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Joe Jonas is back with some fresh tunes, with his new single “What This Could Be” officially out today, Oct. 4.
Last week, Jonas teased the release on social media, sharing how excited he was about the reaction to the, adding he would be pushing the release of his forthcoming album, Music for People Who Believe in Love so he could “fine-tune” it.
“Wow, the love for ‘What This Could Be’ really makes me smile 😊 So I’m going to make it my new single and put it out October 4th 💃,” he wrote, adding that the song’s popularity gave him the inspiration to hold off on releasing his full album to fine-tune it even more.
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“Hehe anyways enjoy the new song on Oct 4th – you’re all the best!”
Following the success he’s had with the Jonas Brothers and DNCE, Jonas’ latest solo single “What This Could Be” follows his July release “Work It Out.”
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Joe has seen some recent success on the Billboard chart thanks to his duet with Demi Lovato, “This Is Me,” which hit No. 9 on the Billboard Hot 100. He’s also charted with previous tracks like “Gotta Find You” and “See No More.” Could this new single be the one to land him another hit?
Joe’s forthcoming album, Music for People Who Believe in Love, began with the song “Only Love,” a funked-up and flirtatious pop-rock jam that he originally conceived with his brothers.
During the writing process in Australia as they worked with producer Joel Little, “I noticed that the song was going toward the direction of some personal stuff that I went through,” Jonas recalls.
So I go to Kevin and Nick, ‘Hey, can I use this as a catapult to go explore what this sound could be, and also what I’m trying to figure out emotionally?’ They were very supportive — Nick said, ‘Well, damn, I really like that song. But I get what you need to do, so go for it.’ ”
Stream “What This Could Be” below.
The TikTok Billboard Top 50 has a new No. 1. Could it be NLE Choppa, Johnny Depp or Alphaville? Keep watching to find out! Tetris Kelly: A new leader takes the top spot while a ton of new tracks break into the top 10. After a 10-week climb, Alphaville’s 30-year old hit, “Forever Young” reaches […]
Three decades after its original run on the Billboard Hot 100, Alphaville’s “Forever Young” is No. 1 on a Billboard chart, reigning over the TikTok Billboard Top 50 tally dated Oct. 5.
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The TikTok Billboard Top 50 is a weekly ranking of the most popular songs on TikTok in the United States based on creations, video views and user engagement. The latest chart reflects activity from Sept. 23-29. Activity on TikTok is not included in Billboard charts except for the TikTok Billboard Top 50.
“Forever Young” sported its original Hot 100 run over a three-week period in spring 1985, during which it peaked at No. 93. It returned to the ranking in 1988-89 following a re-release, rising as high as No. 65 in December 1988. 2024 marks the song’s 40-year anniversary, as it was released on Alphaville’s self-titled debut album in September 1984.
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Alphaville has reigned on a Billboard chart once before; “Big in Japan” topped Dance Club Songs for two weeks in 1984.
“Forever Young” ties Jordan Adetunji’s “Kehlani” for the longest amount of weeks between TikTok Billboard Top 50 debut and first week at No. 1 since the list’s September 2023 inception. It reigns in its 10th week on the survey after initially debuting on the Aug. 3 ranking. It had reached a new peak of No. 2 on the Sept. 28 chart.
The song is used in a variety of ways on TikTok. Trends include edits of fictional characters (many of whom died young), inward-looking content about aging and reminiscing about younger days, a choreographed theme where one creator picks up the other and spins them around while spraying a water bottle in slow motion, and more.
Over the last few weeks, “Forever Young” has also returned to Billboard’s Alternative Digital Song Sales charts thanks to the TikTok resurgence; it appears at No. 10 on the latest survey via 1,000 downloads in the week ending Sept. 26, according to Luminate. It also pulled 2.1 million official U.S. streams in that span.
The TikTok Billboard Top 50 coronation of “Forever Young” comes ahead of Johnny Depp and Helena Bonham-Carter’s “By the Sea,” from the soundtrack to the 2007 film Sweeney Todd: The Demon Barber of Fleet Street, which vaults 32-2 in its second week on the chart.
The trend on the 17-year-old song? Generally lip-synching to the song’s opening “Ooh, Mr. Todd/ I’m so happy/ I could eat you up, I really could” lyric, while others skip the lip-synching and simply kiss someone or something to Bonham-Carter’s cues from the tune.
Another debut from the Sept. 28 chart, NLE Choppa and 41‘s “Or What,” ranks within the top three for the first time, jumping 44-3, mostly via lip-synching uploads. The song was released Sept. 6 and earned 3.2 million streams in the week ending Sept. 26, up 73%.
Odetari’s “Keep Up” (No. 14), leaps into the top four, rising 14-4 in its second week on the list. It ties Odetari’s top-performing song on the tally, equaling the No. 4 peak of “I Love You Hoe,” co-billed with 9Lives, in September 2023.
Released in mid-July, “Keep Up” has exploded in recent weeks thanks to a dance trend. It concurrently hits a new peak of No. 6 on the Hot Dance/Electronic Songs chart, accumulating 5.8 million streams, up 39%, as the ranking’s greatest gainer in that metric.
IV of Spades’ “Come Inside of My Heart,” the previous No. 3 on the TikTok Billboard Top 50, rounds out the top five, while Ken Carson’s “Overseas” jumps 23-6 in its second week, nearly six months after its April release.
Carson’s TikTok success with “Overseas” is owed mostly to lip synchs, usually to the song’s lyric of “That boy repeat everything he hear like a parrot, he a b–ch/ The last b–ch I broke up with slit her wrist.”
“Overseas” earned 3.2 million streams in the week ending Sept. 26, a gain of 7%.
Two more songs hit the top 10 of the TikTok Billboard Top 50 for the first time: Freak Nasty’s “Da’ Dip” and Olivia Rodrigo’s “Deja Vu” at Nos. 7-9, respectively. “Or What” is led by lip synchs and “Da’ Dip” by a dance trend (notable since the song, which peaked on the Hot 100 at No. 15 in 1997, is inherently named for a dance), while “Deja Vu” gains from the “and suddenly” trend.
See the full TikTok Billboard Top 50 here. You can also tune in each Friday to SiriusXM’s TikTok Radio (channel 4) to hear the premiere of the chart’s top 10 countdown at 3 p.m. ET, with reruns heard throughout the week.
Get the tissues ready—Eminem is about to hit us right in the feels again.
The rapper is releasing the music video for his deeply emotional track “Temporary” on Oct. 3, and fans are already bracing themselves for a tearjerker.
In a post on Instagram on Oct. 2., the Detroit native shared a picture of his daughter, Hailie Jade, as a child, taken on the iconic stage of The Eminem Show. The image was handcrafted into a card by Hailie herself, and the post included a poignant quote from the song: “It won’t be too long…” followed by the tag “#Temporary.”
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If that wasn’t enough to get fans tearing up, Em also dropped a sneak peek of the music video, which features never-before-seen Polaroids of him and Hailie over the years.
He then shared a snippet of the music “The tears are temporary,” he captioned the post, before revealing that the visuals for “Temporary” will drop tomorrow at 1 p.m. ET.
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On the track from his latest album, The Death of Slim Shady, Eminem gets personal, lamenting the countless hours and days he missed due to his struggle with drugs and alcohol; Em celebrated 16 years of sobriety in April.
The 51-year-old rapper’s emotional tribute to his daughter has already struck a chord with fans. Hailie, now 28, recently opened up on her Just a Little Shady podcast about how the album’s songs, especially “Temporary” and “Somebody Save Me,” brought her to tears.
“I audibly sobbed… I think for both songs, but especially ‘Temporary.’” However, after watching the video and listening to the songs, Hailie praised her parents for “doing such a good job” when she was growing up to shield her from the reality of “how bad things were.”
“But now as an adult in hindsight, it’s so scary to think about and I think that’s why I get emotional… I will say if you’ve ever lost an addict or loved one, I feel for you,” she added.
“The older I get the less I can listen to any of the songs.”
For longtime fans, “Temporary” feels like a continuation of Eminem’s history of dedicating music to his daughter, like “Hailie’s Song” and “Mockingbird.” The tracks have always given a glimpse of the softer, more vulnerable side of Em—a stark contrast to his fiery diss tracks and rapid-fire rhymes. And with “Temporary,” it looks like we’re about to get another look into that emotional side of Slim.
The Death of Slim Shady has proven to be yet another success for Eminem. The album, released in July, peaked at No. 1 on the Billboard 200 and marked his 11th chart-topper.
The lead track, the rhythmically tight and razor-sharp “Houdini,” quickly soared to No. 2 on the Billboard Hot 100, while “Somebody Save Me,” a deeply personal collaboration with Jelly Roll, reached No. 27. “Brand New Dance” and “Tobey,” both climbed into the top 30, while “Temporary,” featuring vocals with longtime collaborator Skylar Grey, debuted at No. 56.
Check out the teaser for “Temporary” below.
Shed Seven are on the brink of securing their second U.K. No. 1 album of 2024 as their latest release, Liquid Gold, pulls ahead in this week’s fiercely competitive race for the top of the U.K. Official Albums Chart.
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The U.K. rockers have widened their lead to 2,700 chart units over Bring Me The Horizon and their album POST HUMAN: NeX GEn, according to the midweek blast from the U.K. Official Charts Company.
Liquid Gold, which marks Shed Seven’s seventh studio album, has been a hit with fans, driving both physical sales and downloads. Their creative promotion, including limited edition CDs styled like retro concert tickets, has helped push them to the top.
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Currently the best-selling and most-downloaded album of the week, the band are looking to repeat the chart success they achieved earlier this year with A Matter of Time, which also topped the U.K. Albums Chart. If they hold on, this will be the band’s second No. 1 album in just 10 months.
However, Bring Me The Horizon’s POST HUMAN: NeX GEn isn’t out of the running just yet. Though it trails in physical sales, the Sheffield band is performing exceptionally well on streaming platforms, where they’re outpacing Shed Seven. The album, which is tracking for a new peak at No. 2, initially debuted at No. 5 back in July but has gained significant traction after its release on vinyl and other physical formats this week.
In third place is Nines’ new album Quit While You’re Ahead, making an impressive debut as the rapper looks to land another Top 3 hit after his 2023 release, Crop Circle 2, which peaked at No. 2.
Close behind, Sabrina Carpenter’s Short n’ Sweet, a former chart-topper, is sitting comfortably at No. 4 midweek, thanks to her strong streaming numbers, and could move higher as the week progresses.
Further down the chart, Mercury Prize winners Ezra Collective are holding firm at No. 6 with their jazz-influenced Dance, No One’s Watching, which is on track to become their first-ever U.K. Top 10 album. Also eyeing a Top 10 debut is Smitten, the latest release from Pale Waves, currently positioned at No. 7.
Elsewhere in the Top 10, Ed Sheeran makes a mark with his newly released + – = ÷ x Tour Collection, entering at No. 5, while Maxïmo Park’s Stream of Life is on course to debut at No. 9.
Shed Seven’s lead remains strong, but with streaming continuing to dominate the charts, the race for No. 1 is far from over. Stay tuned until the final chart positions are confirmed this Friday.
Five weeks after Incómodo debuted at No. 2 on Billboard’s Top Latin Albums chart — and Regional Mexican Albums — Tito Double P celebrates his first No. 1 on any album ranking as his first studio album rises 2-1 to lead the Oct. 5-dated list.
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Tito Double P’s 21-track effort dethrones label mate and cousin, Peso Pluma’s Éxodo from its 12-week domination, encompassing the majority of its chart run. Of the 15 weeks Peso’s fourth album album has been on the chart, it’s only missed No. 1 three times – and two of those weeks were at No. 2.
Incómodo, released on Double P Records, which Peso Pluma and George Prajin co-founded in 2023, lands at the summit on Top Latin Albums with 26,000 equivalent album units earned during the Sept. 20-26 tracking week in the U.S., according to Luminate: that’s a 2% gain from the prior week. That weekly unit sum equals to 38.8 million official U.S. streams for the songs on the album.
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“Wow, I’m so honored,” the Mexican singer-songwriter told Billboard of the album’s debut. “I didn’t expect this but I’m so grateful that the fans are embracing my project like this.”
Top Latin Albums ranks the week’s most popular Latin albums by multi-metric consumption as measured in equivalent album units. Each unit equals one album sale, 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams for a song on the album.
Incómodo also advances 2-1 on Regional Mexican Albums, for Tito’s first ruler there. Plus, one song from the album debuts on Latin Streaming Songs: “Escápate,” with Chino Pacas, arrives at No. 15 with 3.7 million on-demand official U.S. clicks, up 14%.
Omar Courtz Makes Billboard Album Charts Debut: Elsewhere, Puerto Rican Omar Courtz visits Top Latin Albums for the first time with Primera Musa, his maiden studio album which opens at No. 8 with 11,000 equivalent album units. Streaming contributes most of the 17-track effort’s first week sum in the U.S., equating to 15.4 million official streams.
It’s the first top 10 on an album chart for Courtz, who scored his first top 10 on a Billboard chart through the No. 7-peaking “Beachy,” with Daddy Yankee, on Latin Rhythm Airplay in July 2023.
Beyond its top 10 start on Top Latin Albums, Primera Musa also opens at No. 2 on Latin Rhythm Albums, Courtz’s highest-charting entry across all charts.
Tito Double P, Peso Pluma & Omar Courtz will speak at Latin Music Week Oct. 14-18 at the Fillmore Miami Beach. To register, please visit Billboardlatinmusicweek.com.
Wendy Williams has spoken out regarding all of the Diddy allegations that have come to light. Keep watching to see what she had to say. Tetris Kelly: Wendy Williams breaks her silence by speaking on Diddy as she’s being told she called it. As Charlamagne pointed out Diddy and talk show host, Wendy Williams, have […]
Drake went on an unfollowing spree and unfollowed Playboi Carti, LeBron James and more. Keep watching to see who else made the cut. Tetris Kelly: Fans noticed Drake unfollowed several celebs on Instagram. So who did he put on the chopping block? Kendrick Lamar, LeBron James and DeMar DeRozan. Both James and DeRozan were in […]
Lady Gaga lit up Jimmy Kimmel Live! on Oct. 1 with an emotionally charged performance of “Happy Mistake,” a track from her newly released album Harlequin, which ties in with her role as Harley Quinn in Joker: Folie à Deux.
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The stripped-back rendition showed off Gaga’s vocal prowess, channelling raw emotion and intensity that perfectly reflected the chaotic essence of her cinematic alter ego.
Gaga’s performance wasn’t just a song; it was a glimpse into the world she’s crafted around Harlequin. Following the performance, she told Kimmel, “It was inspired by the movie, it was inspired by my character Harley, and just also kind of this reflection on my life as a performer. It’s meant to be a really personal song about how sometimes we can go through dark times and feel like happiness is an accident when it happens.”
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Harlequin isn’t a typical film soundtrack but rather a concept record, as Gaga explained during her chat with Kimmel. “It’s not the soundtrack,” she said. “It’s a concept record and it’s a companion piece to the film. So, whether you listen to it before you watch the movie or after, it’s like an extension of the world.” This unique approach, blending music and cinema, is classic Gaga, who’s never shied away from pushing boundaries.
Discussing her role in Joker: Folie à Deux, Gaga shared the challenges of playing Harley Quinn, particularly how she had to find a different voice for the character’s musical moments.
“Harley’s not a trained singer,” she said. “So I worked a lot on developing her voice and finding what was natural and raw to her. There’s a kind of brokenness in her. She’s got an inner storm, and I wanted it to come from there.”
Gaga’s conversation with Kimmel wasn’t all about the film and album, though. The pop icon also gave fans a peek into her personal life, recounting the story of her fiancé Michael Polansky’s unexpected proposal.
“He proposed to me right after my birthday,” she revealed, adding that Polansky, in true “Minnesota nice” fashion, asked for her permission before actually popping the question. “He wanted to know if it was okay to propose before he proposed. And I was like, ‘Yes, it’s so okay!’” she laughed.
The couple, who have kept much of their relationship private, might be planning a wedding, but Gaga teased that they’ve also talked about “just going to a courthouse and ordering Chinese food.”
Watch Lady Gaga on Kimmel below.
Lana Del Rey is going country with her upcoming album Lasso, and she’s bringing her trusty collaborator Jack Antonoff along for the ride. In a new interview with Time, confirmed he’s saddling up for Lana’s latest project. “We have… yeah,” he said. “[It’s] a story for another time,” he said, staying tight-lipped on further details […]