bbnews
Page: 191
On Thursday afternoon (Sept. 7), BET announced their nominations for this year’s BET Hip-Hop Awards. Slated to take place live in Atlanta on Oct. 3, the 18th annual awards show will showcase the genre’s brightest talents. The ceremony will premiere on Oct. 10 at 9 PM ET/PT on BET. 21 Savage and Cardi B lead the […]
Miley Cyrus said she was filming a traumatic scene for Black Mirror at the same time the Woolsey Fire tore through Malibu and burned down her and ex-husband Liam Hemsworth’s home.As a result, the “Flowers” singer explained in a recent installment of her Used to Be Young TikTok series that she suffered from panic anxiety attacks years later.“I was filming Black Mirror and while I was there the Woolsey Fires happened in Malibu,” Cyrus said. “I was in South Africa but [the episode] was taking place in Malibu, so it was just a real trip. Two or three years after this happened, I didn’t understand, but I had this anxiety attack with a vision attached that I would be strapped down to a gurney.”The scene she was referring to was when her character, fictional pop star Ashley O, was tied down to a medical bed against her will in an episode of season five of the popular anthology series. The scene was also similar to the harrowing dreams she was having in real life.“I would have these dreams any time I would go to perform, and I thought that was just an anxious vision that made no sense,” she said. “But actually as my house was burning I was strapped to a gurney with my hands locked in handcuffs strapped to a bed [filming Black Mirror].
Explore
Explore
See latest videos, charts and news
See latest videos, charts and news
The following day, after her house was demolished by the wildfires, Cryus said in the TikTok video that she had to film the music video for Ashley O’s song “On a Roll,” which went on to receive more than 19 million views on YouTube.“Found out that my house had burned to the ground, and this was the next day of [filming],” she added. “The show must go on.”During her Used to Be Young TikTok series to celebrate her new single of the same name, Cryus has been looking back at earlier moments in her career as well as past relationships and friendships. Most recently, Cyrus talked about how she “didn’t make a dime” from her 2014 Bangerz Tour, as well as reminisced on falling in love with ex-husband Hemsworth while filming 2010’s The Last Song. She has also opened up about why she hasn’t toured in nearly a decade.
This article originally appeared in THR.com.
Los Angeles Azules add a new single to their collab portfolio with “El Amor De Mi Vida,” featuring Maria Becerra. The song flies 38-9 on Billboard’s Regional Mexican Airplay chart dated Sept. 9. It earns Becerra her first top 10 with her first entry.
“El Amor De Mi Vida” was released Aug. 18 via SeiTrack/Disa/UMLE. With a 38-9 surge it becomes the biggest jump for a song since Adan Chalino Sanchez’ “Nadie Es Eterno” equally climbed 29 rankings, from No. 33 to No. 4, in 2004.
“El Amor De Mi Vida” traces its top 10 ascent to a robust 178% percent gain in audience impressions, to 4.1 million, earned in the U.S. in the week ending Aug. 31, according to Luminate.
As the song arrives in the upper region, Becerra secures her first top 10 since the chart’s inception in 1994. Los Angeles Azules, meanwhile, log their 14th top 10 hit, after “Tú y Tú,” with Cazzu and Santa Fe Klan, crowned Regional Mexican Airplay for one week in May.
[embedded content]
As Los Angeles Azules register a new top 10 song, here’s the history of their top 10 hits:
Peak, Title, Artist, Peak Date, Weeks At No. 1No. 5, “Como Te Voy A Olvidar,” Jan. 25, 1997No. 3, “Me Haces Falta Tú,” April 18, 1998No. 7, “Quiero Ser,” Nov. 21, 1998No. 1, “El Listón De Tu Pelo,” Feb. 5, 2000, sevenNo. 8, “Sin Ti No Se Vivir,” Sep. 16, 2000No. 5, “Ni Contigo Ni Sin Ti,” featuring Pepe Aguilar, August 4, 2018No. 1, “Nunca Es Suficiente,” featuring Natalia Lafourcade, Jan. 26, 2019, threeNo. 2, “Amor A Primera Vista,” with Belinda & Lalo Ebratt featuring Horacio Palencia, Aug. 31, 2019No. 6, “Acaríñame,” with Julieta Venegas & Juan Ingaramo, Dec. 28, 2019No. 7, “Y La Hice Llorar,” featuring Abel Pintos, June 13, 2020No. 4, “Otra Noche,” with Nicki Nicole, March 12, 2022No. 4, “Cumbia Del Corazón,” con Carlos Vives, Nov. 26, 2022No. 1, “Tú Y Tú,” con Cazzu & Santa Fe Klan, May 20, 2023, oneNo. 9, “El Amor De Mi Vida,” y Maria Becerra, Sept. 9, 2023
Elsewhere, “El Amor” debuts at No. 29 on the overall Latin Airplay chart. It’s the highest start for Los Angeles within their 17 career entries. Prior, the Mexicans scored a No. 29 debut with “Acaríñame,” with Julieta Venegas and Juan Ingaramo, in 2019.
Becerra adds a seventh entry on Latin Airplay. Plus, she extends her record for the most entries by a woman on Billboard Argentina Hot 100 with 43 career entries.
El Fantasma captures his fifth No. 1 on Billboard’s Regional Mexican Airplay chart as “La Vida Cara” crowns the list dated Sept. 9. The single checks into the penthouse after a 13% gain in audience impressions, to 6.8 million, earned in the U.S. during the Aug. 25-31 tracking week, according to Luminate.
‘La Vida Cara” ascends 4-1 in its ninth week and unseats Carin León’s “Indispensable” from its three-week domination; the song dips 1-2.
El Fantasma scores his fifth No. 1 after coming short on his last appearance. Previously, “El Selectivo” reached No. 2 in April, where it held for three weeks. Prior, “Soldado Caído” lifted 3-1 in Oct. 2022.
With his fifth champ, El Fantasma becomes the sixth male artist with as many No. 1s on Regional Mexican Airplay since the list launched in 1994. Christian Nodal beats the race with 15. Here’s the recap:
15, Christian Nodal12, Gerardo Ortiz8, Marco Antonio Solis7, Vicente Fernández6, Alejandro Fernández5, El Fantasma
Notably, as “Vida Cara” lands at No. 1, collaborators Salvador Hurtado and Indalfer Ochoa, who share writing credits, achieve their first champ on any Latin radio list. Hurtado previously landed in the runner-up slot when La Fiera De Ojinaga’s “900 Cigarros” peaked at No. 1 on the Aug. 26-dated list.
Beyond its Regional Mexican Airplay coronation, “Vida” gifts El Fantasma his ninth top 10 on the overall Latin Airplay chart as the song climbs 15-5.
[embedded content]
Maluma’s ‘Don Juan’ debuts in the top 10: Elsewhere on Latin charts, Maluma picks up his sixth top 10 on Latin Rhythm Albums as Don Juan opens at No. 5 with 8,000 equivalent album units earned in week ending Aug. 31.
The 24-track Don Juan was released Aug. 25 via Sony Music Latin. Of the 8,000-unit week, 7,000 derives from streaming activity, equal to 10.3 million official on-demand audio and video streams for the album’s songs in its first week.
With Don Juan, Maluma logs his sixth top 10 effort on Latin Rhythm Albums out of seven chart entries. Before the No. 12-peaking The Love & Sex Tapes set in June 2022, his previous five releases all reached top 10, and three out of those topped the list – 2015 Pretty Boy, Dirty Boy earned the Colombian his first chart appearance and maiden No. 1, while F.A.M.E. (2018) and 11:11 (2019), both debuted at the summit and ruled for one week, respectively.
Don Juan was preceded by four songs on the multi-metric Hot Latin Songs chart, starting with “Sobrio,” which peaked at No. 11 in Oct. 2021. Meanwhile, three others debuted in 2023: “La Fórmula,” with Marc Anthony, “Diablo, Que Chimba,” with Anuel AA, and “Coco Loco,” all debuted and peaked at No. 33, No. 45, and No. 41 in Feb., April, and June, respectively.
Further, Don Juan debuts at No. 11 on Top Latin Albums, Maluma’s best chart performance since Papi Juancho debuted and peaked at No. 2 in 2020.
Sierra Ferrell and The War And Treaty are both officially Billboard Hot 100-charting artists, thanks to their featured appearances on Zach Bryan’s new smash LP Zach Bryan.
Explore
Explore
See latest videos, charts and news
See latest videos, charts and news
The set debuts at No. 1 on the Billboard 200 with 200,000 equivalent album units earned in its opening week (Aug. 25-31) in the U.S., according to Luminate. It’s the third No. 1 country album of 2023, so far, after Morgan Wallen’s One Thing at a Time and Taylor Swift’s Speak Now (Taylor’s Version), and the first rock No. 1 of the year. (The set is categorized as both a country and rock album.)
Bryan’s “Holy Roller,” featuring Ferrell, debuts at No. 37 on the Hot 100 purely on the strength of its first-week streaming sum: 12.1 million U.S. streams earned. That total helps the song open at No. 20 on the Streaming Songs chart. Genre-wise, it also starts at No. 14 on Hot Rock & Alternative Songs and No. 17 on Hot Country Songs. (The Hot 100, Hot Rock & Alternative Songs and Hot Country Songs charts all blend streams, sales and airplay data for their respective rankings.)
[embedded content]
Ferrell, from Charleston, West Virginia, is a newcomer to Billboard’s charts. The country/folk/bluegrass singer-songwriter scored her first overall chart appearance in September 2021, when her third, and most-recent LP, Long Time Coming, reached No. 15 on the Americana/Folk Albums chart and No. 25 on Top Album Sales.
She’s returned to Billboard’s charts once since then with her featured appearance on Ray LaMontagne’s “I Was Born To Love You.” The song climbed to No. 38 on the Adult Alternative Airplay chart in June 2022.
Outside of the charts, she’s released two additional solo LPs: Pretty Magic Spell in 2014, and Washington By The Sea in 2016. She’s also collaborated with Diplo (“Rain on My Mind,” also with Paul Cauthen), Shakey Graves (“Ready Or Not”), and Old Crow Medicine Show (“Belle Meade Cockfight”).
Next year, she’s scheduled to open for Bryan on his stops in Las Vegas and Denver on his Quittin Time Tour.
Bryan’s “Hey Driver,” featuring The War And Treaty, debuts at No. 14 on the Hot 100, also largely on the strength of its first-week streaming sum: 18.3 million U.S. streams, plus 1,000 downloads sold. The streaming sum also generates a No. 5 debut on the Streaming Songs chart. It concurrently debuts at No. 2 on Hot Rock & Alternative Songs and No. 5 on Hot Country Songs.
[embedded content]
The War And Treaty are a husband-and-wife duo, based in Albion, Mich., comprising Tanya and Michael Trotter Jr.
The pair are relatively new to Billboard’s charts. The act first appeared on a chart in 2018 with its second studio album Healing Tide. The set climbed to No. 11 on the Heatseekers Albums chart and No. 26 on the Independent Albums chart. Two years later, in 2020, the couple notched its first song entry on Billboard’s charts with “Five More Minutes.” It peaked at No. 20 on Adult Alternative Airplay.
Since then, the act’s third and fourth albums both charted on the Top Current Album Sales ranking: Hearts Town reached No. 70 in October 2020 and Lover’s Game peaked at No. 56 in March.
Aside from the charts, the War And Treaty have also collaborated with Shovels & Rope (“Tomorrow”), Blues Traveler (“Need Your Love So Bad”), Nitty Gritty Dirt Band (a star-studded cover of Bob Dylan’s “The Times They Are A-Changin,” also with Rosanne Cash, Steve Earle and Jason Isbell), and Dierks Bentley (a live cover of U2’s “Pride (In The Name of Love)”).
Outside of the War and Treaty, Tanya Trotter (née Blount) forged a successful career as a solo act in the ‘90s. She charted three solo songs on the Hot R&B/Hip-Hop Songs list (billed as Tanya Blount): “I’m Gonna Make You Mine” (No. 57 peak in 1994), “Through The Rain” (No. 27; 1994) and “Hold On” (No. 66; 1995).
“Through The Rain” also crossed over onto the Hot 100, reaching No. 90 in October 1994. The track appears on Trotter’s sole solo album, Natural Thing (released via Polydor Records), which climbed to No. 58 on the Top R&B/Hip-Hop Albums chart.
She first rose to prominence after she was cast in the 1993 Whoopi Goldberg film Sister Act 2: Back in the Habit—as the role of Tanya. She has a breakout moment in the film, when she sings “His Eye Is on the Sparrow” alongside future No. 1 Hot 100 artist Lauryn Hill. The duet appears on the soundtrack to the film, which reached No. 74 on the Billboard 200 in 1994.
Five years after making a move, Pitbull returns to WME.
The Grammy Award-winning rapper, singer and songwriter is once again represented by the talent agency worldwide in all areas.
The Cuban-American artist (real name: Armando Christian Pérez) originally signed with WME in 2017, leaving 17 months later for an arrangement with United Talent Agency.
His new deal is inked ahead of the release of his 12th studio album Trackhouse, named after the NASCAR racing team he co-owns.
The U.S.-born star returned to the road in 2022 for the North American Can’t Stop Us Now Tour with guests Iggy Azalea and Sean Paul, and his SiriusXM Globalization DJs play to heaving rooms across the country. Next month, he’ll embark on a major trek with Enrique Iglesias and Ricky Martin for The Trilogy Tour, produced by Live Nation.
It won’t be the first joint trek for these Latin stars. In 2017, Enrique Iglesias and Pitbull went on tour with CNCO as the opening act. The trek grossed $38 million and sold 415,000 tickets, according to Billboard Boxscore numbers.
“With billions of audio streams and video views plus hundreds of gold and platinum certifications,” reads a statement from WME, “Pitbull has one of the most impressive careers in music history along with being a force in brand partnerships.”
Outside of music, Pitbull founded Sports Leadership Arts and Management (SLAM!), tuition-free public charter schools across the U.S, and he has joined self-help guru Tony Robbins, for numerous speaking engagements around the world.
Earlier this year, the Miami, FL artist joined YouTube’s billion-views club for the fourth time with his Billboard Hot 100 leader from 2011, “Give Me Everything,” featuring Ne-Yo, Afrojack and Nayer.He previously reached the streaming milestone with his second Billboard Hot 100 No. 1 “Timber” (featuring Ke$ha), “Rain Over Me” (featuring Marc Anthony) and Jennifer Lopez’s “On the Floor.” “Give Me Everything”.
America’s Got Talent just found what it’s looking for — Putri Ariani.
Earlier in the competition, the Indonesian teenager blew minds and broke hearts with her audition, a performance of Elton John and Bernie Taupin’s “Sorry Seems to Be the Hardest Word.”
The gifted youngster lit up the screen, showcasing a delicate mix of pop tones, power, vocal maturity and unreal control, and earning the Golden Buzzer from judge Simon Cowell.
Explore
See latest videos, charts and news
See latest videos, charts and news
The 17-year-old is blind, an obstacle she overcomes when she’s performing. “When I’m singing I feel like a superstar,” she said earlier in the season.
On Tuesday night’s (Sept. 5) live qualifier, she sat at the grand piano, without backing or pyrotechnics, and delivered another lesson in talent.
Putri covered “I Still Haven’t Found What I’m Looking For,” an appropriate, spiritual number lifted from the U2’s The Joshua Tree from 1987, an album that confirmed U2 as the biggest band in the world.
When her latest performance wrapped, another standing ovation.
“I’m actually kinda speechless right now,” Cowell admitted. “What a beautiful voice you’ve got. What a beautiful version. And honestly Putri, this is why I still do this job. For moments like this, genuinely. That was so beautiful.”
Cowell noted that U2 personally cleared the song for Putri to sing on AGT. “They saw her audition,” he remarked. “And they knew how much this would mean to her.”
“I don’t think I’ve ever heard something more beautiful in my life,” said Sofia Vergara. “That was spectacular.” It was the “perfect, perfect, perfect act.”
Added Heidi Klum, “you sounded so beautiful and I thought to myself this probably is what it sounds like when an angel is singing. Literally. So beautiful. I do hope Bono gets to hear this.”
“Perfection,” was all Howie Mandel had to say.
Putri had the final word. She thanked Cowell, his fellow judges and supporters. “You already changed my life,” she enthused.
Now it’s America’s turn to vote.
Watch the performance below.
[embedded content]
Apple Music is doubling down on classical music with the acquisition of Swedish label BIS Records.
Following the launch earlier this year of its standalone app Apple Music Classical (AMC), the tech giant makes its move for BIS, a classical specialist which has operated since 1973.
The acquisition ticks several boxes for both parties.
For BIS, the timing, and its new teammates, were right. “A few days ago BIS Records turned 50 years old and I am immensely proud of what our small team of people has accomplished during this half-century,” writes BIS founder Robert von Bahr in a blog post.
Its strong suit, “while paying our dues to the core repertoire,” he continues, “has been to nurture young classical artists and interesting living composers and to safeguard the musical treasure that we all represent long into the future. It is to that end that, after much careful consideration, and having just turned 80, I am excited to announce the rather momentous news that we have made the decision to become part of the Apple family.”
For Apple, the hardware colossus with a market cap that’s fast approaching $3 trillion, its latest purchase is a statement of intent. Classical music is hot right now, the newest member of its family comes bearing the goods, with a catalog of contemporary composers and early music. And Apple wants ownership.
Apple made its splash in the classical water with the March launch of AMC, stemming from its August 2021 acquisition of Primephonic.
The new app, Apple boldly declared at the time, was the “ultimate classical experience” with the “largest classical music catalog,” boasting over 5 million tracks and works from new releases to recognized masterpieces.
The game is changing, fast. Last November, Deutsche Grammophon launched a new standalone streaming service, Stage+, catering to its own catalog and that of Decca Classics. And, recently, Universal Music Group bought Hyperion Records, and announced its asset would finally enter into the streaming age.
Following the latest transaction, BIS will become part of Apple Music Classical and its artist services service Platoon. Financial terms of the arrangement were not disclosed. At the time of writing, BIS Recordings were available on Apple’s DSPs and eClassical.
Von Bahr and his staff won’t be going anywhere. “As proud as I am of this milestone,” he writes, “I am even more proud of the fact that the entire personnel of BIS, including me, have been retained. We all look forward to a future, filled with new music and artists in golden sound from this increased force in classical music.”
Read more here.
Elliot Goldman, the veteran record executive who co-founded Arista Records, led BMG Music as president and CEO, and served in senior roles with Warner and CBS Records across a decorated career in music, has died at the age of 88.
Goldman joined CBS Records in the 1960s, rising to administrative vice president. Later, with Clive Davis, he established Arista Records, serving as executive VP and general manager at the very inception of the storied label.
“Clive and I formed Arista Records in 1973,” he recounted in an interview with Billboard published in 2015. “One of our first releases was from a gentleman you’ve probably heard of: Barry Manilow.”
Later, Goldman took on duties as senior VP at Warner Communications, and, in 1985, was named president and chief executive of RCA/Ariola International. When BMG parent Bertelsmann acquired RCA outright from the General Electric Company, the German media giant restructured the asset into three operating units; BMG Music, BMG Music International and Arista, all part of BMG. Goldman would guide BMG Music as president and CEO, departing in 1987.
”Elliot expertly managed RCA/ Ariola through very difficult corporate transitions and company restructuring,” Michael Dornemann, co-chairman of the Bertelsmann Music Group, remarked on his departure, The New York Times reported.
A graduate of Cornell, where he majored in political science, and of Columbia Law School, Goldman served on the board of directors of the RIAA, and on the board of directors and executive committee of the Rock And Roll Hall of Fame Foundation at its inception.
During his lifetime, he also served on the executive council of the T.J. Martell Foundation; was co-chairman of the Home Entertainment Division of UJA/Federation; founding member and president emeritus of the Music for Youth foundation; and a recipient of the AMC Cancer Research Center’s Humanitarian of the Year Award.
Goldman leveraged his considerable major label experience into consultancy work with a string independent and major record company clients throughout the 1990s.
Before entering the music industry, Goldman enjoyed various roles in government, including the position as head of the New York office for the 1964 election campaign of Senator Robert F. Kennedy.
Arista and J Records founder Clive Davis leads tributes to the late executive.
“Elliot Goldman played a substantial role in the history of Arista Records and strongly contributed to its success,” comments Davis in a statement. “He was also a great family man and Jill, Ben and the Goldman children have my deepest sympathy for this irreplaceable loss.”
He is survived by his wife of 56 years, Jill, his son Ben (Allysa Lawson Goldman), daughters Elizabeth and Cathy and his four grandchildren, Justin Goldman, Dylan Goldman, Sophie Gibbons and Olivia Gibbons.Ben and Justin have both carved out successful careers in music.
Doja Cat has another fine chance to capture her first U.K. chart crown with “Paint The Town Red.”
Based on midweek sales and streaming data published by the Official Charts Company, “Paint The Town Red” (via Kemosabe Records/RCA Records) is in pole position.
The U.S. pop singer and rapper will hope for a different result from last week, when “Paint The Town Red” led at the midweek stage, before being outraced in the final straight by Olivia Rodrigo’s “Vampire” (Geffen). Doja Cat’s Scarlet single finished the last chart cycle at No. 2, an equal career high (“Say So” also finished in the runner-up position).
Explore
See latest videos, charts and news
See latest videos, charts and news
As it stands, Taylor Swift’s “Cruel Summer” (EMI) lifts 4-2, as “Vampire” dips 1-3.
Meanwhile, Calvin Harris and Sam Smith’s latest collaboration, “Desire” (Columbia), could climb into the top 5 for the first time. It’s up 7-5 on the Official Chart Update.
Fred Again’s “Adore U” (Atlantic) could become the red hot producer’s first Top 10 single as a solo artist. “Adore U” rises 16-10 on the chart blast.
Australia’s pop princess Kylie Minogue is readying the release of her 16th studio album, Tension (due out Sept. 22 via BMG). The title track is set to arrive at No. 19 on the national chart, for what should be Kylie’s 53rd top 40 hit in the U.K. “Tension” is the followup to “Padam Padam,” which crashed the top 10 earlier this year, reaching No. 8.
English singer and songwriter Kenya Grace has never impacted the Official Singles Chart. That could be about to change, as “Strangers” (Major Recordings) blasts to No. 22 on the midweek tally.
Finally, Nicki Minaj’s “Last Time I Saw You” (Republic Records). The Pink Friday 2 cut could bow at No. 25, for what would be the rap star’s 44th U.K. top 40 single. Minaj’s Pink Friday sequel is due out Nov. 17.
The Official U.K. Singles Chart will be presented late Friday, Sept. 8.