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The guys of 5 Seconds of Summer chatted with Billboard News’ Rania Aniftos to talk through recording their Royal Albert Hall show, working with their musical idols and more. The Weeknd has been teasing his fans all week on social media with clips of him in the studio with Mike Dean for ‘The Idol’ and a mention of a potential Coachella appearance and more!
Colin Hay, the singer, songwriter and frontman of beloved Australian rock group Men At Work, and the late trailblazing tour promoter Colleen Ironside are this year’s recipients of the Ted Albert Award for Outstanding Services to Australian Music.
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The prestigious honor will be presented at the 2023 APRA Music Awards, to be held April 27 at ICC Sydney, on Gadigal land.
Hay will be on hand to receive his circular trophy, recognition for a stellar career that launched in the early ‘80s with Men At Work’s hit debut album Business As Usual, and its standout single “Down Under.”
It was a dream breakthrough, the type few acts have done before or since, as the single and its parent topped simultaneously topped the charts on both sides of the Atlantic, and the group went on to win the Grammy Award for best new artist.
“Who Can It Be Now” logged a single week at No. 1 on the Billboard Hot 100 in 1982, and “Down Under” would climb the summit later that year, holding top spot for four weeks. Today, the latter song has passed more than one billion streams across all platforms, and is treasured as Australia’s unofficial anthem.
“Overkill” and “It’s a Mistake” both hit the top 10 on the Hot 100, “Dr. Heckyll & Mr. Jive” cracked the top 40 (at No. 28). Followup LP Cargo peaked at No. 3 on the Billboard 200. The band called it quits in 1985, but the music lives on. Career record sales top 30 million, according to APRA.
This award is “for outstanding services to Australian Music,” notes Hay in a statement. “I think services is the key word here. It’s important to realise at some point in your life that it is a valuable thing to be of service. To be of some use.”
Hay’s music would be introduced to new generations through Scrubs and Garden State, and he continues to tour, both as a solo artist and as a guitarist in Ringo Starr’s All-Star Band. “Down Under” has been revisited in recent years with a hit drum ‘n’ bass cut by DJ Luude, and by award-winning Yolŋu surf rockers King Stingray.
Speaking to Billboard over Zoom from Sacramento, CA, Hay admits “Down Under” is “very dear to me. When I wrote the song, I had a lot of fear and trepidation about Australia becoming overdeveloped, like you know, Florida or something,” the Scottish-born artist notes, “and on the other side of the coin, there was this beautiful uniqueness and incredible — a kind of awesomeness — of the country which I thought, ‘we don’t want to lose that’. We have to nurture, it’s a precious thing we have.”
Also at the APRAs, Ironside will be posthumously saluted for a career during which she set the groundwork for a pan-Asian touring network and producing scores of tours in the region.
Ironside, who died in 2022, is equally remembered for her force-of-nature personality.
The concerts giant cut her teeth as a booking agent for the Harbour Premier Agency in Sydney, Australia. She went out on her own, establishing and running APA Booking Agency, which booked INXS, Ratcat, James Reyne, Jenny Morris, Wendy Matthews and Def FX for Australia, New Zealand and Asia.
In 1994, Frontier Touring recruited Ironside as head of its Asia division, where she managed tours by Pearl Jam, R.E.M., Tom Jones and others. In 1999, she established Live Limited and toured the Rolling Stones, Elton John, David Bowie, Sting and other titans of rock and pop music.
Later, in 2005, she began a five-year stint with Live Nation as senior VP of bookings in Pan-Asia, before reviving Live Limited, through which she promoted Janet Jackson in Hong Kong, Bruno Mars in Malaysia and Bob Dylan in Hong Kong and Vietnam.
“Colleen championed Australian songwriters and artists and created live music pathways into Asia with a business acumen that was years ahead of her peers,” comments Dean Ormston, CEO, APRA AMCOS.
And Hay “is a songwriter of the highest level and with the biggest heart, whose songs continue to connect and hit No. 1 on the charts. We look forward to honoring them with the Ted Albert Award at this year’s APRA Music Awards”.
The Ted Albert Award is one of the Australian music industry’s highest accolades, and is decided by the APRA board of writer and publisher directors.
Previous recipients include Paul Kelly, the late Mushroom Group founder Michael Gudinski, Slim Dusty, The Seekers and last year’s recipient The Wiggles.
In other APRA Music Awards news, the most performed international work has been awarded to global smash “As It Was” by Harry Styles, with co-writers Thomas Hull and Tyler Johnson). Universal Music Publishing and Concord Music Publishing are publishers.
As previously reported, Grammy Award winners Flume and Rufus Du Sol are among the artists and songwriters scoring multiple nominations for this year’s ceremony.
Established in 1982, the Australasian Performing Right Association’s annual songwriters’ ceremony is one of the Australian music industry’s favorite events, a worthy counterpart to Britain’s Ivor Novello Awards.
The special moments in the APRAs program includes the performance of those song of the year nominees, often completely reimagined by another star from Australia’s music scene.
For more information visit the APRA website.
We live in interesting times. Need proof? Look no further than the multiple lives of Metallica’s “Master of Puppets.”
The track, which tips in at eight minutes and 30-odd seconds, arrived fully formed in 1986, a time when a new breed of cheesy music was dominating the sales charts and hair metal was growing unchecked.
The title track from Metallica’s third studio album feels like an extension of the band’s opus “One,” a thrash-metal monster that could be used as a device to destroy enemies.
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That’s exactly what happened when Eddie Munson wielded his guitar and unleashed fury in one unforgettable moment in Stranger Things. So unforgettable, “Master Of Puppets” caught fire on DSPs and the track became a bonafide hit, along the way cracking the top 40 of the Billboard Hot 100 chart for the first time.
The Bay Arena metal legends are residents this week on Jimmy Kimmel Live. After performing new cut “Lux Æterna” on Monday, then The Black Album number “Holier Than Thou”, the four-piece hammered out “Master Of Puppets” in full on Wednesday. It’s apparently the longest song ever performed on Kimmel’s late-night TV show. If you don’t find yourself throwing horns and your head, call the doctor.
On night one, frontman James Hetfield said syncing the song to Stranger Things was an easy decision to make, and that he’s “blown away” that it still turns people on. “It’s like a nine-minute heavy metal song from 1986 that probably predates most of these people by 25, 30 years,” drummer Lars Ulrich added. “It’s just insane. Who would have thought?”
The Rock And Roll Hall of Fame-inducted band’s four-night stand is a celebration of their forthcoming 12th studio album, 72 Seasons, due out Friday (April 14).
Watch the performance below.
Decades of experience on the small screen couldn’t stop two more celebrities from being sent home from The Masked Singer.
Wednesday night’s (April 12) season nine episode was “Masked Singer in Space Night,” with three contestants battling for one spot.
UFO performed Coldplay’s breakthrough hit “Yellow”; Dandelion tried out Muse’s “Starlight”; and Lamp hit “Venus,” Bananarama’s cover Shocking Blue’s 1969 song “Venus.”
Appropriately, UFO got through on “Space Night.”
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Underneath the Lamp helmet was actress Melissa Joan Hart (“Sabina, The Teenage Witch”), who revealed herself only after a clumsy unmasking moment in which she required assistance from the men in black.
“This is something I wanted to do for my kids, and for myself. I wanted to overcome something,” she explained of her decision to appear on the show. “I have never sung in front of people before. It’s terrifying to me. So this is like overcoming of fear. And, I did it guys!” Yes, she did.
Also, she remarked, “I didn’t fall, I didn’t vomit.” No, she didn’t.
Behind the fluffy Dandelion mask was actress, singer and songwriter Alicia Witt (TV’s Nashville, and David Lynch’s Dune film and Twin Peaks series), winner of last week’s episode.
Ken Jeong guessed right, and was particularly enthusiastic about his small victory.
“Nothing could prepare me for trying to play the piano and sing and catch my breath with all this on,” explained Witt. “But I’m really glad I tried. The thing I love the most is getting to connect with people with my music and this has been one of the best experiences of my whole life.”
Hart and Witt join a growing group of unmasked celebrities in this season nine of Fox’s wacky hit.
Others include George Wendt (Moose), Christine Quinn (Scorpio), Holly Robinson Peete (Fairy), Alexa Bliss (Axolotl) Malin Akerman (Squirrel), Lele Pons (Jackalope), Michael Bolton (Wolf), Grandmaster Flash (Polar Bear), Debbie Gibson (Night Owl), Howie Mandel (Rock Lobster), Sara Evans (Mustang) and Dick Van Dyke (Gnome).
Ariana Grande took to TikTok to call out fans who have been commenting on her body and Britney Spears calls out a trainer who told her she needs to get her ‘Younger Body Back’. Rihanna bumps Katy Perry and becomes the most-followed woman on Twitter. Beyoncé breaks her own record as she notches her 34th week on the Hot 100 and more!
Latin music revenues in the United States hit an all-time high last year, exceeding the $1 billion mark on the wings of 24% growth that outpaced the overall market.
According to the RIAA’s year-end Latin music report for 2022, total revenue jumped from $881 million in 2021 to $1.1 billion in 2022, with Latin music’s overall share of the total music market lifting from 5.9% in 2021 to 6.9%.
“Latin music revenues in 2022 exceeded $1 billion for the first time and grew significantly faster than the broader industry. That sustained expansion speaks to an openness to new artists, music and ways of listening,” says RIAA senior VP, state public policy & industry relations Rafael Fernandez Jr.
Months earlier, the RIAA’s mid year report had already suggested that Latin music revenues would reach a new peak, driven by the success not only of Bad Bunny — who ended the year as the most streamed artist in the U.S. and around the world — but also a cadre of other artists who have had major streaming success, including Rosalía, Karol G and Rauw Alejandro.
Streaming makes up a stunning 97% of Latin music revenue, accounting for more than $1 billion. Within that, paid subscriptions were the biggest growth driver, contributing 71% of streaming revenues and posting revenue growth of 29% to $758 million.
Another major contributor to growth was ad-supported on-demand streams (from services like YouTube, Vevo and the free version of Spotify), underscoring how important video is to the Latin fan. Revenue from this space grew 24% to $230 million, a 21% share of total Latin music revenues, over-indexing compared to the 11% average of the overall market.
Conversely, revenue from digital services like Pandora and SiriusXM decreased 5% to $73 million, making up 7% of streaming revenues. Permanent downloads also fell 15% to $11.7 million. They now make up only 1% of revenue.
And while physical sales remain a tiny percentage of revenue – less than 1% – they are growing. CD revenues were up 60% to $3.1 million and vinyl grew 67% to $9.1 million, signaling a fresh area of growth potential for Latin music.
Lewis Capaldi, Lizzo, J Balvin, Mumford & Sons and many others are heading to Splendour In The Grass, Australia’s leading mid-year music festival.
Also confirmed to the lineup for this year’s 21st anniversary edition are Flume, Slowthai, Yeah Yeah Yeahs, Sam Fender, Idles and scores more.
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Splendour returns to its home at Ngarindjin/North Byron Parklands from July 21-23, with tickets to the camping fest going on sale from this Friday (April 14).
For organizers Secret Sounds, part of Live Nation, this year’s event should feel like a return to normal, following a two-year pandemic which saw Splendour scratched from the calendar, and a comeback event in 2022 which was challenged by Mother Nature.
When its 2021 edition was wiped out, organizers shifted gears and used that timeslot to launch Splendour XR, a two-day virtual music festivals featuring more than 50 artist performances. Splendour XR was built alongside Linden Lab, the American digital entertainment developer that’s best known for building Second Life. But it wasn’t the real thing.
The real thing was established in 2001 in Byron Bay, a stunning beach spot on the most eastern point of Australia, a home to surfers, artists and Australia’s counterculture.
Today, Splendour is the only midwinter camping festival of its kind in Australia, and a place where internationals and homegrown performers have been known to test new cuts live for the very first time.
Three-day event tickets for Splendour are priced at A$447.51 (inclusive of booking fees); add A$197.27 for camping. Single day event tickets cost A$202.37.
Visit splendourinthegrass.com for more.
Metallica are still thundering along, cranking it up and to 11 and inciting headbanging everywhere they go.
The Bay Area metal legends are currently locked in for a residency on Jimmy Kimmel Live, a celebration of their forthcoming 12th studio album, 72 Seasons.
On Tuesday (April 11), the second of their four-night stand, the Rock And Roll Hall of Famers went large with a classic, “Holier Than Thou,” lifted from their self-titled 1991 album, better known as The Black Album.
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It was The Black Album that launched these monsters of rock into superstar territory, and saw them tagged as the most popular heavy band of them all. Metallica was the first of the awesome foursome’s six leaders on the Billboard 200 chart, logging four weeks at the summit.
If you want your rock tight, meaty and your guitar solos shredded, “Holier Than Thou” is for you.
On opening night, James Hetfield and Co. sat for a chat with Kimmel and performed “Lux Æterna,” lifted from 72 Seasons, due out this Friday (April 14).
When the conversation moved to the now-iconic placement of “Master of Puppets” in a pivotal scene in season four of Netflix’s Stranger Things, Hetfield said it was a no-brainer, and that he’s still “blown away” that people are still turned on by the high-octane speed metal cut. “It’s like a nine-minute heavy metal song from 1986 that probably predates most of these people by 25 30 years,” drummer Lars Ulrich added. “It’s just insane. Who would have thought?”
Metallica will perform “Master of Puppets” on Wednesday (April 12), which Kimmel reckons is the longest song ever performed on the show.
Watch the late-night performance of “Holier Than Thou” below.
Ellie Goulding is eyeing a slice of heaven — a U.K. chart double.
The English singer and songwriter leads the midweek chart for second week with “Miracle” (via Polydor), her throwback rave single with Calvin Harris, and her fifth studio set Higher Than Heaven heads-up the midweek albums survey.
If Higher Than Heaven holds its spot, Goulding will boast a fourth leader following debut Lights (from 2010), Halcyon (2012) and Brightest Blue (2020). The only LP to miss out was 2015’s Delirium, which peaked at No. 3.
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New at No. 2 on the Official Chart Update is Hope (EMI), the sixth studio album from U.S. rapper, singer-songwriter and producer NF. If Hope hangs in there, it’ll give NF (real name: Nathan John Feuerstein) a career best following 2019’s The Search (No. 7) and 2021’s Clouds (No. 12).
Following a 20th anniversary reissue of Linkin Park’s sophomore album Meteora (Warner Records), the LP is about to fire back into the top 5, at No. 3. The former leader contains previously-unreleased material featuring vocals from the late Chester Bennington, who died in 2017, aged 41.
Another fresh title on track for a top 5 berth is Daughter’s Stereo Mind Game (4AD). It’s new at No. 4 on the midweek chart, for what would be the indie folk trio’s highest-charting album to date and first top 10, eclipsing their previously charting efforts If You Leave from 2013 (No. 16 peak) and 2016’s Not to Disappear (No. 17).
Finally, Scottish singer and songwriter Lewis Capaldi is enjoying a sales bump following the release of his Netflix documentary How I’m Feeling Now (EMI). His chart-topping 2019 debut Divinely Uninspired to a Hellish Extent is set to lift 17-6.
All will be revealed when the OCC publishes its weekly charts on Friday (April 14).
Just maybe, a miracle can happen twice. That’s what Calvin Harris and Ellie Goulding will be hoping, as “Miracle” (via Columbia) leads the U.K. chart race for what would be a second week at No. 1.
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The throwback rave tune last Friday (April 7) climbed to the summit for the first time, a feat that saw Harris pass Elton John and Eminem on the list of artists with the most U.K. leaders (11), taking eighth place.
Goulding, meanwhile, equals Rita Ora and Geri Halliwell’s four No. 1s by a British female solo artist, and stands to snag a relatively rare chart double, should her new LP Higher Than Heaven debut atop the albums chart.
“Miracle” holds at No. 1 on the Official Chart Update, ahead of “People” (5k) by Afrobeats star Libianca, which is set to rise 4-2, for what would be its peak position. Ed Sheeran’s former leader “Eyes Closed” (Atlantic) is on track to complete the podium, holding at No. 3.
Based on midweek sales and streaming data published by the Official Charts Company, Drake is on course for the highest new entry with “Search & Rescue” (OVO/Republic Records). It’s new at No. 7 on the chart blast. If “Search & Rescue” holds its spot, the Canadian hip-hop star would earn a 38th U.K. top 10 single.
Also set for a top 40 splash is David Guetta, Anne-Marie and Coi Leray’s “Baby Don’t Hurt” (Parlophone). The EDM cut, a reimagining of Haddaway’s 1993 number “What Is Love,” is new at No. 25 on the chart blast.
And finally, U.S. country star Morgan Wallen is eyeing his first ever U.K. top 40 single with “Last Night” (EMI). The track, lifting from Wallen’s Billboard 200 chart champion One Thing At a Time, is on track for a No. 40 bow.
All will be revealed when the Official U.K. Singles Chart is published late Friday (April 14).