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Wrestlemania 41 was full of fans with strong opinions, and we went ahead and asked them who would win in the ring: Bad Bunny or Travis Scott?
Who do you think would win in the ring? Let us know in the comments!
Carl Lamarre:
Street fight: Travis Scott and Bad Bunny, one on one. Who’s taking it?
Fan 1:
Travis Scott is a bi—.
Fan 2:
I gotta go with “Goosebumps.” I gotta go with the Trav.
Carl Lamarre:
He gave Cody Rhodes a black eye, man.
Fan 2:
Yeah, he busted his eardrum. Come on.
Fan 3:
Travis Scott.
Carl Lamarre:
Why Travis?
Fan 4:
Travis is like a little ghetto, you know? Bad Bunny, he’s cool. He’s cool, you know. But like, they do it differently in Houston.
Fan 5:
Bad Bunny. Bad Bunny, all day.
Carl Lamarre:
Benito. Why?
Fan 5:
Because he’s also the GOAT. No, um, I don’t know. He just got, he got that dog in him.
Fan 6:
Yo soy Boricua, I’m from Puerto Rico. Oh, I’m not from Puerto Rico, but I’m Puerto Rican, so I have to pick him. Loyalty, you know what I mean? Bad Bunny. Yo soy Boricua pa’ que tú lo sepas.
Fan 7:
Travis Scott.
Carl Lamarre:
Why Travis?
Fan 7:
Bad Bunny don’t look like he could fight too good.
Carl Lamarre:
Bad Bunny got pretty busy in the ring not too long ago.
Fan 7:
You know, everybody lucky every once in awhile, right?
Fan 8:
Bad Bunny all day. You saw the damage he took from Damian Priest, I think it was last year.
Carl Lamrre:
At Puerto Rico.
Fan 8:
Puerto Rico, right? You saw the damage he could take. He can handle it.
Carl Lamarre:
Why Bad Bunny?
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Bad Bunny is set to take over the world with his ‘Debí Tirar Más Fotos’ Tour and is doing a residency in Puerto Rico; Beéle leads the way at this year’s Heat Latin Music Awards alongside heavy-hitters like Bad Bunny, Feid and Karol G; and J Balvin voices a role in the anime series ‘Solo […]
LISA and Bose teamed up for a collaboration of new Ultra Open earbuds. We went to the pop-up for the new collab, and we show you the new goodies that we got. Will you be snagging LISA’s Bose earbuds? Let us know in the comments! Tetris Kelly: We got the full scoop on LISA’s Bose […]
Fresh from teasing the release of new album Love Chant last month, The Lemonheads have previewed the upcoming LP with latest single “Deep End.”
Co-written by Evan Dando alongside longtime collaborator Tom Morgan (of Australian outfit Smudge), “Deep End” features Juliana Hatfield on backing vocals with additional guitar from Dinosaur Jr.’s J Mascis. Both Hatfield and Mascis make brief cameos in the accompanying video, which was filmed in by São Paulo, Brazil by Surreal Hotel Arts.
The black-and-white clip sees Dando walking down an endless sidewalk as he’s passed by a series of objects, people, and landscapes, with his bandmates occasionally joining. “It’s never been so painless making a video,” Dando said of the clip. “Everyone working was really great. The endless sidewalk goes really well with the song.”
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“Deep End” is also backed by a cover of Townes Van Zandt’s “Sad Cinderella,” which features backing vocals from Nashville artist Erin Rae. Both tracks will appear on a limited edition 12″ vinyl single that arrives on June 13 via Fire Records.
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The A-side is set to appear on Love Chant, which will arrive as the band’s first album of new material since 2006. The record will reportedly release in fall, though specific details are expected to arrive in the coming months.
The Lemonheads first formed in Boston in 1986, with a series of independent albums arriving via Taang! before the group signed to Atlantic for 1990’s Lovey.
Working with Morgan while in Australia, The Lemonheads found their commercial breakthrough with 1992’s It’s a Shame About Ray, which reached No. 68 on the Billboard 200. Its success was bolstered by a cover of Simon & Garfunkel’s “Mrs. Robinson,” and helped the group achieve their commercial peak with 1993’s Come on Feel the Lemonheads, which peaked at No. 56.
The Lemonheads initially dissolved in 1997, though Dando reactivated the group in 2005, with a self-titled record arriving the following year. Since then, two cover albums have been released, with Varshons and Varshons 2 being issued in 2009 and 2019, respectively.
Diddy’s trial started on Monday, May 12th, and we’re breaking down what’s happened in the first two days of the trial, including his charges, opening statements, Cassie taking the stand and more.
What do you think of Diddy’s trial so far? Let us know in the comments.
Tetris Kelly:
All right, guys, so this is not a fun one, but the Diddy trial kicked off, and I’m, for one, in shock that they decided that the defense’s argument was gonna be, yeah, there was domestic violence, but not sex trafficking. Like what?
Judy Sanchez:
It’s a lot to take in. Like, racketeering is a very serious charge, but so is domestic violence. So to sort of brush that under the rug, and especially with Cassie knowing that she’s taking the stand pregnant, I don’t know, the optics are very intense. You know, it was, it was a lot of intense, graphic news coming from the Diddy trial this morning.
Tetris Kelly:
I mean, it’s so interesting that you phrase it that way, because I think sex trafficking, racketeering, it’s like, and there’s been all this evidence that’s been in the media, what would your argument be to defend Diddy at this point?
Stefanie Tanaka:
Yeah. I mean, I’m not sure there’s much. He’s gonna try to save his a–, I’m sure. But, you know, I don’t know how you can, I mean, your crimes are bad enough. I don’t know if there’s much. I mean, the lawyers are gonna do their jobs because they’re lawyers, but I don’t know, like, if there’s any way he could really get out of it. I mean, they’re pretty serious. All the allegations we’ve heard, the video evidence with Cassie in the hotel.
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Billboard’s Producer Spotlight series highlights creatives currently charting on Billboard’s producer rankings. Whether they are new to the industry or have been churning out hit after hit, the intention is to showcase where they are now, and their work that’s having a chart impact.
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Regional Mexican group Fuerza Regida scores a historic week thanks to the arrival of its new album, 111XPANTIA. The project launches at No. 2 on the Billboard 200 (dated May 17), behind Bad Bunny’s Debí Tirar Más Fotos, with 76,000 equivalent album units earned in the U.S. in its opening week (May 2-8), according to Luminate. It becomes the highest charting Spanish-language album in history by a duo or group, and sets a new mark as the highest charting regional Mexican album ever.
This week also marks the first in the 69-year history of the Billboard 200 in which Spanish-language albums hold the top two spots.
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The forces behind Fuerza Regida’s record-breaking debut include lead singer Jesús Ortiz Paz and producers Moisés López and Meñostyle.
Ortiz Paz, López and Meñostyle rank at Nos. 1, 2 and 3, respectively, on Billboard’s Latin Producers chart, thanks to their work on the album. The group places 15 songs on Hot Latin Songs, including all 12 from the non-deluxe version of 111XPANTIA. (The three songs below not on the set are noted with an asterisk.)
Fuerza Regida on the May 17 Hot Latin Songs Chart:
No. 2, “Me Jalo,” with Grupo Frontera*
No. 3, “Por Esos Ojos”
No. 11, “Peliculiando”
No. 14, “Marlboro Rojo”
No. 16, “GodFather”
No. 22, “Aniesdad”
No. 25, “Tu Sancho”
No. 26, “Ayy Weyy”
No. 31, “Caperuza”
No. 32, “Como Capo,” with Clave Especial*
No. 34, “Nocturno”
No. 35, “Chavalitas”
No. 37, “Chaka”
No. 38, “Chufulas”
No. 40, “Coqueta,” with Grupo Frontera*
Ortiz Paz tops the Latin Producers chart thanks to his production on all 15 songs above, along with Clave Especial and Edgardo Nuñez’s “Tu Tu Tu” (No. 13). López ranks at No. 2, thanks to his work on 13 of the songs above (he didn’t produce “Como Capo” and “Coqueta”). Meñostyle follows at No. 3, with production on nine cuts above, including “Por Esos Ojos” “Peculiando” and “Marlboro Rojo.”
Additional collaborators on 111XPANTIA impact Billboard’s Latin Songwriters and Latin Producers charts. Miguel Armenta ranks at No. 7 on Latin Producers (and No. 4 on Latin Songwriters) via his production on six songs above, as well as Los Dareyes de La Sierra and Tito Double P’s “Vita Fer” (No. 33 on Hot Laton Songs); Jorsshh places at No. 3 on Latin Songwriters for co-writing nine Fuerza Regida tracks; and Daniel Gutiérrez places at No. 8 on Latin Songwriters on the strength of seven credits.
Ortiz Paz has helped Fuerza Regida play a key role in helping regional Mexican music cross over to the mainstream. The group became one of the first regional Mexican acts to appear on the Hot 100, when it debuted in 2023 with its Grupo Frontera collaboration, “Bebe Dame.” The band has now charted 13 songs on the Hot 100, part of a growing wave of regional Mexican acts finding mainstream success in the U.S. that includes fellow rising stars Gabito Ballesteros, Ivan Cornejo, Junior H and Peso Pluma.
Billboard launched its songwriters and producers charts in June 2019, including those for individual genres. The charts are based on total points accrued by a songwriter and producer, respectively, for each attributed song that appears on their respective “Hot” or “Top” chart. As with Billboard’s yearly recaps, multiple writers or producers split points for each song equally (and the dividing of points will lead to occasional ties on rankings).
The full Latin Songwriters and Latin Producers charts, plus those for other genres, can be found on Billboard.com.
Some of Australia’s biggest musical exports are up for high-profile honors at this year’s AIR Awards, set to be handed out on July 31 at the Adelaide Town Hall in South Australia.
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Leading the charge in this year’s event are the likes of Royel Otis, who are up for four awards, just one year after being named breakthrough independent artist of the year at the 2024 edition. This year sees them up for the likes of best independent rock album or EP, independent album of the year, and independent marketing team of the year.
Royel Otis will be in fine company, sharing the former two categories with both Amyl and the Sniffers and King Stingray. Amyl, meanwhile, are also up for independent song of the year for “U Should Not Be Doing That,” which recently took out song of the year at the APRA Music Awards last month.
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Other well-represented artists at this year’s ceremony are Emily Wurramara, Confidence Man and Alice Ivy, who are up for four awards each, with the latter pair in contention for best independent dance, electronica or club single and Best Independent Dance or Electronica Album or EP. Acts such as Indigenous hip-hop supergroup 3%, Gut Health, and others are also hoping to take home multiples at the event.
“It’s a wonderful opportunity to recognise the work the independent music industry does in providing talented and emerging artists and music businesses with a platform to share their art with a wider audience,” commented South Australian minister for arts, Andrea Michaels MP.
Officially known as the Australian Independent Record Awards, the awards were first established in 2006 as an effort to “recognise, promote, and celebrate the success of Australia’s Independent Music sector.” This year also features a new category, with independent mix, studio or mastering engineer of the year set to be handed out at the July ceremony for the first time.
Some of Australia’s biggest musical exports have been recognized by the AIRs in recent years, including RVG, who took home last year’s best independent album for Brain Worms, and Jem Cassar-Daley, whose “King of Disappointment” was named best independent single/EP.
2025 AIR Awards Nominations
Best Independent Blues And Roots Album or EPEmma Donovan – Til My Song Is DoneLittle Quirks – Little QuirksMia Dyson – Tender HeartQueenie – New MoultSteph Strings – Cradle Mountain
Best Independent Hip Hop Album or EP3% – Kill The DeadDobby – Warrangu; River StoryLithe – What Would You Do?Miss Kaninna – KaninnaZiggy Ramo – Human?
Best Independent Country Album or EPHenry Wagons – The Four SeasonsKasey Chambers – BackboneLane Pittman – Lane PittmanMichael Waugh – Beauty & TruthThe Whitlams Black Stump – Kookaburra
Best Independent Jazz Album or EPClaire Cross – Sleep CycleLucy Clifford – Between Spaces Of KnowingMolly Lewis – On The LipsParvyn – MaujudaSam Anning – Earthen
Best Independent Classical Album or EPAustralian Chamber Orchestra – Memoir Of A SnailElectric Fields X Melbourne Symphony Orchestra – Live In ConcertKatie Noonan & Karin Schaupp – Songs Of The Southern Skies Vol 2Nat Bartsch – Forever ChangedSimon Mavin – Some Days EP
Best Independent Children’s Album or EPBunny Racket – PowerEmma Memma – Twirly TunesTeeny Tiny Stevies – The Green AlbumThe Quokkas – Songs For Silly BilliesThe Wiggles – The Wiggles Sound System: Rave Of Innocence
Best Independent Dance, Electronica or Club SingleAlice Ivy – Do I Need To Know What Love Is? Feat. Josh TeskeyConfidence Man – I Can’t Lose YouHaiku Hands – KicksMoktar – Haraka ’حركة’Odd Mob – Vertigo Feat. Ed Graves
Best Independent Punk Album or EPDon’t Thank Me, Spank Me! – Don’t Thank Me, Spank Me!Dune Rats – If It Sucks, Turn It UpGut Health – StilettoRadio Free Alice – PolyesterRegurgitator – Invader
Best Independent Heavy Album or EPNorthlane – Mirror’s EdgeOcean Grove – OddworldRedhook – MutationThe Amity Affliction – Let The Ocean Take Me (Redux)The Southern River Band – D.I.Y
Best Independent Dance or Electronica Album or EP1tbsp – Megacity1000Alice Ivy – Do What Makes You HappyConfidence Man – 3am (La La La)Ninajirachi – Girl EdmPnau – Hyperbolic
Best Independent Rock Album or EPAmyl And The Sniffers – Cartoon DarknessKing Stingray – For The DreamsParty Dozen – Crime In AustraliaRoyel Otis – Pratts & PainThe Rions – Happiness In A Place It Shouldn’t Be
Best Independent Soul/Rnb Album or EPBeckah Amani – This Is How I Remember It.Don West – Don WestElla Thompson – Ripple On The WingMilan Ring – MangosRadical Son – Bilambiyal
Best Independent Pop Album or EPAnnie Hamilton – Stop And Smell The LightningAsha Jefferies – Ego RideEmma Russack – About The GirlGood Morning – Good Morning SevenSheppard – Zora
Breakthrough Independent Artist of the Year – Presented By PPCA3%Gut HealthMiss KaninnaQueenieThe Dreggs
Independent Song of the YearAlice Ivy – Do I Need To Know What Love Is? Feat. Josh TeskeyAmyl And The Sniffers – U Should Not Be Doing ThatJem Cassar-Daley – Big ContainerOcean Alley – TangerineSycco – Meant To Be
Independent Album of the YearAmyl And The Sniffers – Cartoon DarknessEmily Wurramara – NaraKing Stingray – For The DreamsRoyel Otis – Pratts & PainThe Dreggs – Caught In A Reverie
Best Independent LabelABC MusicDinosaur CityEtcetc.I Oh YouImpressed Recordings
Independent Marketing Team of the YearABC Music, The Annex – Emily Wurramara, NaraFuture Classic, The Annex – Sycco, ZorbGyrostream – Lithe, Fall BackI Oh You, Mushroom Music – Confidence Man, 3am (La La La)Ourness, The Annex – Royel Otis, Pratts & Pain
Independent Publicity Team of the YearI Oh You, Mushroom Music – Confidence Man, 3am (La La La)Liz Ansley – Emily Wurramara, NaraSuper Duper – Radio Free Alice, PolyesterThinking Loud – Royel Otis, Pratts & PainTwnty Three Pr – The Rions, Happiness In A Place It Shouldn’t Be
Independent Music Video of the YearClaudia Sangiorgi Dalimore – Emily Wurramara, Lordy Lordy Ft. Tasman KeithNick Rae, Jordan Ruyi Blanch – 3%, Won’t Stop Feat. Jessica MauboyPond – Pond, (I’m) Stung!Rosemary Whatmuff – Kasey Chambers, Backbone (The Desert Child)Stephanie Jane Day – Emma Russack, Everything Is Big
Independent Producer of the YearAlice Ivy – Do What Makes You HappyBonnie Knight – Coldwave, The Ants/Italia ’06Dave Hammer – Lime Cordiale, Enough Of The Sweet TalkNick Didia – Ocean Alley, TangerineNina Wilson – Ninajirachi, Girl Edm
Independent Mix, Studio or Mastering Engineer of the YearNick Herrera – Miss Kaninna, KaninnaRobert Muinos – Rowena Wise, Senseless Acts Of BeautyRohan Sforcina, Lachlan Carrick – Emma Donovan, Til My Song Is DoneSteven Schram – Crowded House, Gravity StairsTom Iansek – Tom Snowdon, Lonely Tree
We caught up with KATSEYE at Wango Tango and they shared their reaction to the public’s response to “GNARLY,” teasing new music coming soon, handling fame and more.
What do you think of “GNARLY”? Let us know in the comments!
Tetris Kelly:
Hanging out with KATSEYE at Wango Tango. How are you doing, ladies?
KATSEYE:
I’m good!
All right, you know what I gotta start talking about right now: “GNARLY.” I mean, you guys, I feel like you did something. You got the Internet a little bit shook right now. So how was it to put the song out and see everything that happened once it was out in the world?
It was definitely a gag for everybody. And this is like what we felt the moment that we first heard the song. So we were so happy when we saw everybody’s reactions, especially after our first performance. We just got back from Korea doing all this promotion. So we’re excited because today is our first performance here in the U.S. So we’re here to gag.
Yeah, no. And, I mean, that’s what it did. Because I love seeing people, like, watch the performance and be like, Oh, the girls that get it, clearly get it, you know what I mean? So how was it just like, get the choreography and see that that was what changed everybody’s opinion about the song.
I mean, it looks amazing.
She’s like the choreography is good. She’s like gang, gang, gang.
No, literally, like we’re shaking ass. We’re having fun. And I feel like the crowd really, like, just saw us being confident and selling it. And so we’re just super excited. And we 100% stand behind the song. We love it, and we mostly love performing it. So we’re really excited.
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Meghan Trainor talks about how “Mind Reader” with Mimi Webb came to life, how she’d love to work with KATSEYE, her fitness journey & more at Wango Tango.
Would you want a Meghan Trainor x KATSEYE collab? Let us know in the comments below!
Tetris Kelly:
‘Nah nah nah gnarly, everything’s gnarly.’ I love that you know that song, and love it already.
Meghan Trainor:
I love it. I’ve seen it 100 times.
At first I didn’t get it, and then I got it.
The ones that get it, get it. That’s how I get it.
Work with KATSEYE. I feel like that is two of my faves together. That’s something we should make happen.
Yeah, except like, how do I perform next to them yo? They’re the best dancers I’ve ever seen.
You got the moves. I think you can keep up.
Hi, I love you.
I love you, too. Speaking of collaborations-
Do you like the dress?
The dress looks amazing. I love the pink. Bringing it to Wango Tango. New song, Mimi Webb.
Do you like it?
I do love it. Tell me about the song and how it was to work with her.
She’s on my label, and so they called me and were like, would you ever work with Mimi Webb? And I was like, I love Mimi Webb. The biggest Mimi Webb fan there is, is my husband, Daryl [Sabara]. So he was like, “Please work with her.” And then we met, we fell in love. And then I wrote this chorus the night before because I wanted Daryl to be able to read my mind.
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Can Alex Warren’s “Ordinary” take over No. 1 from Kendrick Lamar & SZA’s “Luther”? Tetris Kelly: This is the Billboard Hot 100 top 10 for the week dated May 17th. Hanging in the top 10 is Morgan Wallen. “ANXIETY” is up a spot to nine, as is “Beautiful Things” to No. 8. “Lose Control” is […]