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Tetris Kelly:Taylor Swift’s The Tortured Poets Department has done a complete takeover. This is the Billboard Hot 100 top 10 for the week dated May 4. At No. 10 is “Guilty As Sin.” “Who’s Afraid of Little Oh Me?” is in at No. 9. Florence + The Machine joins Taylor at No. 8. “But Daddy […]

Music industry professionals are often reminded, it ain’t the glitter or the glamor, the magic is all in the song. And, yes, the delivery.
Cher’s “Believe” is a case in point.

The veteran entertainer dropped “Believe” in 1998, a dreamy club thumper that featured Cher’s vocals reimagined with the input of AutoTune. In the late ‘90s, no veteran mainstream artist was messing Autotune. Only Cher.

In 1999, Cher’s “Believe” went to No. 1 on the Billboard Hot 100, just days short of 25 years after her previous leader, 1974’s “Dark Lady.” That meant Cher had the longest gap between No. 1 hits in the chart’s history, Fred Bronson wrote in the Chart Beat column at the time.

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“Believe” took on another guise, had another life, this time when DMA’S performed the song live in 2016 for listeners of Australia’s triple j network. On this occasion, the song was stripped to its heartbroken bones, Tommy O’Dell’s impressive pipes driving it home. DMA’s are on fire. Their last two studio albums peaked at No. 4 and No. 3 in the U.K., the Aussie band’s spiritual home.

“Believe” reminded music fans about the power of a great song, and the importance of delivery, when Jack Blocker tackled this classic song on ABC‘s American Idol for a spot in the final eight.

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The 25-year-old native of Dallas, TX, Blocker turned “Believe” into a country number, and earned a standing ovation from the three mentors Luke Bryan, Katy Perry and Lionel Richie.

Blocker played in a student-led worship band at high school, is self-taught on guitar (using YouTube videos for guidance), and never had vocal coaching until he auditioned for this 22nd season of American Idol.

With his latest performance on season, he’ll believe he can go all the way.

America voted live, and Blocker won passage into the top 8 where he’s joined by Abi Carter, Emmy Russell, Julia Gagnon, Kaibrienne, McKenna Faith Breinholt, Triston Harper and Will Moseley.

Watch below.

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It’s a Taylor Swift double on the U.K. chart, as The Tortured Poets Department (EMI) opens at No. 1 and the U.S. pop star locks-up three of the top four on the national singles survey, including top spot.

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“Fortnight” featuring Post Malone debuts at No. 1 on the latest Official Chart, published Friday, April 26, ahead of Hozier’s “Too Sweet” (Island), down 1-2, and the TTPD title track, new at No. 3.

With that impeccable start, Swift snags her third career U.K. chart double, after ruling both charts simultaneously in 2022 with Midnights and its lead single “Anti-Hero,” and last year with 1989 (Taylor’s Version) and “Is It Over Now? (Taylor’s Version)”.

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The leader on the midweek chart, “Fortnight” becomes Swift’s fourth U.K. No. 1 single after “Look What You Made Me Do” (from 2017), “Anti-Hero” (2022) and “Is It Over Now?” (Taylor’s Version) (2023), and Malone’s second — and first in seven years – after 2017’s “Rockstar” with 21 Savage.

Also, TTPD track “Down Bad” (No. 4) enters the top 10 on debut, lifting TayTay’s career tally of top tier hits to 28 (no more than three songs from any one album can be eligible for the U.K. singles chart).

Meanwhile, U.S. singer and actor Sabrina Carpenter is running hot with “Espresso” (Island), up 6-5 for her career peak U.K. chart position.

Further down the tally, Drake’s Kendrick Lamar diss track “Push Ups” (OVO/Republic Records) debuts at No. 14, giving the Canadian superstar hip-hop artist his 93rd U.K. top 40 single.

There’s another U.S. country artist making an impression on the U.K. top 40, this time singer-songwriter Shaboozey with “A Bar Song (Tipsy)” (via American Dogwood/Empire), up 41-16. Shaboozey’s profile has enjoyed a boost in the U.K. after being featured on Beyoncé’s chart-topping LP Cowboy Carter. Dasha’s “Austin” (Warner Records) is still riding in the U.K. top 10, down 7-10.

Finally, Headie One’s “Cry No More” (Columbia), a collaboration with Stormzy and Tay Keith, bows at No. 33, for Headie’s 16th, Stormzy’s 31st and Tay Keith’s second U.K. top 40 appearance.

Nothing and no one could stop Taylor Swift’s irrepressible march to No. 1 in the U.K. as The Tortured Poets Department (via EMI) embarks on a record-setting romp.

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The clear leader at the halfway mark, Tortured Poets roars to No. 1 on the Official Chart, published Friday, April 26, for her 12th U.K. leader.

As previously reported, the new collection posts a career-best start for Swift, shifting 270,000 across the full chart week, outpacing her previous personal best of 204,000, when Midnights topped the chart in 2022.

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That’s the biggest opening week for any album in seven years – since Ed Sheeran’s 2017 hit ÷ (Divide), which locked up 670,000 first-week U.K. chart units. And it’s a greater first-week volume than Adele’s 2021 album 30, which accumulated 261,000 in its opening run, the Official Charts Company reports.

With a dozen leaders, Swift draws level with Madonna as the female artist with the most No. 1 albums in Official Albums Chart history. Only four acts in chart history have racked up more: The Beatles (16), The Rolling Stones (14), Robbie Williams (14) and Elvis Presley (13). Bruce Springsteen also has 12.

Tortured Poets joins Red (2012), 1989 (2014), reputation (2017), Lover (2019), folklore (2020), evermore (2020), Fearless (Taylor’s Version) (2021), Red (Taylor’s Version) (2021), Midnights (2022), Speak Now (Taylor’s Version) (2023) and 1989 (Taylor’s Version) in her collection of consecutive chart-toppers.

No other artist has notched up 12 leaders in such a short space of time, doing so in just 11 years and 6 months. That beats the Beatles, which chalked up as many No. 1s in 14 years and 1 month, between Please Please Me (May 1963) and The Beatles At Hollywood Bowl in June 1977.

Also, Swift extends her record as the only artist to claim 12 No. 1 albums in the 21st century, all of which came consecutively.

In non-TayTay news, Pearl Jam snags a best U.K. chart performance in 11 years with Dark Matter (Monkeywrench Records/Republic Records), new at No. 2, while British reggae act UB40‘s 21st studio album UB45 (Sono Recording Group) bows at No. 5.

It’s Friday, April 26th, and Doja Cat is getting backlash about her performance at Coachella, with many stating it wasn’t “safe for kids.” Normani released her new single featuring Gunna “1:59,” Anitta dropped her new album ‘Funk Generation’ and more. The Latin AMAs happened yesterday and we have all the updates from behind the scenes […]

It’s a Taylor Swift sweep on Australia’s charts, as The Tortured Poets Department (via Universal) and “Fortnight” blast to No. 1.
Tortured Poets opens at the summit of the ARIA Albums Chart, published Friday, April 26, for her lucky 13th leader in these parts.

With that result, Swift boasts the most No. 1 albums for a solo female artist in ARIA chart history, moving ahead of Madonna to claim outright third place.

The all-time leader among acts with the most chart-topping albums in Australia is Jimmy Barnes with 15 as a solo act (he had another five with Cold Chisel), followed by the Beatles with 14.

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Meanwhile, Swift scoops the chart double with “Fortnight” featuring Post Malone opening at No. 1 on the ARIA Singles Chart, for her 12th leader on that tally. With a dozen singles chart leaders, Swift sits third on the all-time list of artists here, trailing Elvis Presley (No. 14) and The Beatles (No. 26).

At the same time, she becomes the first artist to hold the entire top 10 on the singles chart, and establishes a new mark for the most singles in the top 50, with 29 on the current frame. That creams the old record of 20, set by Drake in 2021 and by herself in 2023.

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All 31 tracks from the double album impact the top 100, with “Robin” the lowest at No. 55. Three older songs sit in the top 100 (“Cruel Summer,” “Anti Hero” and “Lover”), meaning Swift has more than one-third of all songs in the top 100 (34). The previous record was 32 in one week, ARIA reports, held by Michael Jackson and Taylor.

Swift, whose The Eras Tour visited Australia in late 2023 for seven shows, is the only artist in ARIA history to replace themselves at No. 1 on the national albums tally. She has done it three times, including this month with Tortured Poets replacing Lover (earlier, in 2023, Speak Now (Taylor’s Version) replaced Midnights; and in March 2024, Lover replaced Midnights).

According to a statement issued late Friday by Universal Music Australia, Tortured Poets is the most-sold album on vinyl in ARIA history, the market’s most-streamed LP in its opening week, and the biggest album debut since Adele’s 25 in 2015.

Remarkably, only two of the U.S. pop superstar’s studio or re-recorded albums have failed to reach the summit in Australia — her self-titled debut, Taylor Swift (peaking at No. 33 in 2006) and Fearless (No. 2 in 2008). Fearless (Taylor’s Version) did, however, climb the summit in 2021.

In non TTPD-related ARIA Chart news, Pearl Jam bows at No. 2 with Dark Matter, the Seattle rock legends’ 12th studio album. Pearl Jam has had eight No. 1 albums in Australia: Vs. in 1993, Vitalogy in 1994, No Code in 1996, Yield in 1998, Binaural in 2000, Riot Act in 2002, Backspacer in 2009 and Lightning Bolt in 2013. Dark Matter is the followup to 2020’s Gigaton, which peaked at No. 3.

Shady’s back, and he’s hinting that it’s for the last time.
Eminem teases The Death Of Slim Shady (Coup De Grâce), a new album due out in summer 2024.

The Rock Hall-inducted emcee breaks the news by way of a viral video in the style of real crime show Unsolved Mysteries, which tells a narrative of how Em meets his end and asks the question, “who killed Slim Shady?”

It’s a tongue-in-cheek job, and features fellow rapper 50 Cent (who declares “he’s not a friend, he’s a psychopath”), vintage footage of the Detroit rapper, a bloody knife, and a pixelated, bearded Em in the hot seat.

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“Through his complex, tongue twisting and oft criticized rhymes, the blonde anti-hero known as Slim Shady has had no shortage of enemies,” explains the trench-coated narrator of the parody program, Detroit Murder Files. “The same rude lyrics and controversial antics might have ultimately led to his demise.”

The Death Of Slim Shady is the followup to the rapper’s 11th studio album from 2020, Music to Be Murdered By. That album landed at No. 1 on the Billboard 200, for Em’s historic 10th consecutive leader. Prior to that Eminem delivered another surprise with Kamikaze, which dropped in 2018 without any warning.

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Eminem was inducted into the Rock And Roll Hall of Fame in 2022, in a class that included Duran Duran, Eurythmics, Dolly Parton, Pat Benatar and Neil Giraldo, Lionel Richie and Carly Simon.

Em’s longtime collaborator Dr. Dre did the honors at the Rock Hall, and it was Dre who announced that a new Eminem album was on the way, spilling the beans on late night TV last month.

“Let me tell you something, let me explain something to you right now: Eminem is working on his own album which is coming out this year,” Dre said to cheers from the studio audience for Jimmy Kimmel Live, for his first late night appearance in 30 years. “And I actually talked to him and he said it okay for me to make that announcement right here on this show. So he has an album coming out, I’ve got songs on it and it’s fire. I’m actually gonna hear the entire album for the first time for tomorrow.”

The Rap God has dominated our news feeds in recent days. With the 2024 NFL draft upon up, Em, a Detroit Lions superfan, teamed up with commissioner Roger Goodell for a new ad hyping the 89th annual draft, taking place in Marshall’s hometown from April 25-27.

Also, the official video for Eminem’s 2004 song “Mockingbird” flew past 1 billion views earlier this week on YouTube, and the MC posted a single, powerful image on Instagram on Sunday honoring his 16th sober anniversary.

Deservingly so, Banda MS was honored with the Legacy AMA at the 2024 Latin American Music Awards.
The special award recognized the band’s more-than two decades of artistic career that began in 2003 in their native Sinaloa and eventually saw them become one of the biggest exponents of regional Mexican music around the world.

Presented by Eslabon Armado and Joss Favela, Banda MS took the stage to deliver an emotional speech, acknowledging the new generation of regional Mexican hitmakers. “More than 21 years ago, we started a dream in Mazatlán, Sinaloa, to be able to take this music to all the corners of the world, to fight for a purpose,” said frontman Oswaldo Silvas.

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He continued: “Not just to take the name of a band, but the name of the regional Mexican music, of a genre, all over the world. We have not yet achieved the purpose but we are still in the fight. The new generations have to achieve more than what we have achieved. Here we have a generation of musicians who have taken music to a new level and at home there is another generation that will take the genre to a higher level. To all those people who think we deserve this, thank you. Long live music, long live Mexican music.”

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Later that night, Banda MS — backed by their live musicians that power their banda sinaloense signature sound — took the stage to perform a show-stopping medley with real star power, bringing out artists like Carin León and A.B. Quintanilla. They kicked off with their latest hit, “Tu Perfume,” and were then joined by Los De La S for “Somos Los Que Somos.” Then, León joined the group to sing their collab “Ojos Cerrados” and Banda MS wrapped with special guest A.B. Quintanilla to sing the the party anthem “Es Viernes.”

The 2024 Latin American Music Awards took place Thursday, April 25, live from the MGM Grand Garden Arena in Las Vegas via Univision. Hitmakers Feid and Peso Pluma lead this year’s list of nominations with 12 nods each. The Colombian singer and Mexican star, who are up for the coveted artist of the year award and album of the year award, are followed by top nominees Bad Bunny (11), Grupo Frontera (11), Karol G (9), Shakira (9), Eslabon Armado (8) and Fuerza Regida (8).

Thalia, Becky G, Alejandra Espinoza and Carlos Ponce co-hosed the award ceremony that presented in a combination of English and Spanish, marking the first time any major U.S. award show featured a bilingual broadcast.

It’s Thursday, April 25th, and we can’t seem to get enough of Taylor Swift. The singer jetted off to a vacation with Travis Kelce, Bradley Cooper and Gigi Hadid. After the release of her new albums, ‘The Tortured Poets Department,’ Matty Healy finally responds about the songs about him in Taylor’s new album and Taylor […]

Tyla and Gunna’s hit “Jump” sits just outside the top 10, an oldie but goodie jumps to No.8, but who’s at No.1 on the TikTok Billboard Top 50 chart? Keep watching to find out! Tetris Kelly:A new song takes the top spot while another breaks into the top 10. Lay Bankz climbs from 11 into […]