State Champ Radio

by DJ Frosty

Current track

Title

Artist

Current show
blank

State Champ Radio Mix

12:00 am 12:00 pm

Current show
blank

State Champ Radio Mix

12:00 am 12:00 pm


bbnews

Page: 220

Jet is getting back in the air and out on the road for a string of concerts this September.
For the first time in half a decade, the Melbourne rock band will reunite for a run of concerts to mark the 20th anniversary of their debut album, Get Born.

The classic lineup of Nic Cester (vocals/guitar), Chris Cester (vocals/drums), Cam Muncey (vocals/guitar) and Mark Wilson (bass) will kick off the trek Sept. 22 at Melbourne’s Forum Theatre, followed by stops at Adelaide’s Hindley Street Music Hall, Brisbane’s Fortitude Music Hall and wrapping up Sept. 30 at Sydney’s Enmore Theatre.

Explore

Explore

See latest videos, charts and news

See latest videos, charts and news

Live Nation Australia is producing the dates.

Get Born was “a rare and unique moment of total planetary alignment where we somehow managed to capture lighting in a bottle,” comments Nic Cester on the album that made Jet fly.

Yielding the hits “Are You Gonna Be My Girl,” which appeared in an international iTunes campaign and cracked the top 40 of the Billboard Hot 100 chart (peaking at No. 29); “Look What You’ve Done,” “Rollover DJ “and “Get Me Outta Here,” Get Born went on to land six ARIA Awards and is certified nine-times platinum in Australia. Global sales top 5 million, reps say, and Get Born remains one of the top 5 highest-selling Australian rock albums of all time.

Jet was finally grounded in 2012, before briefly reforming in 2017 to play with Bruce Springsteen and the E-Street Band on their sold-out Australian tour of that year. A handful of dates followed, including a slot at Fuji Rock festival in Japan.

“I don’t remember much about the actual day Get Born was released,” comments Wilson. “I think we were in Pittsburgh. I’m sure we celebrated, but to be honest we celebrated every night back in those days. 2003 was one big blurry haze for me.”

The general public ticket on sale starts Friday, June 16, with pre-sales opening from Thursday.

Drums appear across all cultures, a beat has been with us since each of us was in the womb. So why wait to get your hands on a pair of drumsticks?
That’s the idea behind the Atlanta Drum Academy, a youth percussion ensemble which made a real noise when they auditioned Tuesday night (June 13) for America’s Got Talent.

The Academy’s director James Riles, III, started it so little kids could get stuck in early and not wait for middle school to join the band.

Explore

Explore

See latest videos, charts and news

See latest videos, charts and news

His group is a “safe space for all drummers, no matter their age, that want to learn to play the drums.”

One of those kids is eight-year-old band leader Chioma, a cheery lad from Georgia, with the self-belief that many of us older folks are sorely missing.

When asked backstage why choose AGT, he had the answer. “I had a dream that I was on America’s Got Talent, winning the golden buzzer, and now I’m just right here. I love this show.” The young lad is so determined, he even made a vision board with his mom. “I believe I can win.”

Chioma was so enthusiastic, he addressed the AGT judging panel without the use of his microphone. Small error, immediately corrected.

Leading the way with his marching drum, Chioma and the Atlanta Drum Academy beat their way into the hearts of the audience, and the judging panel, all of whom stood to their feet.

“It was fun, it was energetic, you guys are adorable,” enthused Howie Mandel. “I think everybody in this room loved you, I love you.”

“I love that you do something with your extra time outside of school instead of being on your computers,” remarked Heidi Klum. “You’re putting this amazing act together. I love that.”

“I haven’t seen anything like this before on this stage,” said Sofia Vergara. “I think you have a very big chance to win this competition because everyone is going to go crazy.”

“Well,” said Simon Cowell, “I didn’t like it,” a comment that earned a chorus of boos from the audience. “I absolutely loved it. Seriously what’s not to like. It’s so much fun and they’re so talented. This is one of my favorite, favorite auditions this year.”

Before the judges could tally their votes, host Terry Crews stepped in and took action. Golden Buzzer action. Some dreams do come true.

Watch below.

There are voices, and there’s Roland Abante’s voice.
The fisherman from the Philippines has netted a special gift, which he shared on Tuesday night’s (June 13) edition of America’s Got Talent.

Speaking through an interpreter, Abante explained that he caught fish in the morning, and was a courier and ride-share driver through the rest of the working day. The extent of his stage activity back home is singing karaoke.

Despite the enormous step up that is the AGT stage, Abante backed himself and impressed the heck out of everyone in the room. And judging by the booming number of clicks for performance video on YouTube, he’s making fans everywhere.

Explore

Explore

See latest videos, charts and news

See latest videos, charts and news

When asked why he chose to compete in this 18th season of AGT, the tears flowed. “This is my big dream, to be here,” he said.

Abante can continue to dream.

Despite an impromptu, on-stage hug from Heidi Klum, and a lengthy pause, Abante held his nerve and let it shine with a full-throated performance of “When a Man Loves a Woman,” written by Calvin Lewis and Andrew Wright and originally recorded by Percy Sledge back in 1966.

Abante has got the blues, and a voice, that earned a standing ovation from all four judges. “I don’t think you could have done it better,” enthused Heidi Klum. “Mic drop. You left it all on the stage, you were amazing, you should be very proud of yourself.”

Sofia Vergara reckons a career change is coming. “I have a feeling you’ll going to have to stop fishing because this is where you need to be.”

After giving two thumbs up, Simon Cowell had a confession. “You were so nervous I genuinely thought for one moment you weren’t going to be able to do this. And then, that happened. And it made me love this audition even more. I really like you. That was a great audition. Really brilliant.”

Cowell copied Klum by giving the contestant a hug. “Everybody heard a life-changing moment,” Howie Mandel said of the performance.

And with that, the judging panel gave four yeses.

Watch below.

Rob49 has persevered through a lot more than the average 24-year-old trying to assimilate into adult life. Raised by his mother while his father was incarcerated for most of his childhood, the New Orleans native still knew his future wouldn’t be boxed inside the Big Easy’s unforgiving 4th and 9th Ward neighborhoods.

Explore

Explore

See latest videos, charts and news

See latest videos, charts and news

Not many hip-hop stories begin with a stint in the National Guard and pivoting to pursue a nursing degree before finding success in the music industry, but that was indeed the case for Rob, who essentially fell into rapping after making a song in the studio with a friend.

The year 2022 proved to be huge in Rob49’s ascension, as he rode the relentless “Vulture Island” — which received a boost thanks to a remix from Lil Baby — to the biggest song of his career to date. It was all nearly taken away in January when Rob (born Robert Thomas) was reportedly one of 10 people injured during a shooting on the set of a French Montana video in Miami Gardens.

The Geffen Records signee didn’t spend much time on the mend in recovery as he’s been locked in the studio with the likes of Lil Durk, and returned to offer up his first project since the shooting with 4GOD II last Friday (June 9). Draped in an azure blue Amiri sweatsuit with crisp white Air Force 1’s straight out of the box, Rob49 is laid-back in conversation during his April New York City visit, where he could easily be mistaken for Knicks guard R.J. Barrett while walking around the Big Apple.

“As long as you’re doing better than what you did when you started this s–t,” he bluntly says of his mentality when it comes to gauging his current success. “I just want to make some music. I don’t really give a f–k about no fame or nothing.”

Find more from our interview with the rising star below, which finds him explaining why he deaded a Hurricane Chris DM, his appreciation for Lil Wayne and why selling vapes in the army nearly got him kicked out.

Billboard: How does the elevation in your career feel? This is a special time.

Rob49: I’m grateful. Just because I know — like I said, I got signed with 10,000 followers, and anything I drop right now is gone get over 10,000 views. So I really don’t give a f–k.

Not even sitting courtside at the New Orleans Pelicans games?

I’ve always wanted to sit courtside. When me and my cousin would get some tickets, we would always say, “We’re gonna sit courtside.” He said he was gon’ buy them — he had faith in himself that much. He winded up getting a good job in the oil business. He graduated high school before me I said, “I’m not making it to get that much money in three or four years.” I winded up getting it first. 

Are the seats free or do you gotta pay for them? 

Sometimes they invite you and sometimes you gotta pay. I been paying for most of them b–ches though. I be wanting to go to the games I want to go to.

[Curren$y’s] like Spike Lee down there.

That’s exactly what it is. They treat him like that. They treat me like that too. If there’s a three or something in the game, they’ll look at me. They f–k with me like that. They turned my [“Vulture Island”] up. 

The Pelicans just asked me to make a version of “Vulture Island” for them. I just ran into Zion [Williamson] at the movies. He’s like, “What you doing here?” I’m like, “What you doing at the movies?” We went and saw Scream VI.  

Who were some of your early childhood musical influences? What was your mom playing?

My mom was playing Beyoncé. I was listening to Lil Wayne, Kanye [West]. I like what 106 & Park had on. At that time, they were playing Hurricane Chris, “A Bay Bay.” He talking about doing a song [with me]. I’ll show you [the DM]. I ain’t never hit him back because he was looking crazy. He look like he lost all his sauce. That ain’t the same n—a. 

How about listening to Lil Wayne in that prime era of like 2006-2008? That may have been the most prolific rapper we’ve ever seen.

I liked the 2013-2014 Wayne, that Sorry for the Wait 2 and “Hollyweezy.” I listen to that s–t and I’m like, “Damn.” I don’t know nothing about Tha Carters. That skit with his momma on Tha Carter V was so hard. And the Free Weezy album too. I was like seven [during that mixtape run]. I wasn’t listening to no Wayne. I wasn’t listening to nothing but Beyoncé. All I knew was, “To the left, to the left.” No cap. 

What was childhood like for you? Were you playing a lot of sports?

I was playing football. I hated video games — I feel like they were for people I didn’t want to be like. I was outside all day stealing bikes and s–t. 

How about just keeping that relationship going with your dad when he got out of prison?

Immediately. My daddy used to get me from school. It was never about the money. He started working at Walmart and s–t when he got out. So he couldn’t go hard so it was more being a father figure.

What was life like during Hurricane Katrina?

First, we had tried to go to Baton Rouge and we stayed in a gym. They gave us these peanut butter and jelly sandwiches. We had went to Houston, so I remember Houston for three or four months. Then we came back home. I stayed in the projects so it was bricks. The houses were f–ked up but the buildings were okay. They was f–ked up but not unlivable.

Did you really go to school for nursing?

Yeah, I was trying to do my prereqs. That’s like math class and s–t. So people say nursing, but I didn’t do all that. I was trying to go to school for nursing, but my partner said he wanted to go to school for nursing. He told me I couldn’t. I went to Southern and he didn’t end up going to college. 

I did one semester, and then I winded up dropping out and making music. I went to the National Guard after [high] school to get into college. I think that was one of the best things that happened to me in my life for real. That s–t make you feel like you could do anything. 

You were selling Juuls and vapes in the National Guard?

Yeah, facts — and they ended up catching me. That was before I even knew about Juuls. I felt like we was the first ones to really discover that. We’d see everybody vaping. They was trying to do it where you don’t get caught because these dudes smoke cigarettes. I didn’t get kicked out for that. I was about to tell them people too. 

I remember my first time getting restarted, I had got into it with this dude. He said I called him a racial slur or something. I swear on my brother that he was deadass lying. They tried to restart us. They called me and my dog from Memphis. We go downstairs, and they like, “Pack y’all bags, too.” 

I’m thinking they ’bout to switch our company, because there was two companies starting together — Alpha and Bravo — and we got the same graduation date. Then they got Charlie started eight weeks after us. So we thought we were going to Bravo. We walked through Bravo and went to Charlie. I just dropped my bags like, “F–k y’all!” They had nothing but 40-year-olds and we were the youngest people in there. 

Were there girls in the army with you?

They got girls in there. Girls out their mind in the army. When I first went to my job schooling, they had a girl in there, and she had a Twitter — everybody like, “This girl from Twitter.” I’m thinking she popping on Twitter. I’m in my room one day and they like, “You saw the girl from Twitter outside lunch today.” 

I’m like, “Yeah, who is that? Show me her Twitter.” Man, this girl was ass-naked on all her Twitter. She playing with herself. She that type of girl. I’m like, “What the fuck?” And she in the training with us. I jumped in her DMs. The whole battalion knew her but me. 

You kinda just fell into rapping too, right?

My same partner that told me I couldn’t go to school for nursing, he was the rapper. I was trying to get behind him, but he was trying to sound like Roddy Ricch. I had made a song in the studio with him. They felt like I was good at it before I felt like I was good at it.

Me and him had gone to a party and they had some live performances. He’s like, “Let me pay them $250 to let you perform.” I tapped him, “Our time is gonna come.” I probably had like 1,000 followers. The same people trying to pay me $60,000 now. That was like three years ago. 

In Miami, we had paid for King of Diamonds for a section for my birthday, and my people had got into it with them, and they wind up not letting us in the club. We sitting out there looking stupid — but now they just gave me that bag to go in that b—h [a year later]. 

YoungBoy fans were pissed that you posted the photo of you working with Durk. They thought you guys wouldn’t collab now. Would you want to work with him?

I don’t know what they was talking about. I mean whoever f–king with me, I’m f–king with it. It’s music at the end of the day. I seen that s–t. 

What game did you take from Birdman?

He just texted me. I remember when he first met me and I only had like 5,000 followers, and he was telling me that I was going to be the one. He just told me to keep going. That’s the only game he ever gave me. 

What’s the “Yeet, Yeet” ad-lib mean on “Vulture Island?”

Yeah, I made it up. That’s just some bulls–t I said on there. I thought it sounded good. It really was my ad-libs. I was just punching in trying to catch a vibe on the song. I remember playing it for my momma and she said, “That sounds so good but just take that yeet, yeet part out and say something else.” 

I’m like, “No.” She been a good A&R though. I remember playing “No Kizzy,” which is going crazy on TikTok. I think I was at 10,000 followers before I signed anything, and she told me, “Don’t release this song. The world not ready for this.” 

What’s the biggest purchase you’ve made in the last year or two?

Probably a chain. I didn’t even wanna buy that chain. I knew I had to get a chain, and I couldn’t keep coming with the lil’ boy chain — because they gonna look at you like a lil’ boy. 

How’d you go broke from your initial signing money?

I didn’t go all the way broke. I went close to broke. I don’t be tryna spend as much as I was spending. I didn’t have nothing to show for it for myself. At least this time, it’s not going to that no more, and I got s–t to show. Momma got a crib. I need to get a financial advisor because I don’t be looking at my account. 

Are you gonna drop another project this year?

Yeah, I’ma drop another project right after this. Probably like three or four months [later]. 

How are you moving differently after the shooting? 

Just moving better. Smart movements — everyone knows what smart moves are. I’m moving like [Drake]. 

Warner Music Group is getting its game on.
The major music company joins forces with Hello There Games, the Sweden-based game studio for the release of Invector: Rhythm Galaxy, a rhythm game soundtracked by 40 chart hits from the likes of PinkPantheress, Duran Duran, Charli XCX and others.

Slated to drop July 14, initially on PC, Invector: Rhythm Galaxy marks WMG’s first leap into games publishing.

This venture into gaming “showcases our commitment to reimagining the boundaries of music and how it is defined by artists and fans alike within our evolving ecosystem,” comments Oana Ruxandra, WMG’s chief digital officer and executive VP, business development.

Invector: Rhythm Galaxy is said to intertwine “the power of music with the interaction of gaming to build active, immersive experiences for fans and new revenue streams for WMG’s artists.”

Gaming and music are generations-long buddies. During the presentation of the IFPI’s Global Music Report in March of this year, WMG’s Simon Robson, president, international, Recorded Music, noted the industry has “done a great job looking at opportunities in fitness and the games sectors.”

WMG has worked with Peloton and invested in Web3 companies, including Roblox, and sees the alliance with Hello There Games as one that also plays in the music discovery space for gamers.

Hello There Games co-developed the Avicii Invector with the late Swedish EDM star, a game that features the tunes “What Would I Change It To,” “Pure Grinding,” “You Be Love” and more, and was originally built for the PS4.

Adds Oskar Eklund, CEO and founder of Hello There Games, “our unwavering passion for music and gaming fuels our drive. Many of our team members are talented musicians themselves.” Eklund continues, “We are so excited to bring this game to the next level with Warner Music Group and their amazing artists. We can’t wait for everyone to experience the magic of Invector: Rhythm Galaxy firsthand.”

Watch the trailer below.

The race is on! Dave and Central Cee‘s “Sprinter” (via Live Yours/Neighbourhood) edges into the lead on the midweek U.K. singles chart, after JHus and Drake came out fast from the starting blocks with “Who Told You”. Explore See latest videos, charts and news See latest videos, charts and news If “Sprinter” maintains its pace, it’ll land […]

After a very public divorce and custody fight, Queens of the Stone Age frontman Josh Homme has quietly gone through a cancer battle.
Speaking with Revolver, the American rocker confirmed he underwent surgery following a cancer diagnosis last year. He’s said to be recovering from the operation.

“I never say it can’t get any worse. I never say that, and I wouldn’t advise it. But I do say it can get better,” he comments, without sharing further details on his illness.

Explore

See latest videos, charts and news

See latest videos, charts and news

“Cancer is just the cherry on top of an interesting time period, you know? I’m extremely thankful that I’ll get through this, and I’ll look back at this as something that’s fucked up — but will have made me better. I’m cool with that. There’s a lot of stuff I want to do. And there’s a lot of people I want to do that with.”

That “interesting time period” he refers to is a dry assessment of his breakup from the Distillers’ singer Brody Dalle in 2019, which has seen both sides file domestic violence restraining orders, and an ongoing custody battle which, due to their profiles, attracts global media attention. And prior to that, he caught flak when video emerged of him kicking a photographer at a KROQ Acoustic Christmas show, an incident he repeatedly apologized for.

Those dramas fed into the creative process for QOTSA’s forthcoming new album In Times New Roman. “I think this is the first time I didn’t want to make a record, but I was dealing with a lot of stuff in my personal life,” Homme adds. “We recorded a lot of stuff. I think I was doing it because when I’m in trouble, this is what I do. This is where I go to get right.”

The band’s eighth and latest full-length studio album is due out June 16 via Matador Records, and features the newly-released cut “Carnavoyeur” (stream below). In Times New Roman was recorded by the lineup of Homme, Troy Van Leeuwen, Dean Fertita, Michael Shuman and Jon Theodore, and will be supported by a major tour dubbed, The End is Nero, slated to kick off Aug. 3. It’s the followup to 2017’s Villains, which peaked at No. 3 on the Billboard 200.

Niall Horan welcomed fans to The Show (via Capitol). Now he’s set to be rewarded with the U.K. chart title.
The Irish pop singer’s third solo album leads the midweek U.K. chart race, piloting an all-new top 5 featuring new releases from McFly, James, Christine & The Queens and Extreme.

If it holds its course, The Show will give the former One Direction star his sixth leader overall and second solo No. 1, following 2020’s Heartbreak Weather. Horan’s debut solo effort Flicker peaked at No. 3 in 2017.

Explore

See latest videos, charts and news

See latest videos, charts and news

As a member of 1D, Horan landed four U.K. No. 1 albums and as many leaders on the national singles survey.

Arriving at No. 2 on the Official Chart Update is McFly’s Power to Play (BMG), which is set to become the pop-punk band’s seventh top 10 release.

The podium at the midweek stage is completed by Britpop-era Manchester band James, with Be Open to the Wonderful (Nothing But Love Music). James has ten U.K. top 10 albums, including a No. 1 for 1998’s The Best Of.

French alternative pop outfit Christine & The Queens could net a third U.K. top 10 with Paranoia, Angels, True Love (Because Music). The three-part LP is new at No. 4 on the midweek chart.

Close behind at No. 5 is veteran U.S. rock band Extreme with Six (Ear Music), which set to become the “More Than Words” act’s first U.K.-charting album since 1995’s Waiting for the Punchline (No. 10 peak). Six could be Extreme’s third top 10 release.

Further down the midweek tally is Tears For Fears’ 40th anniversary reissue of their debut album The Hurting (Mercury), which originally led the chart in 1983. The Hurting is poised to return at No. 7.

And finally, English singer, producer and rapper King Krule could bag his first top 10 LP with Space Heavy (XL Recordings), new at No. 8 on the chart blast.

All will be revealed when the Official U.K. Albums Chart is published Friday (June 16).

Idina Menzel rocked the stage at WeHo Pride and chatted with Billboard News about the differences between her Broadway and Pride performances, the upcoming ‘Frozen 3,’ her new music, a potential return to Broadway and more!

Tetris Kelly:Hanging out at WeHo Pride with the beautiful Idina Menzel. How are you?

Idina Menzel:I’m good, thank you!

Tetris Kelly:It was so great to watch you perform tonight, and now that “Move” is out in the world, how has your fans reaction been to the new single?

Idina Menzel:I think it might be something people didn’t expect of me but once they hear it, I think they’ll think it’s a pretty organic transition. You know, big voices, great disco grooves.

Tetris Kelly:We love the disco grooves and even watching your set tonight, I was like, this feels very queer-inspired. Am I right about that? Because I was feeling myself.

Idina Menzel:Well, it’s Idina-inspired. Idina’s life maybe is synonymous with the queer-inspired stores. It’s about having to find my self-esteem and empower myself to get up every day and believe in who I am, and live my life authentically, which is honestly what I learned from all my friends in this community. And I probably wouldn’t be where I am today if I hadn’t learned how to conduct myself in this world, if it wasn’t for them.

Thank you all for showing up. Let’s let them hear our anger and our madness and our frustration.

Tetris Kelly:Living your life authentically. I love that. You’re also performing at London Pride, and you’re here at WeHo Pride. So tell me what’s different about these shows versus the average Idina show.

Idina Menzel:Everybody’s standing, which is really cool. No offense to Broadway or the theater, but everyone needs to sit and behave. Here, they don’t have to behave so much. They can stand, they can dance, they can scream, and that just feels really good.

Tetris Kelly:I love that. And you know, the community has been under a lot of attack lately. The drag community, the trans community — have you ever been at like a drag show and been like “This is everything to me”? Because we’ve seen the “Let It Go” drag queens, like, tell me how have you been inspired by the drag community?

Watch the full video above.

Femme It Forward, a female-led music and entertainment company, has partnered with Google Pixel to establish the Femme It Future Scholarship. Five mentees from Femme It Forward’s mentorship program for young women of color — Next Gem Femme — will be selected as recipients. The scholarship is being announced in conjunction with Femme It Forward opening the application window for the third year of its mentorship program.

Explore

Explore

See latest videos, charts and news

See latest videos, charts and news

“This scholarship is our commitment to nurturing the next generation of female leaders who will shatter barriers, break stereotypes and create a future filled with equality and empowerment,” said Femme It Forward president/CEO Heather Lowery in a statement.

“Google Pixel is at the forefront of incorporating diversity and inclusivity in its technology and products. We believe that empowering young women with education and opportunities is the key to unlocking their limitless potential. By offering transformative scholarships and coveted mentorship opportunities, our partnership can create change together that empowers the next generation.”

“We’re thrilled to be partnered with Heather and the team at Femme it Forward,” added Ava Donaldson, Google’s senior marketing manager, U.S. Social, Influencer + Inclusion. “Our mutual mission is centered around helpfulness and supporting the advancement of underrepresented communities, especially women.”

Select students will also receive special care packages comprised of Google and other products sourced exclusively from women-owned businesses.

When Next Gem Femme begins its third year in September, it will be pairing mentors with more than 100 females pursuing undergraduate or graduate degrees or presently working in entry-level positions in the music and entertainment industries. As before, the program plans to award at least half of its mentee openings to students from historically Black colleges and universities.

Encompassing career pursuits such as marketing, publicity, live and touring, business development, talent management and artist relations, the program’s mentors come from various companies including Google, Amazon, Apple Music, CAA, Live Nation, NBC Universal, Netflix and YouTube. Among the female music industry executive mentors Republic Records executive vp Danielle Price, Warner Records senior VP of A&R Ericka Coulter, Virgin Music president Jacqueline Saturn and Roc Nation vp, marketing Bianca Edwards.

“Through powerful relationships and practical education, Next Gem Femme opens so many doors for young women of color, a group that has been overlooked for far too long,” noted Lowery. “We’re thrilled to launch our third year of the program and build on its amazing momentum as we continue leading necessary conversations about the need to improve workplace equity. This brilliant group of mentors will give remarkable young women the wisdom and tools to expand their talents, overcome setbacks and reach their potential.”

The application window for Next Gem Femme closes on Friday, June 16, 2023 (9 p.m. PT). For more information and to apply, visit femmeitforward.com.

Courtesy Photo