span of Rhythmic Airplay leaders to 17 years and two weeks.
Here’s a rundown of Brown’s 13 No. 1s on the radio ranking:
Song Title, Artist (if other than Chris Brown), Weeks at No. 1, Peak Date“Run It!,” seven, Nov. 19, 2005“Kiss Kiss,” featuring T-Pain, five, Nov. 17, 2007“With You,” six, March 1, 2008“Get Like Me,” David Banner featuring Chris Brown, two, Aug. 2, 2008“Look at Me Now,” featuring Lil Wayne & Busta Rhymes, one, May 7, 2011“Show Me,” Kid Ink featuring Chris Brown, three, Feb. 8, 2014“Loyal,” featuring Lil Wayne & French Montana, Too $hort or Tyga, two, May 10, 2014“New Flame,” featuring Usher & Rick Ross, one, Nov. 15, 2014“Post to Be,” Omarion featuring Chris Brown & Jhene Aiko, one, July 4, 2015“No Guidance,” featuring Drake, four, Aug. 3, 2019“Heat,” featuring Gunna, one, Nov. 23, 2019“Go Crazy,” with Young Thug, one, Aug. 1, 2020“Under the Infleunce,” one (to date), Dec. 3, 2022
“Influence” caps an unusual journey to the top of rhythmic radio, as it was first released on the extended version of Brown’s 2019 LP, Indigo, but never promoted as a single. Its resurgence began earlier this year thanks to TikTok, where it went viral and soundtracked hundreds of clips on the social media app. As it leapt from TikTok to streaming services, the song climbed onto the Streaming Songs chart in early September, and given renewed fan interest, was serviced to rhythmic radio in early October. The song’s dual threat on both streaming and radio has made it a significant hit in Brown’s catalog. The track has reached No. 3 on the Hot R&B/Hip-Hop Songs chart and, this week, achieves a new No. 14 high on the all-genre Billboard Hot 100.
In addition to its success at the rhythmic format, “Influence” maintains steady progress in both the R&B/hip-hop and pop arenas. On the R&B/Hip-Hop Airplay list, it pushes 23-19 after a 16% weekly boost to 6.6 million in audience, while it holds at No. 30 on the Pop Airplay chart, though with a 7% improvement in weekly plays.
They want money — that’s what they want, that’s what they want. Well, now the Rolling Stones can say they’re also ON money, the face of a new collectible coin issued by Britain’s Royal Mint to celebrate the band’s 60th anniversary.
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The new £5 ($6.04) coin features a silhouette image of the iconic band performing — frontman Mick Jagger, guitarists Keith Richards and Ronnie Wood, and the late drummer Charlie Watts — as well as the band’s name in what is described as their classic 1973 font. The mint said it was one of the last coins of the year to be released bearing the image of Queen Elizabeth II, who died in September at age 96.
The Rolling Stones were back on the road this year with their 2022 European Sixty tour, ending in Berlin in August.
“We are delighted to be honored by way of an official UK coin,” the band said in a statement included in the Royal Mint’s announcement. “Even more significant that the release coincides with our 60th anniversary.”
The new coin is the fifth in the mint’s “Music Legends’” series, which celebrates legendary British artists. Others so honored have been Queen, Elton John, David Bowie, and The Who.
While the best things in life are free, as the Stones sang in their cover of the Motown hit “Money (That’s What I Want),” the coins will cost something. Similar coins on the mint’s website from the Music Legends series range from 15 pounds ($18.12) to 465 pounds ($561.92).
Kanye “Ye” West has been suspended from Twitter, the suspension coming after the rapper had tweeted a now-deleted post featuring a swastika on Thursday (Dec. 1) evening.
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After a chaotic day that saw Ye appear on Alex Jones’ Infowars show and repeatedly say he liked Adolf Hitler, the rapper posted a series of controversial tweets, including supposed text messages between himself and Twitter CEO Elon Musk. Among the tweets, which included praise and support for Balenciaga following the recent backlash against the company, Ye posted a picture of a swastika merged with a Star of David. Twitter deleted the offending post and Ye’s tweet storm came to an abrupt end.
Suspecting he may get suspended, Ye also tweeted an unflattering picture of Musk being hosed by Endeavor CEO Ari Emanuel on a yacht. Emanuel had previously called for a Hollywood-led boycott of Ye after he made a series of antisemitic comments that ultimately led to brands such as Adidas and Balenciaga cutting their ties with the rapper.
On Truth Social, Ye’s verified account posted another picture of his text interaction with Musk as well as a screenshot showing that he was locked out of his account for 12 hours.
Musk, a self-described free speech absolutist, confirmed that Ye had been suspended, first replying “This is fine” to the unflattering picture, but “this is not” to the now deleted swastika tweet.
After a Twitter user tweeted at Musk to “fix Kanye please,” the CEO replied, “I tried my best. Despite that, he again violated our rule against incitement to violence. Account will be suspended.”
In a further reply, Musk tweeted, “Just clarifying that his account is being suspended for incitement to violence, not an unflattering pic of me being hosed by Ari. Frankly, I found those pics to be helpful motivation to lose weight!”
Doubling down, Musk tweeted the acronym “FAFO” which means f*** around and find out.
The Hollywood Reporter reached out to a Twitter rep for comment, but that employee no longer works at the company.
Ye was only recently reinstated to Twitter, following Musk’s $44 billion takeover of the company and pledge to rescind suspensions to prominent accounts including the rapper, former President Donald Trump and Jordan Peterson. In October, Ye’s initial suspension came after he tweeted that he was going to go “death con 3 On JEWISH PEOPLE.”
“I’m a bit sleepy tonight but when I wake up I’m going death con 3 On JEWISH PEOPLE,” he wrote. “The funny thing is I actually can’t be Anti Semitic because black people are actually Jew also You guys have toyed with me and tried to black ball anyone whoever opposes your agenda.”
I tried my best. Despite that, he again violated our rule against incitement to violence. Account will be suspended.— Elon Musk (@elonmusk) December 2, 2022
This article originally appeared in THR.com.
It’s shaping to be a Jimmy Barnes Christmas in Australia, as the legendary rock singer scores another No. 1, this time with a collection of holiday classics.
Barnes’ Blue Christmas (via Liberation/Universal) blasts to the summit of the ARIA Chart, for his 15th leader, extending his all-time lead in that category.
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Blue Christmas is the 20th solo studio album for Barnesy, as he’s affectionately known in these parts. It adds to his collection of leaders, which includes Bodyswerve (1984), For The Working Class Man (1985), Freight Train Heart (1987), Barnestorming (1988), Two Fires (1990), Soul Deep (1991), Hits (1996), Double Happiness (2005), The Rhythm And The Blues (2009), 30:30 Hindsight (2014), Soul Searchin’ (2016), My Criminal Record (2019), Flesh And Blood (2021) and Soul Deep 30, an anniversary edition which landed at No. 1 in June.
Including his five leaders with Cold Chisel, Barnes boasts an unprecedented 20 No. 1s, comfortably eclipsing the Beatles (with 14), Madonna (12), Eminem and U2 (11).
If laughter is the best medicine, a No. 1 album surely has some healing powers. Barnes collects his latest honor just days after he scrapped his touring scheduled for the months ahead, when surgeons gave him the news that he requires back and hip surgery. He’s expected to make a complete recovery and return to the road again in the second half of 2023.
“This is a fantastic Christmas present and I’m grateful to receive it. It’s been a rough week given that I’ve withdrawn from summer touring to have surgery,” he says in a statement.
“I’d like to say that the warm reception for this album has put a spring in my step, but that would be a medical miracle right now. Instead, I’ll just say thanks to everyone who keeps listening to my new music and thank all the people behind the scenes for their help. I wish everyone the happiest of holidays and can’t wait to get back onstage next year.”
The “Working Class Man” singer is twice inducted into the ARIA Hall of Fame, first with Cold Chisel (in 1993), and again as a solo artist (2005), and is the first Australian solo act to have a No. 1 album in every decade since the 1980s.
Blue Christmas is Barnes’ fifth consecutive solo chart champion in Australia, unseating Taylor Swift’s Midnights after five weeks at the helm.
Barnes’ pre-Christmas gift is one of several timely titles impacting both ARIA Charts. Andrea, Matteo and Virginia Bocelli’s A Family Christmas (Decca/Universal) lifts 16-9 on the latest albums survey, published Dec. 2, while Mariah Carey’s “All I Want For Christmas Is You” (Columbia/Sony) is on the brink of another appearance in the singles chart top 10, vaulting 50-11. Further down the singles list, Wham’s ‘80s classic “Last Christmas” (Sony) reenters at No. 30.
Following a musical salute to the Seekers’ late singer Judith Durham at the 2022 ARIA Awards, the folk-pop outfit’s Carry Me (Decca/Universal) returns to the top tier. The album, which celebrates its 60th anniversary, drops in at No. 10 on the ARIA Chart. Durham died Aug. 5 after suffering complications from a long-standing lung disease, aged 79.
Finally, Taylor Swift’s “Anti-Hero” (Universal) refuses to budge from the top spot on the ARIA Singles Chart, while Lil Uzi Vert snags the week’s highest debuting single with “Just Wanna Rock” (Atlantic/Warner), new at No. 39.
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