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Grammy Award-winning singer and actress Kelly Rowland has signed with UTA for global representation in all areas.
Rowland has won four Grammy Awards and has been a chart-topping performer since Destiny’s Child launched its self-titled debut album in 1998. She has released four solo albums and has launched hits like “Stole,” “Dilemma” with Nelly, “Like This” and “When Love Takes Over” with David Guetta. Her massive hit “Motivation” won top R&B song at the 2012 Billboard Music Awards and song of the year at the 2011 Soul Train Music Awards.
The 42-year-old has also built her film and TV résumé over the last two decades. She is set to star in and produce Tyler Perry’s Mea Culpa on Netflix. Her other film credits include Paramount’s Fantasy Football, Netflix’s The Curse of Bridge Hollow, Bad Hair, The Seat Filler and Freddy vs. Jason, among others.
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She starred in and produced the Lifetime holiday franchise Merry Liddle Christmas and has appeared in TV series like CBS’ The Equalizer, L.A.’s Finest, HBO’s A Black Lady Sketch Show and Fox’s Empire. She won the 2020 NAACP Image Award for outstanding guest performance in a comedy or drama series for her portrayal of Gladys Knight in BET’s American Soul.
Rowland has also appeared as a judge and coach on several competition shows including The X Factor and The Voice.
She will continue to be represented by Jennifer McDaniels and Del Shaw Moonves.
This article originally appears in THR.com.
In between having fun and turning up crowds at Rolling Loud Los Angeles last weekend, City Girls took a moment to speak with Billboard News about what a perfect date looks like for them and to give fans aspiring to be like them some pointed career advice.
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For Yung Miami — who confirmed on camera that she is single, despite being publicly linked with Diddy — her perfect date includes a series of luxurious and NSFW activities.
“I want a man to come pick me up on a jet, eat my p—y on the jet,” the rapper, whose real name is Caresha Brownlee, stated. “It depends on when we land … [I want to] eat on the beach, but we naked.”
Brownlee currently hosts the Caresha Please podcast, during which she brings a series of musical guests from the R&B and hip-hop space to talk about their lives, careers and relationships, often resulting in raw and unfiltered answers.
“I like to ask questions that people not. I just like to talk to people, it’s something that I want to know, it’s not even the people. If I wanna know something about you, I’m going to ask you,” she said of her show. “I’m a very direct person. I’ll ask anything, I’ll say anything and so I just feel like holding real conversations with people, real topics. If you want to get personal, you can.”
The conversation, which took place with Billboard News host Tetris Kelly, then pivoted to career advice for aspiring female rappers looking to emulate City Girls’ career. JT laid it out simply for anyone watching: “Be yourself, be authentic, f— these n—as, get that paper … and love your n—a too.”
Watch City Girls’ full interview with Billboard News in the video above.
Billboard’s 2023 Women In Music Awards was hit with fans, capturing an all-time record of 60 million views — and counting.
Announced today (March 7) by Billboard parent PMC, the latest WIM Awards and its corresponding clips and outtakes videos generated its lofty result across Billboard.com, YouTube, Twitter, Facebook, Instagram, Instagram Stories, LinkedIn, TikTok, and Harmony, Penske Media’s in house streaming platform.
Based on clips of performances and award outtakes, the ceremony generated 8 million more views than the 2022 edition.
Held March 1 at Los Angeles’s YouTube Theater, Billboard’s annual event celebrates the most influential female powerhouses who are shaping the music landscape, from rising stars to frontline artists, creators, producers and executives.
Among the greats, 2023 Woman of the Year SZA. “You are the real deal. You are such a genuine human being, a genuine artist, a poet, a songwriter, an emoter who’s a once-in-a-lifetime, once-in-a-generation talent,” Lizzo said of the SOS star, adding, “We don’t deserve you!”
Also on the night, Becky G was honored with the Impact Award presented by American Express, Doechii received the Rising Star Award presented by Honda, Ivy Queen earned the Icon Award, Kim Petras nabbed the Chartbreaker Award, Latto landed the Powerhouse Award, Lainey Wilson won the Rulebreaker Award, Lana Del Rey took home the Visionary Award, TWICE was named Breakthrough Award winner, and Rosalía rocked the house with first ever Women in Music Producer of the Year award presented by Bose.
Clips remain online for streaming here on Billboard.com and at Billboard’s YouTube account.
For more visit billboardwomeninmusic.com.
Chance the Rapper did a late-night triplet when he visited The Tonight Show on Monday (March 6), by participating in an interview, playing a daft game, and performing a new number.
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First up, the Chicago hip-hop star (real name: Chancelor Johnathan Bennett) sat for a chat with the NBC program’s host Jimmy Fallon, and cleared up any questions about whether Martin Short really is such a good guy.
Well, yes, apparently. Chance regaled with a tale of a flight from Los Angeles to Chicago, in which he was separated from his eldest daughter, Kensli. That was until a “kind older gentleman gets up” and offered his seat to the girl. It was indeed the Martin Short. “I super freaked out,” Chance admits. “He was really, really nice and I don’t think he knows who I am. So I think he just did it…that’s a really kind gesture.”
Conversation moved on to Chance’s Black Star Line Festival in Ghana. “It was very successful,” he says of the event, held earlier this year with a lineup featuring Erykah Badu, Dave Chappelle, T-Pain, Jeremih, Sarkodie, Tobe Nwigwe, Asakaa Boys and M.anifest.
“It was magical. 52,000 people, the largest concert in the history of Ghana”. With the dust barely settled, Chance and Vic Mensa are plotting the next round for the festival in January 2024. And perhaps, this time visiting the West Indies.
“We’re actually thinking about hosting the next one in Kingston, Jamaica,” he explains. “We’re still working it out in our heads. And we love the city of Accra and Ghana and West Africa as a whole. We just want to continue to, like, create community in other spaces.”
The Grammy Award-winning songwriter and producer also squeezed in some promo for season 23 of The Voice, for which he’s the newest coach. Would he have auditioned for the show if the whole Chance The Rapper thing never happened?
Sure, he would have done just fine, Chance admits confidently.
And which song would he hit, given the chance? “And I Am Telling You I’m Not Going Song,” the Jennifer Hudson piece from Dreamgirls.
Chance stuck around and showed he’s a good sport by playing a round of “Peanut Butter That’s My Jam Tic-Tac-Toe,” a sticky new spot and a real mouthful.
The Coloring Book star closed it out with a solo-performance of “YAH Know”. The recording, which features King Promise, will appear on his upcoming album Star Line Gallery, expected for release later this year.
Watch the performance below.
Ed Sheeran completed a hattrick of attendance records last week when his – = ÷ x Tour (pronounced The Mathematics Tour) swung into the Melbourne Cricket Ground, the largest stadium in Australia.
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The English pop superstar broke the national record for attendance at a ticketed concert on Thursday (March 2) with upwards of 105,000 tickets sold.
He was just warming up.
The imposing venue was the host for another record-breaking effort last Friday (March 3), when more than 109,500 Sheerios packed the house — setting a new mark for the second consecutive night.
The combined attendance across those two shows, at almost 215,000, will take some beating.
The MCG, or simply the G, as locals call it, is a sporting and concerts caldron which has hosted countless events since it was constructed on its current site in 1853.
The opening and closing ceremonies for the 1956 Olympic Games where held at the MCG, it’s the spiritual home of AFL, the world’s largest Test cricket ground, and it has provided the backdrop for concerts by the biggest names in music, from David Bowie to U2, Paul McCartney, Billy Joel, the Rolling Stones, Madonna and many others.
With those two massive shows, Sheeran has a special footnote in the history of the MCG and Australia’s touring market — and not for the first time.
When the “Shape Of You” singer last toured Australia with Frontier Touring, in 2018, more than 1 million tickets were sold, a feat that wiped Dire Straits’ record for a single trek (950,000) that had stood for more than 30 years. Sheeran’s Divide tour that year also set a new mark of 18 stadium dates across Australia and New Zealand, beating AC/DC’s old record (14).
Sheeran has a deep friendship with Australia and the Gudinskis, the family behind Frontier Touring, the touring company which produced the current recent trek, the 2018 Divide run and others.
All five of his studio albums have led the ARIA Chart. He has a chance to hit the national survey for six when his next album, Subtract, drops May 5.
Sheeran’s hit “Shape Of You” is the leader on the ARIA Top 100 Singles chart of the 2010s.
The Brit’s 12-date The Mathematics Tour of Australasia continues tonight (March 7) at the Adelaide Oval and wraps up Sunday (March 12) at Perth’s Optus Stadium.
Tickets are available for both shows.
Korean tech company Kakao will launch a tender offer to acquire up to 35% of SM Entertainment’s outstanding shares. The move came a day after a court injunction forced Kakao to cancel its plan to acquire a 9.05% stake directly from SM, whose roster includes NCT 127 and Red Velvet; a court injunction scuttled SM’s plan to issue new shares and give Kakao the stake, according to reports by Bloomberg and Reuters.
Kakao and its subsidiary Kakao Entertainment are seeking to become SM’s largest shareholder and partner, to help rebuild the company after SM’s board of directors terminated a production contract with the company’s legendary founder, Lee Soo-man, on Dec. 31. Lee sold most of his SM shares to HYBE, the home of BTS, on Feb. 22 and won a court injunction Friday that prevented SM from issuing new shares to Kakao. As a result, Kakao has been forced to seek shares from existing SM shareholders instead.
HYBE had sought an additional 25% stake in SM through a tender offer but was able to purchase slightly less than 1% of outstanding shares, the company revealed in a regulatory filing Monday (March 6). That increased HYBE’s ownership stake in SM to 15.8%. With Lee’s 3.65% stake, HYBE has voting power of 19.4% of outstanding shares. The next-largest shareholder, Korea’s National Pension Service, owns 6.2% of SM’s shares.
Kakao and HYBE are locked in a battle for control of SM’s board of directors ahead of the company’s annual general meeting on March 31. “Kakao has strong trust in the excellent competitiveness of SM Entertainment’s current management, employees, and artists, and the current management’s efforts to resolve the factors that hinder SM Entertainment’s growth,” the company said in a statement.
HYBE sees itself as the more skilled, experienced company to guide SM’s global ambitions and has criticized its competitor’s “utterly irresponsible contract” with Kakao.
Kakao and its subsidiary Kakao Entertainment, which raised $966 million from the sovereign wealth funds of Saudi Arabia and Singapore in January, will offer 150,000 won ($115.46) per share — a 25% premium over the 120,000 won ($92.36) per share HYBE offered.
SM’s share price rose 13.8% to 148,100 won ($114.09) on Tuesday morning in Seoul following news of Kakao’s tender offer.
Additional reporting by Jeyup S. Kwaak.
De La Soul could cap an eventful stretch with a career-best U.K. chart position for the hip-hop legends’ 3 Feet High and Rising (via Chrysalis).
At the midweek point, De La Soul’s 1989 debut LP blasts to No. 5, well ahead of its No. 13 peak from January 1990 and a potential career high.
A top 5 appearance would cap a particularly eventful stretch for the Grammy Award-winning trio, which lost its founding member Trugoy the Dove (born David Jude Jolicoeur) last month, at the age of 54.
The rush for 3 Feet High and Rising is powered by streaming, and the long-overdue release of the New Yorkers’ catalog on digital streaming services last Friday (March 3) for the first time.
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That campaign followed months of work with the act and their record label, AOI, along with Reservoir, and includes De La Soul’s first six albums, 3 Feet High and Rising, De La Soul Is Dead (1991), Buhloone Mindstate (1993), Stakes Is High (1996), Art Official Intelligence: Mosaic Thump (2000), and AOI: Bionix (2001). Just one of those LPs has cracked the U.K. top 10 — De La Soul Is Dead, which peaked at No. 7.
Flying high at the top of the Official Chart Update is the Lathums’ From Nothing to a Little Bit More (Island). If it holds its position, the Wigan, England rock outfit will earn a second leader following their 2021 debut, How Beautiful Life Can Be.
Close behind is British rapper slowthai, who is chasing his third consecutive top 10 with UGLY (Method). It’s new at No. 3 on the chart blast. Raised in Northampton (and born Tyron Frampton), slowthai landed a No. 1 with his previous, sophomore effort, Tyron.
Completing the podium on the chart blast is Mimi Webb’s first full-length album Amelia (RCA), set for a No. 3 debut.
Also eyeing top 10 stars are Scottish folk band Tide Lines (An Ocean Full of Islands currently at No. 6 via Tide Lines Music); “Songbird” singer Eva Cassidy’s posthumous collection with the London Symphony Orchestra and Australian-British composer Christopher Willis (I Can Only Be Me at No. 7 via Blix Street) and prog-rock legends Genesis (BBC Broadcasts at No. 9 via UMR/Virgin).
U.S. country star Morgan Wallen will need to show a clean set of heels in the final stages of the chart race if he’s to nab his first U.K. top 40 appearance. Wallen’s 36-track third album One Thing At A Time (EMI) appears at No. 40 on the Official Chart Update.
All will be revealed when the weekly chart is published Friday.
Miley Cyrus’ “Flowers” (via Columbia) remains the single to beat in the U.K., as it takes an early lead in the chart race.
“Flowers” powered to a seventh consecutive No. 1 when the Official U.K. Singles Chart was published last Friday (March 3), and it’s making ground on its bid for an eighth.
Based on sales and streaming data captured from the first 48 hours of the chart week, “Flowers” is out front, with PinkPantheress’ “Boy’s a liar” (Warner Records) less than 3,000 chart sales behind in second place, the Official Charts Company reports.
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“Boy’s a liar” has logged eleven weeks on the chart — and counting — but has never reached the summit.
Don’t expect “Flowers” to wilt anytime soon. A “demo” version dropped last Friday ahead its hotly anticipated parent album, Endless Summer Vacation, due out this Friday (March 10).
After flying 37-4 on the latest chart, the Weeknd’s 2016 number “Die For You” (Republic Records/XO) is on track for another peak position. Fueled by a new cut featuring Ariana Grande, the track lifts 4-3 on the First Look survey.
Further down the chart blast, Afrobeats stars Libianca could finally enter the top 10 with “People” (5K), up 11-10, while the title track from Pink’s chart-leading new album Trustfall (RCA) is on the rise, set for a boost 14-11. Trustfall album track “Never Gonna Not Dance Again” is hovering around the U.K. top 20, up 22-20 on the early tally.
Finally, two British singer-songwriters are chasing new chart highs. Mimi Webb’s “Red Flags” (Epic) is set to gain 17-13, while Mae Stephens “If We Ever Broke Up” (EMI) could improve 20-19.
All will be revealed when the Official U.K. Singles Chart is published Friday (March 10).
“This Is a Life” from Everything Everywhere All at Once won best song written and/or recorded for a film at the Guild of Music Supervisors Awards on Sunday (March 5) at The Wiltern Theatre in Los Angeles. This was the guild’s first in-person awards gala since 2020.
The award was presented to songwriters Ryan Lott, David Byrne and Mitski Miyawaki; performers David Byrne, Mitski and Son Lux; and music supervisors Lauren Marie Mikus and Bruce Gilbert. Lott accepted the award saying “Making this movie was its own award. To be acknowledged on top of that feels unfairly awesome.”
“This Is a Life” is an Oscar nominee for best original song. At the GMS Awards, it beat nine other songs, including two that are also Oscar nominees in that category – “Lift Me Up” from Black Panther: Wakanda Forever and “Hold My Hand” from Top Gun: Maverick.
Final-round Oscar voting is now underway. The five-day voting period closes Tuesday March 7. The Oscars will be presented on Sunday March 12.
Everything Everywhere All at Once won a second GMS Award on the night — best music supervision for a film budgeted $25 million and under. That award went to Mikus and Gilbert.
Music supervisor Rob Lowry also scored double wins for his work on Cha Cha Real Smooth and Do Revenge.
The GMS Awards celebrate achievements in the craft of music supervision in film, television, documentaries, games, advertising, and trailers.
Oscar-winning songwriter Paul Williams received the Icon Award. He related his recent joy at hearing one of his ’70s songs, “I Won’t Last a Day Without You,” on The Marvelous Mrs. Maisel. He praised music supervisors for extending the life of a song. He noted that “For a songwriter, it’s attention [but it can also be] food on the table and gas in the car.”
Sam DeRosa, Nella Rojas and Joshua Radin participated in the Williams segment, which included the Oscar-winning “Evergreen (Love Theme from A Star Is Born)” and the Oscar-nominated “The Rainbow Connection.”
Pilar McCurry was posthumously awarded the Legacy Award. Macy Gray performed her 2000 hit “I Try” in tribute to McCurry, who was an early champion.
Ruth B gave the night’s opening performance – “Paper Airplanes” from A Jazzman’s Blues. Ruth B co-wrote the song with Terence Blanchard. Joel C. High, the guild’s president, was music supervisor on the film.
Other performers were Gaby Moreno, who sang the GMS-nominated “A Song in My Heart” from The Valet; and Joy Oladokun, who sang the LGBTQ-themed “Pride.”
The event was produced by the Guild of Music Supervisors Awards production committee, headed by president Joel C. High and vice president Madonna Wade-Reed. Show production was handled by Angelia Bibbs-Sanders from ABS Collective with talent producer Julie Donsky, and technical production by Nick Urbom from Big Push Media Group.
For the first time this year, video game composers were nominated alongside music supervisors in a new category – best music supervision in a video game (original). Four other new categories were added – best music supervision for a non-theatrically released film; best music supervision for a trailer – series; best music supervision for a trailer – video game & interactive; and best music supervision in advertising: $500,000 total production & post-production budget.
For more information on the ceremony, visit GMSAwards.com. For more information on the organization, visit GuildofMusicSupervisors.com.
Here is the complete list of nominees for the 13th Annual Guild of Music Supervisors Awards, with winners checked.
FILM
Best song written and/or recorded for a film
“Paper Airplanes” from A Jazzman’s Blues; Songwriters: Ruth Berhe, Terence Blanchard; Performer: Ruth B; Music Supervisor: Joel C. High
“Lift Me Up” from Black Panther: Wakanda Forever; Songwriters: Robyn Fenty PKA Rihanna, Ludwig Göransson, Ryan Coogler, Temilade Openiyi PKA Tems; Performer: Rihanna; Music Supervisor: Dave Jordan
“Honey to the Bee” from Catherine Called Birdy; Songwriters: James Marr, Wendy Page; Performer: Misty Miller; Music Supervisors: Jen Malone, Nicole Weisberg
“Vegas” from Elvis; Songwriters: Jerry Leiber, Mike Stoller, Amala Dlamini, David Sprecher, Rogét Chahayed; Performer: Doja Cat; Music Supervisor: Anton Monsted
WINNER: “This Is a Life” from Everything Everywhere All at Once; Songwriters: Ryan Lott, David Byrne, Mitski Miyawaki; Performers: David Byrne, Mitski, Son Lux; Music Supervisors: Lauren Marie Mikus, Bruce Gilbert
“Turn Up the Sunshine” from Minions: The Rise of Gru; Songwriters: Jack Antonoff, Sam Dew, Patrik Berger, Kevin Parker; Performers: Diana Ross, Tame Impala; Music Supervisors: Mike Knobloch, Rachel Levy
“Ready As I’ll Never Be” from The Return of Tanya Tucker; Songwriters: Tanya Tucker, Brandi Carlile; Performers: Tanya Tucker, Brandi Carlile; Music Supervisors: Jill Meyers, Drew Bayers
“Hold My Hand” from Top Gun: Maverick; Songwriters: Lady Gaga, BloodPop; Performer: Lady Gaga; Music Supervisor: Randy Spendlove
“Carolina” from Where the Crawdads Sing; Songwriter: Taylor Swift; Performer: Taylor Swift; Music Supervisor: Spring Aspers
“A Song in My Heart” from The Valet; Songwriters: Gaby Moreno, Heitor Pereira; Performer: Gaby Moreno; Music Supervisor: Howard Paar
Best music supervision for film budgeted over $25 million
Joel C. High – A Jazzman’s Blues
Dave Jordan – Black Panther: Wakanda Forever
WINNER: Anton Monsted – Elvis
Julie Glaze Houlihan – Glass Onion: A Knives Out Mystery
Tom Wolfe, Manish Raval – The Greatest Beer Run Ever
Maureen Crowe, Becky Bentham – I Wanna Dance With Somebody
Rachel Levy, Mike Knobloch – Minions: The Rise of Gru
Linda Cohen – Spirited
Mike Knobloch, Natalie Hayden, Lucy Bright – TÁR
Tom MacDougall – Turning Red
Best music supervision for film budgeted $25 million and under
Joe Rudge – Armageddon Time
Robin Urdang – Bones and All
WINNER: Lauren Marie Mikus, Bruce Gilbert – Everything Everywhere All at Once
Dushiyan Piruthivirajah – Mrs. Harris Goes to Paris
Natalie Hayden, Garrett McElver – Spoiler Alert
Best music supervision for film budgeted $10 million and under
Jonathan McHugh – Butter
Willa Yudell – Call Jane
WINNER: Rob Lowry – Cha Cha Real Smooth
Guillaume Baurez – Corsage
Rupert Hollier – Living
Rob Lowry – On the Count of Three
Leah Harrison, Season Kent – Press Play
Graham Kurzner, Orian Williams – sam & kate
Joe Rudge – X
Best music supervision for a non-theatrically released film
Jane Abernethy, Jessica Berndt – Along for the Ride
Joel C. High, Sami Posner – Blue’s Big City Adventure
WINNER: Rob Lowry – Do Revenge
Gabe Hilfer, Henry van Roden – Fresh
Raven Davenport, Shannon Murphy – Love in the Villa
Becky Bentham – Matilda (Roald Dahl’s Matilda the Musical)
Lauren Denemark, Julian Drucker, Andrew Weaver – Purple Beatz
Rob Lowry – Wendell and Wild
Howard Paar – The Valet
TELEVISION
Best song written and/or recorded for television
“Walking On Sunshine” from Acapulco – Season 1 Ep. 10 – “You Should Hear How She Talks About You”; Songwriter: Kimberley Rew; Performers: Rodrigo Urquidi, Rossana de León; Music Supervisors: Javier Nuño, Joe Rodriguez
“Maybe Monica” from The Marvelous Mrs. Maisel – Season 4 Ep. 5 – “How to Chew Quietly and Influence People”; Songwriters: Tom Mizer, Curtis Moore; Performer: Josh A. Dawson; Music Supervisor: Robin Urdang
WINNER: “Perfect Day” from Better Call Saul – Season 6 Ep. 9 – “Fun and Games”; Songwriter: Harry Nilsson; Performers: Dresage, Slow Shiver; Music Supervisor: Thomas Golubić
“Two Shots” from The Afterparty – Season 1 Ep. 3 – “Yasper”; Songwriters: Jack Dolgen, Jonathan Lajoie; Performers: Ben Schwartz, Sam Richardson, Jamie Demetriou; Music Supervisor: Kier Lehman
“Trouble” from MOOD – Season 1 Ep. 6 – “F*** the Fake Sh**”; Songwriters: Nicôle Lecky, Camille Angelina Purcell ‘Kamille’, Kwame Kwei-Armah Jr ‘KZ’; Performer: Lecky; Music Supervisors: Ed Bailie, Abi Leland
“Let’s Live for Today” from Pachinko – Season 1 Ep. 8 – “Chapter Eight”; Songwriters: Michael Julien, Guilio Rapetti Mogol, Norman David Shapiro; Performer: Leenalchi; Music Supervisor: Michael Hill
“Seduce & Scheme” from Rap Sh!t – Season 1 Ep. 3 – “Something for the Hood”, Ep. 4 – “Something for the Clubs”, Ep. 5 – “Something for the Weekend”, Ep. 6 – “Something for the Gram”, Ep. 7 – “Something for the DJ”, Ep. 8 – “Something for the Road”; Songwriters: Larry Dwayne Batiste, Isaac Earl Bynum, Khia Chambers, Brittany Dickinson, Aida Goitom, Floyd Nathaniel Hills, Clayton Richardson, Seandrea Sledge, Bill Summers. Kevin Toney, Michael J. Williams; Performers: Shawna & Mia; Music Supervisors: Sarah Bromberg, Stephanie Diaz-Matos, Philippe Pierre
“Get It on the Floor” from P-Valley – Season 2 Ep. 6 – “Savage,” Ep. 9 – “Snow”; Songwriters: Julian Mason, Antwon D. Moore, Megan Pete, Kelton Lanier Scott II; Performers: J. Alphonse Nicholson, Megan Thee Stallion; Music Supervisors: Sarah Bromberg, Stephanie Diaz-Matos, Katori Hall
Best music supervision – television comedy or musical
Kier Lehman – The Afterparty Season 1
WINNER: Kier Lehman – Insecure Season 5
Nora Felder, Janine Scalise – Better Things Season 5
Ed Bailie, Abi Leland – MOOD Season 1
Adam Anders, Amanda Krieg Thomas – Monarch Season 1
Robin Urdang – The Marvelous Mrs. Maisel Season 4
Thomas Patterson – The Resort Season 1
Amanda Krieg Thomas – Pam & Tommy Season 1
Best music supervision – television drama
Ciara Elwis – Bad Sisters Season 1
Thomas Golubić – Better Call Saul Season 6
Justin Kamps – Bridgerton Season 2
Jen Malone, Adam Leber – Euphoria Season 2
Ollie White – Industry Season 2
Dave Jordan, Shannon Murphy – Ms. Marvel Season 1
Stephanie Diaz-Matos, Sarah Bromberg, Katori Hall – P-Valley Season 2
WINNER: Nora Felder – Stranger Things Season 4
Best music supervision – reality television
Peter Davis – The Challenge: All Stars Season 3
Sarah Bromberg, Gary Lubansky, Eric Medina – Sweet Life: Los Angeles Season 2
Brandon Boucher – The Real World Homecoming Season 3
Greg Danylyshyn, Ben Hochstein – The Kardashians Season 1
Jon Ernst – Siesta Key Season 4
WINNER: Adam Brodsky, Rivka Rose – The Come Up Season 1
DOCUMENTARIES
Best music supervision for a documentary
Dawn Sutter Madell – All the Beauty and the Bloodshed
Justin Feldman – Louis Armstrong’s Black and Blues
Jonathan Zalben – Ron Carter: Finding the Right Notes
WINNER: Allison Wood – Tony Hawk: Until the Wheels Fall Off
Best music supervision in a docuseries
WINNER: Amanda Krieg Thomas – The Andy Warhol Diaries
Ross Sellwood – My Life as a Rolling Stone
Dan Wilcox – Street Food USA
Barry Cole – They Call Me Magic
Andrea von Foerster – Welcome to Wrexham
VIDEO GAMES
Best music supervision in a video game (synch)
Ryan Tomlin, Brandon Young – Call of Duty: Modern Warfare II
Alex Hackford, Duncan Smith – Gran Turismo 7
Raphaella Lima, Cybele Pettus, Steve Schnur – Need for Speed Unbound
WINNERS: Dylan Bostick, Josh Kessler – Saint’s Row V
Best music supervision in a video game (original)
Simon Landry, Rossen Yankov – Assassin’s Creed Valhalla: Dawn of Ragnarök; Composer: Stephanie Economou
WINNERS: Steve Schnur – Battlefield 2042 DLC – Season 1 – Zero Hour | Season 2 – Master of Arms | Season 3 – Escalation; Composers: Hildur Guðnadóttir, Sam Slater
Brandon Young – Call of Duty: Modern Warfare II; Composer: Sarah Schachner
Richard Beddow – Total War: Warhammer III; Composers: Jamie Christopherson, Jim Fowler, Ian Livingstone, Simon Ravn, Tim Wynn
TRAILERS
Best music supervision in a trailer – film
WINNER: Evelin Garcia – Black Panther: Wakanda Forever – Teaser “Leaders”
Deric Berberabe, Jordan Silverberg – Elvis (trailer 2)
Anny Colvin – Avatar: The Way of the Water
Gregory Sweeney – Men Official Trailer
Matthew Bailey, Shawn Stevens – Empire of Light, Trailer “Home”
Sanaz Lavaedian, Marina Polites – Marvel Studios’ Ant-Man and the Wasp: Quantumania
Scenery Samundra, Gregory Sweeney – Glass Onion: A Knives Out Mystery Official Teaser Trailer
Bobby Gumm – Three Thousand Years of Longing
Maggie Baron – Marcel the Shell with Shoes On
Cynthia Blondelle, Heather Kreamer – Guardians of the Galaxy Volume 3 Official Trailer
Best music supervision in a trailer – series
Will Quiney – Atlanta Season 3 ‘Visitors’
Bobby Gumm – Stranger Things 4
Scenery Sumandra, Gregory Sweeney – The Idol – Official Teaser #3
Brian Sotelo – Black Bird
WINNER: Deric Berberabe, Jordan Silverberg – The White Lotus – Season 2
Dylan Bostick, Chris Restivo – Atlanta “Shillin’”
Deric Berberabe, Jordan Silverberg – The Boys Season 3 (full trailer)
Kelsey Mitchell – Perry Mason Season 2 Teaser (HBO)
Evelin Garcia – Andor – Teaser “Reckoning”
Emma Allaway, Eduardo Fontes Williams – The Crown Season 5
Best music supervision in a trailer – video game & interactive
Glenn Herweijer, Simon Landry, Ben Sumner, Jack Thompson – Assassins Creed Valhalla: Dawn of Ragnarök – Cinematic World Premiere
WINNERS: Lindsey Kohon, Naaman Snell – Destiny 2: The Witch Queen – Launch Trailer
Raphaella Lima, Michael Sherwood – Wild Hearts Reveal Trailer
Lindsey Kohon, Ryan Tomlin, Brandon Young – Warzone 2.0 Launch Trailer | Call of Duty: Warzone 2.0
Lindsey Kohon, Ryan Tomlin, Brandon Young – Call of Duty: Modern Warfare II – World Gameplay Reveal Trailer
ADVERTISING
Best music supervision in advertising (synch)
Buzzy Cohen, Quinn Donnell – Airbnb – Strangers
Mike Ladman, Brad Nayman, Brandy Ricker – New York Times – Independent Journalism | The New York Times | Jordan
WINNER: Abbey Hendrix, Jonathan Wellbelove – Apple – The Greatest
Josh Marcy, Nicole Palko – Apple – iPad – Election
Ben Dorenfeld, Zach Pollakoff, Anton Trailer – Johnnie Walker – Anthem
Jessie Kalikow, Scott McDaniel, Nargis Sheerazie – Apple – Chocolate
Andrew Kahn, Morgan Thoryk – Zillow – Nightswimming
Frederic Schindler – Amazon Fashion – Amazon Fashion Holiday 2022
Best music supervision in advertising (original music)
WINNERS: Sunny Kapoor, Mike Ladman, Brad Nayman, Brandy Ricker – Meta – Good Ideas Deserve to be Found: A (Slightly) Life-Changing Story
Mike Ladman, Brad Nayman, Brandy Ricker – Hennessy – HENNESSY X NBA: GAME NEVER STOPS
Will Eichler, Chip Herter – Taco Bell – The Grande Escape
After seven weeks, nothing and no one can cut down Miley Cyrus’ “Flowers” (via Columbia) in the U.K.
“Flowers” stays put for a seventh consecutive No. 1 on the Official U.K Singles Chart, published March 3. It’s still the most streamed song in the market, according to the Official Charts Company, where it racks-up another 5.2 million streams.
With its reign heading towards two full months, “Flowers” becomes the longest-running No. 1 by a female solo artist in the U.K. since Adele’s “Easy On Me,” which logged eight non-consecutive weeks at the summit in 2021 and 2022.
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The all-time leader among solo female artists is Tones And I, the former busker from Australia whose “Dance Monkey” ruled for 11 weeks in 2019.
With “Flowers” digging in for another title, PinkPantheress must make-do with another stint at No. 2 for “Boy’s a liar” (Warner Records).
Sparks fly for the Weeknd, as the Canadian R&B star’s 2016 track “Die For You” (Republic Records/XO) roars into the top 10 for the first time, thanks to the release of a new cut featuring Ariana Grande. It’s up 37-4, for Abel Tesfaye’s 14th U.K. top 10 hit.
U.S. rapper SuperStar Pride (real name: Cadarrius Pride) earns the highest new release in the U.K. this week, with his breakthrough independent release “Painting Pictures” (via SuperStar Pride). Sampling Faith Evans’ “Soon As I Get Home,” it’s new at No. 33 on the latest tally, for SuperStar Pride’s U.K. chart debut.
Finally, Brighton, England-based pop newcomer Caity Baser enjoys her first U.K. top 40 single with the viral number “Pretty Boys” (EMI/Chosen Music), soaring 91- 35, while SZA scores a fourth top 40 appearance from her hit sophomore album SOS, as “Snooze” (RCA/Top Dawg) gets the wake-up call, lifting 47-40. SOS also yielded “Kill Bill” (currently at its peak position of No. 3), “Shirt” (No. 17) and “Nobody Gets Me” (No. 27).