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A bomb threat derailed a concert Saturday night (July 8) at Saratoga Performing Arts Center (SPAC), shutting down the venue before the main act, Noel Gallagher’s High Flying Birds, could take the stage.

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According to multiple reports, Metric and Garbage completed their opening sets, but the High Flying birds got their wings clipped when the site was abruptly evacuated just ahead of their headline slot.

An announcement before 10 p.m. said the show would not go on due to “circumstances beyond our control,” according to a report from Jim Shahen of the Albany Times-Union.

Adds reporter Jon Campbell, who was in the room: “The stage was all set for Noel Gallagher. Then a guy came on stage and said: ‘Due to circumstances beyond our control, the show will not continue.’”

Weird things happening at SPAC (Saratoga Performing Arts Center, for non locals). The stage was all set for Noel Gallagher. Then a guy came on stage and said: “Due to circumstances beyond our control, the show will not continue.” pic.twitter.com/EUqZ83IGkD— Jon Campbell (@JonCampbellNY) July 9, 2023

“We have no idea what happened tonight,” Garbage posted on its official Twitter channel. “We were just all evacuated and we were concerned for everyone !!! I’m sorry we have no real information. We were just told there was an emergency evacuation!!!!”

We have no idea what happened tonight. We were just all evacuated and we were concerned for everyone !!!I’m sorry we have no real information . We were just told there was an emergency evacuation!!!!— Garbage (@garbage) July 9, 2023

The situation now has clarity, with officials confirming the closure was in response to a “bomb threat.”

“Out of an abundance of caution, the concert at Saratoga Performing Arts Center was suspended ‪at 9:40 pm and concert attendees were evacuated without incident. K9s completed a sweep of the venue after the crowd exited, with negative results,” reads a statement from the NY State Park Police.

The venue, operated by Live Nation, had a particularly eventful weekend. Sunday’s performance of Kidz Bop was delayed due to “inclement weather in the area,” with organizers urging guests to “seek shelter in the venue.”

Attention Kidz Bop fans at SPAC: Due to inclement weather in the area, we are sheltering in place at the venue.Please continue to monitor our social media pages for further information. pic.twitter.com/yBDtZxVpNW— Live Nation Saratoga (@livenationtoga) July 9, 2023

Gallagher is touring in support of his band’s latest album Council Skies, which last month debuted at No. 2 on the Official U.K. Albums Chart, denied the crown by Foo Fighters’ But Here We Are. The Foos ended Gallagher’s record streak of 10 consecutive No. 1 studio albums dating back nearly three decades, including all seven LPs with Oasis and the previous three with High Flying Birds.

Olivia Rodrigo’s “Vampire” (via Geffen) sinks its fangs into the U.K. singles chart.
Arriving at No. 2, the pop-rock number becomes Rodrigo’s fifth U.K. top 10 appearance, a collection that includes two leaders.

When Rodrigo announced her arrival to the pop music world with 2021’s Sour, she set a stack of records. With the release of “Good 4 U,” Rodrigo became, at 18 years and three months, the youngest solo artist in history to snag the Official U.K. Chart double.

The Grammy Award winner’s debut also broke the U.K. record for most first-week streams ever for a debut album, and she’s the first female solo artist to score three simultaneous U.K. top 5 singles with “Good 4 U,” “Deja Vu” and “Traitor” (Rodrigo’s “Drivers License” also led the survey).

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“Vampire” blasts to No. 1 in Australia and is the first release from Rodrigo’s sophomore album Guts, due out Sept. 8. Its predecessor, Sour, spent five weeks at No. 1 in the U.K.

After a tight chart race, the Official Charts Company reports, Dave and Central Cee’s “Sprinter” (Live Yours/Neighbourhood) finds the legs to outpace “Vampire” for its fifth consecutive title.

“Sprinter” accumulates a market-leading 8 million-plus streams, according to the OCC. Completing the top 3 is J Hus and Drake’s “Who Told You” (Black Butter/OVO/Republic), down 2-3.

Taylor Swift’s “Cruel Summer” (EMI) continues to heat up on the U.K. chart, four years after its initial release. The Lover album track cracks the U.K. top 10 for the first time, rising 12-6. It’s the 22nd U.K. top 10 for Swift, who will return to these parts in June 2024 when her The Eras Tour passes through.

Meanwhile, DJ Peggy Gou’s dance number “(It Goes Like) Nanana” (XL Recordings) continues to climb, up 9-7, while D-Block Europe and Clavish’s collaboration “Pakistan” bolts to a top 10 start. “Pakistan” debuts at No. 10, the third top 10 appearance for D-Block and Clavish’s second.

Nothing But Thieves swipe the U.K. chart title for the first time as Dead Club City bows at No. 1.
Formed in Essex, England, the five-piece indie-rock band enjoyed top 10 appearances with each of their previous three albums: 2015’s self-titled debut (peaking at No. 7), 2017’s Broken Machine (No. 2) and 2020’s Moral Panic (No. 3).

“How’s this happened then?!,” reads a message on the band’s socials. “It’s a synth based concept record with too many guitar solos. This is all to say that despite our best efforts of self sabotage, it’s only gone and got Number 1. It can still happen.”

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Completing the podium on the Official U.K. Albums Chart, published July 7, is Elton John’s hits collection Diamonds (Universal/UMC), which holds at No. 2 as the pop veteran winds-up his record-setting final tour; and the Weeknd’s The Highlights (Republic Records/XO), up 6-3.

Further down the list, London singer and songwriter Olivia Dean blasts to No. 4 with Messy, her full-length debut LP.

Also arriving in the top 10 is Lil Uzi Vert’s Pink Tape, new at No. 7. That’s the second top 10 for the U.S. rapper, singer and songwriter, after 2020’s Eternal Atake peaked at No. 3. Lil Uzi Vert also impacted the U.K. chart with 2017’s Luv Is Rage 2 (No. 14), and Pluto x Baby Pluto (No. 39), his 2020 collaborative release with Future.

Meanwhile, Fontaines D.C. frontman Grian Chatten bags a debut solo top 10 appearance with Chaos For The Fly (Partisan). The best-seller this week on wax, Chaos For The Fly takes off at No. 10.

Olivia Rodrigo is back with “Vampire,” and her fans can’t get enough of the U.S. pop star. Rodrigo’s chart-topping debut album from 2021, Sour (Geffen), blasts 32-16 in its 110th week on the tally.

Finally, Madonna enjoys a “get well soon” message from her U.K. fans as Finally Enough Love (Rhino) rises on the chart. The Queen of Pop’s 2022 hits collection reenters the chart at No. 27 following the release of six-LP “Rainbow Edition” boxset.

The American pop legend recently spent several days in the ICU after she developed a serious bacterial infection, a development that pressed pause on her massive, career-spanning Celebration tour. Finally Enough Love originally peaked at No. 3 in the U.K. following its release in 2022.

It’s Friday and we’ve got a ton of new music from Taylor Swift, TXT and Jonas Brothers, NewJeans, FIFTY FIFTY and more! Amid the release of Speak Now (Taylor’s Version), John Mayer is sending an interestingly timed message. Jessica Simpson clears up those Ozempic weight loss rumors and opens up about the resurgence of Newlyweds. […]

Taylor Swift sweeps into the Australian record books, breaking a chart mark previously owned by the King of Pop, while Olivia Rodrigo nabs her third leader on the national singles survey.

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“Vampire” (via Geffen/Universal) spreads its wings to debut at No. 1 on the ARIA Chart, following the lead of “Drivers Licence” and “Good 4 U,” which both reigned in 2021.

Rodrigo’s debut album from 2021, Sour, also hit No. 1 in Australia, logging a total of eight weeks in the penthouse. With “Vampire” flying high this week, Sour soars 28-15. Rodrigo’s latest hit is the first release from the U.S. pop phenomenon’s sophomore LP Guts, due out Sept. 8.

With “Vampire” starting atop the ARIA Singles Chart published Friday, July 7, the four-week unbroken reign of Dave and Central Cee’s “Sprinter” (Virgin Music/Universal) is at an end. “Sprinter” dips 1-2, while Swift’s “Cruel Summer” (Universal) works its magic in the Australian winter, holding at No. 3.

In any other week, Rodrigo would command the headlines with her chart-topping feat.

This is no ordinary week. It’s Taylor Swift’s week.

Swift dominates both lists, as “Anti-Hero” (up 7-6) and “Karma” (up 8-7) impact the top 10 on the ARIA Singles Chart, while “Style” (reentering at No. 11) and “Blank Space” (up 20-12) and a string of her hits ascend.

The U.S. pop superstar’s dominance is outright on the ARIA Albums Chart, on which Swift completes an unprecedented sweep of the top 5, led by Midnights, which bounces 2-1 for its 13th week at No. 1, ARIA reports. The top five is closed out by Lover, 1989, Reputation, and Folklore, respectively, while Red (Taylor’s Version) vaults 15-9.

Previously, Michael Jackson was the standard-bearer for dominance, notching the top three albums in the week following his death in 2009.

Swift-mania is a triggered by the general ticket on sale for her The Eras Tour of Australia in 2024, produced by Frontier Touring.

TayTay will play her hits across seven concerts at the Melbourne Cricket Ground and Sydney’s Accord Stadium next February, tickets for which went on sale to the general public Friday, June 30. No further dates will be added for the Australian tour, Frontier Touring has confirmed.

K-pop meets JoBro pop on “Do It Like That,” the new collaborative recording that unites the talents of TOMORROW X TOGETHER with the Jonas Brothers.
Produced by Ryan Tedder, the prolific creative behind such hits as OneRepublic’s “Counting Stars” and Beyoncé’s “Halo,” “Do It Like That” is the first team-up by TXT and the U.S. sibling trio.

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“Do It Like That” splashed at midnight across digital music platforms, and it’s accompanied by a bouncy music video. Helmed by Yongsoo Kwon, the clip opens with the bros singing, grooving and jamming on instruments, before TXT gets into the swing of things for a great, big poptastica party.

The fresh cut continues another bountiful year for both acts.

In January, TXT earned its first Billboard 200 No. 1 project with The Name Chapter: Temptation (EP), the K-pop stars’ third consecutive title to reach the chart’s top 10 and seventh entry on the tally. The EP became the longest-charting K-pop album released in 2023 on the Billboard 200.

With that first chart crown, TXT topped Billboard’s Artist 100, and stopped by The Late Late Show With James Corden for a performance of “Sugar Rush Ride,” lifted from TEMPTATION, for their U.S. late night TV debut.

TXT’s Soobin, Yeonjun, Beomgyu, Taehyun and Hueningkai will release their second full-length album in Japanese, SWEET, via UMe on Aug. 4, 2023.

Meanwhile, the bros Kevin, Joe and Nick recently notched their fourth No. 1 on Billboard’s Top Album Sales chart with The Album. It peaked at No. 3 on the all-genre Billboard 200 chart, and is one of their seven top 10 albums on the main tally, a list that includes three leaders — 2008’s A Little Bit Longer, 2009’s Lines, Vines and Trying Times and 2019’s Happiness Begins.

Watch the music video for “Do It Like That” below.

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Live Nation’s next venture is less about staging rock, pop and hip-hop extravaganzas, and all about mindfulness.
The live entertainment giant today (July 6) launches the Mindful Nation app, an online space where music meets meditation for a necessary mental health break.

Mindful Nation goes wide with over 1,000 meditation classes featuring special beats curated by leading producers and independent artists, including Janax Pacha, Mose Musica and Chris IDH.

According to LN, users of the app can expect to tap into daily trainer-led classes tuned to “various vibes, on-demand classes for mind, sleep, and day-to-day life, music playlists” and “breathe with the beat” exercises. 

Noel Gallagher, leader of the British rock outfit the High Flying Birds and Oasis co-founder, has tested the app and given it a resounding thumbs-up.

“Writing music and albums is one kind of meditation,” the legendary Manchester artist explains, “you have to go into a particular state to do it. Music is meditation to me so for Niamh to create Mindful Nation makes so much sense. Music is the gateway to finding that higher place of peace and this platform will allow for more people to access meditation in a way that makes sense to them. It’s really cool.”

The mindfulness platform is the brainchild of Niamh McCarthy, a former artist manager who worked for Madonna and U2’s management team at Maverick. McCarthy, like so many others in the business, experienced burnout on the road. She unlocked some of the solutions through meditation, breathwork, and yoga, and “made it her mission” to share those self-help gifts with the wider music industry.

The in-app classes “are like a timeless album, never out of date,” she explains. “Users can keep going back to these resources again and again to support themselves through the highs and lows of life.”

Mindful Nation is part of LN’s commitment to supporting mental health for music industry professionals, many of whom work long hours, well after dark, and spend long stretches on the road – a long way from their comfort zones. Factor-in the pandemic, and it’s a business that can take a toll.

“We first launched Mindful Nation as a program for our employees,” says Michael Rapino, CEO and president of Live Nation, “and it’s great to see Niamh now bringing the benefits of mindfulness to touring artists and crew across our industry, as well as music fans.”

Live Nation has also invested in mental health support for the broader industry, including Music Industry Therapist Collective and Tour Support, and by raising money for Support Act, Australia’s music industry charity.

Download the app via the Apple App Store.  

Five years after her death, the final wishes of music superstar Aretha Franklin are still unsettled. An unusual trial begins next Monday (July 10) to determine which of two handwritten wills, including one found in couch cushions, will guide how her estate is handled.

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The Queen of Soul, who had four sons, did not have a formal, typewritten will in place, despite years of health problems and efforts to get one done. But under Michigan law, it’s still possible to treat other documents — with scribbles, scratch-outs and hard-to-read passages — as her commands.

The dispute is pitting a son against other sons. Ted White II believes papers dated in 2010 should mainly control the estate, while Kecalf Franklin and Edward Franklin favor a 2014 document. Both were discovered in Franklin’s suburban Detroit home, months after her death from pancreatic cancer in 2018 at age 76.

“Does it surprise me that someone passed away before they had their ducks in a row? The answer is never,” said Pat Simasko, who specializes in wills and estates and teaches elder law at Michigan State University College of Law.

“This can be settled any time, on the steps, halfway through trial,” he said. “And hopefully it will be. Going to a jury trial is a war.”

Here’s a look at the case:

Franklin’s Death

Franklin was a global star for decades, known especially for hits like “Think,” “I Say a Little Prayer” and “Respect.” She was treated like royalty in death, her body transported in a 1940 Cadillac hearse to a Detroit museum where thousands of people visited in August 2018.

“She was the people’s diva,” sociologist Michael Eric Dyson said at the time.

It was immediately known that Franklin had died without a will, which meant her four sons likely would share assets worth millions, including real estate in suburban Detroit, furs, gowns, jewelry and future royalties from her works. A niece, Sabrina Owens, agreed to be personal representative or executor.

“My advice? Go slow, be careful and be smart,” Franklin’s friend, businessman Ron Moten, told the sons at the funeral.

Paperwork

Months later, in spring 2019, the estate was turned upside down. Owens reported that a handwritten will dated 2010 was found in a cabinet and another handwritten will, dated 2014, was discovered inside a notebook under cushions at Franklin’s home.

There are differences between the documents, though they both seem to indicate the sons would share income from music and copyrights. The older will lists White and Owens as co-executors and says Kecalf and Edward Franklin “must take business classes and get a certificate or a degree” to benefit from the estate.

But the 2014 version crosses out White’s name as executor and has Kecalf Franklin in his place. There’s no mention of business classes. Kecalf Franklin and grandchildren would get his mother’s main home in Bloomfield Hills, which was valued at $1.1 million when she died but is worth much more today.

“It’s the crown jewel,” said Craig Smith, attorney for Edward Franklin

Aretha Franklin wrote in 2014 that her gowns could be auctioned or go to the Smithsonian Institution in Washington. She indicated in both papers that oldest son, Clarence, who lives under a guardianship, must be regularly supported.

“Two inconsistent wills cannot both be admitted to probate. In such cases the most recent will revokes the previous will,” Charles McKelvie, a lawyer for Kecalf Franklin, said in a court filing in favor of the 2014 document.

But White’s attorney, Kurt Olson, said the 2010 will was notarized and signed, while the later version “is merely a draft.”

“If this document were intended to be a will there would have been more care than putting it in a spiral notebook under a couch cushion,” Olson said.

Intent Is Key

Simasko, the law instructor, said final wishes can be fulfilled in Michigan through an informal will.

“If you’re sitting there on a Sunday afternoon and you start handwriting your own wishes, the law allows it as long as the rules are followed: It’s in your handwriting, it’s dated and it’s signed,” he said.

For five years, Aretha Franklin’s estate has been handled at different times by three executors. Owens quit in 2020, citing a “rift” among the sons.

She was succeeded by Reginald Turner, a local lawyer who also served as president of the American Bar Association. His last accounting in March showed the estate had income of $3.9 million during the previous 12-month period and a similar amount of spending, including more than $900,000 in legal fees to various firms.

Overall assets were pegged at $4.1 million, mostly cash and real estate, though Franklin’s creative works and intellectual property were undervalued with just a nominal $1 figure.

The estate since 2020 has paid at least $8.1 million to the Internal Revenue Service, which had a claim for taxes after the singer’s death, court filings show.

“The IRS claims took priority. The estate wasn’t going anywhere until the IRS got paid off,” Smith said.

This article originally appeared in the Associated Press.

XG debut at No. 1 on our Hot Trending Songs chart. Meghan Trainor and her husband, Daryl Sabara, announce the birth of their baby boy, Barry. Jesse J goes viral after posting a video of herself singing to her newborn son, Sky. Austin Mahone reveals five things you didn’t know about him. Shania Twain bounces […]

Houston rapper Big Pokey was laid to rest Sunday (July 2), a week after he collapsed onstage and died during a performance.
A week ago, Big Pokey was onstage in front of an audience in Beaumont, Texas, when he suddenly collapsed. A video circulating online and on social media shows Pokey taking the microphone in front of a crowd. He takes a breath and then falls backward.

He was 48. The cause of death is not yet known; a preliminary autopsy report was inconclusive.

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He was laid to rest following a service at Fountain of Praise church in Houston. Among the luminaries turning out to pay their respects were Houston Mayor Sylvester Turner, U.S. Rep. Sheila Jackson Lee and rappers Paul Wall, Trae Tha Truth and Slim Thug, according to The Houston Chronicle.

Pokey, whose real name was Milton Powell, was a founding member of the Screwed Up Click, a rap collective led by DJ Screw, who is credited with developing “a slowed, pitched-down music style” that became known as “chopped and screwed,” according to the Associated Press.

“It is with deep sadness that we share the news of the passing of our beloved Milton ‘Big Pokey’ Powell. Big Pokey passed away on June 18, 2023,” read a statement posted on his Instagram following his death. “He was well-loved by his family, his friends, and his loyal fans. In the coming days, we will release information about his celebration of life and how the public can pay their respects. We ask that you respect his family and their privacy during this difficult time. Big Pokey will forever be ‘The Hardest Pit in the Litter.’”

The Hardest Pit in the Litter is a reference to Pokey’s 1999 debut LP. A year later, he released the album D-Game, and his third album, Da Sky’s Da Limit, was released in 2002.

Other notable credits include his appearance on Paul Wall’s “Sittin’ Sideways” and DJ Screw’s “June 27th.”

More recently, his released his last album, Sensei, in 2021 and appeared on Megan Thee Stallion’s 2022 track “Southside Royalty Freestyle” alongside Sauce Walka and Lil Keke.

This article originally appeared in THR.com.