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MELBOURNE, Australia — Mushroom Group’s talent booking division welcomes MBA, a new agency operating across Australia and New Zealand for live bookings, strategy, touring and partnerships.
MBA is a partnership with Guven Yilmaz, founder and managing director of Vita Music Group.
With offices in Sydney and Melbourne, the new agency represents a slew of artists from the Vita roster, and boasts a lineup at launch that includes Peking Duk, Bliss n Eso, Conrad Sewell, Skin on Skin, Winston Surfshirt, BIG WETT, Kaylee Bell, Milan Ring and Tasman Keith.
“Mushroom has been esteemed as the independent leader in the Australian music and entertainment industry. Partnering with a company that not only emphasises but promotes an independent entrepreneurial culture was essential to me,” comments Guven in a statement.
Mushroom Group CEO Matt Gudinski is said to be keen to grow his independent music company’s booking capacity. MBA, he says, boasts some of the best in the business.
“We’re delighted to have Guven join the Mushroom family,” Gudinski comments. “He’s a very well respected agent and operator, with an incredible track record to boot.”
Supported by a “first-class team” including Shelley Liu, Sam Rogers, and Matt Thomson, Gudinski continues, “I am excited about the offering we are going to create for the talent we represent.”
For those artists repped by MBA, Mushroom’s doors will remain open for talent to work with the group’s production specialists to help build and design their live-show, in addition to accessing the Mushroom Creative House and the brand’s sprawling network.
Mushroom Group this year celebrates its 50th anniversary with a “once-in-a-lifetime” all-star concert and the release of a documentary, Ego, a study of the indie powerhouse’s former chairman Michael Gudinski, who at 21 years of age, founded the company.
Today, the Melbourne-based group numbers more than two-dozen affiliates active in every conceivable area of the music and entertainment industries, from touring to publishing, merch and marketing services, venues, exhibition and events production, neighboring rights, branding, labels, talent management and more.
The late Gudinski formed Mushroom Records in 1972 but had had learned the ropes by booking artists in the region years earlier. In 1970, he established the Consolidated Rock agency, which evolved into the Premier Artists/Harbour Agency.
Mushroom Group cut ties with Harbour Agency in 2021, following an investigation into claims from former Harbour Agency staff on past management behavior and workplace culture.
MBA sits alongside Premier Artists, which reps Jimmy Barnes, Vika & Linda, Marcia Hines and others.
Looks, as we’re constantly reminded, can be deceiving. Cakra Khan is another solid reminder.
Wearing a beige jacket, Khan strolled onto the brightly-lit America’s Got Talent stage, where he might have been mistaken for a regular, everyday guy.
Wrong.
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Khan, relaxed and backing himself, nailed an audition that surprised everyone but himself.
A devotee of blues and soul music, Khan, an Indonesia native, reached deep for a rendition of “Make It Rain.” Khan’s vocals are dripping in soul, but it didn’t stop Simon Cowell from applying the handbrake.
“I think you have a great voice. I didn’t like the track though,” Cowell explained, cutting short the performance with the wave of a hand. “Did you bring another song with you?”
Yes, Khan did. And yes, he passed Cowell’s test. For his second attempt, Khan didn’t muck around. He went with a stone-cold classic, Bob Marley’s “No Woman, No Cry.”
The crowd loved it, the judges did too. Khan scored a standing ovation.
“You have a very unique, very sexy, very raspy voice,” Heidi Klum enthused. “Wow, you do have a voice that really stands out, that you will not forget. It’s very, very special.”
“It’s so rare to hear voices like that,” Cowell commented. “I absolutely love your voice. Love it.”
Sofia Vergara remarked, “You made it all yours. And that voice of yours is spectacular.”
Howie Mandel had the last word. “Very memorable, unique voice, everybody was on their feet. You could feel the emotion. You’re amazing.”
The positive feedback was backed up with four yeses. And if Khan wins Idol, what would he do with the $1 million prize money? Build an animal shelter, he said at the top of his spot.
Watch below.
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Sheryl Crow has weighed-in on Jason Aldean‘s controversial song and video for “Try That In a Small Town,” suggesting that the country singer ought to know better.
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The Rock And Roll Hall of Fame-inducted artist pulls no punches with a social post, in which she insinuates that Aldean is out of step with the public mood, that its lyrics are “promoting violence,” and she tags his own account to ensure the message gets through.
“I’m from a small town,” she writes, responding to a viral post from Moms Demand Action founder Shannon Watts. “Even people in small towns are sick of violence. There’s nothing small-town or American about promoting violence. You should know that better than anyone having survived a mass shooting. This is not American or small town-like. It’s just lame.”
The lyrical content and its official music video has triggered a firestorm on social media. Many commentators have called out the song for glorifying violent behavior, others have pointed out that the country singer was on stage at the Route 91 mass shooting in Las Vegas on Oct. 1, 2017 – something Crow addresses in her own message.
The controversy around “Try That In a Small Town” ratcheted up several notches when CMT yanked the music video from rotation on Tuesday (July 18).
Aldean posted a lengthy message to his Instagram Stories to further explain the song and its video. “I have been accused of releasing a pro-lynching song (a song that has been out since May) and was subject too the comparison that I (direct quote) was not too pleased with the nationwide BLM protests. These references are not only meritless, but dangerous,” he began, adding that the lyrics don’t reference race or point to it, and that all the news footage he used was real.
Aldean also referenced being on stage at Route 91, the site of the deadliest mass shooting in modern U.S. history, where a gunman fired on concertgoers, killing 60 people and wounding at least 413. ”NO ONE, including me, wants to continue to see senseless headlines or families ripped apart. … ‘Try That In A Small Town,’ for me, refers to the feeling of a community that I had growing up, where we took care of our neighbors, regardless of differences of background or belief.” His statement did not address CMT’s decision to pull the clip.
The music video, which has clocked 673,000 views on YouTube since it dropped last Friday (July 14), features Aldean performing in front of courthouse with an American flag hanging from the entrance. The performance is interspersed with footage of a flag burning, protesters screaming and attacking police in various scenarios, and robbing a convenience store.
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Written by Kelly Lovelace, Neil Thrasher, Tully Kennedy and Kurt Michael Allison, the single debuted on Billboard’s Country Airplay chart eight weeks ago and rises 26-25 for the chart dated July 22, and is set to appear on the artist’s forthcoming album.
Crow’s post is below in full.
.@Jason_Aldean I’m from a small town. Even people in small towns are sick of violence.There’s nothing small-town or American about promoting violence. You should know that better than anyone having survived a mass shooting.This is not American or small town-like. It’s just lame https://t.co/cuOtUO9xjr— Sheryl Crow (@SherylCrow) July 19, 2023
Stadium rockers Six60, indie band the Beths, and multi-instrumentalist Fazerdaze (real name: Amelia Murray) are multiple nominees for the second annual Rolling Stone Aotearoa Awards, which celebrates New Zealand’s finest.
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Also, there are multiple chances for Princess Chelsea, COTERIE, TE KAAHU, and the L.A.B., the reggae band which is up for best single (“Take It Away”) and the Rolling Stone Global Award.
Four categories will be presented on the night, for best record, best single, best new artist, and the RS Global Award, which is judged by the music title’s global team to acknowledge the Kiwi artist “they just can’t get enough of,” reads a statement.
“Royals” star Lorde was crowned with the inaugural Global Award in 2022. This year’s shortlist includes the Beths, Unknown Mortal Orchestra (UMO), Six60, Bic Runga, BENEE, Mitch James, MELODOWNZ. Kiwi stars Marlon Williams and Stan Walker are also in the running for RS honors.
“After the hugely successful launch of the Panhead Rolling Stone Aotearoa Awards last year, we can’t wait to do it all again this year and join with the music industry to celebrate the diverse and unique music scene in New Zealand,” comments Rolling Stone New Zealand editor-in-chief, Poppy Reid. “Once again we’ve been treated to a year of New Zealand talent competing on the global stage.”
Brewery Panhead returns as headline sponsor for the awards, set for Sept. 20 at St Matthew-In-The-City in Auckland.
Rolling Stone AU/NZ is published by Sydney-based The Brag Media, whose portfolio of titles includes Tone Deaf, The Music Network, and Variety.
2023 Panhead Rolling Stone Aotearoa Awards nominees:
BEST RECORDPrincess Chelsea – Everything Is Going To Be AlrightCOTERIE – CoterieSix60 – Castle StThe Beths – Expert In A Dying FieldTE KAAHU – Te Kaahu O RangiMarlon Williams – My BoyFazerdaze – Break!Stan Walker – All In
BEST SINGLEDaily J ft. Boo Seeka – ‘Lost In Time’lilbubblegum – ‘af1’Princess Chelsea – ‘Forever Is A Charm’SXMPRA feat. Ski Mask the Slump God – ‘COWBELL WARRIORS!’Tami Neilson – ‘Beyond The Stars’ ft Willie NelsonL.A.B. – ‘Take It Away’Kaylee Bell – ‘Boots N All’Fazerdaze – ‘Break!’
BEST NEW ARTISTGeorgia LinesHanbeeCOTERIETE KAAHULuca GeorgeTeo Glacier33 BelowNO CIGAR
ROLLING STONE GLOBAL AWARDThe BethsUMOSix60Bic RungaBENEEMitch JamesMELODOWNZL.A.B.
All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes. JC Chasez opens up about working with Meow Mix and joining their Cat Boy Band! Shop Meow Mix here: https://amzn.to/475GZ6a To […]
Grammy-winning songwriter/producer Jermaine Dupri is being honored by the Otis Redding Foundation. Dupri will be presented with the Otis & Zelma Redding Award of Respect at the foundation’s upcoming King of Soul Music Festival (Sept. 8-9) in Macon, Georgia.
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The second annual festival, a fundraiser for the Otis Redding Center for the Arts, will also double as a celebration of late icon Redding’s 82nd birthday (Sept. 9).
“We are thrilled to honor Jermaine Dupri at this year’s King of Soul Music Festival,” said Karla Redding-Andrews, vp/executive director of the Otis Redding Foundation, in a statement announcing the news.
“Jermaine and his father Michael Mauldin have been connected to the Redding family since he was a young man visiting the Big ‘O’ Ranch with his dad. And we are so proud of his remarkable contributions to the music industry as a songwriter, producer, DJ, and entrepreneur. He was very close to my brother Otis III, who passed away in April, and credits him with teaching him to make beats. Jermaine aligns with Otis Redding’s spirit and the foundation’s mission to inspire and empower young artists.”
Dupri — who also founded pioneering label So So Def Records — said, “The Reddings and Otis III became my musical family before the world knew of Jermaine Dupri. While I understand the family is honoring me, in my mind I am also honoring them for all they have allowed me to do, see and be a part of at a time when they didn’t have to.”
Atlanta’s esteemed Orchestra Noir will get the festivities underway Sept. 8 with “An Evening of Respect” concert at the historic Macon City Auditorium. Founded in 2016, Orchestra Noir is known for paying tribute to the cultural legacies of African American music pioneers through vibrant performances encompassing classical, jazz, blues, R&B and hip-hop. The next evening will feature The Big “O” Homecoming Show & Dance at the Capitol Theatre. During both nights, renowned artists and musicians will salute Redding’s enduring musical legacy.
Proposed to open in late 2024, the Otis Redding Center for the Arts will house the Otis Redding Foundation’s various music and arts programs for students. That slate includes the annual Otis Music Camp for students between the ages of 12-18, Camp DREAM for those aged 5-11, music education workshops, private and group lessons and the chance to perform on legendary stages such as Nashville’s Ryman Theatre. The foundation itself was established in 2007.
For more information about the festival, tickets, the Otis Redding Center for the Arts and the Otis Redding Foundation, visit otisreddingfoundation.org.
It’s tight at the top of the midweek U.K. albums chart, as J Hus’s Beautiful and Brutal Yard (Black Butter) takes the lead.
Beautiful and Brutal Yard leads Official Chart Update and, if it holds its spot, would give the Stratford, England rapper his second leader following 2020’s Big Conspiracy. J Hus enjoyed a critical and commercial breakthrough with his 2017 debut Common Sense, which peaked at No. 6 on the national survey and was shortlisted for the Mercury Prize.
Close behind is Taylor Swift’s Speak Now (Taylor’s Version) (via EMI), last week’s leader which dips to No. 2 on the chart blast.
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Coming in at No. 3 on the midweek survey is Rita Ora’s long-awaited third studio album You & I (BMG), which could give the British pop star a second top 10, after her debut Ora from 2012 which went all the way to No. 1. You & I is the followup to 2018’s Phoenix, which peaked at No. 11 on the weekly list.
According to the Official Charts Company, fewer than 2,000 chart units currently separate the top three albums.
Meanwhile, Glasgow, Scotland singer-songwriter Gerry Cinnamon is set to arrive at No. 4 with Live At Hampden Park (Little Runaway); American alt-pop artist Pvris who could bag a second top 10 with Evergreen (Hopeless), poised to debut at No. 5; Lauren Spencer Smith’s debut full-length album Mirror (Island) could bow at No. 6; and Mahalia’s second record IRL (Atlantic) is on course for No. 9, for what would be the British R&B artist’s first top 10 entry.
Finally, U.S. rapper Lil Tjay could snag a third top 40 with 222 (Columbia), new at No. 24 on the chart blast, while Joel Corry’s singles collection Another Friday Night (Atlantic) is at No. 28, and could give the British DJ and producer his first appearance on the Official Albums Chart.
All will be revealed when the national survey is published this Friday, July 22.
BTS‘s Jung Kook is enjoying a healthy start to his solo career in the U.K., where “Seven” (via BigHit Entertainment) is challenging for the chart title.
Featuring U.S. rapper Latto, “Seven” is just 2,000 chart sales behind the leader on the midweek chart, Dave and Central Cee’s “Sprinter” (Live Yours/Neighbourhood).
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“Seven” could go where no member of BTS has gone before – to the summit of the U.K. singles survey.
All seven members of the K-pop phenomenon – Jin, Jimin, Suga, Jung Kook, RM, V and J-Hope – have shared solo material, with Jimin setting the bar with a top 10 for “Like Crazy” (peaking at No. 8); he separately landed a top 40 hit with “Set Me Free Pt. 2,” hitting No. 30. Bandmate j-hope was the first member of BTS to secure a U.K. top 40 single, with his J. Cole collaboration “On The Street” peaking at No. 37.
All told, BTS has accumulated nine U.K. top 40 singles, including four top 10s (with a No. 3 best for 2020’s “Dynamite,” plus “Butter” and “My Universe” with Coldplay, both from 2021). Two BTS titles have led the national albums chart.
Dave and Central Cee’s hip-hop hit “Sprinter” has proven hard to beat. It’s reigned over the Official U.K. Singles Chart for six consecutive weeks.
Meanwhile, Billie Eilish is making a play for the top 10 with “What Was I Made For?” (Interscope), lifted from the Barbie movie soundtrack. If it holds its position, “What Was I Made For?” will give the U.S. pop star her ninth top tier appearance.
Finally, J Hus is poised to make a noise on the U.K. chart, thanks to the release of his third and latest album, Beautiful and Brutal Yard.
His current single “Who Told You” (Black Butter/OVO/Republic) with Drake is unmoved at No. 4, while album cuts “Militerian” with Naira Marley (No. 21) and “Masculine” with Burna Boy (No. 22), both via Black Butter, are set for top 40 debuts.
All will be revealed when the Official Chart is published late Friday, July 22.
Toni Watson, the chart-busting Australian singer and songwriter who, as her alias Tones And I, set records around the globe with “Dance Monkey,” is one of the finalists for the 2023 Australian Women In Music Awards (AWMAs).
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Watson is up against Tanya Batt and The Superjesus leader Sarah McLeod for the songwriter award, which recognizes an outstanding female songwriter or composer.
Other high-profile artists nominated for this year’s event include Kate Ceberano, the one-time ARIA Award winner for best female artist, who is a finalist for the AWMAs lifetime achievement award, a category that also includes Jeannie Lewis and Clare Moore.
Meanwhile, chart-topping pop artist Jessica Mauboy will face-off with Beccy Cole, and Vika & Linda for the artistic excellence award, which celebrates “exceptional creative achievement from a female artist/musician across any genre.”
Established in 2018, the AWMAs acknowledges the contributions and shines a light on the accomplishments of women across all areas of industry from on stage, including those behind the scenes, technicians, leaders, elders, performers, songwriters, producers, engineers, filmmakers and photographers, music journalists and more.
One of those awards is the inaugural ARIA executive leader game changer, which rewards the “exceptional leadership” of an executive leader who “creates significant and positive change to bring about equality for women in the Australian music industry,” and is open to a CEO, CFO, COO, CMO, MD or GM.
“I have seen the industry of music in this country change so much and the education and delivery of music through the eyes and hearts of Australian women, my peers Renée, Chrissie, Olivia, Colleen, Kylie and more,” says Ceberano in a statement.
“It has been an education and at times a baptism by fire. But we are hardy and the Australian singers that are striking notes globally, not only with their music but with their minds, is outstanding.” She continues, “I’m glad to be a part of this modern community of likeminded artists who wish to share their wisdom and prevail despite all provocation to do otherwise.”
Twenty AWMAs will be handed out at a ceremony Sept. 27 in Meanjin/Brisbane, the designated 2032 Olympic city, and broadcast later on the Australian Broadcasting Corporation.
Each category is assessed by a 37-seat jury, with representation across a diverse range of music disciplines and cultures.
The 2023 AWMAs and conference program is supported by the Queensland government together with corporate, industry and community partners.
The event “not only celebrates the most innovative, committed, and visionary singers and songwriters in Australian music, it provides an opportunity to further promote gender equality and diversity including the voices of First Nations women,” comments Queensland Premier Annastacia Palaszczuk. “The future looks bright for the music industry as our government invests in a 10-year roadmap to promote arts, culture, and creativity.’’
AWMA is an initiative of the not-for-profit Charity Cicada International Ltd, and is spearheaded by AWMA founding executive producer and program director Vicki Gordon.
“AWMA has raised the collective voice – demanding equitable access, safety and recognition for women in the Australian music industry. We support and promote women as vital, essential contributors to the future business growth of the sector and are calling on the industry to adopt gender equality as a core music industry value,” explains Gordon. “Gender equity is still a long way in the future and we all need to remain vigilant.”
For the full list of nominations visit womeninmusicawards.com.au.
Taylor Swift’s third re-recorded album, Speak Now (Taylor’s Version), was a hot seller in its first week of a release in the U.S., according to the data tracking firm Luminate. In the week ending July 13, the set sold 507,000 copies across all of its physical and digital retail formats (CD, vinyl, cassette and digital download album). That sum represents nearly a quarter of all album sales in the U.S. that week (2.131 million).
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Speak Now (Taylor’s Version)’s share of the album sales market is similar to when she dominated the landscape during the debut week of Midnights in 2022. That album sold 1.14 million copies in the week ending Oct. 27, 2022 – accounting for 41% of all albums sold in the U.S. that week (2.79 million).
Swift can capture a large chunk of the album sales market in a given week because she remains a solid seller at a time when yearly album sales have declined in 10 of the last 11 years, as more music fan adopt streaming services as their primary means of consuming music. Thus, Swift’s outsized album sales dwarf the rest of the industry.
In 2022, Swift was the top-selling act for the year in terms of total album sales, with 2.93 million copies sold across her entire catalog – about 3% of total album sales across all albums from all artists (100.09 million). She also had the year’s top-selling album, with Midnights selling 1.818 million copies (more than twice the sum of the year’s second biggest seller, Harry Styles’ Harry’s House, with 757,000).
In 2023 so far, through July 13, Swift’s total album sales across all of her releases stands at 2.096 million – 3.8% of all album sales this year, by all artists (54.519 million).
Swift’s selling power is further evidenced on Billboard’s latest 100-position Top Album Sales chart (dated July 22, reflecting the sales week ending July 13), where Speak Now (Taylor’s Version) debuts at No. 1 with 507,000 copies sold, the Nos. 2-100 titles – combined – sold just 381,000.
Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units. The new July 22, 2023-dated chart will be posted in full on Billboard‘s website on July 18. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.
Speak Now (Taylor’s Version) is a re-recorded version of Swift’s 2010 studio album Speak Now, which topped both the Billboard 200 and Top Album Sales chart. The 22-track re-recorded edition includes new recordings of the original album’s 14 standard tracks, along with bonus cuts and previously unreleased “From the Vault” recordings. Speak Now (Taylor’s Version) follows Swift’s re-recorded Red and Fearless albums, released in 2021.
Of Speak Now (Taylor’s Version)’s 507,000 copies sold, physical sales comprise 410,000 (268,000 on vinyl; 134,000 on CD and 8,000 on cassette) while digital album download purchases comprise 97,000. The album’s vinyl sales mark the second-largest week for a vinyl album since Luminate began tracking data in 1991 – only the debut week of Midnights posted a bigger vinyl week (575,000).
Swift announced the release of Speak Now (Taylor’s Version) on May 5, the same day she began taking pre-orders for the album via her official webstore. The set sold as a digital download album, double-CD, double-cassette and in three color vinyl LP variants (orchid marbled, violet marbled and a Target-exclusive lilac marbled color). The iTunes Store also carried an exclusive edition of the album with a short video clip as a bonus feature. On the final day (July 13) of the album’s debut tracking week, Swift released a deluxe digital album download of the set exclusively sold through her official webstore, which added two bonus live tracks recorded during her ongoing The Eras Tour (“Dear John” and “Last Kiss,” both of which were originally released in their studio form on the Speak Now album in 2010).
All told, Speak Now (Taylor’s Version) is the 12th No. 1 on Top Album Sales for Swift.
Elsewhere on the latest Top Album Sales chart, Swift has five more titles in the top 10, as her former No. 1s Midnights (a non-mover at No. 3 with 18,000; up 49%), Folklore (8-6 with 13,000; up 45%), Lover (10-7 with 12,000; up 50%), Fearless (Taylor’s Version) (14-9 with 11,000; up 81%) and Red (Taylor’s Version) (19-10 with 10,000; up 89%). It’s the second time Swift has placed at least six titles in the top 10 concurrently. She did it previously on the July 22-dated list. No other act has charted six or more albums in the top 10 at the same time.
As for the non-Swift titles in the top 10: Stray Kids’ former No. 1 5-STAR is a non-mover at No. 2 (27,000; up 70% after the release of a new CD edition), aespa’s MY WORLD falls 1-4 in its second week (14,000; down 65%), Lana Del Rey’s Did You Know That There’s a Tunnel Under Ocean Blvd. jumps 33-5 (13,000; up 265% after a new vinyl edition of the album was released) and King Gizzard and the Lizard Wizard’s PetroDragonic Apocalypse; or, Dawn of Eternal Night: An Annihilation of Planet Earth and the Beginning of Merciless Damnation debuts at No. 8 (11,000).
In the week ending July 13, there were 2.131 million albums sold in the U.S. (up 22% compared to the previous week). Of that sum, physical albums (CDs, vinyl LPs, cassettes, etc.) comprised 1.729 million (up 21.8%) and digital albums comprised 402,000 (up 23.2%).
There were 705,000 CD albums sold in the week ending July 13 (up 8% week-over-week) and 1.008 million vinyl albums sold (up 33.4%). Year-to-date CD album sales stand at 18.893 million (up 4.1% compared to the same time frame a year ago) and year-to-date vinyl album sales total 25.371 million (up 21.7%).
Overall year-to-date album sales total 54.519 million (up 8.1% compared to the same year-to-date time frame a year ago). Year-to-date physical album sales stand at 44.556 million (up 13.4%) and digital album sales total 9.962 million (down 10.5%).